Encaustic Paintings

Artists Describing Their Art:

William Dick - STATEMENT My paintings record my interest in reconciling different and often estranged qualities and ideas in painting. I work through an experimental evaluation of the co-influence or confluence of organic and geometric, texture and structure, density and transparency, the sensuous history of paint and the austere tradition of minimalism. Within the context of abstraction, namely geometric and organic, I begin with the fundamental balance in painting between line and colour. I have drawn on ancient symbolic shapes from my Scottish background and I am influenced by the symbolic power of simplest forms of drawn lines such as the circles, concentric circles and spirals of Pictish and Celtic Art. Linear elements in my work derive from this source as well as from African and Aboriginal Art, Abyssinian Warrior Shields and Russian icons, and other lines and shapes that retain, in the broadest sense, some significance within culture. For colour I begin from observation of geological form and the substance of land of dust, sand, mud and rock as well as the outcrop of local street furniture architecture weather and the effects of weathering, and then of the often extreme and exotic colour of lichen, peat and mosses. My work exploits ...

Mike Wong Joon Fong - i?1/2In many of my works, paint is the art itself rather than the paint that created the art. Thus paint is used like an actor, a prop, and the canvas is used like a stage. Paint has a physical entity of its own. Paint has its own personality. I am here to facilitate and to engineer the process. Each piece of my work is a conversation of that process and each process is a conversation of my life experiences and each conversation is about life manifestation. I think and see life in recursive forms, paradoxical codes within the complex structures. My approach is to minimize them into the simplest possible minimum. It has to be fast, almost instantaneous so that the intention is captured in its possible true sense. Spontaneity is spiritual. It is mysterious, unpredictable and always explorative and experimental. Can spontaneous notion be engineered Spontaneity is almost exclusive to humans. I may be wrong but no all-knowing and higher beings can have this experience.i?1/2 ...

Phillip Flockhart - STATEMENT After 50 years of image making, journeying through the Da Da, Constructivist, and Minimalist Schools 1970s-1980s I find that my work and my beliefs put me firmly in The School of Expressionism, although my continued belief in the work of Carl Jung, especially his Catalytic Exteriorisation Phenomenon adds another layer of understanding to the traditional Expressionists and places it somewhere more in the Spiritual. My art philosophy formulated over many years practice is actually always present in the content of my work, although themes come and go and reflect other areas of my life and which are influenced by the work of great artists like Kazimir Malevich, Vladimir Tatlin, Juan Gris, Kurt Switters , Marc Chagall, Robert Motherwell, Robert Rauschenberg, Andy Warhol and Joseph Beuys the themes of my art, if examined retain the content of my work which has remained as it has for 35 years now the attempt to disseminate the picture plane to see through and beyond, with colour, real time space, Collage Relief, imagery or optical device, multi point perspective and opto-kinetism, to reveal the truth that lays beyond .... I believe that this is what Marc Rothko meant when he said that his paintings ...

Bridget Busutil - Bridget Busutil,google22976108fdd647b3.html Powered by View my page on Peacemaker Institute ARTIST STATEMENT. Art is a way of Life My life is about Art and reflects the multicultural diversity in which I was raised. I favour projects that mix Arts and multiculturalism and are interdisciplinary. I think that as an artist my world is not limited to an aesthetical dimension. Hopefully it goes beyond, through engaging a dialogue with the viewer that proposes discovery, criticism and reflection. Through my work I am offering the discovery of several worlds packed up in layers as in my encaustic, a sort of journey of self-discovery, as well as discovery of i?1/2the otheri?1/2 with the respect for cultural differences. The necessity is to succeed in viewing these differences as contributions to our own cultures and understand the wealth they have to offer. When I paint or teach students to draw a linei?1/2, I am aware of reaching out for a world without frontiers. Technically I wish to bridge the past to the present and show that there is a continuity in life experience that only artists are capable of showing. Keyword Optimizer ...

Antoaneta Hillman - Whatever lies beneath my desire to paint, I am thankful that it exists and gives my life direction. LeonardoOs words, that painting is a poetry that is seen rather than heart, are reflected in my attitude towards painting. I put the continuity of the idea, the new image of form and the transformation of reality in to a new world at the start of every work. Shagall, Van Gogh, Dali and Klimt, are the artists that have a major influence on me. I can say that admiration of the great artists is the first step on the road to art. To me, people who understand and enjoy art are blessed to be a part of an artistOs happines and sorrow, to share his ideas and thoughts. I am saving my dreams on canvas for them. When these dreams become paintings they donOt belong to me anymore. They are my messengers. To find the poetry, decode the color. ...

Richard Wynne - Richard is an acclaimed International Artist recently returned to the USA. Richard has lived in many Countries. "The last being Thailland. He started his art studies at a very young age at the John Herron Art Institute In Indianapolis, Indiana and then later at the Art Institute of Chicago Richard has lived in many countries, painting, and playing music. Mr Wynne has exhibited in Thailand, the United States, Spain, Argentina, Kuwait, Korea, Ihdia, and other Countries. Sometimes perhaps I say too much about my self but maybe it helps people understand what motivates my work. For your information I've lived in 8 different countries and have been around the world 5 times. I speak a few different languages, some very well; others not so well. By the way I am not a workaholic as I don't consider what I do work. I enjoy life too much. I forgot to say I am also a weight lifter as lifting weights is my Zen. When I am troubled the concentration it takes to lift makes me calm. I guess my page will probably be a little different from what people expect. Sorry I have not been uploading new work as ...

Beata Wehr - Many of my recent paintings are inspired by the desert, my collection of the found metal objects and emotional responses to the events happening here and at distant places. These three subjects do not have much in common, however all of them are part of my life and as such appear on the paintings. Sometimes the distinction between desert plants and my metal pieces is not clear, and the abstracted landscape contains collection of unrecognizable shapes. They are meditations on the desert and human urge to collect, comments on place and time. Others, in which intense shapes almost scream are emotional responses to the recent natural disasters and the tensions between the nations and cultures resulting in wars and acts of terror. Paintings in yet another group show dreamlike peaceful landscapes, those I wish would be reachable to everybody at all the times. I go back and forth between figuration and abstraction, trying to capture the feelings associated with specific locations or sometimes transforming the landscape into an almost non-descriptive one. Many of my works are about longing, or dreams. Some of the works have multiple layers of paint, the newer ones partially obscuring the older, symbolizing memory and ...