Other Art For Sale

Page 1 of 111
Browse 3199 Other artworks for sale. Contemporary artists: Joyce Waddell Bailey, Ari Rajsbaum, Themis Koutras, Harris Gulko, Robert H. Stockton, Luiz Henrique Azevedo, Luise Andersen, Geo Sipp, Walter King, Austen Pinkerton, Ted Schaal, Lois Di Cosola, Claudia Nierman, Micha Nussinov offering Other artworks. Links to more artworks by these contemporary artists and 111 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any Other art simply click on the image to go to a more detailed page about this work of art.


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Joyce Waddell Bailey: 'Left behind', 2009 Oil Painting, Other. Left behind is the lead painting in the Hurricane Katrina Series.  The actual model Prettiboy represents all the pets that perished in Hurricane Katrina because pets were denied evacuation.  Katrina passed my studio in Estero, Florida on August 25, 2005 and proceeded to New Orleans, Louisiana, where it became the ...
Other - Painting
60 x 48 inches (152.4 x 121.9 cm)
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Ari Rajsbaum: 'viejos amigos', 2018 Pastel, Other. This image is part of a group of paintings called  Specters ...
Other - Pastel
41.5 x 59 cm (16.3 x 23.2 inches)
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Ari Rajsbaum: 'otro invitado', 2017 Pastel, Other. This image is part of a group of paintings called  Specters ...
Other - Pastel
45 x 60.5 cm (17.7 x 23.8 inches)
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Ari Rajsbaum: 'el invitado', 1995 Pastel, Other. This painting, done with pastel and ink, is part of a group of paintings called  Specters ...
Other - Pastel
32.5 x 50 cm (12.8 x 19.7 inches)
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Themis Koutras: 'just a art piece', 2019 Computer Art, Other. welcome to my art studioThese are art done in computer art sold in prints over the net by e mail at a cheep price al for you. ...
Other - Computer Art
11 x 8 inches (27.9 x 20.3 cm)
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Themis Koutras: 'boo boo boo', 2019 Computer Art, Other. this vs a picture of a ghost called boo boo booi sell this in prints only by e mailwelcome to my art studioThese are art done in computer art sold in prints over the net by e mail at a cheep price all for you. ...
Other - Computer Art
8 x 12 inches (20.3 x 30.5 cm)
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Themis Koutras: 'dolphin', 2019 Pencil Drawing, Other.  sell prints over e mailwelcome to my art studioThese are art done in computer art sold in prints over the net by e mail at a cheep price all for you. ...
, 2019
Other - Drawing
8 x 12 inches (20.3 x 30.5 cm)
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Themis Koutras: 'portrate of a girl', 2019 Pen Drawing, Other. i sell prints by e mailwelcome to my art studioThese are art done in computer art sold in prints over the net by e mail at a cheep price all for you. ...
Other - Drawing
8 x 12 inches (20.3 x 30.5 cm)
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Harris Gulko: 'Converging Triangles', 2008 Oil Painting, Other. aEURoeLove is made up of three unconditional properties in equal measure Acceptance, Understanding and Appreciation.  Remove any one of the three and the triangle falls apart.  Vera Nazarian.  ...
Other - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Robert H. Stockton: 'Gleneden Avenue Oakland 1968', 2016 Mixed Media, Other.
Other - Mixed Media
20 x 20 inches (50.8 x 50.8 cm)
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Luiz Henrique Azevedo: 'The visit to Rembrandt legacy', 2012 Oil Painting, Other.  What survive from Rembrandt ? In a personnal level a daughter from your second wife, another died before. But in art, a extraordinary legacy of more than 600 pictures, 1. 400 drawings and at least 30 metal engravers. He show the life can have depths of despair and heights of faith...
Other - Painting
80 x 60 cm (31.5 x 23.6 inches)
Luise Andersen: 'Feel in Core BLACK ON WHITE  June 11 2014', 2014 Charcoal Drawing, Other.         June 11, 2014- -   is for me the spontaneous . . compelled to express. . reach for black charcoal stick and white textured water color paper. . . . seems is the week for instant expression of feel. .video of these expressions/ detailed on Facebook:Luise H Andersen/ Facebook  You see it is my page, when google...
Other - Drawing
18 x 24 inches (45.7 x 61.0 cm)
Luise Andersen: 'feeling in white on black VII', 2014 Charcoal Drawing, Other.        June 10, 2014- -   to express. . reach for compressed white charcoal stick and black art paper. . . seems is the week for instant expression of feel. . hmm. . need  larger black paper. I should give archival matts a try hmmmm  the are very nice nice. . and textures. . have not seen large art paper...
Other - Drawing
12 x 18 inches (30.5 x 45.7 cm)
Luise Andersen: 'FEEL IN WHITE ON BLACK VIII', 2014 Charcoal Drawing, Other.       June 10, 2014- -  . . NEEDED to express. . reached for compressed white charcoal stick and black art paper. . . again. .art video of on Facebook. . on profile page. . scroll downor  pull up photos. . and then videos. .Luise H Andersen/ Facebook. comLuise H Andersen/ Facebook       ...
Other - Drawing
12 x 18 inches (30.5 x 45.7 cm)
Luise Andersen: 'fEEL IN WHITE ON BLACK VII', 2014 Charcoal Drawing, Other.      June 10, 2014- -  . . NEEDED to express. . reached for compressed white charcoal stick and black art paper. . . again. .art video of on Facebook. . on profile page. . scroll downor  pull up photos. . and then videos. .Luise H Andersen/ Facebook. comLuise H Andersen/ Facebook      ...
Other - Drawing
12 x 18 inches (30.5 x 45.7 cm)
Geo Sipp: 'Halloween For Milton', 2008 Other Printmaking, Other.  Halloween For Milton is a mixed media print, consisting of etching, aquatint, woodcut and serigraphy.                     ...
Other - Other Printmaking
15 x 15 inches (38.1 x 38.1 cm)
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Walter King: 'Walter King Midwest Dialog catalog', 2010 Artistic Book, Other.  Download e- Book version from Barnes and Noble at:
Other - Artistic Book
96 x 30 inches (243.8 x 76.2 cm)
Austen Pinkerton: 'THE BAY', 2011 Acrylic Painting, Other.   LANDSCAPE ...
, 2011
Other - Painting
30 x 24 inches (76.2 x 61.0 cm)
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Austen Pinkerton: 'RECUMBENT RHINOCEROS', 2010 Ceramic Sculpture, Other.
Other - Sculpture
12 x 6.5 inches (30.5 x 16.5 cm)
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Austen Pinkerton: 'The Headless Statue in Crystal Palace Park', 2010 Other Drawing, Other.
Other - Drawing
270 x 390 mm ( x )
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Austen Pinkerton: 'The Conservatory', 2010 Other Drawing, Other.
Other - Drawing
180 x 270 mm ( x )
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Ted Schaal: 'Stash Box', 2009 Bronze Sculpture, Other.  This is a special place for special objects. Please allow 2 months for casting and delivery....
, 2009
Other - Sculpture
3.5 x 3 inches (8.9 x 7.6 cm)
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Lois Di Cosola: 'Vessel sss', 1985 Gouache Drawing, Other.  from the Vessels series  ...
, 1985
Other - Drawing
18 x 24 inches (45.7 x 61.0 cm)
Lois Di Cosola: 'Vessel uuu', 1986 Other Drawing, Other.  from the Vessels series of drawings and paintings on paper ...
, 1986
Other - Drawing
18 x 24 inches (45.7 x 61.0 cm)
Claudia Nierman: 'Toniolo', 1996 Color Photograph, Other.
, 1996
Other - Photograph
20 x 24 inches (50.8 x 61.0 cm)
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Claudia Nierman: 'Remedios la Bella', 1996 Cibachrome Photograph, Other.  This image is part of a series call PhantomsThis image is also available printed on canvas 57 x 80; and in cibachrom 32x 45. ...
Other - Photograph
14 x 22 inches (35.6 x 55.9 cm)
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Claudia Nierman: 'Homage to Freedom', 2001 Cibachrome Photograph, Other.  This image is also available printed on canvas 57 x 80. ...
Other - Photograph
32 x 45 inches (81.3 x 114.3 cm)
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Claudia Nierman: 'Sleeping Beauty', 2000 Cibachrome Photograph, Other.  This image is also available printed on canvas 57 x 80; and in cibachrom 32x 45. ...
Other - Photograph
25 x 30 inches (63.5 x 76.2 cm)
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Micha Nussinov: 'Fragments places revisited', 2007 Assemblage, Other. Topographical looks at life with city and country landscapes. This work is layered with Nussinov's history. There are figurative life drawings, combined with photos, old and new, to create a collage of associations, and connections to people and nature, to past projects and to family. These are linked with ...
Other - Assemblage
168 x 178 cm (66.1 x 70.1 inches)
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Jack Earley: 'Ride the Wind', 2005 Acrylic Painting, Other.  I call this a poem painting. Varnished acrylic on the highest quality Antwerp linen canvas. ...
Other - Painting
48 x 38 inches (121.9 x 96.5 cm)
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(Page 1 of 111) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Joyce Waddell Bailey - WELCOME if you love art, you will love my website. I work in all media and like many artists, including Picasso, I create artwork in a distinct series of related images. Underpinning all of my work is drawing--it all starts with the pencil. Even ideas for photographs and digital prints are sketched out. Each series stands by itself Wash Drawings, Botanical Forms, Digital Prints, Photographs, Miniatures. The iconography within each series varies. As for my focus on botanical forms in Southwest Florida, these are wonders that compel fascination. I admit to careful study of botanical sources but l am not a Botanist--Botany is a science. Rather, I choose a subject, make drawings, take photographs and observe its response to its environment al placement, water, light, soil. Some plants are unlucky, others, breathe great growth into their lives by an accident of Nature. When I select a subject, I re-compose its attributes in a way harmonious, even surprising, to the viewer. Most of my work does not represent quiet scenes, they demand viewer participation. I do this by way of shapes, placement, color and a variety of techniques. For example, by using shallow planes, I frequently push forms ...

    Themis Koutras - MY JOB IN GOD THE TRINITY JEHOVAH CREATOR OF LIFE IS TO CREATE THINGS AS A ARTIST AND PLACE SCRIPTURE ON THEM TO RELATE IT TO THAT ITEM MY IDEA IS TO REACH OUT TO THE WORLD IN EVANGELIST REASONS TO GIVE OUT SOMETHING WITH A MESSAGE ON IT THAT RELATES TO THE WORK DONE AND FROM THE GOSPEL ALTHOUGH I MIGHT MAKE THINGS WITHOUT SCRIPTURE LIKE TOYS FOR CHILDREN TO HAVE FUN IN LIFE I WOULD THEN PRAY THAT GOD WILL TAKE A HOLD OF WHAT I DO AND LEAD ALL PEOPLE TO HIS SON HOLY THAT THEY BE SAVED SO ON FOR I RECON WE ALL NEED JESUS CHRIST...

    Harris Gulko - Rather than giving technical details concerning my paintings, I take the liberty to convey, in fewer than 150 words, the philosophy of life that influences all my paintings. My artwork cuts across artistic barriers, displaying many themes landscapes, seascapes, cloud formations, abstracts, childhood games, religious compositions and more. If there is one constant in my work, it is my inconsistency When I am at my easel I try to create on canvas what I am seeing. But often I go off on a tangent, and what ends up often bears little resemblance to what I was attempting to paint. My formula for success consists of ambition, drive, hard work, effort, energy, fear of failure, patience, perspiration and persistence. Life and love are made of time. Privileged those who find love in time. Wise those who express love, before life runs out of time....

    Harris Gulko - Luiz Henrique Azevedo - Luiz Henrique da Rocha Azevedo born in Rio de Janeiro, Brazil in 1955 living in Petropolis city their youth; soon developed their fondness for drawing, sustained mainly by comics illustrated by Alex Raymond, Harold (Hal) Foster and Ray Moore. During the year of 1975 this fondness goes to the oil painting where their first works occurred oriented by a lovely old madam, Dona Marina, how he called her in the afternoon of their youth, among occasional colleagues. There will born their figurative painting. But their painting lost its space to professional career for more than 23 years until return to its place. Emerge the necessity to take the old painting case and just work where he feels better. Attended the course of realistic painters (Jose Geraldo Fajardo and Renato Ferrari) where learn and mature their technical skill associated, initially, to Rembrandt and Ruisdaels Flemish school, to Spanish painter Melendez and impressionist esteem . He chase for technical expertise and also for thematic identification that gives to him at the same time a private and plural sense to their works. Isn't an easy task but, in this process, retracting to a state that feels better to him: worried with lines, shadows, ...

    Luise Andersen - Luise'Mignon' Andersen Luise'Mignon' Andersen has only recently begun to reveal her lifes work. Soon after her debut she exploded onto the mainstream art world. Her breathtaking pieces have captured international interest. The stories Luise'Mignon' is telling through her truly deep, layered works seem to decipher the past and foretell the future, perhaps sharing her window to other dimensions and a seventh sense. Her detailed acrylic'Mignon' series speaks to the beholder. They inspire raw emotion and ignite ones imagination. The indescribable nature of the "Duree De Ma Vie" in particular has a growing portion of the art community considering it the conception of an entirely new style. By Maxi c)2006 Guided Through Inner Mind- Intuition- Mental Imagery- I Create The Final Of What I Am Consciously Not Aware Of.. That I Want...... Need... With Each Completed Painting... Eye Of Core Gains a Glimpse Of My Tomorrow.... c) LA I crave.. painting...drawing... sculpting... writing... Like re-inventing my life... my purpose... myself.. .Gives me a direction.. the courage to look at myself ..and find'ME' there... At least for the duration of creating.. ....and once I collect these shards of my core within colors, shapes... form...

    Geo Sipp - Geo Sipp Artist Statement: The primary emphasis of my images is to reflect our experiences as consumers of the media in the aftermath of September Eleventh. As we go about our lives the media constantly reminds us of our exposure and vulnerability. The visual perception that is promoted is of our being continuous observers of the human condition. A sense of being under threat heightens our awareness and is implicit in our roles as parents, friends and guardians. The media trivializes threats by distilling them into short, dramatic events. Meaning and emotion become codified. I create images as responses to social and political situations, but no attempt is made to editorialize the content. The work is intended to reevaluate the visual narrative to which we've become conditioned. A variety of media is used to create my work. The decision to create a drawing or a painting or a print is primarily intuitive. Yet, because they are multiples, prints reference the mass marketing of published imagery in a news cycle. The Algeria Series references the Iraq War and Middle East instability. The fact that the images are multiples printed from several plates alludes to the tradition of photojournalism and role...

    Walter King - I am Professor Emeritus retired from The Columbus College of Art and Design CCAD. Ive lived and made my art here for 35 years beginning as a student at CCAD and returning after accomplishing my MFA from Boston University. Im now retired and living in Virginia. Ive taught drawing, color, design and painting techniques in the illustration area since 1985. Ive exhibited in Columbus regularly, written up in the Dispatch and in Dialogue Magazine, extended my exhibitions spiraling out from Columbus to various galleries in Ohio, Indiana, Illinois, Kentucky then Maryland, New York, Oklahoma and Washington State Hiroshima Japan, Washington DC, then to Budapest Hungary, Dresden Germany, Zagreb Croatia, Buenos Aires and Cordoba Argentina Early in my life I worked as an IllustratorDesigner after high school and while putting myself through art school later. I worked on projects for Apple computers, OETA PBS and Oprah Magazine. My work is all over the world owned by people like the former Director of the National Archives in Zagreb Croatia, a Bank President in Holland, The Greater Columbus Arts Council, OSU Newark and there are works in collections in Washington DC, New York, Texas, Ohio, Oklahoma, California, Chicago, Buenos Aires, Cyprus. A peace ...

    Austen Pinkerton - Artists Statement Austen Pinkerton If I turn my mind to it very quickly I can come up with several ideas for works aEUR|paintings, drawings, or sculptures. Sometimes ideas come to me when I least expect it, or when my mind is on other things. Ideas can be related to my current experiences, or to my feelings about things that are happening to me in my life at that particular time. Alternatively they can be related to a current interest, or something that occupies my attention at that moment, and my ideas and feelings about which Id like to share with others. A lot of my work is autobiographicalaEUR|either directly or indirectly, consciously or subconsciously. It is frequently very personal, and expresses events or circumstances or experiences in my life. I usually work in either Acrylic on Canvas, Crayon or Pastel, or both together, with Gouache, on card, Drawing in pencil, or Ink, or both, or with creating SculptureaEUR|for which I use fired artists clay. Sculpture follows a completely different set of rules and values from two-dimensional art, obviously, I think of it as Drawing in three dimensions and I take this into account when creating mine. In...

    Ted Schaal - Lately I have been exploring the use of two enduring materials, bronze and stainless steel. I enjoy the juxtaposition of the primitive texture in the bronze with the mirror polished modern look of the stainless. Balance and symmetry dominate simple geometric forms. These sculptures are made to last through the ages with the highest level of craftsmanship and quality metals. Most of my latest work can be scaled up for public or corporate settings and commission inquiries are welcome. With over 20 years of sculpture experience anything is possible from desk top size to monumental fountains and sculpture. ...

    Ted Schaal - Claudia Nierman - Some words about my work: The images I produce are deliberately enigmatic and multi-layered. They invite the viewer to engage in the process of storytelling whereby dreaming and living are woven together as a tapestry. I find the sources for my work in the urban environment: window displays, torn posters, graffiti, broken architecture. In short, the remains of man. These objects and situations are eventually transformed by rain, sun, reflections, and shadows, as well as additions made by the passerby. Shaped by the forces of chance, these ephemeral visions are captured on film (and now also in bits and bites) and used as raw material that merge one into another forming a new identity. The result? On one hand, a strange amalgam of my preoccupation with time and memory, and on the other, the way in which the deliberate manipulaton through photographic images can give us insight into our personal and collective struggles. Technical information: I usually work in three different formats: 25 cm x 30 cm and 32 cm x 45 cm printed on cibachrome paper; and a large format of 57 cm x 80 cm, digitilizing the final image and printing it on canvas. (Since this latter ...

    Micha Nussinov - Nussinov's Statement Oct 2012 Drifting, being transient, in between various states of body/mind, like when we travel physically and with our imagination, as in a 'waking dream'. My work represents a world of ambiguity and illusion, of recognized and abstracted scenes embedded as a tapestry of matter, illustrating different relationships. Somewhere in the process of creating artworks these worlds are mixed in an harmonious and conflicting manner, representing the contradiction and collision between languages and landscapes. At all times the viewer is challenged to unfold the mystery, to explore and discover. The works of art are created not through a planned process but rather the starting point is an impulse, a visual or musical trigger. These signals lure the me into the unknown territories where my intuition and inner vision leads to spontaneous discoveries. As a teenager my box camera was an excuse to drift away from trouble, to capture in a photo something, that was at the same time ambiguous and exciting. As a cinematographer/ director of documentaries from1976 to1980 I was acknowledged as an acute observer of people and an highly experimental filmmaker. I have been working in various fields of the arts, consistently for the ...