Wood Sculptures

Page 1 of 19
Andrea Mulcahy, Andrew Wielawski, Ronald Smith, Asbjorn Lonvig, Guy Octaaf Moreaux, Jerry Monteith, Max Tolentino, Esmoreit Koetsier, Wilson Sasso, Pavel Sorokin, B Malke, Robert Hargrave offering original Wood Sculptures artworks.


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Andrea Mulcahy: 'energy study 3', 2020 Wood Sculpture, Abstract. This relief embraces the flow of etheric energy. ...
Abstract - Sculpture
13 x 9 inches (33.0 x 22.9 cm)
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Andrea Mulcahy: 'energy study 2', 2020 Wood Sculpture, Abstract. This relief embraces the flow of etheric energy. ...
Abstract - Sculpture
12 x 9.2 inches (30.5 x 23.4 cm)
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Andrea Mulcahy: 'energy study 1', 2020 Wood Sculpture, Abstract. This relief embraces the flow of etheric energy. ...
Abstract - Sculpture
12 x 9 inches (30.5 x 22.9 cm)
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Andrew Wielawski: 'study', 2020 Wood Sculpture, Representational. Carved study of a face and drapery detail for a full figure in marble. Wood is chestnut, taken from a marble jack found in a quarry near Carrara, Italy. ...
, 2020
Representational - Sculpture
11 x 36 inches (27.9 x 91.4 cm)
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Ronald Smith: 'dragon head', 1999 , Figurative. Sculpture, Wood, Poly- chromed, Fantasy, Tolkien, Mythology, Figurative, Representational, ...
Figurative -
49 x 52.5 inches (124.5 x 133.3 cm)
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Ronald Smith: 'A Warrior Dwarf is Never Too Old', 1997 , Figurative.  A Warrior Dwarf is Never Too Old , Sculpture, wood, fantasy, Tolkien, mythology, figurative, representational...
Figurative -
24 x 60 inches (61.0 x 152.4 cm)
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Asbjorn Lonvig: 'Playhouse inspired by Christo ', 2005 Wood Sculpture, Children. Playhouse inspired by Christo Javacheff and Jeanne- Claude de Guillebon. By Christo and Jeanne- Claude' s wrapping of buildings.Here a playhouse wrapped in green paper and a blue string.Not yet cleared with Copy- Dan...
Children - Sculpture
14 x 10 feet (4.27 x 3.05 m)
Asbjorn Lonvig: 'Playhouse inspired by Andy Warhol', 2005 Wood Sculpture, Children. Playhouse inspired by Andy Warhol' s Campbell' s Soup Cans.Height 18 feet.Copyright cleared 3 October 2005 by Copy- Dan...
Children - Sculpture
5 x 18 feet (1.52 x 5.49 m)
Asbjorn Lonvig: 'Playhouse inspired by Leonardo da Vinci', 2005 Wood Sculpture, Children. Playhouse inspired by Leonardo da Vinci' s Mona Lisa on le Louvre in Paris.Height 15 feet.Copyrights cleared with Copy- Dan 3 October 2005....
Children - Sculpture
6 x 15 feet (1.83 x 4.57 m)
Asbjorn Lonvig: 'Playhouse inspired by Picasso', 2005 Wood Sculpture, Children. Playhouse inspired by Picasso. By Picasso' s She Goat on MOMA, New York. Copyrights cleared with Copy- Dan 3 October 2005. ...
Children - Sculpture
3 x 10 feet (0.91 x 3.05 m)
Guy Octaaf Moreaux: 'Dancer', 1997 Wood Sculpture, Abstract. Cutout hardboard painted with acrylic paint...
, 1997
Abstract - Sculpture
70 x 150 cm (27.6 x 59.1 inches)
Jerry Monteith: 'Imagine A Cloud', 2018 Wood Sculpture, Sailing. The outline of a cloud shape rises from a generic ship form.  The guilded text, Imagine A Cloudis engraved on the black walnut ship s hull.  The cloud outline is made by joining several sections of sugar maple. ...
Sailing - Sculpture
26 x 20 inches (66.0 x 50.8 cm)
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Jerry Monteith: 'Liriodendrum Tulipifera', 2019 Wood Sculpture, Abstract. Two massive poplar treesLiriodendrum Tulipifera- often called tulip trees, or tulip poplarswere taken down to build an apartment building near my work.  I acquired much of the wood and over time, converted it to timber.  This piece is made from that timber.  Poplar s Latin name and the geolocation data ...
Abstract - Sculpture
28 x 47 inches (71.1 x 119.4 cm)
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Jerry Monteith: 'This piece is titled Ruby', 1992 Wood Sculpture, Abstract. Three fabricated wood forms with stained, painted and polyurethane finish.  The top two units are connected via blind mechanical hardware.  Top surface of largest form is high gloss, whereas the remainder is satin finish.  The variegated surfaces are achieved by a series of additive and reductive procedures.  This piece is ...
Abstract - Sculpture
55 x 48 inches (139.7 x 121.9 cm)
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Jerry Monteith: 'Cowlick', 2010 Wood Sculpture, Fantasy. Construction made of American hophornbeam and elm with horsehair.  Some parts are turned on a wood lathe and or carved.  The surface is aniline dye with polyurethane finish. ...
, 2010
Fantasy - Sculpture
68 x 54 inches (172.7 x 137.2 cm)
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Max Tolentino: 'jk', 2016 Wood Sculpture, Abstract Figurative. Wood Sculpture with a copper ring ...
, 2016
Abstract Figurative - Sculpture
34 x 41 cm (13.4 x 16.1 inches)
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Max Tolentino: 'ETHIOPIA', 2016 Wood Sculpture, Abstract.  Sculpture in brazilian nobel wood named Canela with a cooper ring . Sold to a private collection ...
, 2016
Abstract - Sculpture
19.2 x 50 cm (7.6 x 19.7 inches)
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Max Tolentino: 'Horus ', 2016 Wood Sculpture, Abstract.    Sculpture in brazilian nobel wood               ...
, 2016
Abstract - Sculpture
14.2 x 52 cm (5.6 x 20.5 inches)
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Max Tolentino: 'Demoiselle ', 2016 Wood Sculpture, Abstract.  Sculpture in brazilian nobel wood named Tauari....
Abstract - Sculpture
11.2 x 35 cm (4.4 x 13.8 inches)
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Esmoreit Koetsier: 'aero', 2018 Wood Sculpture, Abstract. Aero did not even start out as a sculpture.  I started experimenting with laminating plywood sheets.  Then cutting at mitered angles.  Once this all matched, I felt I had a sculptural body taking shape and I started adding more features as they came to mind.  This piece is true experimentation ...
, 2018
Abstract - Sculpture
11 x 17 inches (27.9 x 43.2 cm)
Wilson Sasso: 'trumpeter', 2005 Wood Sculpture, Abstract. Wood turning woods, pine, imbuia and pau- ferro. ...
, 2005
Abstract - Sculpture
22 x 41 cm (8.7 x 16.1 inches)
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Pavel Sorokin: 'interior vase carved of wood', 2017 Wood Sculpture, Floral. Decorative interior vase, from WOODIUS collection, carved rose wood and crystal glass inside.One more similar vase, with the glass height of 40 cm is also in my collection, ask for the pair. Two similar vases25 x 25 x 40 cm with another kind of carving and completely wooden are ...
Floral - Sculpture
24 x 60 inches (61.0 x 152.4 cm)
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Pavel Sorokin: 'Dragon  phoenix wall decorative pair of  panels ', 2016 Wood Sculpture, Animals.  This dyptich made of sophisticatedly- carved dark tinted rose wood, with Dragon and Phoenix images in classical Chinese style. Nice decoration for oriental or any modern interior. ...
Animals - Sculpture
50 x 100 cm (19.7 x 39.4 inches)
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B Malke: 'Integration', 2014 Wood Sculpture, Figurative.      Wood               ...
Figurative - Sculpture
17 x 4 inches (43.2 x 10.2 cm)
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B Malke: 'The bird at its window', 2014 Wood Sculpture, Figurative.    The statue turns  on its base              ...
Figurative - Sculpture
9 x 21 inches (22.9 x 53.3 cm)
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Pavel Sorokin: 'Table decoration Vinyan rose wood', 2010 Wood Sculpture, Floral.  This decorative desktop stand to store jewelry is from my WOODIUS collection called BirdsFlowers. The carving is extremely delicate, made by famous wood- carver of Vietnam from my sketches and models. The quality is unique and rarely exists in the World, as the rose- wood used for this decoration. ...
Floral - Sculpture
40 x 25 cm (15.7 x 9.8 inches)
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Robert Hargrave: 'Most Favored Vessel', 2015 Wood Sculpture, Home.  Vessel...
Home - Sculpture
34 x 12 inches (86.4 x 30.5 cm)
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Robert Hargrave: 'Figurative Bookends', 2015 Wood Sculpture, Home.  Bookends...
Home - Sculpture
8 x 8 inches (20.3 x 20.3 cm)
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Robert Hargrave: 'The Magestic Mirror', 2015 Wood Sculpture, Home.  Mirror ...
Home - Sculpture
24 x 32 inches (61.0 x 81.3 cm)
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Pavel Sorokin: 'Pair of decorative interior vases carved of wood', 2011 Wood Sculpture, Floral. This small decorative vase is from my WOODIUS collection called BirdsFlowers. The carving is extremely delicate, made by famous wood- carver of Vietnam from my sketches and models. The quality is unique and rarely exists in the World, as a rose- wood used for this lamp. There are two more ...
Floral - Sculpture
25 x 40 cm (9.8 x 15.7 inches)
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(Page 1 of 19) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Andrea Mulcahy - Apart of all that exists is energy. My work has been about capturing the essence of an energetic state the subtle, invisible energy that surrounds us. Im often drawn to the cyclic energy center and all its potential. Im fascinated by the way the energy centers draw in information from our surroundings as well as radiate an energy of vibration. My paintings display abstract scenarios that hold information for each viewer. What each person is ready for is what theyll see. On this earth plane we have a set of experiences that are common to us all. Its the timing and the circumstances that differ. My pleasure is seeing how the images, lines and colors relate to each person who views the work. ...

    Andrew Wielawski - Art must communicate ideas and have them received the way the artist intends, reaching as many viewers as possible to provoke an emotional response. If you go for those who are in the know about artistic periods, about current trends, and about a symbolic language that requires training to understand, then the artist will miss a huge audience. The artist then becomes a slave to styles created by others. If on the other hand, you work towards reaching multiple levels of viewers, then your task becomes more difficult, and at the same time, more fulfilling. An artist who creates a language will not fit into any already existing niche, and will alienate those looking for something they already know about, like gallerists, collectors and museums. Creativity, however, is like water...it will find its way around such obstructions, and bring the artist satisfaction and a clientele that appreciates what they create without regard for what's in fashion. Most of all, this way of producing reflects the rarity of truth in a world mostly dedicated to superficial values. ...

    Andrew Wielawski - Guy Octaaf Moreaux - The end of August will see me move back to Brussels, Belgium. The three years I spent in Kenya have been super interesting and moved me to paint my african impressions. I feel privileged to have learned so much of this wonderful part of the world which was quite foreign to me before. Life is full of emotions about people, nature, things etc...and leaving Kenya will be hard indeed. One of the biggest luxuries in life, is to live surrounded by beauty. This is what I am trying to do. And yes one can see beauty everywhere...it is a state of mind. Harmony is an integral part of beauty, this is what I am trying to convey in my work. It is indeed a necessity for me to create. It has always been this way for as far as I can remember. Not creating makes me feel empty and unfulfilled. In every day life it pervades all my actions, from cooking to finding different places to visit, walk, etc....Have a look at the furniture I created lower in my portfolio. The architects who sold my furniture were the first ones to sell my paintings. For painting, nature ...

    Jerry Monteith - Much of my practice involves collecting and preparing wood from local trees. When I began my Core Series, the material came from friends who had cut trees and offered me the wood. Now I have over 100 trees, many of which I planted or started from seed. Most require careful and regular pruning. Recently I was forced to take down a sugar maple that was dropping massive branches and rotting from the inside out. This provided much of the material used to make aEURoeRed Fence.aEUR The scroll form in the piece was made with wood saved after pruning pear trees some years ago. IaEURtmd like to think that my work functions like poetry, except it uses forms instead of words to evoke thoughts and feelings that lie deep and barely realized. My Attractors Series takes the fishing fly as a paradigm object and portray strange, insect-like creatures. They play homage to the incredible diversity of insect life, which we typically regard as an inconvenience at best. While their kind is said to represent 90 percent of the diversity of life on our planet, our kind typically ignores them. They embody my appreciation of the small things in life ...

    Max Tolentino - I do not think of art as a rationalization of an artistic thought or perhaps I am not still able to think this way. What fascinates me is the exercise of art; it is doing something that can express my personal point of view of things and the perception and the expression of the world as I see. Anything that carries human significance may cause me an emotion with the same intensity that I see at any museum in the world. Art is an emotional and intellectual product to me. Since my late starting in arts I have been sculpting my way in the artistic scenario with a differenced curiosity so that my overture to this environment gives me a privileged position. Doubts - no doubt - will arise, as my works transit between the formalism and the concept, between the beautiful and the political in art. But the doubts belong more to the one who sees then to me. Maybe I want to go further than the cultural concepts i?1/2 not that I pay much attention to it - but perhaps one day appreciating from outside I may glimpse a chance to be inside thus contributing in a certain way to this world ...

    Esmoreit Koetsier - Sculpture for me has been redefined by where life has taken me. When I started in my early twenties, I had no idea that my simple flat pieces of steel were going to lead to mixed-materials and colorful fluid shapes. With each piece I challenge myself and push the envelope just a little more. I look outside of the traditional materials and discover new techniques. What has stayed true is that my work is an experiment with shapes, forms, objects, colors, arrangements, and materials. IaEURtmm inspired by my surroundings and journeys as well as artists working with different medias. ...

    Wilson Sasso - WILSON SASSO - EXHIBITIONS CASA JOAO TURIN, Curitiba, PR/BRAZIL. INDIVIDUAL, currently, up to 28/01/2008. 6a MOSTRA JOAO TURIN Casa Andrade Muricy, Curitiba - PR/BRAZIL Selected artist, 2003. A NATUREZA DOS ELEMENTOS II Espaco Cultural FALEC, Curitiba - PR/BRAZIL With the paint artist Paulo Assis, 2003. SERES PATETICOS Museu Joao Turin, Curitiba - PR/BRAZIL Individual, 2001. IMPRESSOES DA NATUREZA Museu do Jardim Botanico, Curitiba - PR/BRAZIL Collective, 2000. ARTE E EXPRESSAO Espaco Cultural Francis Bacon, Curitiba - PR/BRAZIL Collective, 2000. A NATUREZA DOS ELEMENTOS I Curitiba - PR/BRAZIL With the paint artist Paulo Assis, 1999. MUSEU VIRTUAL DE ARTE BRASILEIRA -MVAB/BRAZILIAN MUSEUM Galeria XXI Web page:

    Robert Hargrave - Beauty is often found in unexpected places. Few people would expect anything made from plywood to be beautiful, yet they are surprised and intrigued when they learn this fact about my work. I laminate a very special Birch plywood from Russia to a darker Lauan plywood from Indonesia, then carve them to reveal the previously hidden core. The results are often compared to some rare and exotic wood, skillfully brought to life. The Plywood Sculpture line consists of nearly seventy contemporary designs that are functional as well as decorative. There are over two dozen mirrors in many shapes and sizes. The designs range from figurative to geometric, from celestial to functionally conservative. Several figurative sculptures are balanced by some furniture designs. The line is rounded out by many gift items, such as picture frames, boxes and other accessories." All of my designs have a fluid sense of movement, emphasized by the black glue line. The alternating light and dark woods have a variety of colors in natural, however dyed colors offer even more possibilities. Each piece is signed and given a smooth, maintenance free lacquer finish. A free, full color catalog is available upon request. ...