Visionary Art For Sale

Page 5 of 51
Browse 1465 Visionary artworks for sale. Contemporary artists: Rosana Ferranti, Patrick Sean Kelley, Elena Mary Siff, Tim Holmes, David Charlwood, Berit Nelson, Bruce Naigles, Agnes Dodart, Joma Sipe, Nichole Dement, Michael Hill, Gerald Porter, Kundo Kyon, Devi Delavie, Ernest Reich offering Visionary artworks. Links to more artworks by these contemporary artists and 51 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any Visionary art simply click on the image to go to a more detailed page about this work of art.


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Patrick Sean Kelley: 'Chocolate Dreams Float', 2005 Oil Painting, Visionary. As we wander through this life some of us are fortunate enough to grab on to our dream. To experience the
Visionary - Painting
24 x 30 inches (61.0 x 76.2 cm)
Elena Mary Siff: 'Alamogordo  Ashes and Diamonds', 2004 Collage, Visionary. surreal vision of an atomic explosion...
Visionary - Collage
9 x 7 inches (22.9 x 17.8 cm)
Elena Mary Siff: 'THE MISSION', 2004 Collage, Visionary. surreal vision of the Santa Barbara, CA. Mission...
Visionary - Collage
7 x 4 inches (17.8 x 10.2 cm)
Tim Holmes: 'Metaphysical Map VIII  Journey to the Absolute Edge', 2002 Giclee, Visionary. Certainly you, too, have felt like Magellan, setting sail upon those treacherous, unknown waters of an inner exploration.  From Holmes's Metaphysical Maps series- this map traces the life of one who always journeys outward to the edges of their own most dynamic and dangerous possibilities.  From original watercolor and ...
Visionary - Giclee
32 x 24 inches (81.3 x 61.0 cm)
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David Charlwood: 'Pick Yer Brains', 2003 Pen Drawing, Visionary. Black and blue ballpoint pens. Imagery from religion, history and the media. ...
Visionary - Drawing
29 x 20 cm (11.4 x 7.9 inches)
Berit Nelson: 'Sun', 2004 Computer Art, Visionary.
, 2004
Visionary - Computer Art
8 x 10 inches (20.3 x 25.4 cm)
Bruce Naigles: 'Dawn', 2004 Other Sculpture, Visionary. Originally called' earth' s guardian angel' she represents the rising of a new time, a new foundation rooted in a common understanding of man' s purpose. It is cast in a stone hard reinforced plaster. Also available in bronze....
, 2004
Visionary - Sculpture
30 x 48 cm (11.8 x 18.9 inches)
Agnes Dodart: 'The Lonely Tree', 2004 Computer Art, Visionary. Mixed digital media ( 3D and photo manipulation) . Limited edition original giclee prints, signed and numbered. Size mentioned above refers to image dimensions and is customizable upon request ( price varies accordingly) . ...
Visionary - Computer Art
12 x 16 inches (30.5 x 40.6 cm)
Joma Sipe: 'Sons of the Moon III', 2004 Oil Painting, Visionary. New moon, full moon or other. From this distance I cannot say. Its the moment that passes and never comes back again. Its the future that makes me fear. I never live in this magnificient present where everything is given to me, where everything is granted to me. May the ...
Visionary - Painting
90 x 60 cm (35.4 x 23.6 inches)
Joma Sipe: 'Panis Vitae ', 2004 Oil Painting, Visionary. I am the Bread of Life. The one who comes to me will never be hungry again and the one that believes in me no more would have thirst. ...
Visionary - Painting
100 x 100 cm (39.4 x 39.4 inches)
Joma Sipe: 'Ride the Bird of Life if you want to know', 2004 Oil Painting, Visionary. Satyan Nasti Paro Dharmah. It does not have Religion higher than Truth. Soft it is the rest between the Wings Of That which is not born, nor dies, but is the AUM through the Perpetual Ages. Ride the Bird of Life, if you want to know.Abandon your Life, if ...
Visionary - Painting
70 x 50 cm (27.6 x 19.7 inches)
Nichole Dement: 'girlchild', 2003 Color Photograph, Visionary. Girchild is from the series, The Essence of BeingA series of silhouettes immersed within surreal landscapes.  I printed each image in the color darkroom.  Impressive seeing them in person, as they are close to life size with a 30 width and 45 height.  The entire series can be viewed ...
, 2003
Visionary - Photograph
30 x 45 inches (76.2 x 114.3 cm)
Nichole Dement: 'totem', 2002 Color Photograph, Visionary. Totem is from the series,
, 2002
Visionary - Photograph
30 x 45 inches (76.2 x 114.3 cm)
Nichole Dement: 'wrapped', 2004 Color Photograph, Visionary. Wrapped is from the series,
, 2004
Visionary - Photograph
30 x 45 inches (76.2 x 114.3 cm)
Michael Hill: 'Liberty', 1983 Pen Drawing, Visionary. The path to liberty appears onlywhen you expose yourself tochange....
, 1983
Visionary - Drawing
13 x 15 inches (33.0 x 38.1 cm)
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Michael Hill: 'Renaissance of the Third Eye', 2000 Computer Art, Visionary. Youth is the flower which growsfrom the compost of mediocrity....
Visionary - Computer Art
19 x 9 inches (48.3 x 22.9 cm)
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Gerald Porter: 'Red Lion Rampant', 2003 Acrylic Painting, Visionary.
Visionary - Painting
16 x 20 inches (40.6 x 50.8 cm)
Agnes Dodart: 'The Gate', 2003 Computer Art, Visionary. Digital collage of manipulated photographs. Limited edition original giclee prints, signed and numbered. Size mentioned above refers to image dimensions and is customizable upon request ( price varies accordingly) . ...
, 2003
Visionary - Computer Art
12 x 16 inches (30.5 x 40.6 cm)
Agnes Dodart: 'Time', 2003 Color Photograph, Visionary. Digital collage of manipulated photographs. Limited edition original giclee prints, signed and numbered. Size mentioned above refers to image dimensions and is customizable upon request ( price varies accordingly) ....
, 2003
Visionary - Photograph
16 x 12 inches (40.6 x 30.5 cm)
Agnes Dodart: 'The Clock', 2003 Computer Art, Visionary. Digital collage of manipulated photographs. Limited edition original giclee prints, signed and numbered. Size mentioned above refers to image dimensions and is customizable upon request ( price varies accordingly) . ...
, 2003
Visionary - Computer Art
12 x 16 inches (30.5 x 40.6 cm)
Agnes Dodart: 'Mirage', 2003 Computer Art, Visionary. Digital collage of manipulated photographs. Limited edition original giclee prints, signed and numbered. Size mentioned above refers to image dimensions and is customizable upon request ( price varies accordingly) . ...
, 2003
Visionary - Computer Art
16 x 12 inches (40.6 x 30.5 cm)
Agnes Dodart: 'The Chessboard', 2003 Computer Art, Visionary. Digital collage of manipulated photographs. Limited edition original giclee prints, signed and numbered. Size mentioned above refers to image dimensions and is customizable upon request ( price varies accordingly) . ...
Visionary - Computer Art
16 x 12 inches (40.6 x 30.5 cm)
Agnes Dodart: 'The Spiral', 2003 Color Photograph, Visionary. Digital collage of manipulated photographs. Limited edition original giclee prints, signed and numbered. Size mentioned above refers to image dimensions and is customizable upon request ( price varies accordingly) ....
, 2003
Visionary - Photograph
16 x 12 inches (40.6 x 30.5 cm)
Agnes Dodart: 'Penn Hir', 2003 Color Photograph, Visionary. Digital collage of manipulated photographs. Limited edition original giclee prints, signed and numbered. Size mentioned above refers to image dimensions and is customizable upon request ( price varies accordingly) ....
, 2003
Visionary - Photograph
16 x 12 inches (40.6 x 30.5 cm)
Kundo Kyon: 'meanubis', 1999 Oil Painting, Visionary.
, 1999
Visionary - Painting
80 x 80 cm (31.5 x 31.5 inches)
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Kundo Kyon: 'roter hirsch', 2002 Oil Painting, Visionary.
Visionary - Painting
150 x 120 cm (59.1 x 47.2 inches)
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Devi Delavie: 'That', 1997 Acrylic Painting, Visionary. Number three in a trilogy called I, AM, THAT. An image of the incarnated self....
, 1997
Visionary - Painting
60 x 48 inches (152.4 x 121.9 cm)
Ernest Reich: 'NFCB F-11', 2000 Acrylic Painting, Visionary. Do any of your pals have a painting of a vampire skull with engineering schematics? The answer, my friend, is no. ...
, 2000
Visionary - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Nichole Dement: 'exaltation', 2003 Color Photograph, Visionary. Exaltation is from the series, The Essence of BeingA series of silhouettes immersed within surreal landscapes.  I printed each image in the color darkroom.  Impressive seeing them in person, as they are close to life size with a 30 inch width and 45 inch height.  The entire series can ...
, 2003
Visionary - Photograph
30 x 45 inches (76.2 x 114.3 cm)
John Peter Glover: 'Phototrophic Formation', 2000 Other, Visionary. People seem to interpret this image by one of three ways.  The
Visionary - Other
35 x 36 inches (88.9 x 91.4 cm)
(Page 5 of 51) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Patrick Sean Kelley - Behind the Art There is nothing more intimidating than standing in front of a blank canvas and wondering what it will become. There is also nothing more exhilarating. As I begin to apply paint to canvas I find my work seems to be in continuous motion. Always changing. Always progressing. Much like the oil paints that actually embody my visions. I am influenced by many places, things, people and of course, many artists. My latest work is changing yet again. The palette has become softer more jewel toned and the subjects more somber. They speak to me as I paint each stroke awaiting life on the canvas. I am clearly influenced by some of the more modern masters like, Klimpt, Kandinsky, Mirot, Caldwell and as always, Picasso. The art is Inspired by the subject. By a woman's beauty as it is seen and felt both internally and externally. The images in my vision actually seem to mask their true identities as they glance out at the viewer exuding an air of aloofness and mystique. Each stroke is painstakingly smoothed and controlled to create subtle dimensions and color that create the mysterious creatures that appear to come to life on ...

    Elena Mary Siff - In the collages and assemblages I interpret the mystery, the humor and the threat of my dreams. By collecting and juxaposing bits of disparate material, I create my own order. The souvenirs of my travels have been a constant source of inspiration. I am fascinated with very small imagery and a great variety of materials and textures. All of this work is a form of narration, as I consider myself primarily a storyteller. "Everything can be used, but of course one doesn't know it at the time. How does one know what a certain object will tell another/" Joseph Cornell That unpredictable dialogue is the basis of my method and my faith. Elena Mary Siff ...

    Tim Holmes - A good work of art should be startling every time one sees it. Such a work begins a dialogue between the viewer and the art, and the more meaning that is implanted in the art, the deeper that dialogue can be. The value of any work of art is not in its price or its history, but in the inherent energy, its ability to act as a catalyst of responses in the viewer. Likewise, the most successful viewer is not one with the best education or the finest taste, but one who can respond to the work with the greatest sensitivity. Hopefully, my art provides no answers and removes no doubts. My intent, rather, is to ask tough questions - to comfort the afflicted and afflict the comfortable - to plunge the viewer into that wondrous process of dialogue. The interaction is usually not a verbal or even a conscious one, but often one that continues, at various levels of awareness, as long as the viewer and the artwork are within range of each other. (Incidentally, a similar dialogue occurs between me and each of my works, sometimes over a long period of time.) I believe every artist has a responsibility to ...

    Berit Nelson - My art reflects me; my ideas, my thoughts and my innermost struggles. As I go forth in life, I find inspiration everywhere.....in people, in places, in objects, but mostly in myself. What begins as an idea eventually grows into art, however I have discovered over the years that it is the process of getting there that I enjoy the most! My photography on the other hand, is another story. I enjoy taking pictures immensely and I have a good eye for it, and my real inspiration comes from that and that alone. I like seeing the final prints and remembering the journey I got to go on to get them! Sometimes the journey takes me far from home and other times I barely get out of the door but no matter where I end up, I usually find something beautiful to take a picture of!...

    Bruce Naigles - From a philosophical standpoint, all that we perceive in the world of form is an outer expression of an inner dynamic. Though my work is predominantly figurative, I find it to be the art of giving form to the formless; ideas, emotions, relationships, events. These are by their very nature intangible and essentially abstract, though they continually alter and effect our physical reality. We read them through our intuitive understanding of body language, much as snow blown about on a winter's day reveals the invisible movement and form of the wind. To 'clothe' these subliminal qualities in human figures and bring them forth in a sculpture, whether it be a simple figure inspired by a model's beauty or an allegory of our human condition, is the basic goal and driving force in my work. ...

    Agnes Dodart - My creation process involves a personal journey made of furtive impressions and elusive thoughts or feelings from deep within. With the combined magic of memory, association and imagination, ideas and visions flow intuitively along the path. I think of my art as visual poetry, as a glimpse into my soul. Sharing it is an invitation for viewers to pause and explore their own inner landscape. Artist Statement In my representational work, I enjoy creating eye-catching pictures that blend vagueness and subtle details with sharpness and contrasts. My creations often echo some of my favorite themes in science-fiction & fantasy literature, and also reflect my interest in philosophy and metaphysics. Addressing the subconscious and the imagination, I combine hyperrealism and surrealism to form unusual scenes that broaden the notion of reality and blur its boundaries. My abstract work is about composing distinctive and stimulating designs where beauty lies in harmony and balance. I use mostly fractal imagery because I am drawn to its immediate visual impact and to the game of exploration it involves. As I play endlessly with shapes and textures, colors and tones, movement and light, I focus on the aesthetic rhythm that will unite elements into compelling...

    Joma Sipe - Joma Sipe is the artistic name of Joao Manuel Pereira, born at 2 of August of 1974 in the city of Porto.Joma Sipe is interested in painting since very early, never having carried through any exposition until now, understanding to have fond the time to show some of his works and share them with others. The painting of Joma Sipe is based and is inspired in the Symbolist Movement of ends of the XXI Century, that had as main exponents Gustave Moreau, Fernand Khnopff, Arnold Bocklin, Edward Burne-Jones, Walter Crane, Dante Gabriel Rossetti, among others, including Johfra. Joma Sipe is interested in the pure esoterism and all the art related with this movement, being all his art also influenced for the mystic aspects included in legends, myths and spirituality. Joma Sipe is also interested in classic composers as Wagner and Beethoven, as well as in symphonic choral music, especially some operas of Wagner, works by Arvo Part and some Requiems, being interested especially for this last "musical style". Joma Sipe loves music by Enya and Vangelis, among others composers of their kind. His First Individual Exposition carried through during the month of July of 2003 called "...

    Nichole Dement - THE IMAGE My images are an exploration of human nature. I juxtapose photographs of people taken in a studio with images captured in my environment through a color darkroom process or through layers of mixed media and encaustic. This layering of images creates a new composition that enhances the idea that we are not only shaped by our environment, but also uniquely meshed within it. THE PROCESS Like my image style, my process is experiential. While creating the images, I employ various creative methods to make each image unique, i.e. painting, scratching, puncturing and/or layering. ...

    Gerald Porter - We can never really know the world. It has too many faces and is inexhaustible even if behind the facade it is really very small. We can only behold it and allow ourselves to fully drink in what unfolds before us. We can never fully see the world, instead we must be content with sensing its inchoate shapes and colors beyond what our physical senses can reveal. Painting like all art is suggestion. The unknown and mysterious world is revealed by art which points towards what the viewer may notice. Even though people for the most part don't know it, they are staring into a void - a void that is everything and nothing, a pregnant emptiness. If you stare at a blank wall long enough you will begin to see things emerge like messages from a magic eight-ball. If you stare long enough mere images evolve into whole realities. As an artist, as a painter, I suggest what you as an observer might notice as you unwittingly create your reality. I can help shape that reality to be more engaging and exciting. But since you as the observer are creating your own experience, I am ultimately serving ...

    Devi Delavie - I've decided to use the website to showcase ORIGINAL ONE OF A KIND WORK. The prices are subject to change reflecting current market value. Full-sized GICLEE FINEART REPRODUCTIONS are available at 50% of the original's price. I am once again working full-time immersed in the latest digital video production environment. PREFERRED MEDIA WORKS in Flagstaff, AZ. (928) 213-0750. Again a forum for all of my visual, performing and media arts background....

    Ernest Reich - The reason I decided to pursue painting as a career was the cash. The bling bling. The bread. Dead presidents. I considered tort law, plastic surgery, and organised crime, among other things, as a vehicle to great wealth, but honestly, there is no shortage of those guys. I knew I had to blaze a new path if I was to acheive the huge monetary rewards I craved. Painting skulls, cars, and robots is what I do. Any high school guidance counselor will tell you that is the fastest way to get rich. As I light my cuban with a wad of hundred dollar bills, I feel thankful that I didn't waste my time at colledge. Whenever I have time to answer my fan mail from the youth of America, I always tell them to stop studying and concentrate instead on artwork or rap music. Yes indeed, as I stroll the grounds of my palatial estate, I can't help but think that the best source of inspiration is pure, unadulterated greed. So buy one of my paintings; the solid gold horseshoes on my purebred racehorse is looking a bit tarnished. ...