Architecture Art For Sale

Artists Describing Their Art:

Sergey Skachkov - Most of all I am really into creating fantasy worlds. Computer graphics with its endless opportunities helps me out to reflect any fantasy with incredible reality. My main source of inspiration is travelling; discovering new places, your perceptive borders expand and your consciousness immediately begins filling up with new images. I don't think those feelings can be expressed by words. ...

Raymond Paul Moats - "I seek to express not what is said, but what is thought and done, by means of poetic visualizations of time, experience and adventure". Raymond Paul Moats * * * My artistic inspiration is in DaVinci's engineering ability and insight. The majestic, studied excellence of Ferris, Winslow Homer, N.C. Wyeth and Remington are great examples to note. Art, design and structural engineering are my core interests from my youngest of days. It is what I always have done. I also admire the late author, Ayn Rand, for her literary prowess and powerful insights about creativity. One of her best comments is, we do what we create by a "right, morale premise." I paint Aviation, the history, technology, man and machine. My art can be called a realist impressionistic style that draws on technical imagination, color perception, the energy and dynamics of flight. Yet my work is not limited to aviation subjects alone. I also illustrate critters, landscapes, scenes of needed things, maritime art and I am a photographer. Wood work, furniture design and re-purposing found wood objects is one of my first loves. I relish the challenge illustrating the abstract concept to create visual realities with my favorite art medium...

Dana Zivanovits - Dana Zivanovits was born in 1958 in Columbus, Ohio and received his art training from the Columbus College of Art and Design (1978 to 1982). After art school, he went abroad for a year and studied the art of the old masters in London, Paris, Madrid, Rome and Venice. Returning to his studio in Columbus to develop these influences into a new body of work, he then traveled to Mexico and studied the sculpture and painting of that country for an extended period. The unique and vivid colors of Palenque and Vera Cruz intensified his palette. After a period in Ohio, he then moved to Venice Beach, California where the brilliant light of the region reinforced his desire to capture effects of sunlight and atmosphere. Returning to Ohio in 1995, he has continued to paint themes deriving inspiration form sources such as world mythology, classic and B-grade cinema, literature and dreams. However his primary inspiration is direct observation from nature, versus an approach based in art theories or cultural critique. Dana has been widely represented by galleries and exhibition projects including Julie Rico and Mega Boom in Los Angeles, the Venice Art Detour, Around the Coyote Festival in Chicago ...

Maria Teresa Fernandes - Admiring Teresa's paintings we are touched by her pictorial sensitivity. Difficult task in light colors (volume and transparencies on a clear basis). Few do it due to the required dedication with pallete knife(no brush).It's painting consacrated by the love to paint. Radha Abramo(Renowned art critique)comments at Solo Exhibition Catalog at SESC Paulista in June 84 -( sent at request and reproduced in one of the pages of this site). ...

Ian Sheldon - Light and sense of place are key elements that inspire Ian Sheldon to paint. His subject is consequently varied, from the open spaces of his native prairie land, to the abandoned buildings of pioneer homesteads in the North American west, or the dramatic architecture of the cities where he has lived. Ian was born in Edmonton in 1971, and was brought up in South Africa, Singapore and England. While studying for his first degree (BA Hons) at Cambridge University, England, Ian began to paint the historical architecture of the city. Since 1994 galleries have exhibited this work, and in 1998, Cambridge Contemporary Art, the city's leading commercial gallery, accepted his watercolours. The City of Oxford, sharing a similar architectural heritage, has become a recent focus, and his work has been shown by Objet d'Art in Woodstock, England since 1996. Ian makes frequent trips to Britain to pursue his architectural passion. Ian is a self-taught artist, who believes that his true understanding of artistic self-expression will come best through his experimentation with various media over time. He believes that as he ages, the wisdom that he gains with experience will be powerfully reflected in his paintings. Ian ...

Thomas Jewusiak - Artist's Statement I reject the description of the style of my painting as photorealistic. I make no attempt to duplicate a photograph. Although there can be a valid artistic point in doing this, it is decidedly not my point. I attempt to communicate a reality or rather an illusion of actuality, as perceived by the eye and mind that is more intense, more concentrated than that which can be captured by the camera and lens alone. I also attempt a more honest portrayal of what is real than can be produced by the simple photograph. Since many of my paintings are purely conceptual, existing originally only in the imagination, or as a distillation or manipulation of many separate scenes that may exist, did exist or I think existed, the charge of "merely" duplicating a photograph is particularly galling. By representing the finest detail in paint I attempt to foster the illusion, (or foist the illusion), to give a perceived concrete existence to a pure product of the interpretive imagination. The sometimes excruciating detail is fundamental to the intended impression, a sleight of hand (or eye), where we are perhaps distracted by the minutia, enamored of it and thus lulled ...

Jake Baddeley - All is proportion I am sitting, a cup of tea, some good music, a brush in hand and i am gone. There is nothing better: I forget where I am, who I am, and all sense of time. As Picasso once said: "I leave my body outside the studio." Or something like that... I am working on a picture of a lady on a mechanical horse. Why? What is the significance of that? I have no idea. If it "works" pictorially, then do it. Paint first, ask questions later. Too many questions and the muse runs screaming. She is very shy. You have too pretend that she is not there when she comes, but you know she is there because you have no idea what time it is, and you have forgotten your self again. It occurs to me as I proceed, that the lines stop being objects and start to become something else. Pure proportion. Just a harmony of lengths, sizes, and shapes; a prototype Mondrian. Harmony, music, interval, number; all these things are related. It is the link between art, music, and science. A good painting vibrates, because of the resonance of its parts. Vibrates visually, and psychologically...

Annette Kearney - I am a painter and a painter ceramist. My paintings are abstract and are currently in encaustics and mixed media. My work in ceramics involves handpainted tile and tile mosaics in both majolica glazes and underglazes. My tile installations are used by both residential and architectural clients throughout the United States. ...

Dmitry Rakov - Impossible reality (All new artworks and largerview at www.rakov.de and

Beverly Furman - Welcome to my exhibit of works in various media and combinations of techniques that I have developed during 40-plus years of making images. My experience with Drawing, Printmaking, Painting: Oils, Acrylics and Watercolor, as well as Oil Pastel, Colored Pencil, Rubberstamping, Inkjet Transfer, Bookworks and Collage has given me a large visual vocabulary with which to express my particular interests and world-view. My work is a response to my immediate surroundings and life events. The effect of humans on Nature, or vice-versa fascinate me. The subject is sometimes less important to me than the visual and emotional impact of the image. Using the immediate and familiar, I seek to create something I have not seen before. Exploring an expanding variety of two-diminsional media has yielded and ever-widening means of expression. My work spans a range from'realism' to'abstract', with expressionist tendencies. Presently, I am interested in combining life experiences and art techniques into evocative images that express my evolving vision in new ways....