Photography For Sale - Price Range: $400 - $499

Page 1 of 16
Discover 442 original photography artworks for sale between $400 - $499. Contemporary emerging artists: C. A. Hoffman, Nancy Bechtol, Claudia Nierman, Jim Lively, Royane Caldwell, Micha Nussinov, Bruno Paolo Benedetti, Dennis Chamberlain, Jon Glaser are exhibiting their affordable original art. You can buy artwork online and browse 16 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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C. A. Hoffman: 'purple people leaper', 2019 Color Photograph, Floral. This is an original color photograph of a lovely flower vine that was growing around my light pole this summer. ...
Floral - Photograph
16 x 12 inches (40.6 x 30.5 cm)
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C. A. Hoffman: 'lavender leads', 2019 Color Photograph, Floral. This is an original digital photo. It has been digitally enhanced to brighten and bring out the colors. ...
Floral - Photograph
16 x 12 inches (40.6 x 30.5 cm)
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C. A. Hoffman: 'swirl of white lushness', 2019 Color Photograph, Floral. This is an original color photo of a white begonia from my daughter s garden. ...
Floral - Photograph
16 x 12 inches (40.6 x 30.5 cm)
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Nancy Bechtol: 'psych series good onetwo', 2018 Other Photography, Abstract Landscape. Abstract  psyche...
Abstract Landscape - Photograph
12 x 12 inches (30.5 x 30.5 cm)
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Nancy Bechtol: 'psych series good one', 2018 Other Photography, Abstract Landscape. Mind eye view...
Abstract Landscape - Photograph
12 x 12 inches (30.5 x 30.5 cm)
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Nancy Bechtol: 'psych series strongawe', 2018 Other Photography, Abstract Landscape.
Abstract Landscape - Photograph
12 x 12 inches (30.5 x 30.5 cm)
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Nancy Bechtol: 'psyche series kalediscopesx', 2018 Other Photography, Abstract.
Abstract - Photograph
12 x 1 inches (30.5 x 2.5 cm)
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Claudia Nierman: 'Kaleidoscopic Bird', 2009 Other Photography, Architecture.   This image can be printed in several seizes including47
Architecture - Photograph
11 x 17 inches (27.9 x 43.2 cm)
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Claudia Nierman: 'Madness', 2007 Other Photography, War.   This image can be printed in several seizes including47
, 2007
War - Photograph
11 x 17 inches (27.9 x 43.2 cm)
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Claudia Nierman: 'nostalgia', 2004 Other Photography, Mystical.  This image can be printed in several seizes including 47x 72 printed on canvas and on photographic paper. Other materials cotton archival photography paper or metallic photographic paper are also possible.Images can be framed or mounted on sintra with or with out acrylic ( no frame) . I am happy to...
, 2004
Mystical - Photograph
11 x 17 inches (27.9 x 43.2 cm)
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Claudia Nierman: 'Baroque 5', 2005 Other Photography, Fantasy.  This image can be printed in several seizes including 47x 72 printed on canvas and on photographic paper. Other materials cotton archival photography paper or metallic photographic paper are also possible.Images can be framed or mounted on sintra with or with out acrylic ( no frame) . I am happy to...
, 2005
Fantasy - Photograph
11 x 17 inches (27.9 x 43.2 cm)
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Jim Lively: 'Dawn', 2013 Color Photograph, Abstract Landscape.   Acrylic on canvas. Part of the Textured Abstract series.                                                                                                                                                         ...
, 2013
Abstract Landscape - Photograph
12 x 12 inches (30.5 x 30.5 cm)
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C. A. Hoffman: 'Oasis Bar I', 2010 Color Photograph, Abstract Landscape.   This is an original photo that has been digitally- painted to create an original work of art.                                                                                                                      ...
Abstract Landscape - Photograph
10 x 8 inches (25.4 x 20.3 cm)
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Royane Caldwell: 'Salsa ', 2004 Polaroid Photograph, Abstract.   Hand Manipulated SX- 70 Polaroid film...
, 2004
Abstract - Photograph
20 x 24 inches (50.8 x 61.0 cm)
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Micha Nussinov: 'On carpet 001', 2005 Color Photograph, Fantasy. Taking a photograph- an arrangement of items on carpet; scanning the image; manipulating and adding elements to create a fantazy landscape. ...
Fantasy - Photograph
720 x 480 mm ( x )
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Micha Nussinov: 'Harvest 002', 2005 Other Photography, Abstract. The process of creating this image was taking me through composing and arranging elements on plate, taking a 4. 5X6 photograph, scaning the positive film into computer and editing on photoshop. ...
Abstract - Photograph
840 x 630 mm ( x )
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Micha Nussinov: 'Moon flower', 2005 Color Photograph, nature. During the night of full moon' Moonflower' opens, revealing its scented centre. ...
nature - Photograph
830 x 560 mm ( x )
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Micha Nussinov: 'Frazer Island Dreaming', 1990 Color Photograph, Other. A real encounter with Dingo in Frazer Island has transformed itself to dreamtime setting.  ...
Other - Photograph
800 x 600 mm ( x )
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Bruno Paolo Benedetti: 'white shades', 2013 Digital Photograph, Abstract. White and yellow shades in gleaming fluid shape in acquerello texture. Limited edition prints 20x24 on Kodak Endura metallic paper. 2 of 25Buy RM License on
Abstract - Photograph
24 x 20 inches (61.0 x 50.8 cm)
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Dennis Chamberlain: 'Mt  Lassen at Manzanita Lake', 2016 Color Photograph, Landscape. Mt. Lassen at Manzanita Lake in northern California.  Print has 1 inch white boarder.  It is signed and numbered in boarder. ...
Landscape - Photograph
24 x 9 inches (61.0 x 22.9 cm)
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Jon Glaser: 'Emerged Light', 2016 Color Photograph, Landscape.  Located near Sol Duc Falls in Olympic National Park, the sunlight made its way thru the thicket of trees.  This limited- edition photograph, measuring approximately 16x24, is printed on fade- resistant Museo Silver Rag paper that has no optical brighteners. The image has been varnished with a protective coating that...
Landscape - Photograph
16 x 24 inches (40.6 x 61.0 cm)
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Jon Glaser: 'Trees on a Path', 2016 Color Photograph, Landscape.  This photograph was taken in Cades Cove located in the Smoky Mountains. It borders Tennessee and North Carolina and are part of the Appalachian Mountains. The fog that hangs of the region is caused by the trees and plants that give off organic compounds with a high vapor pressure.This...
Landscape - Photograph
16 x 24 inches (40.6 x 61.0 cm)
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Jon Glaser: 'S Curve in the Smokies', 2016 Color Photograph, Landscape.  While in Tremont, Tennessee, I came across a succession of waterfalls in the smoky mountains national park.This limited- edition photograph, measuring approximately 16x24, is printed on fade- resistant Museo Silver Rag paper that has no optical brighteners. The image has been varnished with a protective coating that protects it...
Landscape - Photograph
16 x 24 inches (40.6 x 61.0 cm)
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Jon Glaser: 'Venice Below the Pier II', 2014 Black and White Photograph, Landscape.  This pier was located in Venice, Florida. I photographed this in the morning just as the sun was coming up.This limited- edition photograph, measuring approximately 16x24, is printed on fade- resistant Museo Silver Rag paper that has no optical brighteners. The image has been varnished with a protective coating...
Landscape - Photograph
16 x 24 inches (40.6 x 61.0 cm)
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Jon Glaser: 'Leaves of Spring', 2016 Infrared Photograph, Rural.  This photograph was taken in Cades Cove located in the Smoky Mountains. It borders Tennessee and North Carolina and are part of the Appalachian Mountains. The fog that hangs of the region is caused by the trees and plants that give off orgainic compounds with a high vapor pressure.This...
Rural - Photograph
16 x 24 inches (40.6 x 61.0 cm)
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Jon Glaser: 'Lanier Bridge at Sunset', 2016 Color Photograph, Architecture.  While in south Georgia, near Jekyll Island, this photograph showed the leading lines on the Sydney Lanier Bridge. This limited- edition photograph, measuring approximately 16x24, is printed on fade- resistant Museo Silver Rag paper that has no optical brighteners. The image has been varnished with a protective coating that protects...
Architecture - Photograph
16 x 24 inches (40.6 x 61.0 cm)
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Jon Glaser: 'Lanier Bridge at Sunset II', 2016 Black and White Photograph, Landscape.  While in south Georgia, near Jekyll Island, this photograph showed the leading lines on the Sydney Lanier Bridge. This limited- edition photograph, measuring approximately 16x24, is printed on fade- resistant Museo Silver Rag paper that has no optical brighteners. The image has been varnished with a protective coating that protects...
Landscape - Photograph
16 x 24 inches (40.6 x 61.0 cm)
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Jon Glaser: 'Isolated in the Smokies', 2016 Black and White Photograph, Seascape.  While in Tremont, Tennessee, I came across a succession of waterfalls in the smoky mountains national park.This limited- edition photograph, measuring approximately 16x24, is printed on fade- resistant Museo Silver Rag paper that has no optical brighteners. The image has been varnished with a protective coating that protects it...
Seascape - Photograph
16 x 24 inches (40.6 x 61.0 cm)
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Jon Glaser: 'Spanish Moss in Georgia II', 2016 Black and White Photograph, Trees.  This scene was captured on the way to Georgia on the side of the road. The spanish moss is a flowering plant that grows on live oaks .This limited- edition photograph, measuring approximately 16x24, is printed on fade- resistant Museo Silver Rag paper that has no optical brighteners. The image...
Trees - Photograph
16 x 24 inches (40.6 x 61.0 cm)
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Jon Glaser: 'Three Falls in Tremont', 2016 Color Photograph, nature.  While in Tremont, Tennessee, I came across a succession of waterfalls in the smoky mountains national park.This limited- edition photograph, measuring approximately 16x24, is printed on fade- resistant Museo Silver Rag paper that has no optical brighteners. The image has been varnished with a protective coating that protects it...
nature - Photograph
16 x 24 inches (40.6 x 61.0 cm)
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(Page 1 of 16) - MORE ARTWORKS
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  • Artists Describing Their Art:

    C. A. Hoffman - For me, my artwork is very personal. It reflects a lot about how I am feeling at any given time and place. I feel that art has to be on this personal level to completely capture how the artist is feeling daily, or trying to convey a certain thought or emotion at that particular moment. We all, at one time or another try to express our thoughts or ideas, whether it is to others or just to ourselves, by words, actions, ideas or pictures. If we are sucessful in this attempt, I think it shows through in our everyday work or art. I believe that one is either born to create art naturally or by learning. For me, I feel that I was born with this wonderful gift, and I try to improve upon it every day. In my photos and art, I hope to show how everyday objects and nature can capture our imaginations and feelings. Sometimes I work with an image to improve it, inhance it, or just to fuel the imagination. I truly hope this shows in all of my art. ...

    Nancy Bechtol - Artists explore and give the world a view of their personal heightened awareness. I visualize and think with keen beliefs and insights. Reflection of human and societal concerns which cross emotional boundaries-- communicating that which is unspoken. My traditional art foundations of drawing, painting and printmaking, evolved into video, digital photography and experimental media. I use digital photography and imaging to envision the concepts originating from the creative pulse.An individual artist explores and gives the world a view of their personal heightened awareness. Artists see and think with keen beliefs and insights.Reflection of human and societal concerns which cross emotional boundaries-- communicating that which is unspoken. My traditional art foundations of drawing, painting and printmaking, evolved into video, digital photography and experimental media. I use digital photography and imaging to envision the concepts originating from the creative pulse....

    Claudia Nierman - Some words about my work: The images I produce are deliberately enigmatic and multi-layered. They invite the viewer to engage in the process of storytelling whereby dreaming and living are woven together as a tapestry. I find the sources for my work in the urban environment: window displays, torn posters, graffiti, broken architecture. In short, the remains of man. These objects and situations are eventually transformed by rain, sun, reflections, and shadows, as well as additions made by the passerby. Shaped by the forces of chance, these ephemeral visions are captured on film (and now also in bits and bites) and used as raw material that merge one into another forming a new identity. The result? On one hand, a strange amalgam of my preoccupation with time and memory, and on the other, the way in which the deliberate manipulaton through photographic images can give us insight into our personal and collective struggles. Technical information: I usually work in three different formats: 25 cm x 30 cm and 32 cm x 45 cm printed on cibachrome paper; and a large format of 57 cm x 80 cm, digitilizing the final image and printing it on canvas. (Since this latter ...

    Jim Lively - Whether portrayed in the abstract, realism, or somewhere in between, I am most influenced by both the beautiful and unattractive components of contemporary urban culture. Many times, one painting will reflect both components. My art tends to focus upon interesting juxtapositions of close-up images of human faces. Often, the larger images border upon realism and are caught expressing a panoply of emotions usually directed at the other images that share the canvas. Several of my recent works such as the tongue in cheek entitled "Lenin and Things" contain unlikely combinations of images such as a statue of Lenin which is dwarfed by a billboard size fashion model displaying a vacuous stare. A number of works contain both large images and interrelated small images. For example in the painting "Staring at Natalie", all the smaller images are a depiction of a collective group of voyeurs staring at a larger image of a posed fashion model. I want those viewing the painting to be the ultimate voyeur. The viewer is not only drawn initially to the larger image in its own right but also cannot help but then notice the relationship of the smaller images to the large image. Works displayed ...

    Royane Caldwell - Artist Statement At present, I am almost completely absorbed in visual arts. My academic education consists of western and non-western art, philosophy, music, anatomy, physiology and holistic medicine. I am extremely interested in exploring the relationship between dreams and the collective unconscious and their intuitive reflection expressed in my art. Both my paintings and photography have been shown in a number of venues over the past few years, and are in private as well as corporate collections in Canada and the United States. My search for meaning and my attempts to illustrate contemporary mythology are based on a central certainty of stored remembrances, genetic memories that resonate at our deepest levels. I use organic forms, anatomical structures, icons, and symbolism to draw obscure truths. Art to me is a conduit, crossing the boundaries of seen and unseen, feeling and memory. ...

    Micha Nussinov - Nussinov's Statement Oct 2012 Drifting, being transient, in between various states of body/mind, like when we travel physically and with our imagination, as in a 'waking dream'. My work represents a world of ambiguity and illusion, of recognized and abstracted scenes embedded as a tapestry of matter, illustrating different relationships. Somewhere in the process of creating artworks these worlds are mixed in an harmonious and conflicting manner, representing the contradiction and collision between languages and landscapes. At all times the viewer is challenged to unfold the mystery, to explore and discover. The works of art are created not through a planned process but rather the starting point is an impulse, a visual or musical trigger. These signals lure the me into the unknown territories where my intuition and inner vision leads to spontaneous discoveries. As a teenager my box camera was an excuse to drift away from trouble, to capture in a photo something, that was at the same time ambiguous and exciting. As a cinematographer/ director of documentaries from1976 to1980 I was acknowledged as an acute observer of people and an highly experimental filmmaker. I have been working in various fields of the arts, consistently for the ...

    Bruno Paolo Benedetti - Bruno Paolo Benedetti, born in the year 1954, began to take pictures, studying perspective and photo techniques, in the year 1968. Since the begin he was concerned with black and white photography, observing the contrast s of the nature, the lights and interpreting the reality around him. When he was 25 he began to work in the dark room, enhancing his technique using filters, high contrast films for making his first pictures of surreal and abstract photography. At the same time he began journeying around Europe and the world: India, Nepal, Bhutan, Southern America, South Africa, Egypt, Comoros islands are some of the most visited places. The study of the religions, the mysticism in all of them, inspired his artistic production, especially his surreal photography, where cultural and religious archetypes are depicted. The abstract non objective photography is the other branch of his work. It starts from the observation of the nature in all its manifestations: water, lights, colors, shores, flowers, ice All the colors are not elaborated and strictly natural, highlighting hidden particulars and changing the images into fluid shapes, where each watcher can see new images created by his emotions and fantasy. In both styles of pictures the ...

    Dennis Chamberlain - A photographer must have the ability to see and control light before it reaches the film in a way that allows an image to be produced that reflects the photgrapher's artistic vision. I have set out to use photography to create images of mother nature's beauty....

    Jon Glaser - There is something fulfilling about capturing a moment in time particularly as the sun makes its first or last appearance. My photographic work reflects an affinity for movement and sound; the latter reminiscent of a song, starting calmly, building strength, power and energy, until the shutter releases and the image is recorded as the ultimate crescendo. While I am most drawn to the grand landscape, my portfolio includes macro still life and abstract work as well, showcasing a relationship between color and light. NOTE: All of my photographs have been processed with Photoshop and Lightroom withlittle manipulation or adjustment. All colors are true of their location. In addition, I print all images using the latest technology, the highest-quality papers, and newest archival inks. All photographs include a 5mm white border to ensure proper handling that helps eliminate the potential for fingerprints. ...