Contemporary Art For Sale Price Range: $800 - $899

Page 3 of 73
Over 2107 works of original contemporary art for sale in the price range $800 - $899. On this page you can find works by Sheri Smith, Kathryn Arnold, Marsha Bowers, Iva Kalikow, Marino Chanlatte, Wayne Quilliam, Daniel Clarke, Sangeetha Bansal, John Sims, Jim Lively, Tiziana Fejzullaj, Shelly Leitheiser, Azhar Shemdin, Roz Zinns, Jack Earley, Andrea Mulcahy for the follwing mediums: 1. Links to more artwork and 73 pages for works in the price range $800 - $899 and links to further artists' works at the bottom of this page. To view a work by any of these visual artists simply click on the image or browse the artist's portfolio.


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Kathryn Arnold: 'perception 3', 2018 Oil Painting, Abstract. This work is inspired by process painting  it is nonobjective and nonrepresentational. The painting is seen for itself and emphasizes surface and paint and color. I hope my viewers will involve themselves in the elements of form and space and respond with emotion. I work in abstraction as words and ...
Abstract - Painting
16 x 12 inches (40.6 x 30.5 cm)
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Kathryn Arnold: 'perception 2', 2018 Oil Painting, Abstract. This work is inspired by process painting  it is nonobjective and nonrepresentational. The painting is seen for itself and emphasizes surface and paint and color. I hope my viewers will involve themselves in the elements of form and space and respond with emotion. I work in abstraction as words and ...
Abstract - Painting
16 x 12 inches (40.6 x 30.5 cm)
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Kathryn Arnold: 'perception 1', 2018 Oil Painting, Abstract. This work is inspired by process painting  it is nonobjective and nonrepresentational. The painting is seen for itself and emphasizes surface and paint and color. I hope my viewers will involve themselves in the elements of form and space and respond with emotion. I work in abstraction as words and ...
Abstract - Painting
16 x 12 inches (40.6 x 30.5 cm)
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Marsha Bowers: 'Saorsa', 2018 Oil Painting, Fantasy. Unicorn, oilpainting, painting, fantasy, art...
, 2018
Fantasy - Painting
24 x 30 inches (61.0 x 76.2 cm)
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Iva Kalikow: 'Pink Nude', 2018 Stained Glass, nudes. This leaded stained glass art panel is inspired by Matisse.  For Matisse, the platonic relationship between painter and model was a necessity and here it is as though he moves in for a closeup.  I was inspired to capture the beautiful nude form in vibrant pink to accentuate the intimacy ...
, 2018
nudes - Glass
26 x 22 inches (66.0 x 55.9 cm)
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Marino Chanlatte: 'ocean 74', 2018 Oil Painting, Abstract. This Ocean series is a challenge and a joy for me, I choose which colors I am going to mix directly on the canvas, getting multiple layers of new tones and texture, describing shapes, lights, and shades of the oceans. Being born in an island the ocean has always been ...
, 2018
Abstract - Painting
18 x 24 inches (45.7 x 61.0 cm)
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Iva Kalikow: 'Sunlit Poppies', 2017 Stained Glass, Floral. This leaded stained glass art panel is inspired by Georgia OKeeffes Oriental Poppies.  OKeeffe was fascinated by the abstract aspect of flowers and I was inspired to bring her vibrant colors to life bursting with light.  This panel includes 200 hand- cut pieces of 16 different colors and textures of ...
Floral - Glass
29 x 22 inches (73.7 x 55.9 cm)
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Marino Chanlatte: 'miami sunset expression', 2018 Oil Painting, Seascape. This work, inspired on the Miami Bay and Port, was executed in the Monet impressionist style, following his treatment of the seascape Impression, Sunrise at the port of Le Havre. This is not a realistic or photographic scene, but a spontaneous work. I had a lot of fun painting this ...
Seascape - Painting
24 x 20 inches (61.0 x 50.8 cm)
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Marino Chanlatte: 'ocean 72', 2018 Oil Painting, Abstract. This Ocean series is a challenge and a joy for me, I choose which colors I am going to mix directly on the canvas, getting multiple layers of new tones and texture, describing shapes, lights, and shades of the oceans. Being born in an island the ocean has always been ...
, 2018
Abstract - Painting
18 x 24 inches (45.7 x 61.0 cm)
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Marino Chanlatte: 'ocean 71', 2018 Oil Painting, Abstract. This Ocean series is a challenge and a joy for me, I choose which colors I am going to mix directly on the canvas, getting multiple layers of new tones and texture, describing shapes, lights, and shades of the oceans. Being born in an island the ocean has always been ...
, 2018
Abstract - Painting
18 x 24 inches (45.7 x 61.0 cm)
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Wayne Quilliam: 'djwarr', 2018 Digital Photograph, Abstract Landscape. Aboriginal Artist Wayne Quilliam captures the essence of his culture in decisive art from modern technology...
, 2018
Abstract Landscape - Photograph
45 x 30 cm (17.7 x 11.8 inches)
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Daniel Clarke: 'landscape no 24 big sur', 2017 Acrylic Painting, Landscape. Big Sur California coastal inland wooded hills...
Landscape - Painting
24 x 18 inches (61.0 x 45.7 cm)
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Sangeetha Bansal: 'mother s love', 2017 Oil Painting, Family. This art is my tribute to mothers everywhere. . . .aEURoeThere is no greater heaven than the heart of a loving motherShe takes care of you when you are still in her womb.She nurtures you after you are born.She hurts when you fall,She celebrates when you make your ...
Family - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Sangeetha Bansal: 'allure', 2016 Oil Painting, People.  The beauty of a woman must be seen from in her eyes, because that is the doorway to her heart, the place where love resides. . Audrey HepburnOriginal oil painting of a beautiful woman. She has adorned her hands with henna and is gazing longingly ahead. She is alluring and...
, 2016
People - Painting
16 x 20 inches (40.6 x 50.8 cm)
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John Sims: 'After Walking by the River, Summer Evening', 2015 Oil Pastel, Landscape.          LandscapePainted after walk           ...
Landscape - Oil Pastel
23 x 23 cm (9.1 x 9.1 inches)
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Sangeetha Bansal: 'Praying with spirits', 2016 Oil Painting, People. Original oil painting of a woman praying. She is calling upon the spirits, that come forth from the lamps, to guide her. They are blessing her, showering petals and blowing on conch shells to purify the atmosphere. She is mediating with a lamp in her hands, to dispel darkness and ...
People - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Jim Lively: 'Falling Through Fall', 2016 Mixed Media, Landscape.     Zinfandel Wine and Acrylic on canvas.                                                                                                                  ...
Landscape - Mixed Media
24 x 30 inches (61.0 x 76.2 cm)
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Tiziana Fejzullaj: 'Dog in Bed', 2016 Oil Painting, nudes.  Dog in Bed...
, 2016
nudes - Painting
36 x 48 inches (91.4 x 121.9 cm)
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Tiziana Fejzullaj: 'Mountain River', 2016 Oil Painting, Mountains.  Mountain River ...
Mountains - Painting
30 x 24 inches (76.2 x 61.0 cm)
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Kathryn Arnold: 'seven', 2015 Oil Painting, Abstract.      Kathryn Arnold, Painting, Oil on Canvas, Small Art, Abstract, Abstraction      ...
, 2015
Abstract - Painting
14 x 12 inches (35.6 x 30.5 cm)
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Tiziana Fejzullaj: 'Relaxation', 2015 Oil Painting, nudes.
, 2015
nudes - Painting
10 x 10 inches (25.4 x 25.4 cm)
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Tiziana Fejzullaj: 'Sleeping with Poppy', 2015 Oil Painting, nudes.
nudes - Painting
36 x 48 inches (91.4 x 121.9 cm)
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Sangeetha Bansal: 'Missing you', 2016 Oil Painting, Love.  Oil painting of a woman missing her lover. He has passed away and is no longer with her. He is with her in spirit though and will always be. She longs for his touch as she looks at his picture. She cannot see him but can feel his presence. His...
Love - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Shelly Leitheiser: 'Segment of the Lagoon', 2015 Acrylic Painting, Abstract.   This is an abstract nebula scene in bright colors such as oranges, magenta, blues and violets. Painted in 2015, it is 24
Abstract - Painting
24 x 24 inches (61.0 x 61.0 cm)
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Azhar Shemdin: 'Ascendance', 2013 Acrylic Painting, Abstract.    Liquid acrylic on stretched canvas.     ...
, 2013
Abstract - Painting
36 x 36 inches (91.4 x 91.4 cm)
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Roz Zinns: 'Cityscape', 2015 Acrylic Painting, Cityscape.   Based on photo of New York City        ...
, 2015
Cityscape - Painting
24 x 30 inches (61.0 x 76.2 cm)
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Jack Earley: 'Three Sisters', 2014 Other Painting, Indiginous.    This ink and watercolor painting depicts scenes from Oregon' s Wilderness Area of that name and an image of three Native American women from that region.  Paper on strecher bars, it is preserved with high quality soluvar varnish.    ...
Indiginous - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Jack Earley: 'Assiniboine', 2014 Other Painting, Indiginous.   This ink and watercolor painting depicts scenes from eastern Montana and an image of an Assiniboine from that region.  Paper on strecher bars, it is preserved with high quality soluvar varnish.   ...
Indiginous - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Andrea Mulcahy: 'Whirlpool in White', 2013 Oil Painting, undecided.
undecided - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Harry Weisburd: '2 Earth Goddesses  11', 2013 Watercolor, Figurative.       Can you see or find 2 Earth Goddesses hidden in this painting ?Painting based on Chinese Philosophy of Yin and Yang. Yin Feminine forms hidden in Nature  ...
Figurative - Watercolor
14 x 11 inches (35.6 x 27.9 cm)
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(Page 3 of 73) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Sheri Smith - For the past fifteen years, I have worked on my Capturing Culture series, a body of works on paper, drawn from the audience of live music performances. Sketched in Caran dAche crayon on suede board or with a sharp implement into scratch-board. The pieces portray the performers and often their instruments and parts of the venue. Though ultimately a visual record, the work emerges from a ritualistic creative process which serves to address my feelings about time, creative skill, and visual imagery. The fleeting nature of these performances is central to the work. It is often hard not to see the passing of time as an enemy, but in the case of my work the opposite is true. The impending end of a song, set, or evening offers a sense of freedom, allowing me to work quickly. This rapid pace also dictates my choice of materials. Caran dAche crayons or scratch-boards function best when used quickly and confidently. A darkened venue limits my color palette on the suede board to just what I can see. Additionally, a confined seating space constrains the size of my boards and therefore the number of details I can include. Performances and process ...

    Kathryn Arnold - Artist Statement Kathryn Arnold c2021 My work contains two intertwining veins. One is filled with large, colorful oils on canvas. The other are my drawings which are black and white mixed media works on paper. Both display the density and layered mark-making that points to my process and content. The work is a result of intuitive nonobjective processes and contains my search for visual magic. The sense of touch and chaotic energy of color and marks play an important role in building up layers that function to create an encompassing, enveloping field and bewildering space. Sometimes there is an introduction of a grid-like form with recognizable imagery playing upon it. These become reference points and their intrinsic relating form poetry, a type of interplay between subjective and objective reality. from Ginsberg Howl ...and who therefore ran through the icy streets obsessed witha sudden flash of the alchemy... PAINTINGS marks kinetic sensation chaotic energy a building a destruction emotional complex bewildering spaces autobiographical references major dreams minor non-dreams Materials oil canvas composition leaf gouache ink watercolor acrylic charcoal conte soft pastels oil pastels pencil polymer medium spray paint enamel varnishes rice papers newspapers collage Arches hot-pressed 100 ...

    Marsha Bowers - Marsha Bowers was born and raised in the Central Valley of California. She is a classically trained fine artist, skilled in the old Masters techniques of Flemish/Bistre and Venetian method using a grisaille underpainting and glazing with many layers. Most of her fine art paintings are rendered in oil. She sometimes applies real gold leaf into the artworks. Marsha finds inspiration in the old masters of the past. She spends many hours visiting Museums studying their work. Gothic and Renaissance are her favorite periods along with the Pre-Raphaelites artists. The artist loves the blending of the classical painting techniques with a more contemporary approach to her paintings. Her recent fine art paintings are of women, both figurative and portraiture. The inspiration for her paintings comes from her observations of life itself and through her own experiences. Each painting shares a message, story or emotion. Its what the artist herself describes as a "flowing" of the spirit, a creative process through which the artist paints a story unto the canvas, realizing that each viewer of her work may have their own interpretation of what the art is conveying. Most recently Marsha was invited to be included into the International ...

    Iva Kalikow - My first love was interior design which I studied at the School of Visual Arts in NYC. I went on to study drawing and color at the Art Center College of Design in Pasadena, CA. At first, I thought I wanted to design furniture, but while living in L.A. I took a class in stained glass and I was hooked. My approach is one of the overall interior design of the room as well as the architectural aspects. My stained glass art panels are created in the traditional lead technique seen for centuries in churches and cathedrals. Using a wide array of both handmade and manufactured glass in every conceivable color and texture, I am constantly visualizing how natural light will illuminate the work. In selecting my palette of glass, do I use a rough wavy glass or a smooth texture, do I want it translucent or opaque I then meticulously hand cut each individual piece of glass, grind the edges and wrap it in malleable lead came strips, then solder and cement to create my original custom designed interpretations. My most recent collection is inspired by the Masters of Impressionism, Post-Impressionism, Fauvism, and Cubist periods of Art - ...

    Marino Chanlatte - I started painting a long time before I realized it was my passion, and that I would be a painter. I felt the inner need to express through painting, in a freely and spontaneous way, my feelings, thoughts, ideas and fantasies that appeared as visions ... I use color, texture, shapes, light, and shadows to express myself. If my work communicates any emotion or feeling to the viewer, then I accomplished my purpose....

    Wayne Quilliam - Adjunct Professor Wayne Quilliam is a professional Australian Aboriginal Photographic artist/film maker/cultural advisor working on the international stage. With more than 20 years experience working in all areas of photography including social documentary, sport, tourism, fashion,weddings, movies, event documentation and exhibitions, Wayne is recognised as a leading contemporary in his field. His work is a fusion of traditional spirituality and contemporary photographic processes,each image represents an interpretation of culture in the modern world. His dream is to work with all races of the world and conduct exhibitions in every country....

    Daniel Clarke - Daniel E. Clarke is a Los Angeles Native who has been painting his entire career in the Los Angeles area. His art education has included studying under the internationally famous Timothy Clark, UCLA Extension University, and Glendale College. He has explored both pictorial and abstract designs but is dedicated to a free flow of color and dynamic composition. Mr. Clarke has concentrated on the acrylic and watercolor medium, and paints on location in his Los Angeles based studio. He also maintains his paintings and sales in his own company called Berrypunch Gallery. ...

    Sangeetha Bansal - I am a self taught artist, Public health dentist, a trained Indian classical dancer and love to express myself through my dance and art. I enjoy travel and have lived in different countries. During the course of my travels and work, I have had the privilege of interfacing with people across all levels of society, specially with women. I have heard their many stories. I have heard of their struggles, their joys, their beliefs, their love, their superstitions..and I have wanted to shareable of this. So, my work provides an emotional window to this beautiful creation - woman and is an ode to her. aEUR
    John Sims - Following some thirty years working as a graphic designer and illustrator I began stone carving in 2000 and in 2002 I returned to college at Christ Church Canterbury in England to study BA Fine Art. In 2007 I went to the Cyprus College of Art to study for a Post Grad Diploma in Fine Art under the great Cypriot artist, Stass Paraskos. At the end of the course I was asked to stay on and run the Summer Schools and to be tutor on the Post Grad course. An incredible experience and an enormous influence on my work. My work now involves less stone carving more often found timber or kebab sticks My drawing in some respects has turned a full circle in the sense that prior to sculpture my illustration work was colourful but painstakingly detailed and stylised. At college I concentrated on measured observational life drawing in pencil which fed into the simple lines of my mainly figuratively based stone carvings. Whilst in Cyprus I re-discovered colour in both my drawing and sculpture. Dreams and mythology filled my waking and sleeping hours. Oil pastel and oil sticks became my favourite mediums to quickly capture these glimpses of ...

    Jim Lively - Whether portrayed in the abstract, realism, or somewhere in between, I am most influenced by both the beautiful and unattractive components of contemporary urban culture. Many times, one painting will reflect both components. My art tends to focus upon interesting juxtapositions of close-up images of human faces. Often, the larger images border upon realism and are caught expressing a panoply of emotions usually directed at the other images that share the canvas. Several of my recent works such as the tongue in cheek entitled "Lenin and Things" contain unlikely combinations of images such as a statue of Lenin which is dwarfed by a billboard size fashion model displaying a vacuous stare. A number of works contain both large images and interrelated small images. For example in the painting "Staring at Natalie", all the smaller images are a depiction of a collective group of voyeurs staring at a larger image of a posed fashion model. I want those viewing the painting to be the ultimate voyeur. The viewer is not only drawn initially to the larger image in its own right but also cannot help but then notice the relationship of the smaller images to the large image. Works displayed ...

    Tiziana Fejzullaj - My paintings are mostly oil and acrylic on canvas. My work consists of bright, bold colors and is mostly concentrated on nude paintings, human body, and silent nature. The bright reds and yellows make my stand out from the darker background. I always mix my colors before I begin my painting to make sure that the colors on my palette are harmonious. Before I start painting I always make sure I have at least three colors on my palette that are in the red, blue, and yellow tones. Color is what makes a painting stand out to me. Sometimes IaEURtmm drawn to bold color that vibrantly describes the elements in the composition. Other times I am fascinated by the muted palette of a quieter scene. Color is a natural extension rather than the basis of my painting. My creations mainly have the human figure as subject, which is mysterious in its nature. It is not just a face to a body. It is about the body itself, conveying the beauty it has. Showing male figures dressed as females is a strategy to challenge the tradition of the objectification of women. I love the mystique that men have and which ...

    Shelly Leitheiser - Art comes from my head and my heart. I care deeply about the environment and often do artwork expressing my interest in environmental topics. I also use my art work to tell stories and uncover truths. Water and paint are sometimes used but often I will use photography and digital painting programs to get the images I envision. I am a formally trained artist in fine art, and have recently left the world of painting realism as my interest in photography grows. Why should art and photography look the same? Now I do more impressionist art and also abstracts, many of them inspired by other worlds. The realistic painting I do these days is very contemporary. Art is a lot of work but it's also very rewarding for me when someone inquires further into the meaning of my art....

    Azhar Shemdin - I am interested in experimenting with liquid acrylic, using resist material which is anything that is placed on the surface of the painting that impedes the flow of liquid paint. When the resist is lifted, an unexpected outcome is revealed. Sometimes the outcome is not what I wanted, and I cover the surface with paint and go for a second, third or even a fourth try, until I am completely satisfied with the outcome. The end result is a wonderous world that comes from somewhere and is revealed on a canvas surface!...

    Roz Zinns - Roz Zinns has been involved in art for the last 40 years, from oil painting to weaving to contemporary art quilts. Her work has been displayed nationally and has been reproduced in US and international publications. She majored in Arts Administration and owned a San Francisco gallery specializing in original art and quality artisan crafts. Recently she has come full-circle, back to painting, and is enjoying the creativity and challenge of working in acrylics and water-immersible oils She has always had a love of the land which is evident in her work. Although she is currently focusing on landscapes, she is finding that the compositional element of land in an urban environment has become a fascinating study for her. She also loves to travel and has been interpreting her images on to canvas. She has observed that over the years many of the places she has painted either don't exist anymore or have changed drastically in their usage or appearance. So how wonderful to have captured them as they existed, but with her own interpretation....

    Jack Earley - After writing for two decades, I was developing an idea that I knew could be better expressed as a painting. So in the mid-eighties I took up full-time a life-time passion: painting. My work is about inner energy; about, first of all, my own energy and internal balance, reinforced through the practice of yoga and tai chi. I sign the inner energy of the subject matter onto the canvas. I work with acrylics on canvas and sumi-e inks on rice paper. I also sculpt using wood, copper and leather. Along with focusing on the inner energy of my subject matter, I am constantly working with an awareness that humans have an ancient need to see form, be it in clouds or in chipped paint on a wall or in waving leaves. The ability to decipher forms is part of our oldest survival skills. Imagine the advantage of being able to quickly spot the approaching bear among the shifting shadows of trees. Imagine the advantage and the thrill. On many canvases, I create forms so the viewer "discovers" them in an uplifting act. Often, I give the paint its head in creating forms, like freeing a captured ...

    Andrea Mulcahy - Apart of all that exists is energy. My work has been about capturing the essence of an energetic state the subtle, invisible energy that surrounds us. Im often drawn to the cyclic energy center and all its potential. Im fascinated by the way the energy centers draw in information from our surroundings as well as radiate an energy of vibration. My paintings display abstract scenarios that hold information for each viewer. What each person is ready for is what theyll see. On this earth plane we have a set of experiences that are common to us all. Its the timing and the circumstances that differ. My pleasure is seeing how the images, lines and colors relate to each person who views the work. ...