German Guerra - The reason for creation my abstract works is very simple and very complex. I feel the strong necessity to compose and produce this kind of work. For me iti?1/2s like a serious game with color, form and music. I doni?1/2t know what i?1/2am I looking fori?1/2 with my works, just I know that I have to do it. Other kind of work like Cityscape or Graffitis arise because it's part of interesting visual in each city. For me it's very complicated to walk everywhere without the camera. ...
Keith Gray - Working on Drawing a Straight Line. Started creating abstract images in 1960, then an informal exhibition in 1971 centered on various portrayals of electrical circuitry, A first bubble chamber image was produced in 1975. Exhibition in 1983, in 1991 it was photos, then in 2000 images and words, website set-up in 2010. Exhibition held at Brighton Media Centre, BN1 1AL. U.K. 19-31 Aug 2011. www.mediacentre.org :- Title: "IMAGES IN THE VOID" On www.facebook.com/zen2go August 2012: The Blank Wall Show; Series 2 and others. Exhibition at The Showroom in London in 83 explored the visual parallels between zen and taoist images and modern physics. These images are not meant to be exact copies but changed in some way in transition. Abstract is the only language I am fluent in other that English. Interested in the co-existence between order and disorder, natural and man-made, systems and randomness. Balance through imbalance. Avoiding anything too computerised or New Age-ish. Sometimes I am very specific with colours, connections, time frames; other times using the first colour to be there, with very loose or fragile references. An image can take between 25 seconds and 60 hours...
Jon Glaser - There is something fulfilling about capturing a moment in time particularly as the sun makes its first or last appearance. My photographic work reflects an affinity for movement and sound; the latter reminiscent of a song, starting calmly, building strength, power and energy, until the shutter releases and the image is recorded as the ultimate crescendo. While I am most drawn to the grand landscape, my portfolio includes macro still life and abstract work as well, showcasing a relationship between color and light. NOTE: All of my photographs have been processed with Photoshop and Lightroom withlittle manipulation or adjustment. All colors are true of their location. In addition, I print all images using the latest technology, the highest-quality papers, and newest archival inks. All photographs include a 5mm white border to ensure proper handling that helps eliminate the potential for fingerprints. ...
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