Contemporary Art For Sale Price Range: $800 - $899

Page 6 of 73
Over 2114 works of original contemporary art for sale in the price range $800 - $899. On this page you can find works by Donna Gallant, Judith Fritchman, Lorrie Williamson, Manuela Facchin Varalda, Ron Ogle, Gordon Mcglothlin, Kichung Lizee, Stephen Mead, Lou Posner, Luise Andersen, Asbjorn Lonvig, Youri Messen-jaschin, Micha Nussinov, Edna Schonblum, Lucille Coleman, Wayne Wilcox, Bessie Papazafiriou, Leo Evans for the follwing mediums: 1. Links to more artwork and 73 pages for works in the price range $800 - $899 and links to further artists' works at the bottom of this page. To view a work by any of these visual artists simply click on the image or browse the artist's portfolio.


Contemporary Art / / Previous / Next
Judith Fritchman: 'Profile of Rebecca', 2004 Oil Painting, Portrait.  Another view of a lovely young woman. ...
Portrait - Painting
8 x 10 inches (20.3 x 25.4 cm)
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Lorrie Williamson: 'Growing Up', 2001 Oil Painting, Figurative.  A little girl no longer - - now becoming a woman. ...
, 2001
Figurative - Painting
18 x 36 inches (45.7 x 91.4 cm)
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Judith Fritchman: 'Catch Me if You Can', 2007 Oil Painting, Children. Who can resist an exuberant race with the waves?...
Children - Painting
12 x 16 inches (30.5 x 40.6 cm)
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Manuela Facchin Varalda: 'Reflect 3', 2004 Mixed Media, Figurative.  original artwork unique piece ...
, 2004
Figurative - Mixed Media
28 x 28 inches (71.1 x 71.1 cm)
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Ron Ogle: 'HORSE SERIES number 10', 1999 Oil Painting, Abstract. Of very great importance for the development of the student is the way in which he listens to others when they speak. He must accustom himself to do this in such a way that, while listening, his inner self is absolutely silent. [ RUDOLF STEINER - KNOWLEDGE OF HIGHER WORLDS AND ITS ...
Abstract - Painting
10 x 8 inches (25.4 x 20.3 cm)
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Ron Ogle: 'HORSE SERIES number 9', 1999 Oil Painting, Abstract. Truth waits for eyes unclouded by longing....
Abstract - Painting
10 x 8 inches (25.4 x 20.3 cm)
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Gordon Mcglothlin: 'Moonlit Dreams II', 2005 Giclee, Abstract.  Moonlit Dreams II, while part of a diptych, can be purchased as a separate print. It is available in limited editions of 75 on canvas and Somerset Watercolor paper in two sizes, 18
Abstract - Giclee
24 x 36 inches (61.0 x 91.4 cm)
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Gordon Mcglothlin: 'Moonlit Dreams', 2005 Giclee, Abstract.  Moonlit Dreams I, while part of a diptych, can be purchased as a separate print. It is available in limited editions of 75 on canvas and Somerset Watercolor paper in two sizes, 18
Abstract - Giclee
24 x 36 inches (61.0 x 91.4 cm)
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Gordon Mcglothlin: 'Night Flower', 2001 Giclee, Geometric.  Night Flower by Gordon McGlothlin is available in limited editions of 150 on canvas and Somerset Watercolor paper and measures 23 x 34. Each piece is personally printed, signed, and numbered by the artist. For pricing information on sizes or material not shown here, please call 410- 730- 7033 ...
Geometric - Giclee
34 x 23 inches (86.4 x 58.4 cm)
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Gordon Mcglothlin: 'Under Currents', 1995 Giclee, Abstract.  Under Currents by Gordon McGlothlin is available in limited editions of 150 on canvas and Somerset Watercolor paper and measures 23
Abstract - Giclee
34 x 23 inches (86.4 x 58.4 cm)
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Kichung Lizee: 'Enchanted Jade Garden Series F Pine', 2005 Mixed Media, Botanical.  done on mulberry paper, using Chinese ink, Eastern calligraphy brush, water color and oil....
Botanical - Mixed Media
33 x 60 inches (83.8 x 152.4 cm)
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Stephen Mead: 'Remembering Mom', 2004 Mixed Media, Portrait. This is a Flag Day memory piece for my mother, Marie, incorporated into the series
Portrait - Mixed Media
36 x 28 inches (91.4 x 71.1 cm)
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Lou Posner: 'Eggplant and Green Pepper', 2000 Oil Painting, Still Life. Vegetables in motion.  Oil on canvas board.  Custom frame is wood with gold tone. ...
Still Life - Painting
8 x 10 inches (20.3 x 25.4 cm)
Luise Andersen: 'WIND  SWEPT YOU ACROSS MY MIND', 2006 Charcoal Drawing, Other. Jn. 22, 2006- - Stormy. . . .  Was Out . .  Returned To The House. . .  Still In My Coat, Reached For The Charcoals. . Hit By Strong' Lonely' Feeling. .  Drew It On This White Watercolor Paper. .  Consciously Not Aware What' Inside' Recognized. . .  I Guess. . . . . . . I Was' Somewhere Else'  While Drawing- - - - -  Left From There, With' Essence' . . . . . . .  Smiling. . . . . . . . . . . . . . . . . . . . . . . . . . ....
Other - Drawing
18 x 24 inches (45.7 x 61.0 cm)
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Asbjorn Lonvig: 'Denmark Twenty Seven Oooooohhhhhhh', 2005 Collage, Abstract. I have been asked to consider smaller sizes - sizes under 1 meter.Over the years I have made lots of paper cut- outs. I have developed a very secure technique when it comes to color fastness.I have chosen 4 specific colors - red, yellow, green and blue, supplemented with black/ ...
Abstract - Collage
60 x 60 cm (23.6 x 23.6 inches)
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Asbjorn Lonvig: 'Denmark Twenty Six Number 7 in the pee queue', 2005 Collage, Abstract. I have been asked to consider smaller sizes - sizes under 1 meter.Over the years I have made lots of paper cut- outs. I have developed a very secure technique when it comes to color fastness.I have chosen 4 specific colors - red, yellow, green and blue, supplemented with black/ ...
Abstract - Collage
60 x 60 cm (23.6 x 23.6 inches)
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Asbjorn Lonvig: 'Denmark Twentythree Mansardhuset gul', 2005 Collage, Abstract. Inspired by The mansard house 1600/ 1650 in The Old Town, Aarhus, Denmark.The warehouse is a renaissance building from Jomfru Anegade in Aalborg. It is built with a heavy timber frame and thick carved brackets. Around 1800 a mansard roof was added. This building was originally part of the ...
Abstract - Collage
60 x 86 cm (23.6 x 33.9 inches)
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Asbjorn Lonvig: 'Denmark Twentytwo Mansardhuset ', 2005 Collage, Abstract. Inspired by The mansard house 1600/ 1650 in The Old Town, Aarhus, Denmark.The warehouse is a renaissance building from Jomfru Anegade in Aalborg. It is built with a heavy timber frame and thick carved brackets. Around 1800 a mansard roof was added. This building was originally part of the ...
Abstract - Collage
60 x 86 cm (23.6 x 33.9 inches)
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Youri Messen-jaschin: 'Planete Folle New York', 1972 Woodcut, Undecided. xylography 1/ 15(r) 1972 by Prolitteris Po. Box CH. - 8033 Zurich(c) 1972 by Youri Messen- Jaschin Switzerland...
Undecided - Woodcut
24 x 30 cm (9.4 x 11.8 inches)
Luise Andersen: 'I See You Watching Me', 2004 Oil Painting, Other. Oil Paints. . . With Water. . Had To try those. .  And Enjoy Them. . . .  Same Qualities. .   A forceful. .  Quick Painting. . .  Not More Than Several Days. . .  Rare For Me. .  Just Clicked. . .  Faces. . . Figures. . .  Waiting. .I Have The Urge To Introduce Gold- Leaf In it. . .  I Just Might. . On Top Arch. .  Where The Light Hits. . ...
Other - Painting
18 x 20 inches (45.7 x 50.8 cm)
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Micha Nussinov: 'Movement 2', 2004 Oil Painting, Abstract. Color, light and movements are sponteniously expressed reflecting on the artist mood. ...
, 2004
Abstract - Painting
510 x 410 mm ( x )
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Edna Schonblum: 'Jaws', 2005 Oil Painting, nature.
, 2005
nature - Painting
60 x 40 cm (23.6 x 15.7 inches)
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Lucille Coleman: 'Heel Hand Pop', 2004 Oil Painting, Dance. Oil paint is applied in a spontaneous, painterly manner to imitate the energy and movement of the dance.This is one second of a hip- hop dance movement frozen in time but is actually performed very quickly. The effect looks like a surprise when the dancers jump up on their ...
Dance - Painting
38 x 36 inches (96.5 x 91.4 cm)
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Micha Nussinov: 'movement 1', 2004 Oil Painting, Abstract. Color, light and movements are sponteniously expressed reflecting on the artist mood....
, 2004
Abstract - Painting
41 x 51 cm (16.1 x 20.1 inches)
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Wayne Wilcox: 'Lake Watercolor Morning', 2004 Oil Painting, Landscape.
Landscape - Painting
14 x 18 inches (35.6 x 45.7 cm)
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Bessie Papazafiriou: 'Winter in Metsovo', 2000 Oil Painting, Landscape.      Winter in Metsovo depicts a wonderful place I discovered in Metsovo, Greece.  I love the way the vegetation pokes its way through the snow to add contrast to the painting.Comments:  Framed...
Landscape - Painting
15 x 13 inches (38.1 x 33.0 cm)
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Leo Evans: 'THE LIGHT', 2004 Computer Art, Religious.
, 2004
Religious - Computer Art
24 x 28 inches (61.0 x 71.1 cm)
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Leo Evans: 'ONTARIO SPIRIT', 2004 Computer Art, Inspirational.
Inspirational - Computer Art
22 x 28 inches (55.9 x 71.1 cm)
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Leo Evans: 'MONTCLAIR FOREVER', 2004 Computer Art, Abstract.
Abstract - Computer Art
22 x 28 inches (55.9 x 71.1 cm)
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Leo Evans: 'LOS  ANGELES CITY HALL NORTH', 2004 Computer Art, Abstract.
Abstract - Computer Art
22 x 28 inches (55.9 x 71.1 cm)
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(Page 6 of 73) - MORE ARTWORKS
  • MORE »
  • Artists Describing Their Art:

    Donna Gallant - Art is a daily routine in my life. I see, hear, taste, feel and smell the life that surrounds me and I am inspired by the simplest aspects of this world. Whether it be the way the light hits an object or the way objects or forms move in space. I find it all so fascinating and alive. I try to portray these experiences and expressions through my art making....

    Judith Fritchman - I cannot remember a time when I did not want to draw or paint. From my earliest childhood days I have found great joy in depicting my surroundings. Compelling images call out to be examined and expressed: a lone oak tree starkly outlined against a curve of corn stubble, a Cezanne-like arrangement of objects on a table as I walk through a room. But of all God's infinitely varied creations, it is the human face and form which most fascinates and humbles me; the possibility of capturing a fleeting aspect of humanity unique to that individual is an endlessly exciting pursuit. After studying at Beaver College, Cedar Crest College, and Lehigh University, I have also studied classical drawing and design for many years with Myron Barnstone at his studios in Coplay, Pennsylvania. There I have learned to examine the work of great artists of the past as instruction and inspiration. Knowing they have pursued similar interests is a gratifying experience, offering the potential for learning something new, and using it to express my own personal images, values, and emotions. It is my hope that each of my works will reflect, in some small way, a facet of the ...

    Lorrie Williamson - As time passes and history is made, it is exciting to try and capture a special moment of life in a painting. It might be inspired by an earth-shaking event or just an ordinary daily experience. More often it comes as a result of looking for something meaningful to say about life as it is today by painting a picture of it. I have a passion for painting, and a ongoing desire to master the never-ending possibilities that are inherent in making art. I hope to express a mood or tell a story that will grab and hold your attention and make you want to see more....

    Manuela Facchin Varalda - Why painting? For the desire of a deep knowledge of things. Painting, for me, is not only communication, but almost an additional sense, a further perception of world, of the real and of the imaginary, of the material and of the dream, of the objective and of the individual. Painting is for me the place of the revelation, of the primary reflection. As a self taught artist, I have been painting and drawing since I can remember - this is a part of me. I have discovered that Art Wanted is the opportunity to share this part with somebody else, from all over the world, trying to understand, to give a sense to our imagination and needs. Manuela...

    Manuela Facchin Varalda - Kichung Lizee - After coming to this country from Korea in the mid 60's to study art, among the many forms of Western art that I was introduced to, Abstract Expressionism interested me most. Currently I am in the process of synthesizing Eastern and Western approaches to art. Specifically, I'm adopting the techniques and materials of Eastern calligraphy to Western thematic material, my primary goal being to close the gap between East and West and reach for universal creativity. Eastern calligraphy I learned is a living and breathing spirit, rather than the dead and rigid tradition of thousands of years. It is uniquely a form that conveys the pulsation of life energy. Through it, one can experience all aspects of the living spectrum. Eastern calligraphic form reveals the kind of life the artist has led, as well as foreshadowing the person one will become. It is the art form that manifests the self as a way of life or philosophy of life. It is a powerful art form that operates through direct intuition. As an artist I rely heavily on creative intuition. Moving with changes in the stream of consciousness, my creative intuition somehow brings out the subconscious and superconscious through ...

    Stephen Mead - In the early 1990's Stephen Mead's poems began appearing in such journals as Onionhead, Bellowing Ark, and Invert, but upon moving to Provincetown, Mass., Stephen decided to concentrate more on visual work. It was in the year 2000, after moving back to NY, that Stephen started seeking publication again for both his writing and his art combined. Since, then, thanks to the wonders of the World Wide Web, his work has appeared internationally both in cyberspace, hard copy, and physical Gallery Space. Often the writing has appeared along side his paintings, and at other times with the text superimposed. In 2004 Stephen began experimenting even more with these poetry/art hybrids creating a series of e books, including the award winning "We Are More Than Our Wounds". From there Stephen began experimenting with his art and poems as films, at first creating slideshows with captions, and then doing his own soundtracks and voice overdubs. These DVDs are available through Indieflix.com In 2006 Stephen put this technology to use releasing a CD of poems set to music "Safe & Other Love Poems" (CDBaby.com), as well as two print editions of his image/art hybrids, "Selected Works" and "Tree ...

    Lou Posner - Dear Friends, The Posner Covid-19 sale of the past year has closed. To those who took advantage of the price breaks during the sale, congratulations on pocketing a tidy sum. Since I have not updated my price list here in well over a decade I thought I would take this end-of-the-year opportunity to do so. Updating the prices is a tedious and time-consuming process. I have to research current trends in the national and worldwide art market, examine auction results, research what art critics are saying about what is being shown, what the art magazines are writing about, what the vector and availability of art supplies is, etc. in order to arrive at fair market prices for my works. I feel glad for those patrons of mine who have enjoyed my work in their homes and workplaces over the years while they have seen a healthy increase in the market value of the work. I sold my first painting over 50 years ago for 25 dollars. Today, although the prices are higher, the bargains are still there, backed up by 50 years of experience at the easel. As you know, buying here on absolutearts cuts ...

    Luise Andersen - Luise'Mignon' Andersen Luise'Mignon' Andersen has only recently begun to reveal her lifes work. Soon after her debut she exploded onto the mainstream art world. Her breathtaking pieces have captured international interest. The stories Luise'Mignon' is telling through her truly deep, layered works seem to decipher the past and foretell the future, perhaps sharing her window to other dimensions and a seventh sense. Her detailed acrylic'Mignon' series speaks to the beholder. They inspire raw emotion and ignite ones imagination. The indescribable nature of the "Duree De Ma Vie" in particular has a growing portion of the art community considering it the conception of an entirely new style. By Maxi c)2006 Guided Through Inner Mind- Intuition- Mental Imagery- I Create The Final Of What I Am Consciously Not Aware Of.. That I Want...... Need... With Each Completed Painting... Eye Of Core Gains a Glimpse Of My Tomorrow.... c) LA I crave.. painting...drawing... sculpting... writing... Like re-inventing my life... my purpose... myself.. .Gives me a direction.. the courage to look at myself ..and find'ME' there... At least for the duration of creating.. ....and once I collect these shards of my core within colors, shapes... form...

    Youri Messen-Jaschin - From 1958 - 1962 his artistic studies lead him to the higher national school of fine arts student of Professor Arno Roberto Cami and to the Practical school of the Sorbonne, division of social sciences history of art, Professor Pierre Francastel in Paris. From 1962 until 1965, he went to the School of fine arts in Lausanne. He worked with the engraver and painter Ernest Pizzotti. A<> in 1964 with his kinetic glass and acrylic sculptures. He worked two years at the aEURoeCenter of contemporary engravingaEUR in Geneva. Then, he worked in Zurich, where he broadened his pictorial perspective with the painter Friederich Kuhn thru experience of the circle in the face. From 1968 until 1971, he acted at the University of HAPgskolan fAPr design Konsthantwerk in GAPteborg, where he created researches of textile kinetic objects. In 1967, he met at an exhibition in GAPteborgs Konsthall JesAos - Rafael Soto, Carlos Cruz-Diez and Julio Le Parc. Speaking with these artists, he discovered to be fascinated by optical art. He decided to devote all his research to kinetic art. An extended stay in GAPteborg gave him the opportunity to constantly evolve in movement and ...

    Micha Nussinov - Nussinov's Statement Oct 2012 Drifting, being transient, in between various states of body/mind, like when we travel physically and with our imagination, as in a 'waking dream'. My work represents a world of ambiguity and illusion, of recognized and abstracted scenes embedded as a tapestry of matter, illustrating different relationships. Somewhere in the process of creating artworks these worlds are mixed in an harmonious and conflicting manner, representing the contradiction and collision between languages and landscapes. At all times the viewer is challenged to unfold the mystery, to explore and discover. The works of art are created not through a planned process but rather the starting point is an impulse, a visual or musical trigger. These signals lure the me into the unknown territories where my intuition and inner vision leads to spontaneous discoveries. As a teenager my box camera was an excuse to drift away from trouble, to capture in a photo something, that was at the same time ambiguous and exciting. As a cinematographer/ director of documentaries from1976 to1980 I was acknowledged as an acute observer of people and an highly experimental filmmaker. I have been working in various fields of the arts, consistently for the ...

    Lucille Coleman - Although I'm able to produce other imagery, the figure has been my main subject. I believe that if an artist can capture and express the figure well, he can master any subject. I have explored the following themes to name a few: chic erotica, forms of dance such as latin and hip-hop, the family, conceptual themes pertaining to people in business, men and women in positive leadership roles and societal issues. I enjoy painting subjects and themes by using a loose, bold, direct and painterly brushstroke or flat graphite strokes over a solid drawing. Spontaneity and making visual statements by the "less is more" method is very gratifying for me. In addition, the chiaroscuro lighting of subjects fascinates me and I never tire of its effects of light and shadow. I am influenced by the works of Joaquin Sorolla, John Singer Sargeant, Caravaggio and other painters of his era, Wassily Kandinsky, Phillip Corey, Impressionism, and many great illustrators. ...

    Wayne Wilcox - ArtistaEURtms statements have always seemed redundant to me. The work generally speaks for itself. But here goes.. For me itaEURtms about shapes, color and lines interacting and relating to each other. Representational, abstract, non-objective theyaEURtmre all the same. Light against dark, color against color, line intersecting line. IaEUR~m as comfortable with super realism as I am with abstract expressionism. Then, of course, thereaEURtms the medium. I love the paint. I love the act of painting. I love how it flows and how it takes on a direction on itaEURtms own. ItaEURtms like magic. With one stroke something appears before your eyes that wasnaEURtmt there before. An image. An emotion. With each stroke or drip it changes. ItaEURtms an amazing experience. I highly recommend it. And then thereaEURtms image. I am a visual artist. IaEUR~m after strong images, images that evoke a feeling. Starkness, warmth, love, violence, emptiness, beauty, strength. I want the painting or drawing to stand on itaEURtms own. I am a painter. I cannot escape that fact. There have been times IaEUR~ve tried but I always return. ItaEURtms not what I do. ItaEURtm...

    Bessie Papazafiriou - Through my work I'm able to express reality in my own way. With a brush in hand suddenly horses can fly, the sky is ablaze, myths become reality and the world is transformed. To me, this is freedom. There is an unequaled sense of joy and satisfaction that comes from being able to express my vision and share it with others. I love it when a stranger views my work and feels a connection...suddenly we're no longer strangers. A new line of communication is open, one that transcends language....

    Bessie Papazafiriou -