Representational Art For Sale

Page 1 of 25
Browse 718 Representational artworks for sale. Contemporary artists: Andrew Wielawski, Harry Weisburd, Jerry Di Falco, John Gamache, L. Kelen, Denise Dalzell, Ronald Weisberg, Environmental Artist Apollo, Martin Glick, Emilio Merlina offering Representational artworks. Links to more artworks by these contemporary artists and 25 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any Representational art simply click on the image to go to a more detailed page about this work of art.


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Andrew Wielawski: 'study', 2020 Wood Sculpture, Representational. Carved study of a face and drapery detail for a full figure in marble. Wood is chestnut, taken from a marble jack found in a quarry near Carrara, Italy. ...
, 2020
Representational - Sculpture
11 x 36 inches (27.9 x 91.4 cm)
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Harry Weisburd: 'blonde bar fly happy hour', 2019 Watercolor, Representational. Blonde woman sitting at a bar  during Happy Hour...
Representational - Watercolor
9 x 12 inches (22.9 x 30.5 cm)
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Jerry  Di Falco: 'kater street 1914', 2019 Etching, Representational. This sceneaEUR
Representational - Etching
9 x 12 inches (22.9 x 30.5 cm)
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Jerry  Di Falco: 'luna violeta', 2019 Intaglio, Representational. Jerry DiFalco created this distinctive etching via the employment of four separate zinc plates, which were placed simultaneously on the printing press bed, two etching plates over two, in order to produce this single image.  The scene features an historic building in New Orleans called THE CALBILDO.  Moreover, the DiFalco ...
Representational - Intaglio
18 x 24 inches (45.7 x 61.0 cm)
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John Gamache: 'Interview with the artiest', 2018 Oil Painting, Representational. Artist on Couch- Paintings on wall ...
Representational - Painting
36 x 24 inches (91.4 x 61.0 cm)
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Andrew Wielawski: 'face', 2018 Marble Sculpture, Representational. A tiny head carved from a river stone. The world s best marble scraps were often thrown into the river I took this from, and could easily have been part of a block Michelangelo had cut from the mountains. His quarry was higher up the same river. ...
, 2018
Representational - Sculpture
1 x 2 inches (2.5 x 5.1 cm)
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Jerry  Di Falco: 'archangel michael at covington', 2018 Etching, Representational. THE PRICE OF THIS ETCHING INCLUDES A GOLD PAINTED WOOD FRAME WITH GLASS AND ACID FREE MAT.  THE FRAME MEASURES SIXTEEN INCHES HIGH BY TWELVE INCHES WIDE.  THE WHITE MAT CONTAINS A GOLD INNER TRIMMED EDGE.  THE ARTWORK ARRIVES WIRED AND READY TO HANG ON YOUR WALL.  A WALL HOOK ...
Representational - Etching
12 x 16 inches (30.5 x 40.6 cm)
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John Gamache: 'going to sunday meeting', 2017 Mixed Media, Representational. Antique box - scene cut out layered wood - car carved wood - Oil painted- 3 dimensional layers...
Representational - Mixed Media
22 x 14 inches (55.9 x 35.6 cm)
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John Gamache: 'the lighthouse guard', 2017 Oil Painting, Representational. Light house Falmouth Cape Cod - Seagull - Window...
Representational - Painting
16 x 20 inches (40.6 x 50.8 cm)
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John Gamache: 'Rembrandt my mentor of light  by John Gamache', 2017 Oil Painting, Representational. Copy of Rembrandt self portrait Frame Antique gold speckle 5width...
Representational - Painting
16 x 20 inches (40.6 x 50.8 cm)
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L. Kelen: 'early man', 2017 Woodcut, Representational. Landscape, Driftless Area, Garden of Eden, river, hills, trees, beast, hunting, fish, river...
, 2017
Representational - Woodcut
18.7 x 15.3 inches (47.5 x 38.9 cm)
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Denise Dalzell: 'Sunshine Terrace 2', 2016 Acrylic Painting, Representational. painting, sunshine terrace 2, illustration, expressionism, pop art, modern, realism, pool floats...
Representational - Painting
24 x 33 inches (61.0 x 83.8 cm)
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Harry Weisburd: 'The Connection  2', 2010 Watercolor, Representational.        Woman on phone making a date      ...
Representational - Watercolor
12 x 12 inches (30.5 x 30.5 cm)
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Harry Weisburd: 'Walk On The Beach ', 2013 Watercolor, Representational.       Group of people walking on the beach   .     ...
Representational - Watercolor
16 x 12 inches (40.6 x 30.5 cm)
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Harry Weisburd: 'Selfie in Striped Stockings ', 2016 Watercolor, Representational.       Selfie woman wearing striped stockings  .    ...
Representational - Watercolor
11 x 14 inches (27.9 x 35.6 cm)
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Denise Dalzell: 'Sunshine Terrace', 2016 Acrylic Painting, Representational. painting, sunshine terrace, illustration, expressionism, pop art, modern, realism, pool slide...
Representational - Painting
42 x 48 inches (106.7 x 121.9 cm)
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Denise Dalzell: 'Breakfast East of Greenland', 2016 Acrylic Painting, Representational. painting, breakfast east of greenland, illustration, espressionism, pop art, modern, realism...
Representational - Painting
24 x 17 inches (61.0 x 43.2 cm)
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Denise Dalzell: 'From Between The Lines', 2016 Acrylic Painting, Representational. painting, from between the lines, illustration, expressionism, pop art, modern, realism, postcards...
Representational - Painting
36 x 36 inches (91.4 x 91.4 cm)
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L. Kelen: 'Weary Traveler', 2015 Oil Painting, Representational.  bar, saloon, interior, boys, meeting, casual.  Only a cell phone photograph, it will be replaced by a high quality professional photo later.  I wanted to show what I was up to. ...
Representational - Painting
8 x 8 inches (20.3 x 20.3 cm)
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Ronald Weisberg: 'fan', 1990 Tempera Painting, Representational.
, 1990
Representational - Painting
40 x 60 inches (101.6 x 152.4 cm)
Ronald Weisberg: 'bird cage', 1990 Tempera Painting, Representational.
, 1990
Representational - Painting
40 x 60 inches (101.6 x 152.4 cm)
Ronald Weisberg: 'aloof', 2005 Oil Painting, Representational.
, 2005
Representational - Painting
13 x 16 inches (33.0 x 40.6 cm)
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Ronald Weisberg: 'bohemia', 2004 Oil Painting, Representational.
, 2004
Representational - Painting
19 x 21 inches (48.3 x 53.3 cm)
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Environmental Artist Apollo: 'Apollo Self Reflection', 2012 Acrylic Painting, Representational.
Representational - Painting
40 x 30 inches (101.6 x 76.2 cm)
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Martin Glick: 'AIDS Pieta', 2003 Bronze Sculpture, Representational.         This sculpture is one part of an AIDs monument that I have designed.  The whole of the sculpture would show all ways one can be infected with this dreaded disease.    ...
, 2003
Representational - Sculpture
18 x 18 inches (45.7 x 45.7 cm)
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Martin Glick: 'the Plight of Afro American Women with AIDs', 2003 Bronze Sculpture, Representational.        This sculpture is one part of an AIDs monument that I have designed.  The whole of the sculpture would show all ways one can be infected with this dreaded disease.   ...
Representational - Sculpture
27 x 27 inches (68.6 x 68.6 cm)
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Emilio Merlina: 'crossing my mind', 2010 Acrylic Painting, Representational.   acrylic on canvas  ...
Representational - Painting
42 x 50 cm (16.5 x 19.7 inches)
Emilio Merlina: 'sleeping with angels', 2010 Acrylic Painting, Representational.  acrylic on canvas    ...
Representational - Painting
67 x 57 cm (26.4 x 22.4 inches)
Emilio Merlina: 'show me the way', 2010 Charcoal Drawing, Representational.  charcoal on canvas ...
Representational - Drawing
76 x 32 cm (29.9 x 12.6 inches)
Emilio Merlina: 'blackout      010', 2010 Indoor Installation, Representational.
Representational - Installation
200 x 220 cm (78.7 x 86.6 inches)
(Page 1 of 25) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Andrew Wielawski - Art must communicate ideas and have them received the way the artist intends, reaching as many viewers as possible to provoke an emotional response. If you go for those who are in the know about artistic periods, about current trends, and about a symbolic language that requires training to understand, then the artist will miss a huge audience. The artist then becomes a slave to styles created by others. If on the other hand, you work towards reaching multiple levels of viewers, then your task becomes more difficult, and at the same time, more fulfilling. An artist who creates a language will not fit into any already existing niche, and will alienate those looking for something they already know about, like gallerists, collectors and museums. Creativity, however, is like water...it will find its way around such obstructions, and bring the artist satisfaction and a clientele that appreciates what they create without regard for what's in fashion. Most of all, this way of producing reflects the rarity of truth in a world mostly dedicated to superficial values. ...

    Harry Weisburd - Harry Weisburd is an Internationally Represented Artist, including, USA, Expressions Gallery, Berkeley, California,

    Jerry Di Falco - Photography inspires my art and acts as a vital element in my etchings. The images I employ originate from my own photographs, as well as from the images I find from my research into the digital archives of universities, historical societies, libraries, and museums. Upon locating a documented scene I wish to etch, my first step involves the execution of two to five original drawings of the photograph. My collaboration between photography and printmaking allows me the independence to integrate my personal interpretations into the scene. Moreover, I create bridges between the physical and metaphysical visual realities in the same way that a camera intersects with human creativity . . . the nexus between the mechanical and the cerebral art tools. Art unveils everything that we mask behind our belief systems conversely, I strive in my creations to clarify those phenomena we overlook as a result of our egocentric assumptions. Ironically enough, I blame this failure to notice things, a process I label, the phenomenology of connectedness, on todayaEURtms very infatuation with and addiction to the new communicational technologies of social media. My artworks therefore become like windows through which to examine the mysteries of aEURoeeveryday consciousnessaEUR. In fact, my use of ...

    John Gamache - If I come across something of interest that will be a focal point for me to build on, that excites my passion for elements of the pastaEUR"old, cast-off objects,aEUR"run down barns, old junk cars, and abandoned houses. These are the objects I collect and infuse with new life through my paintings. When I create such a piece, I wish to convey the emotions I feel for the scene or objects to the viewer. I want the viewer to be an active participant in my joy, melancholy, humor, nostalgia. Through my textures, layers, earth-tones, and choice of images, I strive to convey these feelings. To me, the process of creating a work is transcendental I am completely lost in the making, I am part of each piece. It does take time to finish each painting as I work on several at once. Each painting is a slow build up of many layers to reach the final detailing. My goal is to create and master my craft, not just in the painting but in the feelings Ive described previously to the viewer. To elicit emotion will make the piece and my goal complete as a work of art. ...

    L. Kelen - I will be getting large files made of the art work I did while on some of the islands that suffered the Hurricanes. The originals will be available for sale believe it or not and there will be fine art prints available. Self-supporting bi-product of the School of the Art Institute of Chicago, Haystack Mountain School of Crafts, and trial and error. Current activities lindakelen-artings.blogspot.com ...link found somewhere below. ...

    Denise Dalzell - October 2019 I recently settled on some keywords for my work, so I will begin this edition of my statement with the following Painting. Illustration. Expressionism. Pop Art. Modern. Realism and, occasionally, a bit of Abstraction. And while grumbling about writing my statement again, I have had an insight regarding my work. So here we goaEUR| How do we, as people of differing backgrounds, cultures, and experiences interact with each other Are we different people in a crowd than when alone How do we fit in or stand out where we find ourselves at any given moment My current work centers on my consideration of how we respond to each other, the stories that develop between us and around us, and how our collective stories reflect on and influence us individually. How do our stories bounce off each other and combine to create new stories. My paintings are illustrations of the scenes that I encounter during my travels abroad and in daily life so, some scenes are more sweeping than others. Stories can come from anywhere, and thereaEURtms no predicting what theyaEURtmll reveal. Body language, movement, color, contrast combine to illustrate my scenes of interaction between people and ...

    Environmental Artist Apollo - "The beauty of our planet should be held in respect as well as reverence and awe! As the care takers of this precious jewel called Earth it is our duty to become more harmonious with our environment, for what we hold in our hands is a trust for future generations. What we do today, creates tomorrow." APOLLO Internationally Renowned Environmental Artist. Apollo is one of the World's Leading Environmental Artists. Apollo started painting dolphins and whales when He first moved to Maui in 1980. Since that time he has developed a Worldwide Following and has had the privilege to work with several Environmental Groups to raise both funding and awareness. ...

    Martin Glick - As a realistic sculptor I have often been accused of running against the tide of the more modern and abstract movements, but if you take a good look at the work the design is abstract. The look of the work may be, at first glance academic or classical, but the composition is very much in today's idiom. There is a strong sense of movement. Even in the symmetrical sculptures you feel as if they are about to move, like a stop motion camera. They all invite invite you to walk around and see the other side. There is often a strong emotional element and or a narrative. In some sense I am a story teller. Even when viewing one of my portraits you see the subject. Their history and personality is in their face for you to see and to react to. I have been told that my sculptures have something that is unique. There is a twist to the norm, a twist of the form, an emotional element that is mine. It is my heart and my particular view of the world. No price quoted on a sculpture means that it is at a gallery. All i inquiries...

    Emilio Merlina - I was born in 1950 in the North East of Italy from a polish mother and a sicilian father. I toured the world until I was 35, then I returned to Italy and picked up again my old passion painting and sculpture. As for myself, I can only say thoughts and paintings, paintings and thoughts. Everything maybe useless, however everything is life. i?1/2The human being leaves its signs, graffiti, indian dreams and imagination. Now I only have left a few more possibilities to express the colors which are not. Only the sign, scratched, angry or brushed is the witness. The sign has passed from there and there it has lived.i?1/2 Emilio Merlina Some hear if a door opens Others hear a latch which opens or closes Others more they hear the Angel when he turns over a page of the Great Book From the novel Missa Sine Nomine By Ernst Wiechert I have words which relegate my hunger And the hunger which owns my body but which do not confine them I have words which are both my confined hunger and body By the Italian poetess Paola Lovisolo ...