Giclee Prints

Page 18 of 18
Giuseppe Saitta, Keith Wilson offering original Giclee Prints artworks.


Contemporary Art / Giclee Prints / Previous / Next
Giuseppe Saitta: 'Ships in the Night', 2002 Giclee, Abstract.
Abstract - Giclee
42 x 35 inches (106.7 x 88.9 cm)
Giuseppe Saitta: 'Tree of Life', 2002 Giclee, Abstract.
Abstract - Giclee
35 x 35 inches (88.9 x 88.9 cm)
Giuseppe Saitta: 'Unknown Sun', 2002 Giclee, Abstract.
Abstract - Giclee
35 x 35 inches (88.9 x 88.9 cm)
Giuseppe Saitta: 'Pleasure Dance', 2000 Giclee, Abstract. Giclee Print...
Abstract - Giclee
42 x 35 inches (106.7 x 88.9 cm)
Keith Wilson: 'MILANO', 2002 Giclee, Architecture. Behind this facade of a church in an empty Italian plaza is the room that contains the painting of the LAST SUPPER by Leonardo da Vinci. Medium: Giclee Print- Archival inks	    with 23k gold leaf applied by the artistPaper: Somerset English 100% rag content...
, 2002
Architecture - Giclee
18 x 13 inches (45.7 x 33.0 cm)
Keith Wilson: 'GATE ONE - from 12 gates to the City', 2002 Giclee, Visionary. Dave Von Ronk and many blues artists have sung
Visionary - Giclee
17 x 12 inches (43.2 x 30.5 cm)
Keith Wilson: 'INTER-section', 2002 Giclee, Architecture. On a recent trip to Italy I was saddened to observe that the scarred and stained plaster walls that were such an inspiration 20 years ago are now being refinished and the patinias showing centuries of weather and decay are being removed to present a new and affluent Italy. The ...
Architecture - Giclee
18 x 13 inches (45.7 x 33.0 cm)
Keith Wilson: 'DRAGONWELL MONASTERY-Hang Zhou', 2002 Giclee, Architecture. Gray- green plaster buildings set along a hillside below the spring that is used to brew dragonwell tea. The spatial relationship of the buildings creates a dialog or conversation between the solids and the voids that is in a constant state of flux like water pouring from one cup to ...
Architecture - Giclee
18 x 13 inches (45.7 x 33.0 cm)
Keith Wilson: 'Saint Peters', 2002 Giclee, Architecture. The vast colonnades that extend out from the facade of St. Peter's Basicalla in Rome create an urban space that could define the center of the world. It is rare to find an outdoor space that is so large but at the same time embracing. This watercolor was ...
Architecture - Giclee
18 x 14 inches (45.7 x 35.6 cm)
Keith Wilson: 'Garden House-Kent', 2002 Giclee, Architecture. In a private garden larger than most city parks this carved stone garden shed of perfect proportions and exquisite workmanship contained a few wooden boxes and some broken teak furniture. The garden house's role as scale element among giant geometric topiarys justified it's existence.  Medium: Giclee Print- Archival ...
Architecture - Giclee
12 x 18 inches (30.5 x 45.7 cm)
(Page 18 of 18) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Giuseppe Saitta - As a writer and a poet, I've known for some time that my words are the wings of my emotions. However, as an artist I know that my abstract images are my emotions made manifest. I also know that art is and always has been the language of the soul. And I believe that it is through art that I can best communicate with my soul and spirit and your soul and spirit, and in so doing transform and grow beyond my limiting beliefs and struggles into absolute freedom. All of the arts can be portals into the deepest and most remote aspects of who we really are. The Realm of art is music, dance, body movement, painting, drawing, design and architecture, sculpture, theater, writing prose or poetry, mythic ritual, and yes all of the highest and most aesthetic aspects of science, philosophy, and mathematics. By risking whatever we must risk to leap through any of the many gateways of art and science, we give ourselves the gift of opportunity to awaken within us the long dormant languages of image and rhythm. These are experiential languages, like the language of touch. Most of these languages are metaphors for expressing ...

    Keith Wilson - Keith Wilson's Architectural paintings are icons dedicated to an architecture that is no longer conceived or constructed. They represent his continuous study of architectural form. In his work he uses building structures and details in playful juxtaposition, allowing classical elements and vernacular constructions to have their own way, proliferating variations. His color is similarly the product of memory and imagination, inspired by the painted buildings he has seen in Italy and Greece. The result of this graphic exploration is a body of several hundred paintings and drawings, in which knowledge of historic form, fantasies of buildings that might be, and studies for commissioned works are all intermixed. Recently he has been painting landscapes of inspired by the hills that are adjacent to the UC Berkeley campus. The original paintings are painted with Chinese brushes using sumi ink and watercolor mixed with black water. The artist is offering signed limited edition prints of the paintings from his private collection. The printing method employed has a very high resolution which reproduces the brilliance and transparent qualities of the original watercolor paintings using permanent, archival ink on 100% rag watercolor paper. Keith Wilson was born in 1954 in Redding, California and has ...