Contemporary Art For Sale Price Range: $700 - $799

Page 3 of 65
Over 1874 works of original contemporary art for sale in the price range $700 - $799. On this page you can find works by Jim Lively, Tom Lund-lack, Marino Chanlatte, Terri Higgins, Daniel Clarke, Jerry Di Falco, Isaac Brown, Lora Vannoord, Denise Dalzell, Austen Pinkerton, Rita Levinsohn, William Dick, Harry Weisburd, Azhar Shemdin for the follwing mediums: 1. Links to more artwork and 65 pages for works in the price range $700 - $799 and links to further artists' works at the bottom of this page. To view a work by any of these visual artists simply click on the image or browse the artist's portfolio.


Contemporary Art / / Previous / Next
Jim Lively: 'burnt orange complex', 2019 Acrylic Painting, Abstract.
Abstract - Painting
16 x 16 inches (40.6 x 40.6 cm)
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Jim Lively: 'burnt orange majestic', 2019 Acrylic Painting, Abstract. Contemporary, burnt, orange...
Abstract - Painting
16 x 16 inches (40.6 x 40.6 cm)
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Tom Lund-lack: 'energy 25', 2019 Pastel, Equine. Harder to do than they look, no mistakes allowed.  In this series of pastels the title reflects the energy of the sport of horse racing and the execution of the piece.  The support is 300GSM Mi Teintes pastel paper. ...
, 2019
Equine - Pastel
50 x 70 cm (19.7 x 27.6 inches)
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Marino Chanlatte: 'everglades 1', 2019 Oil Painting, Landscape. Everglades landscape series, I am starting this new series in 2019.  Ready to hang.  Nature, Everglades, Florida, Miami, water, sky, blue...
Landscape - Painting
24 x 18 inches (61.0 x 45.7 cm)
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Tom Lund-lack: 'energy 21', 2018 Pastel, Equine. Harder to do than they look, no mistakes allowed.  In this series of pastels the title reflects the energy of the sport of horse racing and the execution of the piece. The support is 300GSM Mi Teintes white pastel paper. ...
, 2018
Equine - Pastel
50 x 70 cm (19.7 x 27.6 inches)
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Terri Higgins: 'marie antoinette s chicken number 1', 2018 Oil Painting, Birds. Chicken, Marie Antoinette s chickens, showy chickens, French chickens, poultry...
Birds - Painting
18 x 24 inches (45.7 x 61.0 cm)
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Daniel Clarke: 'palm springs environs', 2018 Acrylic Painting, Landscape. The sun beats down across the California desert wallsand its cracked dry ground was hard as a rock.You could see windmills in a distance of the heat waveturning in slow motion as salt seeped from my poresand stung my eyes as I wiped it off.I ...
Landscape - Painting
24 x 18 inches (61.0 x 45.7 cm)
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Jerry  Di Falco: 'storm', 2018 Etching, Culture. The artist created this watercolor at The Center for Works on Paper in Philadelphia, Pennsylvania, as a study for a possible aquatint etching.  Please note that this painting on paper is shipped to the collector with a frame and mat.  The ABSOLUTE ARTS DOT COM price includes all handling costs ...
, 2018
Culture - Etching
15 x 22 inches (38.1 x 55.9 cm)
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Isaac Brown: 'american babylon', 2018 Acrylic Painting, Abstract.
Abstract - Painting
28 x 22 inches (71.1 x 55.9 cm)
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Isaac Brown: 'after the storm', 2018 Acrylic Painting, Abstract. acrylic on canvas board...
Abstract - Painting
36 x 24 inches (91.4 x 61.0 cm)
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Isaac Brown: 'face off', 2018 Acrylic Painting, Abstract.
, 2018
Abstract - Painting
36 x 24 inches (91.4 x 61.0 cm)
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Lora Vannoord: 'the red shed', 2018 Oil Painting, Abstract Landscape. This is an original oil painting on canvas board of an old red shed on the edge of the forest in the fall.  Lovely fall yellow leaves dominate the painting with the full sun playing with the focus of the leaves.  included is a  deep Cherry custom frame . .  One and ...
Abstract Landscape - Painting
30 x 24 inches (76.2 x 61.0 cm)
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Isaac Brown: 'love friends', 2018 Acrylic Painting, Abstract Figurative.
Abstract Figurative - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Denise Dalzell: 'recital', 2018 Acrylic Painting, People. painting, recital, illustration, expressionsim, pop art, modern, realism, people, musician.An accordianist performing on a bridge in Paris. ...
, 2018
People - Painting
24 x 32 inches (61.0 x 81.3 cm)
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Marino Chanlatte: 'ocean 70', 2018 Oil Painting, Abstract. This Ocean series is a challenge and a joy for me, I choose which colors I am going to mix directly on the canvas, getting multiple layers of new tones and texture, describing shapes, lights, and shades of the oceans. Being born in an island the ocean has always been ...
, 2018
Abstract - Painting
20 x 24 inches (50.8 x 61.0 cm)
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Marino Chanlatte: 'ocean 68', 2018 Oil Painting, Abstract. This Ocean series is a challenge and a joy for me, I choose which colors I am going to mix directly on the canvas, getting multiple layers of new tones and texture, describing shapes, lights, and shades of the oceans. Being born in an island the ocean has always been ...
, 2018
Abstract - Painting
20 x 24 inches (50.8 x 61.0 cm)
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Austen Pinkerton: 'the cave', 1982 Acrylic Painting, Landscape.
, 1982
Landscape - Painting
24 x 30 inches (61.0 x 76.2 cm)
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Denise Dalzell: 'abuelita', 2018 Acrylic Painting, People. painting, abuelita, illustration, expressionism, pop art, modern, realism, people, portrait...
, 2018
People - Painting
18 x 24 inches (45.7 x 61.0 cm)
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Austen Pinkerton: 'daffodils in glass vase', 2018 Pastel Drawing, Floral.
Floral - Drawing
360 x 540 mm ( x )
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Rita Levinsohn: 'lion fading', 2015 Acrylic Painting, Animals. Lions are endangered...
Animals - Painting
40 x 30 inches (101.6 x 76.2 cm)
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Rita Levinsohn: 'tiger tiger', 2016 Acrylic Painting, Animals. Animal is endangered...
Animals - Painting
40 x 30 inches (101.6 x 76.2 cm)
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William Dick: 'STAIRT IX', 2015 Other Drawing, Abstract. The painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming and growing in ...
, 2015
Abstract - Drawing
76 x 56 cm (29.9 x 22.0 inches)
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William Dick: 'STAIRT IV', 2015 Other Drawing, Abstract. The painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming and growing in ...
, 2015
Abstract - Drawing
76 x 56 cm (29.9 x 22.0 inches)
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William Dick: 'STAIRT II', 2015 Other Drawing, Abstract. The painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming and growing in ...
, 2015
Abstract - Drawing
76 x 56 cm (29.9 x 22.0 inches)
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William Dick: 'STAIRT I', 2015 Other Drawing, Abstract. The painting portrays a powerful sense of illumination and generates a spiritual atmosphere through its repainting. The geometric patterns are inspired by both ancient tribal symbols and a fascination with the geological formations of the landscape. Each painting therefore evolves out of itself, layer on layer, transforming and growing in ...
, 2015
Abstract - Drawing
76 x 56 cm (29.9 x 22.0 inches)
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Harry Weisburd: 'hug 2', 2016 Watercolor, Figurative. The Hug man unzipping back of dress ...
, 2016
Figurative - Watercolor
12 x 12 inches (30.5 x 30.5 cm)
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Lora Vannoord: 'blue flowers in the park', 2017 Oil Painting, Landscape. An original oil painting on canvas board of a park with a metal bridge and lovely blue flowers in the foreground and weeping willow trees in the background.  The original oil painting is now  for sale with a 1 12 inch gold frame...
Landscape - Painting
36 x 24 inches (91.4 x 61.0 cm)
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Marino Chanlatte: 'ocean with dolphins', 2017 Oil Painting, Abstract. This Ocean series is a challenge and a joy for me, I choose which colors I am going to mix directly on the canvas, getting multiple layers of new tones and texture, describing shapes, lights, and shades of the oceans. Being born on an island the ocean has always been ...
Abstract - Painting
24 x 18 inches (61.0 x 45.7 cm)
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Azhar Shemdin: 'meditation on spring', 2017 Acrylic Painting, Abstract. At spring we regenerate our energies, feel alive again and look forward to connect our bodies and souls to nature and be immersed in the wonder and beauty of life. ...
Abstract - Painting
24 x 24 inches (61.0 x 61.0 cm)
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Judith Smith Wilson: 'tail hook', 2017 Watercolor, Wildlife. Baby lion with mom s tail in it s mouth, matted ready to be framed. ...
, 2017
Wildlife - Watercolor
8 x 10 inches (20.3 x 25.4 cm)
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(Page 3 of 65) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Jim Lively - Whether portrayed in the abstract, realism, or somewhere in between, I am most influenced by both the beautiful and unattractive components of contemporary urban culture. Many times, one painting will reflect both components. My art tends to focus upon interesting juxtapositions of close-up images of human faces. Often, the larger images border upon realism and are caught expressing a panoply of emotions usually directed at the other images that share the canvas. Several of my recent works such as the tongue in cheek entitled "Lenin and Things" contain unlikely combinations of images such as a statue of Lenin which is dwarfed by a billboard size fashion model displaying a vacuous stare. A number of works contain both large images and interrelated small images. For example in the painting "Staring at Natalie", all the smaller images are a depiction of a collective group of voyeurs staring at a larger image of a posed fashion model. I want those viewing the painting to be the ultimate voyeur. The viewer is not only drawn initially to the larger image in its own right but also cannot help but then notice the relationship of the smaller images to the large image. Works displayed ...

    Tom Lund-Lack - I am an experienced artist whose work uses the power of imagination to find find the essence of the subject.A It is grounded in the need to celebrate life, and to portray the subject through the transforming power of colour and light. Arrangements of shape, line, pattern and colour are brilliant at conjuringA up powerful expressions, sometimes these can be dreamlike and at peace sometimes exciting and dramatic. My work does not always represent an actual moment, place or object in time, but they areA the result of a process of reflection, recollection and reinvention, a distillation of experience. Art is a very small word having the widest possible meaning appreciation is a subjective judgement and no artist or workA can please everyone.A My aim is to please at least some of you and I am very confident that this aspiration is achievable ...

    Marino Chanlatte - I started painting a long time before I realized it was my passion, and that I would be a painter. I felt the inner need to express through painting, in a freely and spontaneous way, my feelings, thoughts, ideas and fantasies that appeared as visions ... I use color, texture, shapes, light, and shadows to express myself. If my work communicates any emotion or feeling to the viewer, then I accomplished my purpose....

    Terri Higgins - The deep ache that replaced the pleasure you used to have, the words someone said that you keep turning over and over in your head, the void inside that nothing seems to fill; these are some of the subjects I paint about. Location: Washington, DC Check out my website and blog:

    Daniel Clarke - Daniel E. Clarke is a Los Angeles Native who has been painting his entire career in the Los Angeles area. His art education has included studying under the internationally famous Timothy Clark, UCLA Extension University, and Glendale College. He has explored both pictorial and abstract designs but is dedicated to a free flow of color and dynamic composition. Mr. Clarke has concentrated on the acrylic and watercolor medium, and paints on location in his Los Angeles based studio. He also maintains his paintings and sales in his own company called Berrypunch Gallery. ...

    Jerry Di Falco - Photography inspires my art and acts as a vital element in my etchings. The images I employ originate from my own photographs, as well as from the images I find from my research into the digital archives of universities, historical societies, libraries, and museums. Upon locating a documented scene I wish to etch, my first step involves the execution of two to five original drawings of the photograph. My collaboration between photography and printmaking allows me the independence to integrate my personal interpretations into the scene. Moreover, I create bridges between the physical and metaphysical visual realities in the same way that a camera intersects with human creativity . . . the nexus between the mechanical and the cerebral art tools. Art unveils everything that we mask behind our belief systems conversely, I strive in my creations to clarify those phenomena we overlook as a result of our egocentric assumptions. Ironically enough, I blame this failure to notice things, a process I label, the phenomenology of connectedness, on todayaEURtms very infatuation with and addiction to the new communicational technologies of social media. My artworks therefore become like windows through which to examine the mysteries of aEURoeeveryday consciousnessaEUR. In fact, my use of ...

    Isaac Brown - ISAAC S. BROWN As his day job Isaac is president and CEO of Baltic Street AEH Inc. A non-for profit agency that helps people coping with mental health issues deal with advocacy, employment and housing based in New York city. Mr. Brown has been painting for over 35 years. This self-taught artist has been previously employed in a variety of jobs including lumberjack, diamond cutter, welder and sergeant in the Israeli Defense Forces. It was during his time in the IDF as a young sergeant during periods of down time that he first picked up a brush and paints to begin to express his artistic creativity. Later in between maneuvers, during his time in the first Lebanese War, he began experimenting with whatever materials were available to a young soldier, creating sculptures and roadside art along the way from one camp to another as a release from the daily pressures and responsibly of caring for his fellow soldiers. After leaving the army he traveled the world extensively continuing painting and sculpting along the way. He spent a considerable time amount living in Europe and thus bringing to his art a unique worldwide perspective. His artwork reflects the passion...

    Lora Vannoord - I am a Florida Artist originally from a small town in Michigan, now painting in Florida. My works are original oil paintings inspired by Mother Nature. I want to communicate my love of nature to help others see and appreciate the natural environment around them. My goal is to give others a calming and imaginative experience in their homes when they contemplate my oil paintings. I enjoy the creative composing of my landscapes using my store of images and my imagination. I combine my sketchbook images and photos to form my imaginary landscape. I then feel excited and fulfilled when my work goes well. Even as a child my happiest times were when I was creating art or attending art activities and museums. I am a member of the Tarpon Springs Art Association, the Creative Artists Guild, and NOAPS. I have been chosen to show my original oil paintings in many of their juried exhibits. I have had solo exhibits in Grand Rapids MI, Dunedin FL, Oldsmar FL and Tarpon Springs FL.. I have shown oil paintings in group exhibits in Clearwater FL, Crystal Beach FL, Tarpon Springs FL, Oldsmar FL, Dunedin FL, Sarasota FL, Safety Harbor FL, Tampa FL...

    Denise Dalzell - Painting. Illustration. Expressionism. Pop Art. Modern. Realism and, occasionally, a bit of Abstraction. My current work centers on my consideration of how we respond to each other, the stories that develop between us and around us, and how our collective stories reflect on and influence us individually. How our stories bounce off each other and combine to create new stories. My paintings are illustrations of the scenes that I encounter during my travels abroad and in daily life so, some scenes are more sweeping than others. How do we, as people of differing backgrounds, cultures, and experiences interact with each other Are we different people in a crowd than when alone How do we fit in or stand out where we find ourselves at any given moment, in any given story Stories are everywhere, and thereaEURtms no predicting what theyaEURtmll reveal. Body language, movement, color, contrast combine to illustrate my scenes of interaction between people and within environments. The excitement of being a part of something as unifying as a protest, the sense of adventure that comes from starting out with no particular destination, intimate moments with those we love and those we discover in the big events...

    Austen Pinkerton - Austen Pinkerton If I turn my mind to it very quickly I can come up with several ideas for works aEUR|paintings, drawings, or sculptures. Sometimes ideas come to me when I least expect it, or when my mind is on other things. Ideas can be related to my current experiences, or to my feelings about things that are happening to me in my life at that particular time. Alternatively they can be related to a current interest, or something that occupies my attention at that moment, and my ideas and feelings about which Id like to share with others. A lot of my work is autobiographicalaEUR|either directly or indirectly, consciously or subconsciously. It is frequently very personal, and expresses events or circumstances or experiences in my life. I usually work in either Acrylic on Canvas, Crayon or Pastel, or both together, with Gouache, on card, Drawing in pencil, or Ink, or both, or with creating SculptureaEUR|for which I use fired artists clay. Sculpture follows a completely different set of rules and values from two-dimensional art, obviously, I think of it as Drawing in three dimensions and I take this into account when creating mine. In all my...

    Rita Levinsohn - Welcome to my world of Other Realities. I am a painter of mystical figurative paintings and abstractions composed of acrylic paint and found objects. My concern is for the future of our planet. The animate and inanimate objects within the paintings reflect many incarnations. The message being that it is possible to create rather than destroy....

    William Dick - STATEMENT My paintings record my interest in reconciling different and often estranged qualities and ideas in painting. I work through an experimental evaluation of the co-influence or confluence of organic and geometric, texture and structure, density and transparency, the sensuous history of paint and the austere tradition of minimalism. Within the context of abstraction, namely geometric and organic, I begin with the fundamental balance in painting between line and colour. I have drawn on ancient symbolic shapes from my Scottish background and I am influenced by the symbolic power of simplest forms of drawn lines such as the circles, concentric circles and spirals of Pictish and Celtic Art. Linear elements in my work derive from this source as well as from African and Aboriginal Art, Abyssinian Warrior Shields and Russian icons, and other lines and shapes that retain, in the broadest sense, some significance within culture. For colour I begin from observation of geological form and the substance of land; of dust, sand, mud and rock as well as the outcrop of local street furniture/ architecture; weather and the effects of weathering, and then of the often extreme and exotic colour of lichen, peat and mosses. My work exploits...

    Harry Weisburd - Harry Weisburd is an Internationally Represented Artist, including, USA, Expressions Gallery, Berkeley, California,

    Azhar Shemdin - I am interested in experimenting with liquid acrylic, using resist material which is anything that is placed on the surface of the painting that impedes the flow of liquid paint. When the resist is lifted, an unexpected outcome is revealed. Sometimes the outcome is not what I wanted, and I cover the surface with paint and go for a second, third or even a fourth try, until I am completely satisfied with the outcome. The end result is a wonderous world that comes from somewhere and is revealed on a canvas surface!...