Encaustic Paintings

Page 1 of 8
William Dick, Mike Wong Joon Fong, Phillip Flockhart, Bridget Busutil, Ginny Krueger, Antoaneta Hillman, Kohlene Hendrickson, Richard Wynne, Beata Wehr offering original Encaustic Paintings artworks. Encaustic painting is also known as hot was painting that involves using beeswax that is heated and then colored pigments are added. This mixture of liquid paste is then applied to surfaces such as wood and often canvas as well. The famous mummy portraits from Egypt around 100-300AD as well as early icons used encaustic paint. In modern times famous artists such as Jasper John, Mark Perlman, also used this type of paint. Many Bauhaus artists in German used the "Punic Wax" technique.


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William Dick: 'JUMMLIE', 2015 Encaustic Painting, Abstract.                                                Description:  The painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming and growing...
, 2015
Abstract - Painting
240 x 240 cm (94.5 x 94.5 inches)
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William Dick: 'YALLAE I', 2015 Encaustic Painting, Abstract.                                            Description:  The painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming and growing...
, 2015
Abstract - Painting
50 x 50 cm (19.7 x 19.7 inches)
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William Dick: 'LEERIE V', 2015 Encaustic Painting, Abstract.                                           Description:  The painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming and growing...
, 2015
Abstract - Painting
50 x 50 cm (19.7 x 19.7 inches)
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William Dick: 'YALLAE II', 2015 Encaustic Painting, Abstract.                                          Description:  The painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming and growing...
, 2015
Abstract - Painting
50 x 50 cm (19.7 x 19.7 inches)
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Mike Wong Joon Fong: 'last dance', 2013 Encaustic Painting, Abstract.
, 2013
Abstract - Painting
40 x 40 cm (15.7 x 15.7 inches)
Phillip Flockhart: 'ochre 1', 2008 Encaustic Painting, Zeitgeist. Full Title . . . Ochre 1 Storming the Citadel with Robert Motherwell . . .Mixed media on Found. ...
, 2008
Zeitgeist - Painting
11 x 12 inches (27.9 x 30.5 cm)
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Bridget Busutil: 'moonlight', 2015 Encaustic Painting, Abstract Landscape. Moonlight...
, 2015
Abstract Landscape - Painting
70 x 50 inches (177.8 x 127.0 cm)
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Ginny Krueger: 'Closer Fence', 2011 Encaustic Painting, Abstract Landscape.  Encaustic on Wood Panel with Needlework; Wooden Frame                     ...
Abstract Landscape - Painting
20 x 40 inches (50.8 x 101.6 cm)
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Ginny Krueger: 'Montepulciano Memory', 2011 Encaustic Painting, Abstract Landscape.       Encaustic on Wood Panel on Wood Frame;                  ...
Abstract Landscape - Painting
20 x 40 inches (50.8 x 101.6 cm)
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Ginny Krueger: 'One Hydrangea', 2011 Encaustic Painting, Abstract Landscape.  Encaustic on Wood Panel; Steel Angle Iron Frame Included            ...
Abstract Landscape - Painting
12 x 12 inches (30.5 x 30.5 cm)
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Ginny Krueger: 'Crazy Bird', 2011 Encaustic Painting, Abstract Landscape.   Encaustic and Mixed Media Elements on Wood Panel; Steel Angle Iron Frame Included           ...
, 2011
Abstract Landscape - Painting
12 x 12 inches (30.5 x 30.5 cm)
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Ginny Krueger: 'Lone Bird II', 2011 Encaustic Painting, Abstract Landscape.  Encaustic on Panel; Steel Angle Iron Frame Included        ...
Abstract Landscape - Painting
12 x 12 inches (30.5 x 30.5 cm)
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Ginny Krueger: 'Lone Bird I', 2011 Encaustic Painting, Abstract Landscape.  Encaustic on Panel; Steel Angle Iron Frame Included       ...
Abstract Landscape - Painting
12 x 12 inches (30.5 x 30.5 cm)
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Ginny Krueger: 'Pond Fronds VI', 2011 Encaustic Painting, Abstract Landscape.  Encaustic on Panel; Steel Angle Iron Frame Included      ...
Abstract Landscape - Painting
12 x 12 inches (30.5 x 30.5 cm)
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Ginny Krueger: 'Pond Fronds III', 2011 Encaustic Painting, Abstract Landscape. Encaustic on Wood Panel; Steel Angle Iron Frame Included    ...
Abstract Landscape - Painting
12 x 12 inches (30.5 x 30.5 cm)
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Ginny Krueger: 'Pond Fronds II', 2011 Encaustic Painting, Abstract Landscape. Encaustic on Wood Panel; Steel Angle Iron Frame Included      ...
Abstract Landscape - Painting
12 x 12 inches (30.5 x 30.5 cm)
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Ginny Krueger: 'Pond Fronds I', 2011 Encaustic Painting, Abstract Landscape. Encaustic on Panel with String; Steel Angle Iron Frame Included     ...
Abstract Landscape - Painting
12 x 12 inches (30.5 x 30.5 cm)
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Antoaneta Hillman: 'Embrasement', 2012 Encaustic Painting, Abstract.                        encaustic, painting, withe, abstract,            minimalistic, black, white, encaustic, people,     black, white, encaustic , minimalistic, abstract     ...
Abstract - Painting
12 x 14 inches (30.5 x 35.6 cm)
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Antoaneta Hillman: 'Black and white conversation 2', 2012 Encaustic Painting, Abstract.                       encaustic, painting, withe, abstract,                 black, white, encaustic , minimalistic    ...
Abstract - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Antoaneta Hillman: 'Black and white conversation', 2012 Encaustic Painting, Abstract.                      encaustic, painting, withe, abstract,                    ...
Abstract - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Kohlene Hendrickson: 'DeLight', 2012 Encaustic Painting, Figurative.     , expressive, figurative, fresco, abstract figuration    ...
, 2012
Figurative - Painting
90 x 110 cm (35.4 x 43.3 inches)
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Kohlene Hendrickson: 'Awakening', 2012 Encaustic Painting, Figurative.    , expressive, figurative, fresco, abstract figuration   ...
, 2012
Figurative - Painting
90 x 110 cm (35.4 x 43.3 inches)
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Richard Wynne: 'The Face I show', 2011 Encaustic Painting, Abstract Figurative.    encaustic_ portrait_ abstract_ colorful_ sickness_ cancer       ...
Abstract Figurative - Painting
11 x 14 inches (27.9 x 35.6 cm)
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Richard Wynne: 'Last night they bombed the village', 2011 Encaustic Painting, Abstract Landscape.  encaustic_ landscape_ abstract_ townscape_ war     ...
Abstract Landscape - Painting
14 x 12 inches (35.6 x 30.5 cm)
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Antoaneta Hillman: 'Gost wish', 2011 Encaustic Painting, Abstract.                    encoustic, painting, withe, gold leaf, blue, violet                  ...
, 2011
Abstract - Painting
30 x 30 inches (76.2 x 76.2 cm)
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Beata Wehr: 'E 24', 2009 Encaustic Painting, Abstract.
, 2009
Abstract - Painting
12 x 12 inches (30.5 x 30.5 cm)
Beata Wehr: 'E 46', 2011 Encaustic Painting, Abstract Landscape.
, 2011
Abstract Landscape - Painting
16 x 16 inches (40.6 x 40.6 cm)
Antoaneta Hillman: 'Different', 2011 Encaustic Painting, Abstract.           encoustic, painting, pink, spiritual, energy         ...
, 2011
Abstract - Painting
24 x 24 inches (61.0 x 61.0 cm)
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Antoaneta Hillman: 'Breath Pink 1', 2010 Encaustic Painting, Abstract.      encoustic, painting,    ...
Abstract - Painting
30 x 30 inches (76.2 x 76.2 cm)
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Antoaneta Hillman: 'Balancing Freedom', 2010 Encaustic Painting, Abstract.         encoustic, painting,       ...
Abstract - Painting
35 x 35 inches (88.9 x 88.9 cm)
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(Page 1 of 8) - MORE ARTWORKS

Artists Describing Their Art:

William Dick - STATEMENT My paintings record my interest in reconciling different and often estranged qualities and ideas in painting. I work through an experimental evaluation of the co-influence or confluence of organic and geometric, texture and structure, density and transparency, the sensuous history of paint and the austere tradition of minimalism. Within the context of abstraction, namely geometric and organic, I begin with the fundamental balance in painting between line and colour. I have drawn on ancient symbolic shapes from my Scottish background and I am influenced by the symbolic power of simplest forms of drawn lines such as the circles, concentric circles and spirals of Pictish and Celtic Art. Linear elements in my work derive from this source as well as from African and Aboriginal Art, Abyssinian Warrior Shields and Russian icons, and other lines and shapes that retain, in the broadest sense, some significance within culture. For colour I begin from observation of geological form and the substance of land; of dust, sand, mud and rock as well as the outcrop of local street furniture/ architecture; weather and the effects of weathering, and then of the often extreme and exotic colour of lichen, peat and mosses. My work exploits...

Mike Wong Joon Fong - i?1/2In many of my works, paint is the art itself rather than the paint that created the art. Thus paint is used like an actor, a prop, and the canvas is used like a stage. Paint has a physical entity of its own. Paint has its own personality. I am here to facilitate and to engineer the process. Each piece of my work is a conversation of that process and each process is a conversation of my life experiences and each conversation is about life manifestation. I think and see life in recursive forms, paradoxical codes within the complex structures. My approach is to minimize them into the simplest possible minimum. It has to be fast, almost instantaneous so that the intention is captured in its possible true sense. Spontaneity is spiritual. It is mysterious, unpredictable and always explorative and experimental. Can spontaneous notion be engineered Spontaneity is almost exclusive to humans. I may be wrong but no all-knowing and higher beings can have this experience.i?1/2 ...

Phillip Flockhart - STATEMENT It has been said of my work Spanish Radio Interview 2005 that is is very ecclectic. This is true but I find the world and life so rich in texture, colour and drama and dare I say ecclectic in its amazing diversity, that I fail to see how I could respond as an artist any other way than I do. Having said this, I must add that my art philosophy is actually always present in the content of my work, although themes come and go and reflect other areas of my life- for instance I have been a street drugs worker since 1976 and an art educator facilitator in formal education and in the wider community for many years and these experiences have coloured and influenced the themes of my art- yet if examined the content of the work remains as it has for 35 years now- the attempt to disseminate the picure plane, with colour, real time space CollageRelief, imagery or optical device perspectiveopto-kinetism, to reveal the magic that lays beyond .... I believe that this is what Marc Rothko meant when he said that his paintings invited the viewer to step within the work ......... for when we ...

Bridget Busutil - Bridget Busutil,google22976108fdd647b3.html Powered by View my page on Peacemaker Institute ARTIST STATEMENT. Art is a way of Life My life is about Art and reflects the multicultural diversity in which I was raised. I favour projects that mix Arts and multiculturalism and are interdisciplinary. I think that as an artist my world is not limited to an aesthetical dimension. Hopefully it goes beyond, through engaging a dialogue with the viewer that proposes discovery, criticism and reflection. Through my work I am offering the discovery of several worlds packed up in layers as in my encaustic, a sort of journey of self-discovery, as well as discovery of i?1/2the otheri?1/2 with the respect for cultural differences. The necessity is to succeed in viewing these differences as contributions to our own cultures and understand the wealth they have to offer. When I paint or teach students to draw a linei?1/2, I am aware of reaching out for a world without frontiers. Technically I wish to bridge the past to the present and show that there is a continuity in life experience that only artists are capable of showing. Keyword Optimizer ...

Antoaneta Hillman - Whatever lies beneath my desire to paint, I am thankful that it exists and gives my life direction. LeonardoOs words, that painting is a poetry that is seen rather than heart, are reflected in my attitude towards painting. I put the continuity of the idea, the new image of form and the transformation of reality in to a new world at the start of every work. Shagall, Van Gogh, Dali and Klimt, are the artists that have a major influence on me. I can say that admiration of the great artists is the first step on the road to art. To me, people who understand and enjoy art are blessed to be a part of an artistOs happines and sorrow, to share his ideas and thoughts. I am saving my dreams on canvas for them. When these dreams become paintings they donOt belong to me anymore. They are my messengers. To find the poetry, decode the color. ...

Richard Wynne - Richard is an acclaimed International Artist recently returned to the USA. Richard has lived in many Countries. "The last being Thailland. He started his art studies at a very young age at the John Herron Art Institute In Indianapolis, Indiana and then later at the Art Institute of Chicago Richard has lived in many countries, painting, and playing music. Mr Wynne has exhibited in Thailand, the United States, Spain, Argentina, Kuwait, Korea, Ihdia, and other Countries. Sometimes perhaps I say too much about my self but maybe it helps people understand what motivates my work. For your information I've lived in 8 different countries and have been around the world 5 times. I speak a few different languages, some very well; others not so well. By the way I am not a workaholic as I don't consider what I do work. I enjoy life too much. I forgot to say I am also a weight lifter as lifting weights is my Zen. When I am troubled the concentration it takes to lift makes me calm. I guess my page will probably be a little different from what people expect. Sorry I have not been uploading new work as ...

Beata Wehr - Many of my recent paintings are inspired by the desert, my collection of the found metal objects and emotional responses to the events happening here and at distant places. These three subjects do not have much in common, however all of them are part of my life and as such appear on the paintings. Sometimes the distinction between desert plants and my metal pieces is not clear, and the abstracted landscape contains collection of unrecognizable shapes. They are meditations on the desert and human urge to collect, comments on place and time. Others, in which intense shapes almost scream are emotional responses to the recent natural disasters and the tensions between the nations and cultures resulting in wars and acts of terror. Paintings in yet another group show dreamlike peaceful landscapes, those I wish would be reachable to everybody at all the times. I go back and forth between figuration and abstraction, trying to capture the feelings associated with specific locations or sometimes transforming the landscape into an almost non-descriptive one. Many of my works are about longing, or dreams. Some of the works have multiple layers of paint, the newer ones partially obscuring the older, symbolizing memory and ...