Original Paintings For Sale

Page 16 of 1024
Luise Andersen, Heather Hyatt, Roger Williams, Andree Lisette Herz, Suzanne Mcclelland, Geo Sipp, Marie-france Busset, Rickie Dickerson, Cathy Dobson, Hans-ruedi Kammermann, Jack Earley, Jose Luis Lazaro Ferre, Eve Co, Andrew Bartosz offering original Original Paintings artworks.


Contemporary Art / Painting Categories / Original Paintings / Previous / Next
Luise Andersen: 'in Continuance II  July 14 2014 The Tomorrow of Now ', 2014 Oil Painting, Abstract.    July 14,2014- - Update on oil painting , on canvas, 16 x 20 inches.           video with artists introduction on Facebook. Luise H Andersen/ Facebook   google page will come up most likely. . click on the one that mentions laselectart, usually in green print. . . . there are several name ' alikes'Try to...
Abstract - Painting
16 x 20 inches (40.6 x 50.8 cm)
Heather Hyatt: 'Glance', 2014 Oil Painting, Portrait.
, 2014
Portrait - Painting
16 x 18 inches (40.6 x 45.7 cm)
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Roger Williams: 'RAP BOY', 2013 Acrylic Painting, Abstract.
, 2013
Abstract - Painting
54 x 50 inches (137.2 x 127.0 cm)
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Roger Williams: 'DECONSTRUCTED ELLIPSE', 2013 Acrylic Painting, Abstract.
Abstract - Painting
60 x 42 inches (152.4 x 106.7 cm)
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Roger Williams: 'HUBBEL  AND   THE  WHITE  DRAGONFLY', 2013 Acrylic Painting, Astronomy.
Astronomy - Painting
56 x 68 inches (142.2 x 172.7 cm)
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Roger Williams: 'Epic Crane', 2013 Acrylic Painting, Birds.
, 2013
Birds - Painting
47 x 47 inches (119.4 x 119.4 cm)
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Andree Lisette Herz: 'butterfly fun', 2014 Ink Painting, nature.                                     . alcohol ink  painted with q tips on yupo                                               ...
nature - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Suzanne Mcclelland: 'Interlocking Passages', 2014 Acrylic Painting, Abstract.
Abstract - Painting
40 x 30 inches (101.6 x 76.2 cm)
Geo Sipp: 'Firefight in the Casbah', 2014 Oil Painting, War.  Image depicts a firefight in the Casbah of Algiers.         ...
War - Painting
72 x 44 inches (182.9 x 111.8 cm)
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Marie-france Busset: 'LE COQ REVE DU TAJ MAHAL', 2012 Oil Painting, Abstract Figurative.
Abstract Figurative - Painting
81 x 100 inches (205.7 x 254.0 cm)
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Marie-france Busset: 'CHOUETTE HOMMAGE A VINCENT', 2014 Oil Painting, Abstract Figurative.
Abstract Figurative - Painting
38 x 46 inches (96.5 x 116.8 cm)
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Suzanne Mcclelland: 'Sochi 2014', 2014 Acrylic Painting, Abstract.
, 2014
Abstract - Painting
60 x 20 inches (152.4 x 50.8 cm)
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Geo Sipp: 'Gone Fishin', 2014 Oil Painting, Figurative.   Painting including the Queen of England       ...
Figurative - Painting
38 x 32 inches (96.5 x 81.3 cm)
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Rickie Dickerson: 'Dark', 1999 Oil Painting, Abstract Figurative.  This was the first painting that ever won a ribbon. . . I was surprised that someone liked it as much as I do. . . . ...
, 1999
Abstract Figurative - Painting
14 x 11 inches (35.6 x 27.9 cm)
Rickie Dickerson: 'To the Beach', 2004 Acrylic Painting, Abstract Landscape.
Abstract Landscape - Painting
24 x 12 inches (61.0 x 30.5 cm)
Rickie Dickerson: 'Farther From the Light', 1994 Oil Painting, Visionary.    A happy face plastered on our heads, we are all petrified inside as we get further from our source. . . ...
Visionary - Painting
16 x 12 inches (40.6 x 30.5 cm)
Rickie Dickerson: 'First Day', 2000 Acrylic Painting, Abstract.   The first day I painted in acrylics with my mentor, Luise Mignon Andersen. I was enthralled at the way the flowing paint unleashed the subconscious. . . releasing the people. . . look closely for the faces that appeared as the colors flowed together. They came unbidden and perfectly formed. . . I interfered only slightly...
, 2000
Abstract - Painting
20 x 16 inches (50.8 x 40.6 cm)
Cathy Dobson: 'Magic Butterfly', 2013 Oil Painting, Magical. Original Illuminous Oil Painting.  The Butterflies and Unicorns Collection.  Phosphorescent ButterflyGlows in the dark or under black lights.  Dark Wood Frame.  Primed cotton canvas. ...
Magical - Painting
9 x 12 inches (22.9 x 30.5 cm)
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Hans-ruedi Kammermann: 'PINK AFTERNOON', 2012 Oil Painting, Gestalt.
Gestalt - Painting
100 x 90 cm (39.4 x 35.4 inches)
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Hans-ruedi Kammermann: 'LUNA VIOLETA', 2012 Oil Painting, Gestalt.
Gestalt - Painting
90 x 60 cm (35.4 x 23.6 inches)
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Hans-ruedi Kammermann: 'coming of shade into light', 2013 Oil Painting, Gestalt.
Gestalt - Painting
100 x 92 cm (39.4 x 36.2 inches)
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Hans-ruedi Kammermann: 'Onde del Tramonto', 2013 Oil Painting, Abstract Landscape.  wood or bush spirit - secret of underbush vis. subconscious labyrinth ...
Abstract Landscape - Painting
50 x 52 cm (19.7 x 20.5 inches)
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Suzanne Mcclelland: 'The Conversation', 2013 Acrylic Painting, Abstract.   Two people maybe having a conversation in the back seat.two canvas 36 x 36    ...
Abstract - Painting
36 x 36 inches (91.4 x 91.4 cm)
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Jack Earley: 'Crazy Horse', 1997 Acrylic Painting, Indiginous. Crazy Horse- - Native American Indian Chief of the Lakota Tribe on horseback.  Acrylic on canvas, sealed with highest quality artists varnish.  Edges painted with textured gold acrylic. ...
Indiginous - Painting
22 x 20 inches (55.9 x 50.8 cm)
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Jose Luis Lazaro Ferre: 'Visions V', 2013 Acrylic Painting, Figurative.      Different visions dreams intertwined in their stadium conscious.       ...
, 2013
Figurative - Painting
56 x 76 cm (22.0 x 29.9 inches)
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Jose Luis Lazaro Ferre: 'Visions XII', 2013 Acrylic Painting, Figurative. Different visions dreams intertwined in their stadium conscious. ...
Figurative - Painting
51 x 70 cm (20.1 x 27.6 inches)
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Eve Co: 'EQUILATERAL CIRCUMSTANCE', 2013 Other Painting, Abstract.  Title: EQUILATERAL CIRCUMSTANCEEquilateral Circumstance by Eve, 04/ 15/ 1324 x 18 or 18 x 24 can be hung either wayWindsor & Newton Watercolors - ultramarine blue, phthalo blue, brilliant red and chinese white.Liquitex Acrylic Colors - dioxazine purple, violet, cobalt blue, ultramarine blue and phaltho blue.Canson XL 150...
Abstract - Painting
24 x 18 inches (61.0 x 45.7 cm)
Eve Co: 'MONUMENTAL SUBCONSIOUS', 2013 Acrylic Painting, Abstract. Title MONUMENTAL SUBCONSIOUSCompleted 04222013Size 24 x 18Watercolour  AcrylicWarm  Pastel colors - Violet, Deep Violet, Mars Black, Titanium White, Cadmium Deep Red, Cadmium Medium Red, Magenta,  Light Red. ...
Abstract - Painting
24 x 18 inches (61.0 x 45.7 cm)
Andrew Bartosz: '1799', 2012 Other Painting, nudes.                Abstract Figurative art               ...
, 2012
nudes - Painting
94 x 114.5 cm (37.0 x 45.1 inches)
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Andrew Bartosz: '1796', 2012 Other Painting, Abstract Landscape.              Figurative art             ...
, 2012
Abstract Landscape - Painting
114.5 x 106 cm (45.1 x 41.7 inches)
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(Page 16 of 1024) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Luise Andersen - Luise'Mignon' Andersen Luise'Mignon' Andersen has only recently begun to reveal her lifes work. Soon after her debut she exploded onto the mainstream art world. Her breathtaking pieces have captured international interest. The stories Luise'Mignon' is telling through her truly deep, layered works seem to decipher the past and foretell the future, perhaps sharing her window to other dimensions and a seventh sense. Her detailed acrylic'Mignon' series speaks to the beholder. They inspire raw emotion and ignite ones imagination. The indescribable nature of the "Duree De Ma Vie" in particular has a growing portion of the art community considering it the conception of an entirely new style. By Maxi c)2006 Guided Through Inner Mind- Intuition- Mental Imagery- I Create The Final Of What I Am Consciously Not Aware Of.. That I Want...... Need... With Each Completed Painting... Eye Of Core Gains a Glimpse Of My Tomorrow.... c) LA I crave.. painting...drawing... sculpting... writing... Like re-inventing my life... my purpose... myself.. .Gives me a direction.. the courage to look at myself ..and find'ME' there... At least for the duration of creating.. ....and once I collect these shards of my core within colors, shapes... form...

    Heather Hyatt - In my work as a fine artist, I use the mediums of graphite, coloured pencil and oil, in the styles realism, photo-realism, trompe l'oeil and portraiture, Ideas come from literature, metaphors, and the real world. Rather than the imitation of appearance, my concern is with the essence of the subject. In trompe l'oeil, it is the hardness and softness of guns and lingerie, which, when mounted in shadow boxes, become real. In the series,'Dante's Divine Comedy', executed in graphite, the object was to depict the universality of his ideas as they appear today. In all of my work, realism is my focus and goal. ...

    Suzanne Mcclelland - DESIGNER, ARTIST, INSTRUCTOR, AND MENTOR II am a professional artist and Designer in the Sacramento area. I have a love for being creative with my clients in their home and office projects. Art has always been a love of mine. Because I visit so many homes and office I decided to extend my professional ability to create wonderful spaces for my clients. I want to bring more knowledge to the public on how I create my artwork and how it brings life to their spaces. I love the color, texture and the flow of the Pastel medium that I can use to make the piece fit in that special place. I mostly blend the pastels and use vibrant hughes. I build layer on top of layer to get the effect I want. I use different papers to create different effects that I want and go from there. I am an abstract artist and love the journey it takes me. I also work in Acrylics which I am now working with some new ideas, and will be sharing that with all of you soon. I love the energy that I feel when I work with my paintings which I share with ...

    Geo Sipp - Geo Sipp Artist Statement: The primary emphasis of my images is to reflect our experiences as consumers of the media in the aftermath of September Eleventh. As we go about our lives the media constantly reminds us of our exposure and vulnerability. The visual perception that is promoted is of our being continuous observers of the human condition. A sense of being under threat heightens our awareness and is implicit in our roles as parents, friends and guardians. The media trivializes threats by distilling them into short, dramatic events. Meaning and emotion become codified. I create images as responses to social and political situations, but no attempt is made to editorialize the content. The work is intended to reevaluate the visual narrative to which we've become conditioned. A variety of media is used to create my work. The decision to create a drawing or a painting or a print is primarily intuitive. Yet, because they are multiples, prints reference the mass marketing of published imagery in a news cycle. The Algeria Series references the Iraq War and Middle East instability. The fact that the images are multiples printed from several plates alludes to the tradition of photojournalism and role...

    Marie-France Busset - Marie-France BUSSET Painter, colorist, painted the color, heat and the light on fabrics with effects of matter, fully expresses its personality of artist, in landscapes on Provence, Brittany, Auvergne, Bourbonnais, on Cocks;and Birds. Artist with dimensions AKOUN, DROUOT QUOTATION, present on Artprice. Member the House of the Artists and adherent at the ADAGP ...

    Rickie Dickerson - I work from the core, I smear my guts on the canvas, all the pain and confusion...joy, lust and anger...right before your very eyes. I have to paint, I have no choice. My mentor, Luise "Mignon" Andersen, introduced me to acrylic paint and threw me deeper into the river of creativity. Everything I do is just to keep me from drowning... As for the photography, that's compulsive as well....

    Hans-Ruedi Kammermann - Painting for me is passion, a fascinating process of seeing that alters the vision of things. The everyday becomes special, unique, unknown. What is seen, is never what is painted, yet the painting becomes a new reality. I don't invent abstract images but the act of accumulating material on the canvas creates form and color - being materialistic in order to transform matter into imagination and perception. In the process of painting I find new images, something appears, stimulates vision, projects lost or remembered entities, becomes alive and finally communicates. ...

    Jack Earley - After writing for two decades, I was developing an idea that I knew could be better expressed as a painting. So in the mid-eighties I took up full-time a life-time passion: painting. My work is about inner energy; about, first of all, my own energy and internal balance, reinforced through the practice of yoga and tai chi. I sign the inner energy of the subject matter onto the canvas. I work with acrylics on canvas and sumi-e inks on rice paper. I also sculpt using wood, copper and leather. Along with focusing on the inner energy of my subject matter, I am constantly working with an awareness that humans have an ancient need to see form, be it in clouds or in chipped paint on a wall or in waving leaves. The ability to decipher forms is part of our oldest survival skills. Imagine the advantage of being able to quickly spot the approaching bear among the shifting shadows of trees. Imagine the advantage and the thrill. On many canvases, I create forms so the viewer "discovers" them in an uplifting act. Often, I give the paint its head in creating forms, like freeing a captured ...

    Jose Luis Lazaro Ferre - I think the easiest way to define my activity as an artist and my intellectual approach to art would be to quote Apollinaire's thesis in his Les Peintres cubistes: meditations esthetiques, especially the following sections: ... Therefore, as an offer to the spirit, in the plastic arts, the fourth dimension should be generated by the three known dimensions: represented by the immensity of space eternally present in all the dimensions of a given moment ... Cubism differs from the painting that came before it because it is not the art of imitation, but the art of thought raised to the level of creation ... Scientific cubism is one of the pure trends. It is the art of painting new compositions with elements taken not from visual reality, but from the reality of knowledge ... Physical cubism is the art of painting compositions with elements taken primarily from virtual reality In my painting, I work with geometric figures arranged on different planes that overlap one another and blend into real shapes (bottles, cats, birds, fruit), fabricated objects (small origami birds and paper boats) and everyday things (hats, shoes, etc.) to create a world of mystery and sensuality. The lines I draw are ...

    Eve Co - I began painting and drawing in 1987 and have not stopped. I have a wide range from, landscapes, still-lifes, Hubble art galaxies nebulas, abstracts, florals, architectural art and so much more. I draw every day and paint as much as I can afford. I paint more watercolors than acrylic and oil canvas art. I would prefer more canvas art, but I make do with what I have. I try to express myself in artwork as well as with words. I paint landscapes, the glorious colors of nature, water, the ever expressive sky and more, primarily with watercolors on paper. These paintings are usually thought out and planned because they represent nature as I see nature. I paint still-lifes of everyday objects. To teach me about one particular color, shading and or painting glass. I think of still-lifes as a learning process that literally has me pulling my hair out in frustration, but I still paint through how they make me feel... I am fascinated with Hubble Space Technology so, I paint galaxies and nebulas on canvas with acrylic paints. I have sold many of these paintings and I must admit they are some of my favorite subjects...

    Andrew Bartosz - One of the critics wrote: 'Andrew's gift for portraying the woman's body is inspiring. With master strokes Andrew captures both the beauty and complexity of a woman's nature. Andrew strikes us first with the evocative, soft, dreamy and colourful expression of a woman's body. But then he skilfully contrasts it, through structured elements and toned down colours of the background, with sharper, less perfect and darker images or moods. As result we have a unique experience of a sensual fusion between the abstract and the real. This theme of contrast continues in Andrew's stunning impressions of Australian majestic rock landscapes.' ...