Etchings / Artist Prints

Page 15 of 24
Jerry Di Falco offering original Etchings artworks.


Contemporary Art / Etchings / Previous / Next
Jerry  Di Falco: 'GHOSTS OF AVILA IN VIOLET', 2014 Etching, Surrealism. This four plate etching entitled, THE FOUR GHOSTS OF AVILA IN SHADES OF VIOLET PINK SYMPHONY is FROM the Second Edition of the work entitled LAS DAMAS DE AVILA THE LADIES OF AVILA. I used the etching aEUR
Surrealism - Etching
15 x 16 inches (38.1 x 40.6 cm)
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Jerry  Di Falco: 'Father Time on a Tombstone in Salem Massachusetts', 2014 Etching, Death. Please note that this etching is shipped and sold to the buyer without a frame or mat. This keeps the price reasonable and also allows the collector a wide range of choice in framing selection. For shipment, a sturdy cardboard box is employed. The etching is first wrapped in two ...
Death - Etching
11 x 20 inches (27.9 x 50.8 cm)
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Jerry  Di Falco: 'AVILA with The Elemental Ghosts', 2014 Etching, Architecture. The full title is, LAS DAMAS DE AVILA or THE LADIES OF AVILA, A PREMONITION OF CIVIL WAR WITH THE ELEMENTAL GHOSTS OF EARTH, AIR, FIRE, AND WATER. The studio                     techniques used included Intaglio, Aquatint, and Drypoint. I etched four separate zinc plates to create one image. Each plate measures ...
Architecture - Etching
15 x 16 inches (38.1 x 40.6 cm)
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Jerry  Di Falco: 'PORTAL AT MONT SAINT MICHEL JUST BEFORE THE STORMS', 2014 Etching, Architecture. This etched diptych, or a double plate etching, contains the studio techniques of intaglio, drypoint, and aquatint. I blended five different colors of oil based, French etching ink and printed the image on a Light Blue paper, Stonehenge brand made in the UK. I positioned two zinc plates with a ...
Architecture - Etching
10 x 11 inches (25.4 x 27.9 cm)
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Jerry  Di Falco: 'HAWAIIAN COTTAGE IN PINK', 2014 Etching, Americana. This ETCHING includes the printmaking techniques of intaglio, drypoint, Chine colle, and aquatint. I executed the print in black oil- based printing ink on Rives BFK white paper. I used three separate zinc plates, lined horizontally on the press, to create one printed image. The work also uses three different ...
Americana - Etching
14 x 8 inches (35.6 x 20.3 cm)
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Jerry  Di Falco: 'SHRINE OF BAHUBALI', 2014 Etching, Landmarks. Full title of this work is, SHRINE OF BAHUBALI SURROUNDED BY VIOLET MISTS. Please note that this etching is shipped and sold to the buyer without a frame or mat. This keeps the price low and also allows the collector a choice in framing. The etching is shipped in a ...
Landmarks - Etching
10 x 22 inches (25.4 x 55.9 cm)
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Jerry  Di Falco: 'Ghosts of Royal Street ', 2014 Etching, Cityscape. Full Title is GHOSTS OF ROYAL STREET, NEW ORLEANS, A GEOMETRIC SEANCE. This etching was created using six zinc plates placed on the press three above three to produce one single image. Each plate measured three inches wide by four- inches high. The print is fifteen inches high by fourteen ...
Cityscape - Etching
14 x 15 inches (35.6 x 38.1 cm)
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Jerry  Di Falco: 'COWBOY CHILD IN CAMDEN 1956 ', 2014 Etching, Equine.  Title of this endearing work is, COWBOY CHILD IN CAMDEN NJ 1956 or On My Way To The Boots and Saddle on Christopher Street. This etching incorporated the studio techniques of drypoint, intaglio, and aquatint. It was created using two zinc plates placed on the press, one positioned above the...
Equine - Etching
10 x 13 inches (25.4 x 33.0 cm)
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Jerry  Di Falco: 'THE HAWAIIAN COTTAGE', 2014 Etching, Landmarks. Title ONCE UPON A TIME IN CHERRY HILL, NEW JERSEY, THE HAWAIIAN COTTAGE. Please note that this etching is shipped and sold to the buyer without a frame or mat. This keeps the price low and also allows the collector a choice in framing. The etching is shipped in a ...
Landmarks - Etching
14 x 8 inches (35.6 x 20.3 cm)
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Jerry  Di Falco: 'SCREAM ON THE ROOF OF AMIENS CATHEDRAL AT NIGHT', 2014 Etching, Architecture. This etching was inspired by an antique albumen print done between 1865 and 1886. I executed several drawings of this photo, which I found during my research into The A. D. White Architectural Photograph Collection, Cornell University, Rare Print and Manuscript Collections in their library. The university accession Number is ...
Architecture - Etching
22 x 18 inches (55.9 x 45.7 cm)
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Jerry  Di Falco: 'FACES ON THE ROOF OF AMIENS CATHEDRAL SCREAM', 2014 Etching, Architecture. This etching was inspired by an antique albumen print done between 1865 and 1886. I executed several drawings of this photo, which I found during my research into The A. D. White Architectural Photograph Collection, Cornell University, Rare Print and Manuscript Collections in their library. The university accession Number is ...
Architecture - Etching
22 x 18 inches (55.9 x 45.7 cm)
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Jerry  Di Falco: 'GUARDIAN OF THE PINK GRAVE', 2014 Etching, Death. Printmaking Etching Techniques Used included Intaglio, Aquatint, and Drypoint. I used nine separate zinc plates to create this image. Each plate was two- nches wide by three inches high, or 2. 54cm by 12. 7cm. I lined the plates in three rows of three on the printing press to produce ...
Death - Etching
11 x 15 inches (27.9 x 38.1 cm)
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Jerry  Di Falco: 'IMPRESSIONS OF A GREEK TEMPLE', 2014 Etching, Architecture. My studio etching techniques included Intaglio, Aquatint, and Drypoint. THIS DOUBLE_ PLATED ETCHING WAS ADAPTED FROM A PHOTOGRAPHIC PRINT IN THE US LIBRARY OF CONGRESS, Washington, D. C. The Collection I found it in was The Historic American Buildings Survey and Historic American Engineering Record and Historic American Landscapes survey. The ...
Architecture - Etching
15 x 11 inches (38.1 x 27.9 cm)
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Jerry  Di Falco: 'GRAVE OF HENRY CHARLES LEA IN OCTOBER DUSKY LIGHT', 2014 Etching, History. Title is Leas Grave in Octobers Dusky Light, Philadelphia, Pennsylvania, USA. Etching techniques included Intaglio, Aquatint, and Drypoint . I photographed this image in 1976 while visiting the Lauren Hill cemetery in Philadelphia, Pennsylvania, USA, a popular picnicking area during the Victoria Era. Henry Charles was a noted U. S. Historian ...
History - Etching
11 x 15 inches (27.9 x 38.1 cm)
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Jerry  Di Falco: 'Vision in Italy Number One Of Charles Leland', 2014 Etching, Magical.  TITLE A CHARLES LELAND VISION IN ITALY, NUMBER ONE. The PRINT is 9 inches wide by BY 11inches high, or 22. 86cm BY 27. 94cm. Media include Black oil Based Inks from France, Charbonnel brand, printed on Stonehenge Cream paper. ETCHING TECHINQUES OF INTAGLIO AND DRYPOINT were employed. This intimate...
Magical - Etching
9 x 11 inches (22.9 x 27.9 cm)
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Jerry  Di Falco: 'Tomb Guardian in Paris', 2014 Etching, Death. Etching Techniques Used included Intaglio, Aquatint, and Drypoint. Nine separated zinc plates, each measuring 2 inches wide by 3 inches high or 2. 54cm by 12. 7cm, were employed to create this image. The plates were lined on the press in three rows of three  to produce this multiple rectangular ...
Death - Etching
10 x 15 inches (25.4 x 38.1 cm)
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Jerry  Di Falco: 'MAGIC PORTAL AT SAINT CLEMENTS IN PHILADELPHIA', 2014 Etching, Fantasy.  Etching Techniques Used included Intaglio, Aquatint, and Drypoint. I worked on one zinc plate that was 8 inches wide by 10 inches high, or 20. 32cm by 25. 40cm, to create this work. The print on STONEHENGE fawn colored paper measures 14 inches wide by 15 inches high. I blended...
Fantasy - Etching
14 x 15 inches (35.6 x 38.1 cm)
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Jerry  Di Falco: 'LELAND IN ORANGE', 2014 Etching, Famous People. Full title is LELAND IN ORANGE. Print measures 9inches by 11inches, or 22. 86cm by 27. 94cm. Done on STONEHENGE black paper with oil- based etching inks. Several acid baths were necessary to achieve this overall misty effect, as well as gold pigment. This intimate work is based on an ...
Famous People - Etching
9 x 11 inches (22.9 x 27.9 cm)
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Jerry  Di Falco: 'ANGEL OF MADRID ', 2014 Etching, Fantasy. Intaglio, Aquatint, and Drypoint Etching on one zinc plate that measured 6 inches wide by 9 inches high, or 15. 24cm by 22. 86cm. The print on Stonehenge brand paper cream colored paper measures 11 inches wide by 15 inches high, or 28x38cm. I used Charbonnel brand oil- based printers ...
Fantasy - Etching
11 x 15 inches (27.9 x 38.1 cm)
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Jerry  Di Falco: 'DANTE BETWEEN A BLUE DREAM AND EARTH', 2014 Etching, Landmarks. This work was completed using the studio techniques of aquatint, intaglio, Chine colle, and dry- point.  It was executed in oil based French ink on RivesBFK white paper. The turquoise areas were produced via the Chine colle technique, which used mulberry bark paper from Thailand treated with methyl cellulose. The ...
Landmarks - Etching
15 x 13 inches (38.1 x 33.0 cm)
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Jerry  Di Falco: 'The Blue Hour in 1895 New Orleans ', 2014 Etching, Landmarks. This etching is unique in that I employed four individual zinc plates to produce one single printed image. Each plate measures 3 inches high by 5 inches wide and were aligned and positioned on the printing press bed in a two over two horizontal design. The printmaking techniques include aquatint, ...
Landmarks - Etching
15 x 11 inches (38.1 x 27.9 cm)
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Jerry  Di Falco: 'BLUS SKY OVER CAMDEN NEW JERSEY USA 1985', 2014 Etching, Urban.  This etching includes the printmaking techniques of intaglio, drypoint, and aquatint. I executed the print in a blend of turquoise and black oil based printing inks on STONEHENGE paper. This etching uniqueness stems from the blending of inks directly onto the plates and my use of three separate zinc plates...
Urban - Etching
14 x 8 inches (35.6 x 20.3 cm)
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Jerry  Di Falco: 'BAHUBALI AWAITS', 2014 Etching, Mystical. Full title of this work is, SHRINE OF BAHUBALI SURROUNDED BY VIOLET MISTS. Please note that this etching is shipped and sold to the buyer without a frame or mat. This keeps the price low and also allows the collector a choice in framing. The etching is shipped in a ...
Mystical - Etching
10 x 22 inches (25.4 x 55.9 cm)
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Jerry  Di Falco: 'NOTRE DAME IN PARIS 1890', 2014 Etching, Architecture.   This etching uses the printmaking techniques of aquatint, intaglio, and dry- point and is executed in oil based etching ink on Stonehenge black paper. The print size is approximately 13 inches x 15 inches the zinc plate I used and consequent image size is 8 inches high by 10 inches...
Architecture - Etching
13 x 15 inches (33.0 x 38.1 cm)
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Jerry  Di Falco: 'NOTRE DAME IN PARIS 1890   nuit', 2014 Etching, Landmarks.  This etching uses the printmaking techniques of aquatint, intaglio, and dry- point and is executed in oil based etching ink on Stonehenge black paper. The print size is approximately 13 inches x 15 inches the zinc plate I used and consequent image size is 8 inches high by 10 inches...
Landmarks - Etching
15 x 13 inches (38.1 x 33.0 cm)
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Jerry  Di Falco: 'Temple of Bacchus Night', 2011 Etching, Architecture. The number of this print is 7 of 10 in the Second of Four Editions. I used the etching techniques of intaglio, drypoint, Chine colle, and aquatint. The image is adapted frommy original drawings of a photograph from The Library of Congress in Washington, DC. This photo is in the ...
Architecture - Etching
11 x 15 inches (27.9 x 38.1 cm)
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Jerry  Di Falco: 'Beloved Artemis of the Night', 2013 Etching, Cosmic. This artwork incorporates the techniques of intaglio, aquatint, and drypoint. I printed this edition using French oil based etching ink, Charbonnel brand, on STONEHENGE black printmaking paper. What makes this etching unique involves my use of three separate zinc plates, lined vertically on the printing press, to create the work ...
Cosmic - Etching
8 x 14 inches (20.3 x 35.6 cm)
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Jerry  Di Falco: 'Beloved Artemis of Day', 2013 Etching, Archetypal. This artwork incorporates the techniques of intaglio, aquatint, and drypoint. I printed this edition using French oil based etching ink, Charbonnel brand, on RivesBFK white printmaking paper. What makes this etching unique involves my use of three separate zinc plates, lined vertically on the printing press, to create the work ...
Archetypal - Etching
8 x 14 inches (20.3 x 35.6 cm)
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Jerry  Di Falco: 'Betsy Ross House 1900', 2013 Etching, History. This etching features The Betsy Ross House in 1900 and shows what the historic site actually looked like before the gentrification of Philadelphias Old City neighborhood in the late 1970s.  The etching employs the techniques of intaglio and drypoint on three individual zinc plates, with each plate measuring 2 inches ...
History - Etching
8 x 11 inches (20.3 x 27.9 cm)
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Jerry  Di Falco: 'THE EGYPTIAN TOWERS AND THE NIGHT ', 2013 Etching, Islamic. The full title is, THE EGYPTIAN TOWERS AND THE TURQUOISE VIOLET NIGHT.This etching employs the techniques of INTAGLIO, AQUATINT AND DRYPOINT. The image is taken from an albumen print created between 1865 - 1889, and the scene shows a series of Islamic towers in Egypt executed in the Malmuk style. ...
Islamic - Etching
15 x 17 inches (38.1 x 43.2 cm)
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(Page 15 of 24) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Jerry Di Falco - Photography inspires my art and acts as a vital element in my etchings. The images I employ originate from my own photographs, as well as from the images I find from my research into the digital archives of universities, historical societies, libraries, and museums. Upon locating a documented scene I wish to etch, my first step involves the execution of two to five original drawings of the photograph. My collaboration between photography and printmaking allows me the independence to integrate my personal interpretations into the scene. Moreover, I create bridges between the physical and metaphysical visual realities in the same way that a camera intersects with human creativity . . . the nexus between the mechanical and the cerebral art tools. Art unveils everything that we mask behind our belief systems conversely, I strive in my creations to clarify those phenomena we overlook as a result of our egocentric assumptions. Ironically enough, I blame this failure to notice things, a process I label, the phenomenology of connectedness, on todayaEURtms very infatuation with and addiction to the new communicational technologies of social media. My artworks therefore become like windows through which to examine the mysteries of aEURoeeveryday consciousnessaEUR. In fact, my use of ...