Contemporary Art For Sale Price Range: $700 - $799

Page 1 of 68
Over 1962 works of original contemporary art for sale in the price range $700 - $799. On this page you can find works by Vladimir Volosov, Becky Soria, Mac Worthington, Philip Taylor, Jinsheng You, Teri Paquette, Marsha Bowers, Anita Zotkina, Michael Schaffer, Jim Lively, Larysa Uvarova, Everet Lucero, Iva Kalikow for the follwing mediums: 1. Links to more artwork and 68 pages for works in the price range $700 - $799 and links to further artists' works at the bottom of this page. To view a work by any of these visual artists simply click on the image or browse the artist's portfolio.


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Vladimir Volosov: 'maid laying on scarlet', 1999 Oil Painting, Nudes.  My way to art was a lengthy one. Thirty years of strenuous scientific work on the front edge of modern physics gives me a deep knowledge of the laws of light and color that surround us, at different times of day and times of year. Only by gaining all this...
Nudes - Painting
32 x 20 inches (81.3 x 50.8 cm)
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Becky Soria: 'Borned', 2021 Acrylic Painting, Abstract Figurative. from the collection Consequential Journeys ...
, 2021
Abstract Figurative - Painting
24 x 8 inches (61.0 x 20.3 cm)
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Vladimir Volosov: 'shadows in the forest', 2021 Oil Painting, Abstract Landscape.  My way to art was a lengthy one. Thirty years of strenuous scientific work on the front edge of modern physics gives me a deep knowledge of the laws of light and color that surround us, at different times of day and times of year. Only by gaining all this...
Abstract Landscape - Painting
18 x 24 inches (45.7 x 61.0 cm)
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Vladimir Volosov: 'at the shores of bermuda', 2018 Oil Painting, Marine. This artwork is an original unique textured oil painting on Nanvas on a wooden frame, painted using a palette knife. Original artistaEURtms style aEUR
Marine - Painting
24 x 18 inches (61.0 x 45.7 cm)
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Vladimir Volosov: 'at the shores bermuda', 2018 Oil Painting, Marine. A<< Color and light is always the main principal in my work. My goal is  vibrant, bold and intuitive painting with great texture and lots of layersA>> .This is an original unique textured oil painting on stretched canvas. Original Artist Style aEUR
Marine - Painting
24 x 18 inches (61.0 x 45.7 cm)
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Mac Worthington: 'puzzle', 2021 Aluminum Sculpture, Abstract Figurative. High polished aluminum with a machine brush finish. Shadowbox framed.Delivery, hanging   shipping availableStudio: 5935 Houseman Rd, historic Ostrander, Ohio.For further information on this piece or to discuss a custom design please call 614 | 582 | 6788 or email: macwartist aol. com...
, 2021
Abstract Figurative - Sculpture
30 x 30 inches (76.2 x 76.2 cm)
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Mac Worthington: 'goddess', 2021 Aluminum Sculpture, Abstract Figurative. Tabletop sculpture. Welded, painted acrylic enamel metallic copper on a solid wood block, 39  x 12  x 12 . Available. Signed   dated. Certificate of Authenticity.Delivery, hanging   shipping availableStudio: 5935 Houseman Rd, historic Ostrander, Ohio.For further information on this piece or to discuss a custom design please call 614 | ...
, 2021
Abstract Figurative - Sculpture
12 x 39 inches (30.5 x 99.1 cm)
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Philip Taylor: 'from pillar to post', 2021 Acrylic Painting, Abstract. BACK AND FORTHTaylor use of bold and powerful brush strokes, makes a lasting visual impression.  This artwork is done in acrylic paint on gallery wrapped starched canvas.  Has staple free sides so no need for framing.  Will come signed on front and ready to hang You can purchase artwork ...
Abstract - Painting
24 x 24 inches (61.0 x 61.0 cm)
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Mac Worthington: 'dancing alone', 2021 Aluminum Sculpture, Abstract. Table Top SculptureWelded with a high polish brush finish painted high gloss pitch black.Available. Signed   dated. Certificate of Authenticity.Delivery   shipping availableStudio: 5935 Houseman Rd, historic Ostrander, Ohio.For further information on this piece or to discuss a custom design please call 614 | 582 | 6788 or email: ...
Abstract - Sculpture
17 x 27 inches (43.2 x 68.6 cm)
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Jinsheng You: 'joy 734', 2021 Oil Painting, Abstract. I d like to express my emotion with vibrant colors and unique brush. This is an original oil painting on canvas, it is one- of- kind, I have done recently.Please keep that in mind: all my paintings viewed in person more beautiful than the images because of my poor ...
, 2021
Abstract - Painting
36 x 48 inches (91.4 x 121.9 cm)
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Philip Taylor: 'chose your channels', 2021 Acrylic Painting, Abstract. Painting Acrylic on Canvas.  Philip Taylor use of bold colors and powerful brush strokes, makes a lasting visual impression.  This artwork is done in acrylic paint on gallery wrapped starched canvas.  Has staple free sides so no need for framing.  Will come signed on front and ready to hang You ...
Abstract - Painting
24 x 24 inches (61.0 x 61.0 cm)
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Philip Taylor: 'green light go', 2021 Acrylic Painting, Abstract. Painting Acrylic on Canvas.Philip Taylor use of bold colors and powerful brush strokes, makes a lasting visual impression.  This artwork is done in acrylic paint on gallery wrapped starched canvas.  Has staple free sides so no need for framing.  Will come signed on front and ready to hang You ...
Abstract - Painting
24 x 30 inches (61.0 x 76.2 cm)
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Philip Taylor: 'step aside', 2021 Acrylic Painting, Abstract. I used bold colors and powerful brush strokes, as I do in all my paintings, in order to create a lasting visual impression.  This artwork is done in acrylic paint on 1. 5inch thick gallery wrapped starched canvas.  Has staple free sides so no need for framing.  Will come signed ...
, 2021
Abstract - Painting
24 x 30 inches (61.0 x 76.2 cm)
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Jinsheng You: 'abstract 718', 2018 Oil Painting, Abstract. I d like to express my emotion with vibrant colors and unique brush. This is an originalabstract oil painting on canvas, it is one- of- kind, i have got it done recently.PLEASE KEEP THAT IN MIND: ALL MY PAINTINGS VIEWED IN PERSON MORE BEAUTIFUL THAN THE IAMGES BECAUSE ...
Abstract - Painting
40 x 40 inches (101.6 x 101.6 cm)
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Jinsheng You: 'emotion 715', 2019 Oil Painting, Abstract. I d like to express my emotion with vibrant colors and unique brush. This is an originalabstract oil painting on canvas, it is one- of- kind, i have got it done recently.PLEASE KEEP THAT IN MIND: ALL MY PAINTINGS VIEWED IN PERSON MORE BEAUTIFUL THAN THE IAMGES BECAUSE ...
Abstract - Painting
48 x 36 inches (121.9 x 91.4 cm)
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Jinsheng You: 'emotion 711', 2021 Oil Painting, Abstract. I d like to express my emotion with vibrant colors and unique brush. This is an originalabstract oil painting on canvas, it is one- of- kind, i have got it done recently.PLEASE KEEP THAT IN MIND: ALL MY PAINTINGS VIEWED IN PERSON MORE BEAUTIFUL THAN THE IAMGES BECAUSE ...
Abstract - Painting
40 x 40 inches (101.6 x 101.6 cm)
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Teri Paquette: 'anchored for the night', 2021 Oil Painting, Seascape. ORIGINAL OIL PAINTING  INSPIRED BY FLEET OF ANCHORED BOATS SEEN WHILE ON VACATION. THE SUN WAS SETTING AND REFLECTED ON WATER. SCENE WS GOLDEN AND BREATHTAKING. ...
Seascape - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Marsha Bowers: 'hummer', 2020 Oil Painting, Floral. Oil on canvas...
, 2020
Floral - Painting
24 x 30 inches (61.0 x 76.2 cm)
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Anita Zotkina: 'tenth life', 2020 Oil Painting, Animals. This painting is dedicated to cats. Big, small, friendly, sassy, mellow, rebellious, all of them.Their slick mannerisms, paw- gestures and facial expressions are all charming.  They look like pampered movie stars.   Cats look magical enough to have at least nine lives. I went even further  IaEURtmve added a ...
, 2020
Animals - Painting
16 x 20 ( x )
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Anita Zotkina: 'today im insane', 2015 Oil Painting, Surrealism. Today IaEURtmm doing what I want. It is a temporary escape from normality aEUR
Surrealism - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Michael Schaffer: 'the gods must be angry', 2020 Mixed Media, Abstract. Living through 2020 and CCOVID- 19, you may begin to feel that humanity is the target of mystical anger.  Perhaps the we need to become more aware of how to love each other. After all,  we re all we got on this tine blue planet. ...
Abstract - Mixed Media
30 x 30 inches (76.2 x 76.2 cm)
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Anita Zotkina: 'small life', 2020 Oil Painting, Naive. Looking around one notices life everywhere. Little and big creatures are busy with their chores.  Sometimes they slow down and observe this amusing reality.  This artwork is one of a kind. Made with high- quality professional oil paint on a gallery wrapped canvas. Painting is signed   dated on both front ...
, 2020
Naive - Painting
20 x 16 ( x )
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Jim Lively: 'industry', 2020 Acrylic Painting, Abstract Figurative. Acrylic on Canvas...
, 2020
Abstract Figurative - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Larysa Uvarova: 'lilac', 2013 Oil Painting, Still Life. Original oil on canvas painting was done with high- quality paints and palette knife will be great for the modren interiors. Ready to hang. ...
, 2013
Still Life - Painting
60 x 60 inches (152.4 x 152.4 cm)
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Everet Lucero: 'looks like you aint seen', 2019 Oil Painting, Abstract. Looks Like You Ain t Seen Yourself In AwhileJazz abstraction. Mental- body- deformation. Acrylic   Charcoal   Pencil on wallpaper...
Abstract - Painting
33 x 40 inches (83.8 x 101.6 cm)
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Everet Lucero: '16 roses', 2019 Oil Painting, Abstract. 16 Roses and One Long Slow BreathBeloved abstraction. This one I keep feeling as though it was inspired by a walk I took one night in the botanical gardens of San Jose about a two or three years before this paining. When I look at it I hear jazz, ...
, 2019
Abstract - Painting
33 x 32 inches (83.8 x 81.3 cm)
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Iva Kalikow: 'Still Life with Watermelon', 2020 Stained Glass, Still Life. This leaded stained glass art panel inspired by Salvador Dali consists of 156 hand- cut pieces of 20 different colors and textures of glass.  This still life represents DalAaEURtms inventive response to the fragmentation and abstract planes of Cubism.  I was drawn to different textures of glass, rough and ...
Still Life - Glass
23 x 23 inches (58.4 x 58.4 cm)
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Iva Kalikow: 'Hibiscus and Plumeria', 2020 Stained Glass, Floral. This leaded stained glass art panel inspired by Georgia O Keeffe consists of 110 hand- cut pieces of 12 different colors and textures of glass.  O Keeffe loved the abstract aspect of flowers and I was inspired to use rich colors of glass to emphasize the vibrancy of the hibiscus ...
Floral - Glass
22 x 27 inches (55.9 x 68.6 cm)
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Michael Schaffer: 'goldilocks and her bears', 2020 Mixed Media, Abstract. A new and fund take on an old theme. This work uses bath tiles, copper piping, pumice rock, and acrylic inks. ...
Abstract - Mixed Media
30 x 20 inches (76.2 x 50.8 cm)
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David Larkins: 'gremlins and granite', 2020 Oil Painting, Still Life. After last years gourd harvest I placed some on our granite island and took severa  pictures not knowing if i d ever do something with them.Well, strange times makes strange still life s ...
Still Life - Painting
16 x 12 inches (40.6 x 30.5 cm)
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(Page 1 of 68) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Vladimir Volosov - I was born in 1937 in Leningrad, USSR (now St. Petersburg, Russia). My way to art was a lengthy one. Before becoming an artist, I studied for thirty years at the forefront of modern physics as a PhD scientist and professor, author more than 150 scientific articles in contemporary laser physics. Thirty years of strenuous scientific work on the front edge of modern physics gives me a deep feeling for the anxiety and unprotectedness of the world's beauty. The formula, "beauty saves the world" fits my own attitude. My creed is also embodied in the statement: "to have time to realize everything given to you by Nature." At the threshold of my fifties, I decided to live one more life, a new, alluring life of the free artist. I walked away from my established scientific career and completely devoted myself to painting. In 1991 I founded and headed the association "Light, Color and Art" to connect with scientists engaged in the arts. The main directions of my paintings are lyrical realism and abstract compositions. My paintings are about light, color, atmosphere and space. For me, the most important elements are light and color and their juxtaposition/nexus/meeting of...

    Becky Soria - "Subject matter in painting is merely the trigger that allows the expression of something more profound, unconscious and possibly hidden even from oneself, and therefore all inclusive, so viscerally immanent to humankind" ( R. Alonzo) Totems beyond Patriarchy" May 2014 Nature has been qualified as a female organic form by most ancient cultures, but for the last millennia or so, the world has been primarily perceived and shaped by the masculine side of the species. Our recent history however has seen a trend towards a natural reversion to a feminine bias, with women becoming increasingly more crucial to all aspects of society. These works serve to remind us about these issues and others that we continue to face the world while reinventing the female figure as an emblem for current conditions and a new Totem for the future. The juxtaposition between the representations of the animals and plants in compromised an ailing conditions and the female form that seems to swallow and revive the life- infused aspects of her creation, render a sense of hope for a future in which the maternal provides a healing force to an ailing planet. Signs. Symbols. Sentinels" February 2, 2013 The works of the present...

    Mac Worthington - BIO Internationally recognized and locally renowned, Mac Worthington continues his inspirational fine art past his studio and into your home. Each piece reflects his desire for difference and neglect for the norm. Born and raised in Canton, Ohio also known as i?1/2Little Chicagoi?1/2, Mac was privileged to be molded around a family of artists. His father John i?1/2Jacki?1/2 Worthington was a local artist, well-known for this bronze sculptures, specifically busts for movie stars and sports figures included in the Pro Football Hall of Fame located in Canton, Ohio. His mother Marion Worthington was skilled in enameling and silver work. The combination of creative talent and environment made him destined for artistic success. Serving in the jungles of Vietnam at the age of nineteen Mac interpreted the indescribable feelings of war into powerful expressions of art. He attributes additional creativeness to influences such as Hells Angels, Elvis, Bob Dylan, Marlon Brando and the 60i?1/2s era. Going back to his roots he entered the world of heavy metal. Teaching himself to weld he used steel and iron to create massive, grandiose outdoor sculptures. Becoming more skilled with his mediums, he discovered the versatile use of high tech aluminum. This skill ...

    Philip Taylor - Statement By applying abstraction, Taylor creates intense personal moments masterfully created by means of rules and omissions, acceptance and refusal, luring the viewer round and round in circles. His paintings do not reference recognizable form. The results are deconstructed to the extent that meaning is shifted and possible interpretation becomes multifaceted. Through experimentation, he finds that movement reveals an inherent awkwardness and echoes our own vulnerabilities. His works feature coincidental, accidental and unexpected connections. By questioning the concept of movement, he formalizes the coincidental and emphasizes the conscious process of composition that is behind the seemingly random works. The thought processes, which are supposedly private, highly subjective, and unfiltered, are frequently revealing. aEURoeThe process of making art for me is emotionally charging and spiritual.aEUR Bio Taylor grew up in the Mississippi river valley along the legendary highway 61 corridor in southern Minnesota as well as summering along the east cost. In the mid 1990s Taylor first became interested in abstract painting after being confronted with a Jackson Pollock work during a pivotal visit to the National Gallery of Art in Washington D.C. He has a B.A. in Studio Art and attended classes at the Arts Students League of ...

    Marsha Bowers - Marsha Bowers was born and raised in the Central Valley of California. She is a classically trained fine artist, skilled in the old Masters techniques of Flemish/Bistre and Venetian method using a grisaille underpainting and glazing with many layers. Most of her fine art paintings are rendered in oil. She sometimes applies real gold leaf into the artworks. Marsha finds inspiration in the old masters of the past. She spends many hours visiting Museums studying their work. Gothic and Renaissance are her favorite periods along with the Pre-Raphaelites artists. The artist loves the blending of the classical painting techniques with a more contemporary approach to her paintings. Her recent fine art paintings are of women, both figurative and portraiture. The inspiration for her paintings comes from her observations of life itself and through her own experiences. Each painting shares a message, story or emotion. Its what the artist herself describes as a "flowing" of the spirit, a creative process through which the artist paints a story unto the canvas, realizing that each viewer of her work may have their own interpretation of what the art is conveying. Most recently Marsha was invited to be included into the International ...

    Anita Zotkina - I have been painting my whole life. Creating art is time-consuming, messy, and underappreciated, but I do it anyway, because this is how I express my understanding of life. My art focuses mostly on women and animals, and their life journeys. Since childhood I was fascinated by strong and independent women. I found them to be generous, wise, and extremely humorous. I enjoyed listening to their stories about the meaning of life and keeping up with the chores. Being a single mother, I recognized how challenging it is to work, take care of the kid, study, and stay open-minded and thoughtful. In my paintings I am trying to capture life, mental torment, enlightenment and peace from a womanaEURtms perspective. Very often I add animals to my paintings, to create a cozy mood. As a child, I spent a lot of time outside, playing with stray dogs and cats, or in a field looking for butterflies and grasshoppers. Those were the best times. The animals I spent time with were my extended family, and I always felt safe with them. So, adding animals to my paintings, is like adding a thought of your favorite relative that conveys nothing ...

    Michael Schaffer - Exploring the realms of color, texture, drama, and feelings are the main ingredients of my art work. To inspire the viewer to deal with the issues presented to him is my goal. To inspire the viewer to interpret and react is my passion. I hope you have been inspired... or at least have an opinion. Art and life have many of the same ingredients for us to enjoy....

    Jim Lively - Whether portrayed in the abstract, realism, or somewhere in between, I am most influenced by both the beautiful and unattractive components of contemporary urban culture. Many times, one painting will reflect both components. My art tends to focus upon interesting juxtapositions of close-up images of human faces. Often, the larger images border upon realism and are caught expressing a panoply of emotions usually directed at the other images that share the canvas. Several of my recent works such as the tongue in cheek entitled "Lenin and Things" contain unlikely combinations of images such as a statue of Lenin which is dwarfed by a billboard size fashion model displaying a vacuous stare. A number of works contain both large images and interrelated small images. For example in the painting "Staring at Natalie", all the smaller images are a depiction of a collective group of voyeurs staring at a larger image of a posed fashion model. I want those viewing the painting to be the ultimate voyeur. The viewer is not only drawn initially to the larger image in its own right but also cannot help but then notice the relationship of the smaller images to the large image. Works displayed ...

    Iva Kalikow - My first love was interior design which I studied at the School of Visual Arts in NYC. I went on to study drawing and color at the Art Center College of Design in Pasadena, CA. At first, I thought I wanted to design furniture, but while living in L.A. I took a class in stained glass and I was hooked. My approach is one of the overall interior design of the room as well as the architectural aspects. My stained glass art panels are created in the traditional lead technique seen for centuries in churches and cathedrals. Using a wide array of both handmade and manufactured glass in every conceivable color and texture, I am constantly visualizing how natural light will illuminate the work. In selecting my palette of glass, do I use a rough wavy glass or a smooth texture, do I want it translucent or opaque I then meticulously hand cut each individual piece of glass, grind the edges and wrap it in malleable lead came strips, then solder and cement to create my original custom designed interpretations. My most recent collection is inspired by the Masters of Impressionism, Post-Impressionism, Fauvism, and Cubist periods of Art - ...