Contemporary Art For Sale Price Range: $800 - $899

Page 3 of 71
Over 2036 works of original contemporary art for sale in the price range $800 - $899. On this page you can find works by Daniel Clarke, Sangeetha Bansal, John Sims, Jim Lively, Tiziana Fejzullaj, Shelly Leitheiser, Azhar Shemdin, Roz Zinns, Andrea Mulcahy, Harry Weisburd, Tom Lund-lack, Becky Soria, Suzanne Mcclelland, Van De Ven for the follwing mediums: 1. Links to more artwork and 71 pages for works in the price range $800 - $899 and links to further artists' works at the bottom of this page. To view a work by any of these visual artists simply click on the image or browse the artist's portfolio.


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Sangeetha Bansal: 'mother s love', 2017 Oil Painting, Family. This art is my tribute to mothers everywhere. . . .aEURoeThere is no greater heaven than the heart of a loving motherShe takes care of you when you are still in her womb.She nurtures you after you are born.She hurts when you fall,She celebrates when you make your ...
Family - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Sangeetha Bansal: 'allure', 2016 Oil Painting, People.  The beauty of a woman must be seen from in her eyes, because that is the doorway to her heart, the place where love resides. . Audrey HepburnOriginal oil painting of a beautiful woman. She has adorned her hands with henna and is gazing longingly ahead. She is alluring and...
, 2016
People - Painting
16 x 20 inches (40.6 x 50.8 cm)
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John Sims: 'After Walking by the River, Summer Evening', 2015 Oil Pastel, Landscape.          LandscapePainted after walk           ...
Landscape - Oil Pastel
23 x 23 cm (9.1 x 9.1 inches)
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Sangeetha Bansal: 'Praying with spirits', 2016 Oil Painting, People. Original oil painting of a woman praying. She is calling upon the spirits, that come forth from the lamps, to guide her. They are blessing her, showering petals and blowing on conch shells to purify the atmosphere. She is mediating with a lamp in her hands, to dispel darkness and ...
People - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Jim Lively: 'Falling Through Fall', 2016 Mixed Media, Landscape.     Zinfandel Wine and Acrylic on canvas.                                                                                                                  ...
Landscape - Mixed Media
24 x 30 inches (61.0 x 76.2 cm)
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Tiziana Fejzullaj: 'Dog in Bed', 2016 Oil Painting, nudes.  Dog in Bed...
, 2016
nudes - Painting
36 x 48 inches (91.4 x 121.9 cm)
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Tiziana Fejzullaj: 'Mountain River', 2016 Oil Painting, Mountains.  Mountain River ...
Mountains - Painting
30 x 24 inches (76.2 x 61.0 cm)
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Tiziana Fejzullaj: 'Poppies', 2015 Oil Painting, Impressionism.
, 2015
Impressionism - Painting
10 x 10 inches (25.4 x 25.4 cm)
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Tiziana Fejzullaj: 'Relaxation', 2015 Oil Painting, nudes.
, 2015
nudes - Painting
10 x 10 inches (25.4 x 25.4 cm)
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Tiziana Fejzullaj: 'Sleeping with Poppy', 2015 Oil Painting, nudes.
nudes - Painting
36 x 48 inches (91.4 x 121.9 cm)
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Sangeetha Bansal: 'Missing you', 2016 Oil Painting, Love.  Oil painting of a woman missing her lover. He has passed away and is no longer with her. He is with her in spirit though and will always be. She longs for his touch as she looks at his picture. She cannot see him but can feel his presence. His...
Love - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Shelly Leitheiser: 'Segment of the Lagoon', 2015 Acrylic Painting, Abstract.   This is an abstract nebula scene in bright colors such as oranges, magenta, blues and violets. Painted in 2015, it is 24
Abstract - Painting
24 x 24 inches (61.0 x 61.0 cm)
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Azhar Shemdin: 'Ascendance', 2013 Acrylic Painting, Abstract.    Liquid acrylic on stretched canvas.     ...
, 2013
Abstract - Painting
36 x 36 inches (91.4 x 91.4 cm)
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Roz Zinns: 'Cityscape', 2015 Acrylic Painting, Cityscape.   Based on photo of New York City        ...
, 2015
Cityscape - Painting
24 x 30 inches (61.0 x 76.2 cm)
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Andrea Mulcahy: 'Whirlpool in White', 2013 Oil Painting, undecided.
undecided - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Harry Weisburd: '2 Earth Goddesses  11', 2013 Watercolor, Figurative.       Can you see or find 2 Earth Goddesses hidden in this painting ?Painting based on Chinese Philosophy of Yin and Yang. Yin Feminine forms hidden in Nature  ...
Figurative - Watercolor
14 x 11 inches (35.6 x 27.9 cm)
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Harry Weisburd: 'The Blue Dress', 2014 Watercolor, Figurative.      Woman in blue dressw with lover, artist , friend  sensual work.    ...
Figurative - Watercolor
11 x 14 inches (27.9 x 35.6 cm)
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Tom Lund-lack: 'Reynard', 2014 Oil Painting, Wildlife.    The Fox an essential part of British wildlife, common everywhere. Intelligence and exceptional agility are a hallmark of this species, which are not always valued for their beauty.  In this piece Reynard is pretty pleased with himself - chickens of the horizon perhaps! ...
, 2014
Wildlife - Painting
70 x 60 cm (27.6 x 23.6 inches)
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Becky Soria: 'Cycles', 2014 Oil Painting, Abstract Figurative.                      From the series
, 2014
Abstract Figurative - Painting
30 x 20 inches (76.2 x 50.8 cm)
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Becky Soria: 'Adaptations', 2014 Oil Painting, Abstract Figurative.                     From the series
Abstract Figurative - Painting
24 x 22 inches (61.0 x 55.9 cm)
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Roz Zinns: 'Bird Songs', 2013 Collage, Birds.  Gathering of birds.   ...
, 2013
Birds - Collage
24 x 30 inches (61.0 x 76.2 cm)
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Jim Lively: 'Identity Crisis', 2014 Other, Abstract.       Wine and acrylic on canvas. Part of
Abstract - Other
16 x 24 inches (40.6 x 61.0 cm)
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Suzanne Mcclelland: 'Sochi 2014', 2014 Acrylic Painting, Abstract.
, 2014
Abstract - Painting
60 x 20 inches (152.4 x 50.8 cm)
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Van De  Ven: 'Noordsvaarder beach at Terschelling ', 2014 Digital Painting, Abstract Landscape. Awarded in the annual competition of the Museum of Computer Art MOCA in 2014.  A combination of raster and vector painting.  Numerically unique print on carrier of choice, 300 dpi.  Certificate of Unicity. ...
Abstract Landscape - Digital Painting
66 x 44 cm (26.0 x 17.3 inches)
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Suzanne Mcclelland: 'The Conversation', 2013 Acrylic Painting, Abstract.   Two people maybe having a conversation in the back seat.two canvas 36 x 36    ...
Abstract - Painting
36 x 36 inches (91.4 x 91.4 cm)
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Jim Lively: 'The Complexity of Cabernet Sauvignon', 2013 Acrylic Painting, Abstract.       Acrylic and Cabernet Sauvignon on canvas. Part of
Abstract - Painting
30 x 24 inches (76.2 x 61.0 cm)
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Jim Lively: 'Red Wine Abstract ', 2013 Acrylic Painting, Abstract.  Acrylic on canvas          ...
Abstract - Painting
30 x 30 inches (76.2 x 76.2 cm)
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Shelly Leitheiser: 'Inevitable Inferno', 2012 Acrylic Painting, Ecological.  This painting is beautiful to look at with its chaotic colors, but it represents a serious situation. Inevitable Inferno refers to the changing climate we humans are creating, and the wild fires this is exacerbating in the Southwest US and other areas of the world that are susceptible to drought...
Ecological - Painting
18 x 24 inches (45.7 x 61.0 cm)
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Becky Soria: 'Umbral Threshold', 2012 Other Painting, Abstract Figurative.                from the series Signs. Symbols. Sentinels              ...
Abstract Figurative - Painting
25 x 36 inches (63.5 x 91.4 cm)
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Paola Di Renzo: 'quilt2', 2012 Textile Art, Abstract Figurative.
, 2012
Abstract Figurative - Textile Art
150 x 210 cm (59.1 x 82.7 inches)
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(Page 3 of 71) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Daniel Clarke - Daniel E. Clarke is a Los Angeles Native who has been painting his entire career in the Los Angeles area. His art education has included studying under the internationally famous Timothy Clark, UCLA Extension University, and Glendale College. He has explored both pictorial and abstract designs but is dedicated to a free flow of color and dynamic composition. Mr. Clarke has concentrated on the acrylic and watercolor medium, and paints on location in his Los Angeles based studio. He also maintains his paintings and sales in his own company called Berrypunch Gallery. ...

    Sangeetha Bansal - I am a self taught artist, Public health dentist, a trained Indian classical dancer and love to express myself through my dance and art. I enjoy travel and have lived in different countries. During the course of my travels and work, I have had the privilege of interfacing with people across all levels of society, specially with women. I have heard their many stories. I have heard of their struggles, their joys, their beliefs, their love, their superstitions..and I have wanted to shareable of this. So, my work provides an emotional window to this beautiful creation - woman and is an ode to her. aEUR
    John Sims - Following some thirty years working as a graphic designer and illustrator I began stone carving in 2000 and in 2002 I returned to college at Christ Church Canterbury in England to study BA Fine Art. In 2007 I went to the Cyprus College of Art to study for a Post Grad Diploma in Fine Art under the great Cypriot artist, Stass Paraskos. At the end of the course I was asked to stay on and run the Summer Schools and to be tutor on the Post Grad course. An incredible experience and an enormous influence on my work. My work now involves less stone carving more often found timber or kebab sticks My drawing in some respects has turned a full circle in the sense that prior to sculpture my illustration work was colourful but painstakingly detailed and stylised. At college I concentrated on measured observational life drawing in pencil which fed into the simple lines of my mainly figuratively based stone carvings. Whilst in Cyprus I re-discovered colour in both my drawing and sculpture. Dreams and mythology filled my waking and sleeping hours. Oil pastel and oil sticks became my favourite mediums to quickly capture these glimpses of ...

    Jim Lively - Whether portrayed in the abstract, realism, or somewhere in between, I am most influenced by both the beautiful and unattractive components of contemporary urban culture. Many times, one painting will reflect both components. My art tends to focus upon interesting juxtapositions of close-up images of human faces. Often, the larger images border upon realism and are caught expressing a panoply of emotions usually directed at the other images that share the canvas. Several of my recent works such as the tongue in cheek entitled "Lenin and Things" contain unlikely combinations of images such as a statue of Lenin which is dwarfed by a billboard size fashion model displaying a vacuous stare. A number of works contain both large images and interrelated small images. For example in the painting "Staring at Natalie", all the smaller images are a depiction of a collective group of voyeurs staring at a larger image of a posed fashion model. I want those viewing the painting to be the ultimate voyeur. The viewer is not only drawn initially to the larger image in its own right but also cannot help but then notice the relationship of the smaller images to the large image. Works displayed ...

    Tiziana Fejzullaj - My paintings are mostly oil and acrylic on canvas. My work consists of bright, bold colors and is mostly concentrated on nude paintings, human body, and silent nature. The bright reds and yellows make my stand out from the darker background. I always mix my colors before I begin my painting to make sure that the colors on my palette are harmonious. Before I start painting I always make sure I have at least three colors on my palette that are in the red, blue, and yellow tones. Color is what makes a painting stand out to me. Sometimes IaEURtmm drawn to bold color that vibrantly describes the elements in the composition. Other times I am fascinated by the muted palette of a quieter scene. Color is a natural extension rather than the basis of my painting. My creations mainly have the human figure as subject, which is mysterious in its nature. It is not just a face to a body. It is about the body itself, conveying the beauty it has. Showing male figures dressed as females is a strategy to challenge the tradition of the objectification of women. I love the mystique that men have and which ...

    Shelly Leitheiser - Art comes from my head and my heart. I care deeply about the environment and often do artwork expressing my interest in environmental topics. I also use my art work to tell stories and uncover truths. Water and paint are sometimes used but often I will use photography and digital painting programs to get the images I envision. I am a formally trained artist in fine art, and have recently left the world of painting realism as my interest in photography grows. Why should art and photography look the same? Now I do more impressionist art and also abstracts, many of them inspired by other worlds. The realistic painting I do these days is very contemporary. Art is a lot of work but it's also very rewarding for me when someone inquires further into the meaning of my art....

    Azhar Shemdin - I am interested in experimenting with liquid acrylic, using resist material which is anything that is placed on the surface of the painting that impedes the flow of liquid paint. When the resist is lifted, an unexpected outcome is revealed. Sometimes the outcome is not what I wanted, and I cover the surface with paint and go for a second, third or even a fourth try, until I am completely satisfied with the outcome. The end result is a wonderous world that comes from somewhere and is revealed on a canvas surface!...

    Roz Zinns - Roz Zinns has been involved in art for the last 40 years, from oil painting to weaving to contemporary art quilts. Her work has been displayed nationally and has been reproduced in US and international publications. She majored in Arts Administration and owned a San Francisco gallery specializing in original art and quality artisan crafts. Recently she has come full-circle, back to painting, and is enjoying the creativity and challenge of working in acrylics and water-immersible oils She has always had a love of the land which is evident in her work. Although she is currently focusing on landscapes, she is finding that the compositional element of land in an urban environment has become a fascinating study for her. She also loves to travel and has been interpreting her images on to canvas. She has observed that over the years many of the places she has painted either don't exist anymore or have changed drastically in their usage or appearance. So how wonderful to have captured them as they existed, but with her own interpretation....

    Andrea Mulcahy - Apart of all that exists is energy. My work has been about capturing the essence of an energetic state the subtle, invisible energy that surrounds us. Im often drawn to the cyclic energy center and all its potential. Im fascinated by the way the energy centers draw in information from our surroundings as well as radiate an energy of vibration. My paintings display abstract scenarios that hold information for each viewer. What each person is ready for is what theyll see. On this earth plane we have a set of experiences that are common to us all. Its the timing and the circumstances that differ. My pleasure is seeing how the images, lines and colors relate to each person who views the work. ...

    Harry Weisburd - Harry Weisburd is an Internationally Represented Artist, including, USA, Expressions Gallery, Berkeley, California,

    Tom Lund-Lack - I am an experienced artist whose work uses the power of imagination to find find the essence of the subject.A It is grounded in the need to celebrate life, and to portray the subject through the transforming power of colour and light. Arrangements of shape, line, pattern and colour are brilliant at conjuringA up powerful expressions, sometimes these can be dreamlike and at peace sometimes exciting and dramatic. My work does not always represent an actual moment, place or object in time, but they areA the result of a process of reflection, recollection and reinvention, a distillation of experience. Art is a very small word having the widest possible meaning appreciation is a subjective judgement and no artist or workA can please everyone.A My aim is to please at least some of you and I am very confident that this aspiration is achievable ...

    Becky Soria - Subject matter in painting is merely the trigger that allows the expression of something more profound, unconscious and possibly hidden even from oneself, and therefore all inclusive, so viscerally immanent to humankind R. Alonzo Totems beyond Patriarchy May 2014 Nature has been qualified as a female organic form by most ancient cultures, but for the last millennia or so, the world has been primarily perceived and shaped by the masculine side of the species. Our recent history however has seen a trend towards a natural reversion to a feminine bias, with women becoming increasingly more crucial to all aspects of society. These works serve to remind us about these issues and others that we continue to face the world while reinventing the female figure as an emblem for current conditions and a new Totem for the future. The juxtaposition between the representations of the animals and plants in compromised an ailing conditions and the female form that seems to swallow and revive the life- infused aspects of her creation, render a sense of hope for a future in which the maternal provides a healing force to an ailing planet. Signs. Symbols. Sentinels February 2, 2013 The works of the present ...

    Suzanne Mcclelland - DESIGNER, ARTIST, INSTRUCTOR, AND MENTOR II am a professional artist and Designer in the Sacramento area. I have a love for being creative with my clients in their home and office projects. Art has always been a love of mine. Because I visit so many homes and office I decided to extend my professional ability to create wonderful spaces for my clients. I want to bring more knowledge to the public on how I create my artwork and how it brings life to their spaces. I love the color, texture and the flow of the Pastel medium that I can use to make the piece fit in that special place. I mostly blend the pastels and use vibrant hughes. I build layer on top of layer to get the effect I want. I use different papers to create different effects that I want and go from there. I am an abstract artist and love the journey it takes me. I also work in Acrylics which I am now working with some new ideas, and will be sharing that with all of you soon. I love the energy that I feel when I work with my paintings which I share with ...

    Van De Ven - Registration Netherlands Institute for Art History RKD 473520 Painter and graphic artist, fiction writer. Graduated at University of Amsterdam. Quit work as journalist at a national newspaper in 2000 to become fulltime painter and writer. Initially watercolor, linocut and monotype of etching ground on glass. Changed to digital raster painting in 2004. Proceeded through a combination of raster-vector to vector around 2013. Lorenzo Award for digital painting at the 2015 Florence Biennale, several other awards. Author of Digital painting explained and illustrated 2013-2022, an online source of information on digital painting at www.digitalpainting.be Author if Digital Painting Auteursdomein, Amsterdam 2021. Computer My love for the computer comes through my partner, a theoretical computer scientist at the Center for Mathematics and Computer Science in Amsterdam, one of the founding institutions of the Internet. At the end of the 1970s, we had a computer terminal at home and communicated via Arpanet, the predecessor of the Internet. In 1984 I bought a NEC TRS 80, one of the first notebook-style computers. It had an awesome 32KB memory, an eight-line display and a music cassette tape as external memory. Raster In 2000 I gave up my journalistic work ...