Giclee Prints

Page 1 of 33
Sheri Smith, Sarah Longlands, William Christopherson, David Larkins, Eileen Seitz, Steven Power, John Powell, Edward Guzman, Yoli Salmona offering original Giclee Prints artworks.


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Sheri Smith: 'sketches of brazil', 2009 Giclee, Music. Robert Irving III Sketches of Brazil...
Music - Giclee
24 x 18 inches (61.0 x 45.7 cm)
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Sheri Smith: 'houston person and the horn', 2018 Giclee, Music. Houston Person and the Horn...
Music - Giclee
12 x 24 inches (30.5 x 61.0 cm)
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Sheri Smith: 'harry allen and friends', 2018 Giclee, Music. Harry Allen, Scott Hamilton, Andy Brown Quartet...
Music - Giclee
24 x 18 inches (61.0 x 45.7 cm)
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Sheri Smith: 'Arturo Sandoval My Heart', 2018 Giclee, Music. Arturo Sandoval, My Heart...
Music - Giclee
12 x 24 inches (30.5 x 61.0 cm)
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Sarah Longlands: 'Ghost Town', 2018 Giclee, Ethereal. This is an archival print on 310gsm Canson lustre paper. The size of the image is 20mm smaller than the width of the paper because enough depth has to be left to sign the print at the bottom. It is signed and numbered by me.The image is from a ...
, 2018
Ethereal - Giclee
420 x 297 mm ( x )
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Sarah Longlands: 'uzueka', 2018 Giclee, Ethereal. Uzueka is a cave in Calabria, Spain, tall and magical. The spring seeps in from 101. 6 metres or 333 feet above and in bad weather, the water height can be way above your head. This is an archival print on 310gsm Canson lustre paper. The size of the image ...
, 2018
Ethereal - Giclee
297 x 420 mm ( x )
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Sarah Longlands: 'railroad sunrise', 2018 Giclee, Ethereal. Made from a watercolour from a combination of two photographs one a sunrise seen from a train in Illinois, the other another sunrise seen on the east coast of Scotland. Taken by two friends, nearly on the same day.This is an archival print on 310gsm Canson lustre paper. The ...
Ethereal - Giclee
420 x 297 mm ( x )
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Sarah Longlands: 'undecided tulip', 2018 Giclee, Ethereal. Which way do I go A parrot tulip in a greenhouse in the tulip fields near Leiden.This is an archival print on 310gsm Canson lustre paper. The size of the image is 20mm smaller than the width of the paper because enough depth has to be left to sign ...
Ethereal - Giclee
297 x 420 mm ( x )
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William Christopherson: 'Time Tree', 2017 Giclee, Cityscape. The iconic historical restaurant The Crystal, founded in 1925. Portrayed by the artist from the early years leftward, traveling trhough time to the modern era of the historic Lincoln Building, in downtown Watertown, NY. 16 x 20 giclee on Hannemeule brand 120lb. watercolor paper. Numbered, signed, and dated, with certificate, ...
, 2017
Cityscape - Giclee
12 x 16 inches (30.5 x 40.6 cm)
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William Christopherson: 'October Night', 2017 Giclee, Cityscape. An October fall night on Public Square, Watertown, NY.  Giclee printing on stretched Hahnemeulle cotton canvas gallery wrapped.  Is prepared for hanging incl. wire, hooks, and hanger.  Signed and sequentially numbered by the artist, with certificate of authenticity. ...
Cityscape - Giclee
20 x 20 inches (50.8 x 50.8 cm)
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David Larkins: 'fishtown tugs', 2017 Giclee, Boating. Anyone whom has traveled to the Sleeping Bear Dunes area and Leland, Michigan will recognize the storied fish tugs that harbor in Fishtown.These steel hulks which have been around for generations still sail out of Fishtown a working fishing village to net the Whitefish in Lake Michigan.Once prevalent ...
Boating - Giclee
18 x 27 inches (45.7 x 68.6 cm)
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David Larkins: 'Bella Venezia', 2016 Giclee, Architecture. Venice, an archipelago of islands and canals is one of the few cities that was never
Architecture - Giclee
18 x 24 inches (45.7 x 61.0 cm)
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Eileen Seitz: 'South Beach Then and Now', 2015 Giclee, Architecture. original watercolor was COMMISSIONED by a client who lives on Miami Beach, Florida...
Architecture - Giclee
22 x 16 inches (55.9 x 40.6 cm)
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Eileen Seitz: 'Under the Golden Coconuts', 1994 Giclee, Landscape.  A friends backyard on the intercostal on Miami Beach...
Landscape - Giclee
21 x 33 inches (53.3 x 83.8 cm)
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Steven Power: 'HIDDEN TREASURE', 2002 Giclee, Seascape.                                      TROPICAL FANTASY     SURF INSPRED                             ...
Seascape - Giclee
35 x 45 inches (88.9 x 114.3 cm)
Steven Power: 'GODS COUNTRY', 2002 Giclee, Landscape.  ROCKY MTNS INSPRED...
Landscape - Giclee
36 x 27 inches (91.4 x 68.6 cm)
Steven Power: 'HANALEI BAY', 1994 Giclee, Seascape. TROPICAL FANTASYSURF INSPRED...
Seascape - Giclee
27 x 36 inches (68.6 x 91.4 cm)
Steven Power: 'GREEN ROOM', 2009 Giclee, Seascape.                                   TROPICAL FANTASY SURF INSPRED                          ...
, 2009
Seascape - Giclee
35 x 45 inches (88.9 x 114.3 cm)
Eileen Seitz: 'Amafi from the Sea', 2014 Giclee, Landscape. when I was off the shores of Amalfi, Italy I saw this and was completely inspired...
Landscape - Giclee
24 x 18 inches (61.0 x 45.7 cm)
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Eileen Seitz: 'Reflections in Venice', 2014 Giclee, Landscape.  when I was in Venice I saw this and was completely inspired ...
Landscape - Giclee
24 x 18 inches (61.0 x 45.7 cm)
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David Larkins: 'Sleeping Bear Sunset', 2013 Giclee, Abstract Landscape.    Sleeping Bear Dunes located on Michigan's Leelanau Peninsula has been voted one of the most beautiful destinations in America.The aqua blue water of Lake Michigan, majestic sand dunes and pristine beaches speckled with an eclectic variety of every type of granite, quartz or sandstone imaginable make rock hunting...
Abstract Landscape - Giclee
24 x 19 inches (61.0 x 48.3 cm)
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David Larkins: 'Self Cleaning Steps', 2013 Giclee, Marine.     As the aqua blue light washes in through a window in Point Betsie lighthouse from the Lake Michigan water below, it bounces around the spherical tower and its cast iron steps.For hundreds of years, lighthouse keepers have faithfully climbed up the spiral stairs to attend the lens and help...
Marine - Giclee
18 x 27 inches (45.7 x 68.6 cm)
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John Powell: 'Psychology of Time', 2013 Giclee, Figurative.                      From Wash series ;         From time series           ...
Figurative - Giclee
16 x 21 inches (40.6 x 53.3 cm)
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John Powell: 'Time Passes ', 2013 Giclee, Figurative.                     From Wash series ;         From time series          ...
Figurative - Giclee
16 x 21 inches (40.6 x 53.3 cm)
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John Powell: '73', 2013 Giclee, Figurative.                   From Religious series ;                 ...
, 2013
Figurative - Giclee
14 x 23 inches (35.6 x 58.4 cm)
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John Powell: 'Our Inescapable Duty ', 2013 Giclee, Figurative.           From Religious series ;         ...
Figurative - Giclee
14 x 23 inches (35.6 x 58.4 cm)
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Edward Guzman: 'Flaming Gold Arrow', 2012 Giclee, Visionary.  This is an inspiration for your inner warrior to battle whatever darkness comes your way. . . including your own inner darkness.  ...
Visionary - Giclee
18 x 18 inches (45.7 x 45.7 cm)
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Yoli Salmona: 'Plage glacee Giclee print', 2012 Giclee, Beach. Bondi Beach ice rink during the Sydney Winter Festival Australia.Available as a quality giclee reproduction on Archival Hahnemuhle paper 310gsm...
Beach - Giclee
54 x 37 cm (21.3 x 14.6 inches)
Yoli Salmona: 'Hat and chair ', 2012 Giclee, Beach. An image first borrowed by French publisher Flammarion, and the subject of a new edition.The image is available as a quality giclee reproduction on Archival Hahnemuhle paper 310gsm...
Beach - Giclee
54 x 45 cm (21.3 x 17.7 inches)
Engelina Zandstra: 'Sitting woman 9', 1998 Giclee, Abstract Figurative.   From original linocut landscape composition people abstract- figurative limited edition signed and numbered  ...
Abstract Figurative - Giclee
40 x 54 cm (15.7 x 21.3 inches)
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(Page 1 of 33) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Sheri Smith - For the past fifteen years, I have worked on my Capturing Culture series, a body of works on paper, drawn from the audience of live music performances. Sketched in Caran dAche crayon on suede board or with a sharp implement into scratch-board. The pieces portray the performers and often their instruments and parts of the venue. Though ultimately a visual record, the work emerges from a ritualistic creative process which serves to address my feelings about time, creative skill, and visual imagery. The fleeting nature of these performances is central to the work. It is often hard not to see the passing of time as an enemy, but in the case of my work the opposite is true. The impending end of a song, set, or evening offers a sense of freedom, allowing me to work quickly. This rapid pace also dictates my choice of materials. Caran dAche crayons or scratch-boards function best when used quickly and confidently. A darkened venue limits my color palette on the suede board to just what I can see. Additionally, a confined seating space constrains the size of my boards and therefore the number of details I can include. Performances and process ...

    Sarah Longlands - I trained at Bristol and Manchester, where I gained a BA (hons) and completed my post-graduate studies at University College London (Slade School of Art). In the words of one of my collectors: "Ostensibly realistic, her work goes beyond this to explore the nature of reality, and of time and space. The artworks are refined, emphasizing her knowledge and meticulousness in the chosen medium. But her art is not just representational: it also has a rare imaginative flair. The objects are changed into something which is beyond the original and which creates a kind of parallel ideal artistic reality. If this sounds a little like surrealism, then maybe that is not so far from the truth, but the work is subtler than that." Having previously exhibited in many exhibitions in both the United Kingdom and France, Gold Fish Galleries in Sarasota, Florida then in the Lincoln Centre in New York and done many commissions for people both in London, the provinces but also in The United States, I finished a commission from Cunard Line in 2003, through the art consultants "Onderneming & Kunst" to do six oil paintings for the penthouses on board the new "Queen Mary 2", launched in ...

    William Christopherson - The viewer sees a finished canvas. The artist relishes its journey of creation. A thought, a feeling, an experience, a place. These are the most essential of supplies as the artist tasks to expand, explore, and evolve along the path. All are welcome here, to view, appreciate contemplate, and possess the journeys I have made, and the journeys yet to come. Over the past several years I have explored the oil medium, borrowing technique from both historical and present day impressionism. Its a medium I love to work in, even though my wardrobe and studio surfaces have suffered immensely. Much of my work now reflects the pallet knife, and explores a prolific use of heavy colorful brush stroke. Everything continues to evolve, and thats a good thing Enjoy. William Christopherson, 2017 ...

    David Larkins - I've always been intrigued by the luminosity and transparencies found in watercolor and acrylic mediums. I believe an artist must experience the painting - to absorb the surroundings, the atmosphere, to have a oneness with the subject matter before the first brush stroke is applied. My style is described as "Abstract Realism" and my strength is found in the composition. I'm drawn to diverse subject matter that challenges the viewer to see abstraction in the ordinary - to meld the "real" world with the "abstract". ...

    Eileen Seitz - I was born and raised on the Island of Manhattan, NYC. My spirit learned early about the concrete jungle with its melting pot of cultures and the grand variety of NYC's architecture . It was at the age of 16 that I first traveled to the tropical green jungles OF THE Caribbean. I saw the turquoise seas, the foliage, the flowers when i felt the truth and beauty there overwhelming while inspiring me. Seeing the flow of nature with its colors and harmonies,I feel to bring to life both on paper and canvas. My true joy, comes from two things, the acutal art of painting of letting the spirit speak through my brush, and seeing that spirit reborn in the faces and hearts of the people who come to share my anonymous gift....

    Steven Power - STEVEN POWER Ultra realist painter of fantasy landscape / seascapes, Steven Power is continuing to gain reputation with art collectors worldwide. With each new piece that Steven creates the level of excitement in the galleries and throughout the art community increases. The comments from those visiting the galleries are often the same, whether from Japan, Australia, England, the U.S. or even Texas! "Steven's work captures the essence of Paradise!". "It's as though you can walk right into his vision of paradise" his paintings definitely have that effect on you. Steven has had a long love affair with the ocean and nature in general, his many years of surfing throughout California, Mexico and Hawaii searching for the perfect uncrowded wave, as well as exploring the mountains and deserts of California, Arizona and Nevada provide the inspiration for Steven's fantastic imaginary scenes. Images that some say are "believable, yet at the same time almost unbelievable" Born in 1956 in Detroit, Michigan, but raised at the beach in Los Angeles, Steven and his brothers took to surfing at an early age. Steven has been a dedicated surfer ever since. Steven has been capturing his adventures with pencil and paint for ...

    John Powell - Artist Statement This body of work comes from a community of ideas. My art evoke a dialogue, a message as a language I speak, to create peace in a cosmic dialogue. It speaks in the future tense in a context of time that evoke a feeling of aEUR~time passesaEURtm... The emotional and psychological content of my subject, the way the body expresses its emotion, it contextualizes the concepts of the duality of the meaning of the imagery. My style is an expression of my philosophy which becomes a language using, Post Modern, Expressionism, Latin American Tradition, Surrealism, and soft Classism. It expresses my deep awareness of global issues and is counterbalanced with my cultural heritage. My inspiration originates from lifenature, itaEURtms too spiritual to express. However, it is the same expressive energy as the work transfused between energies which awaken the realms of these energies and evoked them in dialogueaEUR| . I use a certain iconography, which becomes a language. My art has helped me to see that nothing on earth is solitary, all things are interlinked. The unique expression in my art, is an attitudelanguage of my style but is easily understood in itaEURtms emotion. My art Carries ...

    John Powell - Yoli Salmona - I paint to capture an experience, a feeling, and strive to share it through colour, form, and light. AERIAL LANDSCAPES It's a different beauty from the air, more poignant and more objective in its apparent immobility. Whether formal or natural, the landscapes seen from the air become become more abstract. I can playfully re-order and move around details and elements of reality- mostly trees and shadows- like tesserae in a mosaic. PORTRAITS To portray is for me to express an unequivocal presence, a feeling for an actual person. Sometimes, there can be an ambivalence, an invitation to a question, particularly fascinating when painting young people. For me, a successful portrait has an element of timelessness, while revealing something about the subject's present circumstance. BACKGROUND Born in France, I was a child who was drawing all the time. But for various reasons, I was unable to attend Art school growing up, and became a clothes/costume designer for ten years before studying (section Communication Visuelle) at the Paris Ecole Nationale Superieure des Arts Decoratifs. My aim then was to reach a wide audience trough Print, and Paris Art Publisher Flammarion gave me the first of a...