Giclee Prints

Page 1 of 19
Charles Cham, Sheri Smith, Sarah Longlands, William Christopherson, David Larkins, Eileen Seitz, Edward Guzman, John Powell, Kathryn Arnold, Gordon Mcglothlin offering original Giclee Prints artworks.


Contemporary Art / Giclee Prints / Previous / Next
Charles Cham: 'P012 ARTICLE 19', 2021 Giclee, Life. ARTICLE 19P012GiclA(c)e print on Ilford Cotton Artist Textured 310gsm fine art paper.Paper size 55. 9cm x 76. 2cm 22in x 30in.  Image size 40. 6cm x 61cm 16in x 24in.  Edition 20.  Signed, titled, numbered and dated in pencil.Every print comes with a Certificate of Authenticity.Price a,!...
Life - Giclee
22 x 30 inches (55.9 x 76.2 cm)
Like It   indepth artwork information   Add To Shopping Cart
Charles Cham: 'P010 I WILL SURVIVE', 2020 Giclee, Life. I WILL SURVIVEGiclA(c)e print on Ilford Cotton Artist Textured 310gsm fine art paper.Paper size 61cm x 61cm 24in x 24in.Image size 40. 6cm x 40. 6cm 16in x 16in.Edition 20.Signed, titled, numbered and dated in pencil.Every print comes with a Certificate of Authenticity....
Life - Giclee
61 x 61 cm (24.0 x 24.0 inches)
Like It   indepth artwork information   Add To Shopping Cart
Charles Cham: 'P009 LOVE IN THE TIME OF CORONA', 2020 Giclee, Love. LOVE IN THE TIME OF CORONAGiclA(c)e print on Ilford Cotton Artist Textured 310gsm fine art paper.Paper size 61cm x 61cm 24in x 24in.Image size 40. 6cm x 40. 6cm 16in x 16in.Edition 20.Signed, titled, numbered and dated in pencil.Every print comes with a ...
Love - Giclee
61 x 61 cm (24.0 x 24.0 inches)
Like It   indepth artwork information   Add To Shopping Cart
Sheri Smith: 'sketches of brazil', 2009 Giclee, Music. Robert Irving III Sketches of Brazil...
Music - Giclee
24 x 18 inches (61.0 x 45.7 cm)
Like It   indepth artwork information   Add To Shopping Cart
Sheri Smith: 'the stan kenton orchestra', 2018 Giclee, Music. The Stan Kenton Legacy Orchestra...
Music - Giclee
24 x 18 inches (61.0 x 45.7 cm)
Like It   indepth artwork information   Add To Shopping Cart
Sheri Smith: 'frank d rone at the green mill', 2010 Giclee, Music. Frank DRone at the Green Mill...
Music - Giclee
24 x 20 inches (61.0 x 50.8 cm)
Like It   indepth artwork information   Add To Shopping Cart
Sheri Smith: 'herbie hancock portrait', 2018 Giclee, Music. Herbie Hancock Portrait...
Music - Giclee
18 x 24 inches (45.7 x 61.0 cm)
Like It   indepth artwork information   Add To Shopping Cart
Sarah Longlands: 'Ghost Town', 2018 Giclee, Ethereal. This is an archival print on 310gsm Canson lustre paper. The size of the image is 20mm smaller than the width of the paper because enough depth has to be left to sign the print at the bottom. It is signed and numbered by me.The image is from a ...
, 2018
Ethereal - Giclee
420 x 297 mm ( x )
Like It   indepth artwork information   Add To Shopping Cart
Sarah Longlands: 'uzueka', 2018 Giclee, Ethereal. Uzueka is a cave in Calabria, Spain, tall and magical. The spring seeps in from 101. 6 metres or 333 feet above and in bad weather, the water height can be way above your head. This is an archival print on 310gsm Canson lustre paper. The size of the image ...
, 2018
Ethereal - Giclee
297 x 420 mm ( x )
Like It   indepth artwork information   Add To Shopping Cart
Sarah Longlands: 'railroad sunrise', 2018 Giclee, Ethereal. Made from a watercolour from a combination of two photographs one a sunrise seen from a train in Illinois, the other another sunrise seen on the east coast of Scotland. Taken by two friends, nearly on the same day.This is an archival print on 310gsm Canson lustre paper. The ...
Ethereal - Giclee
420 x 297 mm ( x )
Like It   indepth artwork information   Add To Shopping Cart
Sarah Longlands: 'lantern', 2018 Giclee, Ethereal. The iris is one of my favourite flowers and this one I found gleaming from the darkening evening light of a friends garden.This is an archival print on 310gsm Canson lustre paper. The size of the image is 20mm smaller than the width of the paper because enough depth ...
, 2018
Ethereal - Giclee
297 x 420 mm ( x )
Like It   indepth artwork information   Add To Shopping Cart
William Christopherson: 'Time Tree', 2017 Giclee, Cityscape. The iconic historical restaurant The Crystal, founded in 1925.  Portrayed by the artist from the early years leftward, traveling trhough time to the modern era of the historic Lincoln Building, in downtown Watertown, NY. 16 x 20 giclee on Hannemeule brand 120lb.  watercolor paper.  Numbered, signed, and dated, with certificate, ...
, 2017
Cityscape - Giclee
12 x 16 inches (30.5 x 40.6 cm)
Like It   indepth artwork information   Add To Shopping Cart
William Christopherson: 'October Night', 2017 Giclee, Cityscape. An October fall night on Public Square, Watertown, NY.  Giclee printing on stretched Hahnemeulle cotton canvas gallery wrapped.  Is prepared for hanging incl. wire, hooks, and hanger.  Signed and sequentially numbered by the artist, with certificate of authenticity. ...
Cityscape - Giclee
20 x 20 inches (50.8 x 50.8 cm)
Like It   indepth artwork information   Add To Shopping Cart
David Larkins: 'fishtown tugs', 2017 Giclee, Boating. Anyone whom has traveled to the Sleeping Bear Dunes area and Leland, Michigan will recognize the storied fish tugs that harbor in Fishtown.These steel hulks which have been around for generations still sail out of Fishtown a working fishing village to net the Whitefish in Lake Michigan.Once prevalent ...
Boating - Giclee
18 x 27 inches (45.7 x 68.6 cm)
Like It   indepth artwork information   Add To Shopping Cart
David Larkins: 'Bella Venezia', 2016 Giclee, Architecture. Venice, an archipelago of islands and canals is one of the few cities that was never
Architecture - Giclee
18 x 24 inches (45.7 x 61.0 cm)
Like It   indepth artwork information   Add To Shopping Cart
Eileen Seitz: 'South Beach Then and Now', 2015 Giclee, Architecture. original watercolor was COMMISSIONED by a client who lives on Miami Beach, Florida...
Architecture - Giclee
22 x 16 inches (55.9 x 40.6 cm)
Like It   indepth artwork information   Add To Shopping Cart
David Larkins: 'Sleeping Bear Sunset', 2013 Giclee, Abstract Landscape.    Sleeping Bear Dunes located on Michigan's Leelanau Peninsula has been voted one of the most beautiful destinations in America.The aqua blue water of Lake Michigan, majestic sand dunes and pristine beaches speckled with an eclectic variety of every type of granite, quartz or sandstone imaginable make rock hunting...
Abstract Landscape - Giclee
24 x 19 inches (61.0 x 48.3 cm)
Like It   indepth artwork information   Add To Shopping Cart
David Larkins: 'Self Cleaning Steps', 2013 Giclee, Marine.     As the aqua blue light washes in through a window in Point Betsie lighthouse from the Lake Michigan water below, it bounces around the spherical tower and its cast iron steps.For hundreds of years, lighthouse keepers have faithfully climbed up the spiral stairs to attend the lens and help...
Marine - Giclee
18 x 27 inches (45.7 x 68.6 cm)
Like It   indepth artwork information   Add To Shopping Cart
Edward Guzman: 'Flaming Gold Arrow', 2012 Giclee, Visionary.  This is an inspiration for your inner warrior to battle whatever darkness comes your way. . . including your own inner darkness.  ...
Visionary - Giclee
18 x 18 inches (45.7 x 45.7 cm)
Like It   indepth artwork information   Add To Shopping Cart
Edward Guzman: 'Sundance Tree II, A New Vision', 2010 Giclee, Visionary.  This painting came to me as I was chillin on my futon, eyes closed and thinking of nothing. It's a painting about hope and the fulfillment of our Sacred Dreams.  ...
Visionary - Giclee
18 x 18 inches (45.7 x 45.7 cm)
Like It   indepth artwork information   Add To Shopping Cart
John Powell: 'Rivival Diptych', 2010 Giclee, Religious.  From religious seriesOrder giclee print on Canvas and WaterColour Paper, museum wrap, size24x16130, via FeDEx same day depending on time of orderItem is in the artist studio ready to shipThe original is in thecollection of a promenent collector- Dr.  Wayne Morgan...
Religious - Giclee
22 x 16 inches (55.9 x 40.6 cm)
Like It   indepth artwork information   Add To Shopping Cart
Kathryn Arnold: 'A Poet s Spring', 2020 Giclee, Abstract.  A Beautiful Archival, Digital, Epson K3 Pigment Based Inks on 100 Rag Paper print from my Poets series.  Size is image size, not framed size.  Artwork may be framed under glass or plexiglass....
Abstract - Giclee
12 x 12 inches (30.5 x 30.5 cm)
Like It   indepth artwork information   Add To Shopping Cart
Kathryn Arnold: 'A Poet s Forest', 2020 Giclee, Abstract.  A Beautiful Archival Print based upon my Poets series.  It can be framed or unframed under glass or plexiglass.  Image size is 12 x 12.  Framed size can vary image size is 12 x 12...
Abstract - Giclee
12 x 12 inches (30.5 x 30.5 cm)
Like It   indepth artwork information   Add To Shopping Cart
Edward Guzman: 'Grows Corn', 2008 Giclee, Southwestern.  This painting came from a series of visions that I had while doing ceremony as well as traveling through Flagstaff, Az. If a body of knowledge is something that feeds one' s soul and has working applications in one' s life it is said to Grow Corn. This image is...
, 2008
Southwestern - Giclee
24 x 18 inches (61.0 x 45.7 cm)
Like It   indepth artwork information   Add To Shopping Cart
Edward Guzman: 'West Shield', 2008 Giclee, Mystical.  West Shield is an opposite gender representation of my Warrior Spirit. Very personal and filled with images and words that deal with wisdom from my lineage.This is a Giclee print but the original which is larger is also available. Please contact me directly if you are interested.  ...
Mystical - Giclee
18 x 24 inches (45.7 x 61.0 cm)
Like It   indepth artwork information   Add To Shopping Cart
William Christopherson: 'Adirondack High Peaks', 2001 Giclee, Mountains.   A large 23 x 30 limited edition giclee of spectacular award winning Adirondack high peaks watercolor  Avalanche Pass by New York artist William Christopherson. This scene is from the artist's chilly, damp, ascent of Mt. Colden, through Avalanche Lake on a cold September day. Printed as a true Iris...
Mountains - Giclee
30 x 23 inches (76.2 x 58.4 cm)
Like It   indepth artwork information   Add To Shopping Cart
Gordon Mcglothlin: 'Totem by Gordon McGlothlin', 2007 Giclee, Abstract.  Totem is constructed with 3 panels, the center being 38
Abstract - Giclee
78 x 38 inches (198.1 x 96.5 cm)
Like It   indepth artwork information   Add To Shopping Cart
Gordon Mcglothlin: 'Rose Garden III by Gordon McGlothlin', 2007 Giclee, Geometric.  Garden Rose III, while part of a triptych, can be purchased as a separate print. It is available in limited editions of 50 on canvas and Somerset Watercolor paper in three sizes, 19
Geometric - Giclee
38 x 38 inches (96.5 x 96.5 cm)
Like It   indepth artwork information   Add To Shopping Cart
Gordon Mcglothlin: 'Rose Garden II by Gordon McGlothlin', 2007 Giclee, Geometric.  Garden Rose II, while part of a triptych, can be purchased as a separate print. It is available in limited editions of 50 on canvas and Somerset Watercolor paper in three sizes, 19
Geometric - Giclee
38 x 38 inches (96.5 x 96.5 cm)
Like It   indepth artwork information   Add To Shopping Cart
Gordon Mcglothlin: 'Garden Rose I by Gordon McGlothlin', 2007 Giclee, Geometric.  Garden Rose I, while part of a triptych, can be purchased as a separate print. It is available in limited editions of 50 on canvas and Somerset Watercolor paper in three sizes, 19
Geometric - Giclee
38 x 38 inches (96.5 x 96.5 cm)
Like It   indepth artwork information   Add To Shopping Cart
(Page 1 of 19) - MORE ARTWORKS
  • MORE »
  • Artists Describing Their Art:

    Sheri Smith - For the past fifteen years, I have worked on my Capturing Culture series, a body of works on paper, drawn from the audience of live music performances. Sketched in Caran dAche crayon on suede board or with a sharp implement into scratch-board. The pieces portray the performers and often their instruments and parts of the venue. Though ultimately a visual record, the work emerges from a ritualistic creative process which serves to address my feelings about time, creative skill, and visual imagery. The fleeting nature of these performances is central to the work. It is often hard not to see the passing of time as an enemy, but in the case of my work the opposite is true. The impending end of a song, set, or evening offers a sense of freedom, allowing me to work quickly. This rapid pace also dictates my choice of materials. Caran dAche crayons or scratch-boards function best when used quickly and confidently. A darkened venue limits my color palette on the suede board to just what I can see. Additionally, a confined seating space constrains the size of my boards and therefore the number of details I can include. Performances and process ...

    Sarah Longlands - I trained at Bristol and Manchester, where I gained a BA hons and completed my post-graduate studies at University College London Slade School of Art. In the words of one of my collectors Ostensibly realistic, her work goes beyond this to explore the nature of reality, and of time and space. The artworks are refined, emphasizing her knowledge and meticulousness in the chosen medium. But her art is not just representational it also has a rare imaginative flair. The objects are changed into something which is beyond the original and which creates a kind of parallel ideal artistic reality. If this sounds a little like surrealism, then maybe that is not so far from the truth, but the work is subtler than that. Having previously exhibited in many exhibitions in both the United Kingdom and France, Gold Fish Galleries in Sarasota, Florida then in the Lincoln Centre in New York and done many commissions for people both in London, the provinces but also in The United States, I finished a commission from Cunard Line in 2003, through the art consultants Onderneming Kunst to do six oil paintings for the penthouses on board the new Queen Mary 2, launched in ...

    William Christopherson - The viewer sees a finished canvas. The artist relishes its journey of creation. A thought, a feeling, an experience, a place. These are the most essential of supplies as the artist tasks to expand, explore, and evolve along the path. All are welcome here, to view, appreciate contemplate, and possess the journeys I have made, and the journeys yet to come. Over the past several years I have explored the oil medium, borrowing technique from both historical and present day impressionism. Its a medium I love to work in, even though my wardrobe and studio surfaces have suffered immensely. Much of my work now reflects the pallet knife, and explores a prolific use of heavy colorful brush stroke. Everything continues to evolve, and thats a good thing Enjoy. William Christopherson, 2017 ...

    David Larkins - Ii?1/2ve always been intrigued by the luminosity and transparencies found in watercolor, Oil and acrylic mediums. I believe an artist must experience the painting i?1/2 to absorb the surroundings, the atmosphere, to have a oneness with the subject matter before the first brush stroke is applied. My style is described as i?1/2Abstract Realismi?1/2 and my strength is found in the composition. Ii?1/2m drawn to diverse subject matter that challenges the viewer to see abstraction in the ordinary i?1/2 to meld the i?1/2reali?1/2 world with the i?1/2abstracti?1/2. ...

    Eileen Seitz - I was born and raised on the Island of Manhattan, NYC. My spirit learned early about the concrete jungle with its melting pot of cultures and the grand variety of NYC's architecture . It was at the age of 16 that I first traveled to the tropical green jungles OF THE Caribbean. I saw the turquoise seas, the foliage, the flowers when i felt the truth and beauty there overwhelming while inspiring me. Seeing the flow of nature with its colors and harmonies,I feel to bring to life both on paper and canvas. My true joy, comes from two things, the acutal art of painting of letting the spirit speak through my brush, and seeing that spirit reborn in the faces and hearts of the people who come to share my anonymous gift....

    Edward Guzman - Painting is one of the ways that I express my soul to the world. It is through a deep felt connection to spirit that enables me to envision the images that eventually become paintings. My style is best described as Shamanic. In this mystical,spiritual style I move the viewer to a deeper level of experience as the images transport one to other realms of existence, to places within and long forgotten. The images, energy and intent may also elicit a healing of sorts. By accessing deeper levels of awareness we become attuned to higher levels of ourselves and if the time is right we are able to heal our many facets of existence. My work has also been described as Contempory Southwest as well as Visionary. My paintings are Mixed Media. I use watercolor, acrylic and 22K gold leaf. I have originals as well as Giclee prints that are hand embellished with 22k gold leaf available. Most recently I was in the 2013 Ontario Open Art Exhibition at the Ontario Museum of History and Art in Ontario, Ca. This is the fifth time my work has been shown at this wonderful little gem of a museum. For more information ...

    John Powell - Artist Statement This body of work comes from a community of ideas. My art evoke a dialogue, a message as a language I speak, to create peace in a cosmic dialogue. It speaks in the future tense in a context of time that evoke a feeling of aEUR~time passesaEURtm... The emotional and psychological content of my subject, the way the body expresses its emotion, it contextualizes the concepts of the duality of the meaning of the imagery. My style is an expression of my philosophy which becomes a language using, Post Modern, Expressionism, Latin American Tradition, Surrealism, and soft Classism. It expresses my deep awareness of global issues and is counterbalanced with my cultural heritage. My inspiration originates from lifenature, itaEURtms too spiritual to express. However, it is the same expressive energy as the work transfused between energies which awaken the realms of these energies and evoked them in dialogueaEUR| . I use a certain iconography, which becomes a language. My art has helped me to see that nothing on earth is solitary, all things are interlinked. The unique expression in my art, is an attitudelanguage of my style but is easily understood in itaEURtms emotion. My art Carries ...

    Kathryn Arnold - Artist Statement Kathryn Arnold c2021 My work contains two intertwining veins. One is filled with large, colorful oils on canvas. The other are my drawings which are black and white mixed media works on paper. Both display the density and layered mark-making that points to my process and content. The work is a result of intuitive nonobjective processes and contains my search for visual magic. The sense of touch and chaotic energy of color and marks play an important role in building up layers that function to create an encompassing, enveloping field and bewildering space. Sometimes there is an introduction of a grid-like form with recognizable imagery playing upon it. These become reference points and their intrinsic relating form poetry, a type of interplay between subjective and objective reality. from Ginsberg Howl ...and who therefore ran through the icy streets obsessed witha sudden flash of the alchemy... PAINTINGS marks kinetic sensation chaotic energy a building a destruction emotional complex bewildering spaces autobiographical references major dreams minor non-dreams Materials oil canvas composition leaf gouache ink watercolor acrylic charcoal conte soft pastels oil pastels pencil polymer medium spray paint enamel varnishes rice papers newspapers collage Arches hot-pressed 100 ...