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Encaustic Paintings (303)

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Phillip Flockhart, Guillermo Von Plocki, T.e. Siewert, Bridget Busutil, Stamen Dimitrov offering original Encaustic Paintings artworks. Encaustic painting is also known as hot was painting that involves using beeswax that is heated and then colored pigments are added. This mixture of liquid paste is then applied to surfaces such as wood and often canvas as well. The famous mummy portraits from Egypt around 100-300AD as well as early icons used encaustic paint. In modern times famous artists such as Jasper John, Mark Perlman, also used this type of paint. Many Bauhaus artists in German used the "Punic Wax" technique.


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Phillip Flockhart: 'ochre 1', 2008 Encaustic Painting, Zeitgeist. Artist Description: Full Title . . . Ochre 1 Storming the Citadel with Robert Motherwell . . .Mixed media on Found. ...
, 2008
Zeitgeist - Painting
11 x 12 inches (27.9 x 30.5 cm)
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Guillermo Von Plocki: 'validity 4', 2017 Encaustic Painting, Expressionism.
, 2017
Expressionism - Painting
150 x 100 cm (59.1 x 39.4 inches)
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T.e. Siewert: 'blue moon 2', 2017 Encaustic Painting, Abstract.
Abstract - Painting
10 x 10 inches (25.4 x 25.4 cm)
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T.e. Siewert: 'blue moon 3', 2017 Encaustic Painting, Abstract.
Abstract - Painting
10 x 10 inches (25.4 x 25.4 cm)
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T.e. Siewert: 'blue moon 1', 2017 Encaustic Painting, Abstract. Artist Description: mixed media, encaustic, collage...
Abstract - Painting
10 x 10 inches (25.4 x 25.4 cm)
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T.e. Siewert: 'tis the season 2', 2017 Encaustic Painting, Abstract. Artist Description: encaustic landscape...
Abstract - Painting
6 x 6 inches (15.2 x 15.2 cm)
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T.e. Siewert: 'tis the season 1', 2017 Encaustic Painting, Abstract. Artist Description: encaustic landscape...
Abstract - Painting
6 x 6 inches (15.2 x 15.2 cm)
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T.e. Siewert: 'i want to go', 2015 Encaustic Painting, Abstract.
Abstract - Painting
8 x 8 inches (20.3 x 20.3 cm)
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T.e. Siewert: 'nautical dream 1', 2017 Encaustic Painting, Abstract. Artist Description: nautical...
Abstract - Painting
12 x 12 inches (30.5 x 30.5 cm)
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T.e. Siewert: 'nautical dream2', 2017 Encaustic Painting, Abstract. Artist Description: nautical...
Abstract - Painting
12 x 12 inches (30.5 x 30.5 cm)
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T.e. Siewert: 'tides 5', 2014 Encaustic Painting, Abstract.
, 2014
Abstract - Painting
8 x 8 inches (20.3 x 20.3 cm)
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T.e. Siewert: 'think about it', 2017 Encaustic Painting, Abstract. Artist Description: encaustic, abstract encaustic, glass ...
Abstract - Painting
8 x 8 inches (20.3 x 20.3 cm)
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Bridget Busutil: '1', 2017 Encaustic Painting, Abstract. Artist Description: Musical series...
, 2017
Abstract - Painting
15.2 x 15 inches (38.6 x 38.1 cm)
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Bridget Busutil: 'moonlight', 2015 Encaustic Painting, Abstract Landscape. Artist Description: Moonlight...
, 2015
Abstract Landscape - Painting
70 x 50 inches (177.8 x 127.0 cm)
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Bridget Busutil: 'oasis', 2015 Encaustic Painting, Abstract Landscape. Artist Description: Waves under the rain...
, 2015
Abstract Landscape - Painting
70 x 50 inches (177.8 x 127.0 cm)
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Stamen Dimitrov: 'morning glory', 2017 Encaustic Painting, Nature. Artist Description: The artist has been blind since 2015 CanvasDepth is not specifeid. ...
Nature - Painting
41 x 33 cm (16.1 x 13.0 inches)
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Stamen Dimitrov: 'spring', 2016 Encaustic Painting, Nature. Artist Description: Consider The artist has been blind since 2015CanvasTechnology of producing Encaustic 80 perc waks 20 perc pigment oilDepth is not specifiedFurther detailsshipping etc. - by e- mail...
, 2016
Nature - Painting
50 x 70 cm (19.7 x 27.6 inches)
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Stamen Dimitrov: 'winter', 2016 Encaustic Painting, Nature. Artist Description: Consider The artist has been blind since 2015 Canvas Technology of producing Encaustic 80 perc waks 20 perc pigment oilDepth is not specifiedFurther detailsshipping etc. - by e- mail...
, 2016
Nature - Painting
50 x 70 cm (19.7 x 27.6 inches)
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Stamen Dimitrov: 'autumn', 2016 Encaustic Painting, Nature. Artist Description: Consider: The artist has been blind since 2015CanvasTechnology of producing: Encaustic 80 perc waks 20 perc pigment oilDepth is not specifiedFurther detailsshipping etc. - by e- mail...
, 2016
Nature - Painting
50 x 70 cm (19.7 x 27.6 inches)
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Stamen Dimitrov: 'modest musorgsky', 2014 Encaustic Painting, Portrait. Artist Description: Consider: The artist has been blind since 2015CanvasTechnology of producing: Encaustic 80 perc waks 20 perc pigment oilDepth is not specifiedFurther detailsshipping etc. - by e- mail...
Portrait - Painting
40 x 50 cm (15.7 x 19.7 inches)
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Stamen Dimitrov: 'poppies', 2016 Encaustic Painting, Nature. Artist Description: Consider: The artist has been blind since 2015CanvasTechnology of producing: Encaustic 80 perc waks 20 perc pigment oilDepth is not specifiedFurther detailsshipping etc. - by e- mail...
, 2016
Nature - Painting
60 x 60 cm (23.6 x 23.6 inches)
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Stamen Dimitrov: 'bridge', 2016 Encaustic Painting, Nature. Artist Description: Consider The artist has been blind since 2015CanvasTechnology of producing Encaustic 80 perc waks 20 perc pigment oilDepth is not specifiedFurther detailsshipping etc. - by e- mail...
, 2016
Nature - Painting
50 x 70 cm (19.7 x 27.6 inches)
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Stamen Dimitrov: 'summer 2', 2016 Encaustic Painting, . Artist Description: Consider: The artist has been blind since 2015CanvasTechnology of producing: Encaustic 80 perc waks 20 perc pigment oilDepth is not specifiedFurther detailsshipping etc. - by e- mail...
, 2016
- Painting
70 x 50 cm (27.6 x 19.7 inches)
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Stamen Dimitrov: 'waterfall', 2016 Encaustic Painting, Nature. Artist Description: Consider: The artist has been blind since 2015CanvasTechnology of producing: Encaustic 80 perc waks 20 perc pigment oilDepth is not specifiedFurther detailsshipping etc. - by e- mail...
, 2016
Nature - Painting
70 x 50 cm (27.6 x 19.7 inches)
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Stamen Dimitrov: 'autumn morning', 2016 Encaustic Painting, Nature. Artist Description: Consider: The artist has been blind since 2015CanvasTechnology of producing: Encaustic 80 perc waks 20 perc pigment oilDepth is not specifiedFurther detailsshipping etc. - by e- mail...
Nature - Painting
50 x 70 cm (19.7 x 27.6 inches)
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Stamen Dimitrov: 'silence', 2016 Encaustic Painting, Nature. Artist Description: Consider: The artist has been blind since 2015CanvasTechnology of producing: Encaustic 80 perc waks 20 perc pigment oilDepth is not specifiedFurther detailsshipping etc. - by e- mail...
, 2016
Nature - Painting
40 x 60 cm (15.7 x 23.6 inches)
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Stamen Dimitrov: 'metamorphosis', 2014 Encaustic Painting, Abstract. Artist Description: Consider: The artist has been blind since 2015CanvasTechnology of producing: Encaustic 80 perc waks 20 perc pigment oilDepth is not specifiedFurther detailsshipping etc. - by e- mail...
Abstract - Painting
59 x 59 cm (23.2 x 23.2 inches)
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Stamen Dimitrov: 'circle', 2015 Encaustic Painting, Abstract. Artist Description: Consider: The artist has been blind since 2015Solid foundation CanvasTechnology of producing: Encaustic 80 perc waks 20 perc pigment oilDepth is not specifiedFurther detailsshipping etc. - by e- mail...
, 2015
Abstract - Painting
59 x 59 cm (23.2 x 23.2 inches)
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Stamen Dimitrov: 'night', 2016 Encaustic Painting, Nature. Artist Description: Consider: The artist has been blind since 2015CanvasTechnology of producing: Encaustic 80 perc waks 20 perc pigment oilDepth is not specifiedFurther detailsshipping etc. - by e- mail...
, 2016
Nature - Painting
60 x 40 cm (23.6 x 15.7 inches)
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Stamen Dimitrov: 'confused thoughts', 2015 Encaustic Painting, Abstract. Artist Description: Consider: The artist has been blind since 2015CanvasTechnology of producing: Encaustic 80 perc waks 20 perc pigment oilDepth is not specifiedFurther detailsshipping etc. - by e- mail...
Abstract - Painting
59 x 59 cm (23.2 x 23.2 inches)
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Artists Describing Their Art:

Phillip Flockhart - STATEMENT It has been said of my work Spanish Radio Interview 2005 that is is very ecclectic. This is true but I find the world and life so rich in texture, colour and drama and dare I say ecclectic in its amazing diversity, that I fail to see how I could respond as an artist any other way than I do. Having said this, I must add that my art philosophy is actually always present in the content of my work, although themes come and go and reflect other areas of my life- for instance I have been a street drugs worker since 1976 and an art educator facilitator in formal education and in the wider community for many years and these experiences have coloured and influenced the themes of my art- yet if examined the content of the work remains as it has for 35 years now- the attempt to disseminate the picure plane, with colour, real time space CollageRelief, imagery or optical device perspectiveopto-kinetism, to reveal the magic that lays beyond .... I believe that this is what Marc Rothko meant when he said that his paintings invited the viewer to step within the work ......... for when we ...

Guillermo Von Plocki - I always thought that art can transform people, first to transform me, I made a person more sensitive to nature and others. I think if transformation begins with us, we are an example to others, and each day more, especially as a teacher, an example had to exercise even greater. Painting is my way of expression and thus everything and lived and observed, as well as my experiences. I hope you like them so fascinated me as having painted. ...

T.e. Siewert - I found myself at that place in time where you know you must do what you were meant to do and do it now or it will never happen. For me, that meant creating art - taking the experiences and feelings of my life and placing them on a surface to try and capture meanings that I can share with others. My hope is that the viewer of my art will share these experiences in a way that will move them, that they will take something with them that will be remembered. I liken it to a dance where I invite them to share a moment of time with me and we will together explore thoughts of nature, secrets, times and places that we dream of or wish for. Or at times to simply reflect serenity - a feeling of everything in its place and as it should be. Sometimes the dance is samba-like, joyous and colorful - sometimes its a waltz, slow and purposeful. But always it is moving and requires thought and invokes emotion. I have used many mediums over the years but none has captured my imagination like encaustic - an inspired blend of beeswax and damar resin. Placed in ...

Bridget Busutil - Bridget Busutil,google22976108fdd647b3.html Powered by View my page on Peacemaker Institute ARTIST STATEMENT. Art is a way of Life My life is about Art and reflects the multicultural diversity in which I was raised. I favour projects that mix Arts and multiculturalism and are interdisciplinary. I think that as an artist my world is not limited to an aesthetical dimension. Hopefully it goes beyond, through engaging a dialogue with the viewer that proposes discovery, criticism and reflection. Through my work I am offering the discovery of several worlds packed up in layers as in my encaustic, a sort of journey of self-discovery, as well as discovery of i?1/2the otheri?1/2 with the respect for cultural differences. The necessity is to succeed in viewing these differences as contributions to our own cultures and understand the wealth they have to offer. When I paint or teach students to draw a linei?1/2, I am aware of reaching out for a world without frontiers. Technically I wish to bridge the past to the present and show that there is a continuity in life experience that only artists are capable of showing. Keyword Optimizer ...

Stamen Dimitrov - THE ARTIST STAMEN DIMITROV HAS BEEN BLIND SINCE 2015 Biography of the artist Stamen Dimitrov Karamfilov - a painter-restorer, born in Northern Bulgaria in 1944. For long years he has been working as a painter-restorer in Bulgarian churches and monasteries. He restores icons, murals and ancient paintings. He discovered the work with bee wax Encaustic by the means of old chronicles - he developed a technology for cleaning, whitening and achieving certain consistency of wax. After twenty years of exploration and work, he discovers the elaboration of paintings and icons on canvas. He is currently creating his pieces of art using a technique of burning hot wax with open fire. By this means the temperature of melting of wax increases to 180 degrees. He has twenty independent exhibitions, some of which in Istanbul, Munich, Thessaloniki and different Bulgarian cities. After twenty years of exploration and work, he discovers the elaboration of paintings and icons on canvas. He is currently creating his pieces of art using a technique of burning hot wax with open fire. By this means the temperature of melting of wax increases to 180 degrees. He has twenty independent exhibitions, some of which in Istanbul, Munich, Thessaloniki and...