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Encaustic Paintings (302)

Page 6 of 11
Beata Wehr, Margaret Stone, Harini Daddalla, Annette Kearney, Alan Soffer, Charyl Weissbach, William Dick, Elizabeth Washburn, Martha Elisa Bojorquez, Lauren Lipinski Eisen offering original Encaustic Paintings artworks.


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Beata Wehr: 'E 9  11', 2009 Encaustic Painting, Abstract Landscape.
, 2009
Abstract Landscape - Painting
12 x 12 inches (30.5 x 30.5 cm)
Margaret Stone: 'Kokopelli And The Mask of Gold', 2014 Encaustic Painting, Abstract Figurative. Artist Description: Kokopelli is to the left in this painting, and in myth dates back 3000 years. He was the harbinger of fertility relating to marriage and agriculture. His flute playing chased away winter and brought about spring. He was also considered a trickster, for what reason I do not ...
Abstract Figurative - Painting
14 x 18 inches (35.6 x 45.7 cm)
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Harini Daddalla: 'abstract', 2011 Encaustic Painting, undecided.
, 2011
undecided - Painting
2 x 2 inches (5.1 x 5.1 cm)
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Annette Kearney: 'Untitled 3', 2011 Encaustic Painting, Abstract. Artist Description:    encaustic, painting, abstract, annette kearney, modern, contemporary, oil pastel, abstract expressionism, geometric, blue, red, white, colorful, wood panel, painted, art, modern art, wax painting, pigment sticks   ...
, 2011
Abstract - Painting
18 x 12 inches (45.7 x 30.5 cm)
Annette Kearney: 'Untitled 2', 2010 Encaustic Painting, Abstract. Artist Description:   encaustic, painting, abstract, annette kearney, modern, contemporary, oil pastel, abstract expressionism, geometric, blue, red, white, colorful, wood panel, painted, art, modern art, wax painting, pigment sticks  ...
, 2010
Abstract - Painting
18 x 12 inches (45.7 x 30.5 cm)
Annette Kearney: 'untitled 1', 2010 Encaustic Painting, Abstract. Artist Description:  encaustic, painting, abstract, annette kearney, modern, contemporary, oil pastel, abstract expressionism, geometric, blue, red, white, colorful, wood panel, painted, art, modern art, wax painting, pigment sticks ...
, 2010
Abstract - Painting
18 x 12 inches (45.7 x 30.5 cm)
Annette Kearney: 'Untitled 5', 2011 Encaustic Painting, Abstract. Artist Description:      encaustic, painting, abstract, annette kearney, modern, contemporary, oil pastel, abstract expressionism, geometric, blue, red, white, colorful, wood panel, painted, art, modern art, wax painting, pigment sticks     ...
, 2011
Abstract - Painting
14 x 14 inches (35.6 x 35.6 cm)
Annette Kearney: 'Untitled 4', 2011 Encaustic Painting, Abstract. Artist Description:     encaustic, painting, abstract, annette kearney, modern, contemporary, oil pastel, abstract expressionism, geometric, blue, red, white, colorful, wood panel, painted, art, modern art, wax painting, pigment sticks    ...
, 2011
Abstract - Painting
18 x 18 inches (45.7 x 45.7 cm)
Alan Soffer: 'The Open Door', 2017 Encaustic Painting, Abstract. Artist Description: atmosphere of the mind ...
Abstract - Painting
44 x 56 inches (111.8 x 142.2 cm)
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Alan Soffer: 'Ceramica', 2010 Encaustic Painting, Abstract. Artist Description: abstract expressionism ...
, 2010
Abstract - Painting
56 x 44 inches (142.2 x 111.8 cm)
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Alan Soffer: 'Twelve Years of Clay', 2009 Encaustic Painting, Abstract. Artist Description:  abstract expressionism ...
Abstract - Painting
48 x 33 inches (121.9 x 83.8 cm)
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Alan Soffer: 'Microcosm IV', 2006 Encaustic Painting, Geometric. Artist Description:        abstract expressionism      ...
Geometric - Painting
35 x 35 inches (88.9 x 88.9 cm)
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Alan Soffer: 'Circles and Squares III', 2006 Encaustic Painting, Geometric. Artist Description:       abstract expressionism     ...
Geometric - Painting
34 x 28 inches (86.4 x 71.1 cm)
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Charyl Weissbach: 'Balsam Poplar Series', 2010 Encaustic Painting, Nature. Artist Description:  12x32 Encaustic & 12K white gold leaf on Belgian linen on panel w/ birch floater frame  ...
Nature - Painting
32 x 12 inches (81.3 x 30.5 cm)
William Dick: 'PUIL', 2010 Encaustic Painting, Abstract. Artist Description:        Description:  The painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming ...
, 2010
Abstract - Painting
240 x 240 cm (94.5 x 94.5 inches)
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William Dick: 'SPLYTER', 2010 Encaustic Painting, Abstract. Artist Description:         Description:  The painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming ...
, 2010
Abstract - Painting
240 x 240 cm (94.5 x 94.5 inches)
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Elizabeth Washburn: 'Collier Avenue', 2008 Encaustic Painting, Cityscape. Artist Description:  Cityscape, oil painting, fine art, sunset, color, Elizabeth Washburn, art, diptych ...
Cityscape - Painting
24 x 11 inches (61.0 x 27.9 cm)
Elizabeth Washburn: 'Low Light', 2008 Encaustic Painting, Cityscape. Artist Description:         Cityscape, oil painting, fine art, sunset, color, Elizabeth Washburn, art,         ...
, 2008
Cityscape - Painting
12 x 14 inches (30.5 x 35.6 cm)
Elizabeth Washburn: 'Street Scene at Dusk', 2008 Encaustic Painting, Cityscape. Artist Description:        Cityscape, oil painting, fine art, sunset, color, Elizabeth Washburn, art,        ...
Cityscape - Painting
9 x 12 inches (22.9 x 30.5 cm)
Elizabeth Washburn: 'Alley Way', 2008 Encaustic Painting, Cityscape. Artist Description:       Cityscape, oil painting, fine art, sunset, color, Elizabeth Washburn, art,       ...
, 2008
Cityscape - Painting
12 x 14 inches (30.5 x 35.6 cm)
Elizabeth Washburn: 'Alley Scene', 2008 Encaustic Painting, Cityscape. Artist Description:      Cityscape, oil painting, fine art, sunset, color, Elizabeth Washburn, art,      ...
Cityscape - Painting
24 x 24 inches (61.0 x 61.0 cm)
Elizabeth Washburn: 'Urban Scene in Yellow', 2008 Encaustic Painting, Cityscape. Artist Description:     Cityscape, oil painting, fine art, sunset, color, Elizabeth Washburn, art,     ...
Cityscape - Painting
12 x 14 inches (30.5 x 35.6 cm)
Elizabeth Washburn: 'Alley Scene', 2008 Encaustic Painting, Cityscape. Artist Description:    Cityscape, oil painting, fine art, sunset, color, Elizabeth Washburn, art, diptych   ...
Cityscape - Painting
24 x 24 inches (61.0 x 61.0 cm)
Elizabeth Washburn: 'City Scene in Blue', 2008 Encaustic Painting, Cityscape. Artist Description:   Cityscape, oil painting, fine art, sunset, color, Elizabeth Washburn, art, diptych  ...
Cityscape - Painting
30 x 32 inches (76.2 x 81.3 cm)
Martha Elisa Bojorquez: 'untitled', 2008 Encaustic Painting, Abstract. Artist Description:  mixed technique; encaustic on canvas  # 541    ...
, 2008
Abstract - Painting
24 x 24 inches (61.0 x 61.0 cm)
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Martha Elisa Bojorquez: 'untitled', 2009 Encaustic Painting, Abstract. Artist Description:   mixed technique; encaustic, oil, acrylic, textures and collage on canvas  # 599     ...
, 2009
Abstract - Painting
12 x 12 inches (30.5 x 30.5 cm)
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Martha Elisa Bojorquez: 'untitled', 2009 Encaustic Painting, Abstract. Artist Description:     mixed technique; encaustic, oil, acrylic, textures and collage on canvas  # 601       ...
, 2009
Abstract - Painting
12 x 12 inches (30.5 x 30.5 cm)
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Martha Elisa Bojorquez: 'untitled', 2009 Encaustic Painting, Abstract. Artist Description:    mixed technique; encaustic, oil, acrylic, textures and collage on canvas  # 600      ...
, 2009
Abstract - Painting
12 x 12 inches (30.5 x 30.5 cm)
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Lauren Lipinski Eisen: 'Hybridization Reversion', 2009 Encaustic Painting, Botanical. Artist Description:   Encaustic, metal, paper, grasses, clematis pods on wood panel ...
Botanical - Painting
24 x 24 inches (61.0 x 61.0 cm)
Lauren Lipinski Eisen: 'Aspen Grove', 2007 Encaustic Painting, Landscape. Artist Description:    Encaustic, paper, bamboo, aspen leaves, gold pigment, nori on wood panel  ...
Landscape - Painting
24 x 24 inches (61.0 x 61.0 cm)
(Page 6 of 11) - MORE ARTWORKS
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Artists Describing Their Art:

Beata Wehr - Many of my recent paintings are inspired by the desert, my collection of the found metal objects and emotional responses to the events happening here and at distant places. These three subjects do not have much in common, however all of them are part of my life and as such appear on the paintings. Sometimes the distinction between desert plants and my metal pieces is not clear, and the abstracted landscape contains collection of unrecognizable shapes. They are meditations on the desert and human urge to collect, comments on place and time. Others, in which intense shapes almost scream are emotional responses to the recent natural disasters and the tensions between the nations and cultures resulting in wars and acts of terror. Paintings in yet another group show dreamlike peaceful landscapes, those I wish would be reachable to everybody at all the times. I go back and forth between figuration and abstraction, trying to capture the feelings associated with specific locations or sometimes transforming the landscape into an almost non-descriptive one. Many of my works are about longing, or dreams. Some of the works have multiple layers of paint, the newer ones partially obscuring the older, symbolizing memory and ...

Margaret Stone - Here we are, physically cemented to the earth by gravity. But - our imaginations stretch and soar, taking us beyond our planet and connecting us with far places in the universe. Being part of this, do we indeed live and bloom in a cosmic garden? Ah, perhaps so. I am exploring this connection in my new artwork....

Annette Kearney - I am a painter and a painter ceramist. My paintings are abstract and are currently in encaustics and mixed media. My work in ceramics involves handpainted tile and tile mosaics in both majolica glazes and underglazes. My tile installations are used by both residential and architectural clients throughout the United States. ...

Alan Soffer - Alan Soffer began studying sculpture and clay in 1973 transitioning to abstract painting in 1985, through a breakthrough program at Bennington College with Sandy Stone. His abstractions have been in the pursuit of the unknown, unique, and personal depths of the unconscious. Rather than confining his energies to a single medium, he sensitively chooses materials that accommodate the concepts at hand. Early constructions were in clay and found objects, then discovering printmaking and photography, which he learned on his own. Finally, focusing on painting with acrylic, oil, and wax. Encaustics allowed him to marry a sculptural component to his painterly approach, following his studies at Ringling School in 1998. The hot, pigmented wax's inherent translucency perfectly supports his vocabulary for expressing space from the microscopic to the galactic. Whatever the direction, the work is always influenced by Joseph Campbell, the noted mythologist, who Soffer considers his mentor. He organized the first national encaustic conference in the US in 2005 and continues teaching encaustic technique as well as abstract painting primarily through workshops. Major one person shows have been presented at: DCCA, Wilmington DE; Borowsky Gallery, Phila.; Rosenfeld Gallery, Phila.; Widener U., Chester PA; Atlantic City Art Center; Robert Roman ...

Charyl Weissbach - Charyl Weissbach www.charylweissbachfineart.com Through the use of abstraction, Charyl Weissbach's encaustic paintings attempt to convey nature's infinite variations of shape, texture, and ethereal beauty. The use of pigmented wax, with its vivid color and translucent properties, is uniquely able to convey nature's vastness and mysterious allure, a significant theme in her compositions. Charyl received a BFA from Massachusetts College of Art with a concentration in painting and art history. She lives and works in Boston. ...

William Dick - STATEMENT My paintings record my interest in reconciling different and often estranged qualities and ideas in painting. I work through an experimental evaluation of the co-influence or confluence of organic and geometric, texture and structure, density and transparency, the sensuous history of paint and the austere tradition of minimalism. Within the context of abstraction, namely geometric and organic, I begin with the fundamental balance in painting between line and colour. I have drawn on ancient symbolic shapes from my Scottish background and I am influenced by the symbolic power of simplest forms of drawn lines such as the circles, concentric circles and spirals of Pictish and Celtic Art. Linear elements in my work derive from this source as well as from African and Aboriginal Art, Abyssinian Warrior Shields and Russian icons, and other lines and shapes that retain, in the broadest sense, some significance within culture. For colour I begin from observation of geological form and the substance of land; of dust, sand, mud and rock as well as the outcrop of local street furniture/ architecture; weather and the effects of weathering, and then of the often extreme and exotic colour of lichen, peat and mosses. My work exploits...

Elizabeth Washburn - Artist Statement: Elizabeth Washburn My paintings are about the color and texture I see in my life. Whether I am painting trees, cityscapes, abstracts or people, I am in love with the way light reflects off forms and the symbolism and mood color can convey. I use an encaustic (hot wax) process that I have developed for myself that blends the traditional encaustic technique with straight oil paint which leads to very interesting surfaces as well as a lot of depth and richness to the color. I have never been tied to any one subject matter. My content is more dependent on what is going on in my life and what I am exposed to. So if I am traveling a lot, one may see the landscape or people I am encountering or if I am alone in my studio for long periods of time the work will tend to be more inward and abstracted. With my painting, I hope to capture my reaction to the experiences in my life in a way that interrelates with people I have never met. ...

Martha Elisa Bojorquez - Martha Elisa Bojorquez comes from Sinaloa, a north western state of Mexico. Since her childhood she has been in love with visual arts and has been dedicated to them for almost one and a half decades noticeably influenced by the incomparable classical and intrinsic elements of Mexican Art. She now focuses her work on contemporary expressionist painting in oil, acrylic and mixed techniques. Her art contains both the figurative and the abstract element and shows an exceptional diversity in combining forms, colors and textures. The artist has been presenting her paintings in numerous personal and group exhibits. She began in Mexico and since 2000 expanding her presence outside her native country to include Canada, Dominican Republic, Italy, Portugal, Spain, the United States, and Venezuela, where there continues to be a growing interest in her work among fine art galleries, museums and art collectors. Martha Elisa now resides in Atlanta, Georgia, USA and continues to create extraordinary work in her new studio nestled in a serene ambience with tight bindings to her native country and thus to the artistic roots which professionally formed her. ...

Lauren Lipinski Eisen - laureneisenart.com My work explores the relationships between landscape, architecture, agriculture the displacement of indigenous species. In my encaustic works, references to each of these subjects are integrated into the surface of the paintings as dimensional collage elements. Branches, reeds, grasses, seeds and other plant materials, as well as processed food items, are embedded into a wax medium to showcase their fragile nature in various stages of plant life, from embryos to post-harvest products processed for mass consumption. Copper, metal wire and mesh underlying and surrounding the paintings suggest a mechanical / industrial presence infiltrating and isolating the natural landscape. This series of mixed media works comments on our consumption of natural resources, utilizing produce and patterns of planting to reference agricultural development of the landscape, and alludes to a variety of interactions between man-made structures and the natural environment: inspiration and imitation, digestion and destruction, cultivation and captivity....