Giclee Prints

Page 9 of 18
Giuseppe Saitta, Donna Schaffer, Kay Ridge, Susan Moore, Ward George, Walter Spaeth, Rodolfo Chavarriaga, Michael Todd, Radford Thomas, Andrew Mercer, Daniel Clarke, David Larkins offering original Giclee Prints artworks.


Contemporary Art / Giclee Prints / Previous / Next
Donna Schaffer: 'Looking Up at the Boat', 2003 Giclee, Marine. Based on a scuba diving adventure a couple years ago in Monterey Bay. The view is that of a diver getting ready to get back in the Zodiac, taken from the perspective of the diver who' s still about 40 feet under the surface. ...
Marine - Giclee
30 x 24 inches (76.2 x 61.0 cm)
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Kay Ridge: 'High Country Falls', 2002 Giclee, Landscape. Wonderful waterfalls. Could be made for you on heavy watercolor type paper or on canvas....
Landscape - Giclee
17 x 30 inches (43.2 x 76.2 cm)
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Susan Moore: 'Fairy Shower', 1997 Giclee, Fantasy. Coloured pencil drawing of a fairy having a shower under a mushroom. Much depth and contrast to make it appear real. Giclee prints of various sizes from 8 x 7 to 40 x 35 starting at $27. 00 US and up. Go to URL ``````````````````````````````````
Fantasy - Giclee
14 x 16 inches (35.6 x 40.6 cm)
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Kay Ridge: 'Witness II', 2001 Giclee, Abstract. This works has a mystery about it as to what is the cat seeing, thinking and how it will respond to what it sees. Limited edition signed/ numbered w/ certificate of authenticity....
, 2001
Abstract - Giclee
21 x 28 inches (53.3 x 71.1 cm)
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Kay Ridge: 'Gentle Giant', 2001 Giclee, Wildlife.   I watched this elephant at the zoo standing so patiently. I' ve seen how such a large animal that is built so bulky can be so careful and gentle.  This close view is very intimate, bringing attention to his eyes, the surprising little hairs we usually don' t notice and...
Wildlife - Giclee
24 x 31 inches (61.0 x 78.7 cm)
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Kay Ridge: 'Trust', 2000 Giclee, Animals.   The combination of the innocent gaze, the eye sparkle and the jewel colors contrasting with the light was what I desired to capture in this pastel on paper. Limited Edition signed and numbered by artist. Certificate of Authenticity....
, 2000
Animals - Giclee
11 x 14 inches (27.9 x 35.6 cm)
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Ward George: 'Athenel XVII', 2001 Giclee, Undecided. Athenel XVII is one of three original digital paintings exhibited at ArtExpo 2001 in the Pascali Musuem in Italy during the summer of 2001. Also available as a larger print, 27 x 18, $650. 00 unframed, limited edition of 10.The original, a 36 x 24 digital painting, is available ...
Undecided - Giclee
18 x 12 inches (45.7 x 30.5 cm)
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Ward George: 'Carolyn XI', 2001 Giclee, nudes. Carolyn XI is one of three original digital paintings exhibited at ArtExpo 2001 in the Pascali Musuem in Italy during the summer of 2001.The original, a 24 x 36 digital painting, is available for $5,000. 00....
, 2001
nudes - Giclee
12 x 18 inches (30.5 x 45.7 cm)
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Ward George: 'Starr VII', 2001 Giclee, nudes.
, 2001
nudes - Giclee
12 x 12 inches (30.5 x 30.5 cm)
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Giuseppe Saitta: 'Sunfire', 2002 Giclee, Abstract.
, 2002
Abstract - Giclee
35 x 35 inches (88.9 x 88.9 cm)
Walter Spaeth: 'ColoredFace D', 2002 Giclee, Portrait. EPSON2000P Print for a longer lasting Artwork - more than 100 Years ! ...
Portrait - Giclee
40 x 60 cm (15.7 x 23.6 inches)
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Donna Schaffer: 'Masking Crab in Monterey Bay', 2001 Giclee, Marine. Giclee print of a palette knife and brush oil painting of a masking crab found in Monterey Bay. Based on the artist' s personal underwater. The original painting has been sold.  photography. ...
Marine - Giclee
20 x 20 inches (50.8 x 50.8 cm)
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Walter Spaeth: 'Poppyflowers II', 1996 Giclee, Floral. Iris- Giclee- Print on Kupferbuetten- PaperThis Edition also possible as 30x40cm Epson2000P- Prints on Watercolor or Highglossy- Paper $150 lmt. 30...
Floral - Giclee
40 x 60 cm (15.7 x 23.6 inches)
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Rodolfo Chavarriaga: 'The Tequendama waterfall', 2000 Giclee, Landscape. This is a  waterfall on the road from Bogota  to Girardo, Colombiathe original is sold but you canbuy a giclee for 1200...
Landscape - Giclee
24 x 36 inches (61.0 x 91.4 cm)
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Donna Schaffer: 'Canyon Road Cottage', 2000 Giclee, Landscape. This cottage is the Pedroncelli original family home. Their winery was just behind me when I was capturing this image. The original was sold awhile back - and the limited- edition prints are going fast.  They are available in 2 sizes on paper or canvas. The canvas size and price are ...
Landscape - Giclee
20 x 16 inches (50.8 x 40.6 cm)
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Michael Todd: 'hippie days', 2018 Giclee, Psychedelic. VW Van, Hippie Van, Peace sign...
Psychedelic - Giclee
2 x 1 inches (5.1 x 2.5 cm)
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Radford Thomas: 'hill country trees: sunset', 2000 Giclee, Abstract Landscape. Texas Hill Country, Trees, Colorful, FRAMED...
Abstract Landscape - Giclee
14 x 11 inches (35.6 x 27.9 cm)
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Andrew Mercer: 'City Sunrise ', 2009 Giclee, Urban.    A work based on the urban landscape. Different sizes available, also available printed on canvas. This is the signed version of the print sold at iconic retailer Habitat in the UK.           ...
Urban - Giclee
80 x 57 cm (31.5 x 22.4 inches)
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Andrew Mercer: 'Northumberland', 2009 Giclee, Abstract Landscape.   A work based on the colors, shapes and textures of Northumberland in the north of England.     ...
Abstract Landscape - Giclee
66 x 100 cm (26.0 x 39.4 inches)
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Andrew Mercer: 'The City That Never Sleeps', 2009 Giclee, Urban.  A work based on the urban landscape. Different sizes available     ...
Urban - Giclee
66 x 100 cm (26.0 x 39.4 inches)
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Andrew Mercer: 'Metropolis ', 2008 Giclee, Urban.   A work based on the urban landscape. Different sizes available, also available printed on canvas. This is the signed version of the print sold at iconic retailer Habitat in the UK.          ...
Urban - Giclee
33 x 24 inches (83.8 x 61.0 cm)
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Andrew Mercer: 'London Logistics', 2009 Giclee, Urban.  A work based on the urban landscape. Different sizes available      ...
Urban - Giclee
65 x 40 cm (25.6 x 15.7 inches)
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Andrew Mercer: 'Manhattan II', 2012 Giclee, Urban.  A work based on the urban landscape. Different sizes available       ...
Urban - Giclee
36 x 30 inches (91.4 x 76.2 cm)
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Daniel Clarke: 'Fish Market', 2001 Giclee, Fish. Fish Market is a giclee series of 150 prints created by the Artist as part of his Fish Fantasy series....
Fish - Giclee
30 x 22 inches (76.2 x 55.9 cm)
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David Larkins: 'Point Betsie Light', 2012 Giclee, Marine.
Marine - Giclee
28 x 17 inches (71.1 x 43.2 cm)
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David Larkins: 'Widows Walk', 2012 Giclee, Seascape.        Walking up the stairs to the lookout at the former life saving station that guarded the Manitou Passage along with Pointe Betise Lighthouse for decades,  an allegorical moment  came to me what it must have been like for the countless sailor's wives who would take this same walk...
Seascape - Giclee
17 x 22 inches (43.2 x 55.9 cm)
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David Larkins: 'Boomers Cove', 2012 Giclee, Dogs.      Boomer's Cove
Dogs - Giclee
27 x 20 inches (68.6 x 50.8 cm)
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David Larkins: 'The Tide is Turning', 2011 Giclee, Marine.
Marine - Giclee
18 x 27 inches (45.7 x 68.6 cm)
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David Larkins: 'Joy', 2009 Giclee, Marine.  Fishtown is a collection of weathered fishing shanties, smokehouses, overhanging docks and fish tugs along the Leland River in Leland, Michigan.Once the heart of a commercial fishing village
, 2009
Marine - Giclee
18 x 27 inches (45.7 x 68.6 cm)
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David Larkins: 'Sacred Pool of Egg Rock', 2007 Giclee, Marine.   Egg Rock Island located, off the coast of Maine, is a Puffin breading ground but also a gathering place for cormorants that need to spread their wings to dry before the next foraging dive.While painting
Marine - Giclee
25 x 22 inches (63.5 x 55.9 cm)
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(Page 9 of 18) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Giuseppe Saitta - As a writer and a poet, I've known for some time that my words are the wings of my emotions. However, as an artist I know that my abstract images are my emotions made manifest. I also know that art is and always has been the language of the soul. And I believe that it is through art that I can best communicate with my soul and spirit and your soul and spirit, and in so doing transform and grow beyond my limiting beliefs and struggles into absolute freedom. All of the arts can be portals into the deepest and most remote aspects of who we really are. The Realm of art is music, dance, body movement, painting, drawing, design and architecture, sculpture, theater, writing prose or poetry, mythic ritual, and yes all of the highest and most aesthetic aspects of science, philosophy, and mathematics. By risking whatever we must risk to leap through any of the many gateways of art and science, we give ourselves the gift of opportunity to awaken within us the long dormant languages of image and rhythm. These are experiential languages, like the language of touch. Most of these languages are metaphors for expressing ...

    Donna Schaffer - Art has been a main thread throughout my life. It has woven through 23 years of advertising agency and photojournalism experience and has resulted in the development of my personal dimension of oil painting - especially in the painting of incredible undersea environments and marine life. This connecting thread of art has made me very aware of the color and light in the undersea world of scuba diving. I've been a scuba diver since 1976; an underwater photographer since 1983; and a full-time fine arts oil painter since 1998. In addition to lots of dive adventures from Point Lobos to the Monterey Wharf, I've been all over the world to pursue scuba diving adventures - Papua New Guinea, Palau, the Great Barrier Reef, Truk Lagoon, Fiji, Cayman, Turks & Caicos, Bahamas, Roatan, Barbados, and more. At each location the underwater marine life and scenes were photgraphed and sketched. Looking at the resulting slides with an artist's eye has always been a disappointment. Underwater flash photography can cause garish shadows in images. Natural light is too dim to show any color on the exposed film besides blue (especially in these Northern California waters). The deeper a diver goes, the more ...

    Susan Moore - I like to create realistic,fantasy,fairytale images using watercolour,oil,pen &ink,coloured pencil or acrylic. I use very fine detail so quite often mix media(adding tiny ink lines to eyelashes etc. on watercolour or coloured pencil)and using very fine brushes with oil or acrylic. My themes are varied and I am able to work in any style. My personal favorites are fantasy images with a great deal of contrast and depth to make them appear as if they are real. ...

    Ward George - Ward George is a contemporary representational artist interested primarily in the female nude. Having made off with his mother's paint box at the age of nine, Mr. George received his training privately and, formally, at the University of Wisconsin. Although deeply influenced by modern art and its philosophies, he soon embarked on a deeper study of the whole of Western Art. As a result, he has built a foundation drawing from the depth of western tradition as well as more contemporary sources. Mr. George has chosen the nude as an expressive vehicle for three reasons: * first, it is the foundation of Western Art; * second, it is an art form in and of itself; * third, and most importantly, because of his natural sympathies for the human figure and the enduring source of challenges and opportunities it presents. Believing that an artist must bring intellect, emotion and technique to his work, he has taken what he considers of greatest aesthetic value from artists as varied as Rembrandt and Picasso, de Kooning and Ingres, Rodin and Welliver, Matisse, Wyeth, Rubens and Pearlstein. Mr. George's work hangs in private collections throughout the world. ...

    Walter Spaeth - Walter Spaeth was born 1952 in Munsingen / Germany Ever since he was a very young boy it has been one of Walter Spaeth`s dream to express his ideas and inspirations. And so it doesn`t come as a surprise that photography soon attracted his attention. At the age of twenty he discovered the creative and technical possibilities of this medium in the black-and-white lab of a friend and began thinking about how it could help him realize his dream. In 1972, though, photography was far less sophisticated than it is today. It proved to be an advantage, as Walter Spaeth spent his first years concentrating on the basic techniques and principles of composition. He thoroughy learned the craft and perfected his skills. In the mid-90`s then the full extent of his creativity became apparent. Computers made their appearance in the photo scene and allowed the editing of pictures, something which Spaeth started doing with great fascination and success. Between 1990 and 2000 Spaeth won more than 30 awards, including Deja-GmbH's 10 000 Mark "Take care" award, which he received in a festive ceremony at the Photokina 2000 in Cologne for his excellent ...

    Rodolfo Chavarriaga - Rodolfo Chavarriaga Biographical Sketch Rodolfo Chavarriaga was born in Bogota, Colombia, S.A. in 1951 He lived in Bogota until the age of six, moved to Paris for a period of one year, and then returned to Bogota. Influenced by his grandfather, an impresario and filmmaker, as a young man Chavarriaga showed an interest in sculpture, film, dance, theatre and music. His surrounding changed again a year after returning to Bogota when his family moved to Medellin, Colombia. Returning to Bogota one year later, he attended several different schools between the ages of 8 and 13. Was later enrolled at the boarding school Colegio Sugamuxi in Sogamoso, Boyaca. Chavarriaga's world changed once again the summer of 1966. Fourteen at the time, his whole family migrated to Miami, Florida. Chavarriaga recognized his love for art early on. With an aptitude for the manual and visual arts, he started to realize his calling and inclination during his youth. He began to display talent in this area while living in Paris as a child. He focused on and had the opportunity to develop his skills in the plastic arts during his schooling in Colombia, enrolling in and excelling at coursework in the ...

    Michael Todd - You may read my short Biodescription about myself on my website artistmichaeltodd.com but briefly Im just one of those multi-talented, highly creative, highly motivated and enthusiastic people that is always expanding his horizons in one form or another. I travel when I can and I adventure. I love to scuba dive and cook. Im 64 and slowing down some haha which is helping me in my visual art performance anyway...more time applied. My next point of destination is Belize to retire and paint Thanks for reading and I do hope, of course, that youll like something I created enough to then purchase and have to embellish your home or business. ...

    Radford Thomas - STATEMENT BY RADFORD THOMAS Art is my life and my art is a reflection of all the images, actions, sights, sounds and individuals that I have encountered during my tenure here on this earth. Painting is never approached from a viewpoint of producing a "thing" but instead it is the "thing" that appears as I work. All this means is that, for me, painting is a free flowing, creative process, one that evolves as the art work progresses. In my paintings, the initial implementation of paint tells me what to do and I follow its advice henceforth. ...

    Daniel Clarke - Daniel E. Clarke is a Los Angeles Native who has been painting his entire career in the Los Angeles area. His art education has included studying under the internationally famous Timothy Clark, UCLA Extension University, and Glendale College. He has explored both pictorial and abstract designs but is dedicated to a free flow of color and dynamic composition. Mr. Clarke has concentrated on the acrylic and watercolor medium, and paints on location in his Los Angeles based studio. He also maintains his paintings and sales in his own company called Berrypunch Gallery. ...

    David Larkins - Ii?1/2ve always been intrigued by the luminosity and transparencies found in watercolor, Oil and acrylic mediums. I believe an artist must experience the painting i?1/2 to absorb the surroundings, the atmosphere, to have a oneness with the subject matter before the first brush stroke is applied. My style is described as i?1/2Abstract Realismi?1/2 and my strength is found in the composition. Ii?1/2m drawn to diverse subject matter that challenges the viewer to see abstraction in the ordinary i?1/2 to meld the i?1/2reali?1/2 world with the i?1/2abstracti?1/2. ...