Sculpture For Sale - Price Range: $1000 - $1999

Page 3 of 14
Discover 387 original sculpture artworks for sale between $1000 - $1999. Contemporary emerging artists: Lou Lalli, Gary Brown, Tosic Aleksandar, Paul Carbo, Paul Orzech, Marianne Den Otter, Angela Treat Lyon, Omar Ibrahim, Michaella Janse Van Vuuren, Elena Osterwalder are exhibiting their affordable original art. You can buy artwork online and browse 14 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Lou Lalli: 'Red Bull II', 2008 Stone Sculpture, Figurative.       Persian travertine     ...
Figurative - Sculpture
15 x 9 inches (38.1 x 22.9 cm)
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Lou Lalli: 'Red Bull I', 2008 Stone Sculpture, Figurative.      Persian travertine    ...
, 2008
Figurative - Sculpture
15 x 9 inches (38.1 x 22.9 cm)
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Lou Lalli: 'Paleovenus I', 2007 Stone Sculpture, Figurative.     Persian travertine   ...
Figurative - Sculpture
5 x 15 inches (12.7 x 38.1 cm)
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Gary Brown: 'Yoke', 2004 Wood Sculpture, Abstract.  Laminated Baltic Birch and Maple, wood sculpture ...
, 2004
Abstract - Sculpture
16 x 22 inches (40.6 x 55.9 cm)
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Tosic Aleksandar: '5 do 12', 2011 Wood Sculpture, undecided.
, 2011
undecided - Sculpture
13 x 17 cm (5.1 x 6.7 inches)
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Gary Brown: 'Flight', 2005 Aluminum Sculpture, Abstract.  Multi Layer inlaid metal. Aluminum, Bronze, with wood base ...
, 2005
Abstract - Sculpture
15 x 17 inches (38.1 x 43.2 cm)
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Tosic Aleksandar: 'old man', 2011 Wood Sculpture, undecided.
, 2011
undecided - Sculpture
35 x 18 cm (13.8 x 7.1 inches)
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Gary Brown: 'New Hair', 2009 Mixed Media Sculpture, Abstract.
, 2009
Abstract - Sculpture
5 x 15 inches (12.7 x 38.1 cm)
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Paul Carbo: 'Emily Dickinson', 2010 Wood Sculpture, Famous People. Custom handmade, free- standing wood cabinets as life- size caricature of Emily Dickinson...
Famous People - Sculpture
20 x 62 inches (50.8 x 157.5 cm)
Paul Orzech: 'Celebration', 2009 Bronze Sculpture, Clouds.  Celebration depicts a human figure leaping injoyous abandonment off the ground and into the air.  This piece was designed to convey an exhilarated state of mind a person feels whilesensing joy, boundless happiness and freedom.  My hope is thatCelebration will inspire the viewer to escape into a daydream among the...
Clouds - Sculpture
7 x 11 inches (17.8 x 27.9 cm)
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Paul Orzech: 'Touch', 2008 Bronze Sculpture, Love.  Touch was commissioned by a patron as Praying Hands for a wedding gift.  The patron in selecting this design stated There is a palpable sense of love and energy being exchanged between the hands, and yet they are still so prayerful and graceful.  It fulfilled the patrons desire to have...
, 2008
Love - Sculpture
4 x 12 inches (10.2 x 30.5 cm)
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Paul Orzech: 'Embrace', 2010 Bronze Sculpture, Love.  Embrace - Pure love is light, comforting, and keeps you floatingabove the cares of the world.Please visit my web site WWW.  PAULORZECH.  COM to see all the views of this work. ...
, 2010
Love - Sculpture
4 x 11 inches (10.2 x 27.9 cm)
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Marianne Den Otter: 'Crying ', 2009 Stone Sculpture, Children. I cry for all the children who are no being loved and when they die nobody caresits for all those children that I cry    ...
, 2009
Children - Sculpture
22 x 40 cm (8.7 x 15.7 inches)
Marianne Den Otter: 'Escaping from the stone', 2010 Bronze Sculpture, Spiritual.    Impressions of ancient times  bronze sculpture of a woman escaping out of the stone   ...
Spiritual - Sculpture
22 x 40 cm (8.7 x 15.7 inches)
Marianne Den Otter: 'Guardian Angels ', 2010 Bronze Sculpture, Spiritual.  two guardian angels    ...
Spiritual - Sculpture
65 x 30 cm (25.6 x 11.8 inches)
Marianne Den Otter: 'New Life', 2010 Stone Sculpture, Children.  alabaster sculpture of mother and child    ...
, 2010
Children - Sculpture
44 x 40 cm (17.3 x 15.7 inches)
Angela Treat Lyon: 'Curly', 2010 Stone Sculpture, Equine.  Who put these curls in my mane! ? !  ...
, 2010
Equine - Sculpture
10 x 12 inches (25.4 x 30.5 cm)
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Angela Treat Lyon: 'Due Soon', 2010 Stone Sculpture, Equine.  Straining with the weight. . . . ...
, 2010
Equine - Sculpture
10 x 12 inches (25.4 x 30.5 cm)
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Omar Ibrahim: 'Owl', 2009 Other Sculpture, Abstract.
, 2009
Abstract - Sculpture
25 x 50 cm (9.8 x 19.7 inches)
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Paul Carbo: 'Teddy Roosevelt', 2005 Wood Sculpture, Famous People.  Custom, handmade, free- standing, stained wood cabinet as life- size caricature of Teddy Roosevelt ...
Famous People - Sculpture
2 x 6 inches (5.1 x 15.2 cm)
Paul Carbo: 'The Gardener', 2007 Wood Sculpture, Famous People.  Custom, handmade, free- standing, stained wood cabinet as life- size caricature of The Gardener ...
Famous People - Sculpture
2 x 6 inches (5.1 x 15.2 cm)
Paul Carbo: 'Bob Dylan', 2005 Wood Sculpture, Famous People.  Custom, handmade, free- standing, stained wood cabinet as life- size caricature of Bob Dylan ...
, 2005
Famous People - Sculpture
2 x 6 inches (5.1 x 15.2 cm)
Paul Carbo: 'Andres Segovia', 2009 Wood Sculpture, Famous People.  Custom, handmade, free- standing, stained wood cabinet as life- size caricature of Andres Segovia ...
Famous People - Sculpture
21 x 68 inches (53.3 x 172.7 cm)
Paul Carbo: 'Mark Twain', 2009 Wood Sculpture, Famous People.  Custom, handmade, free- standing, stained wood cabinet as life- size caricature of Mark Twain ...
, 2009
Famous People - Sculpture
2 x 6 inches (5.1 x 15.2 cm)
Paul Orzech: 'Saddle', 2005 Bronze Sculpture, Western. This work was commissioned by a collector that enjoys American history and wanted a piece of the old west in his collection.  Saddle pays homage to the southwest ranching life.  This saddle rests upon an old carved tree stump.  See if you can find all the gear that accompanies this ...
, 2005
Western - Sculpture
9 x 10 inches (22.9 x 25.4 cm)
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Michaella Janse Van Vuuren: 'The chrysanthemum centrepiece', 2009 Other Sculpture, undecided.  The Chrysanthemum centrepiece is a reversible design that can function as either a bowl or a candle holder, depending on which side of the design faces upwards. The centrepiece reflects my passion for the textures, shapes and patterns found in nature. The Chrysanthemum is directly manufactured with the EOS P380...
undecided - Sculpture
250 x 250 mm ( x )
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Elena Osterwalder: 'La Torre', 2009 Mixed Media Sculpture, Abstract.  Hand made amate, cloth , clothes'pins, dyed with organic colors. ...
, 2009
Abstract - Sculpture
20 x 71 cm (7.9 x 28.0 inches)
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Elena Osterwalder: 'La Canasta', 2009 Other Sculpture, Abstract.  Hand made paper, amate, hemp, cotton cloth , dyed in organic colors. ...
, 2009
Abstract - Sculpture
30 x 30 cm (11.8 x 11.8 inches)
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Elena Osterwalder: 'La Maceta', 2009 Other Sculpture, Abstract.  Amate, paper, hemp, all hand made and dyed with organic colors. ...
, 2009
Abstract - Sculpture
30 x 30 cm (11.8 x 11.8 inches)
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Andrew Kasper: 'flame', 2009 Steel Sculpture, Abstract.  Andrew Kasper' s aged steel free flowing Flame sculpture.height 220cmwidth  60cm. More images available upon request....
, 2009
Abstract - Sculpture
60 x 220 cm (23.6 x 86.6 inches)
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(Page 3 of 14) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Lou Lalli - The shaping and use of stone is a vital part of the human endeavor. The fashioning of tools and implements by stone age peoples, the votive Venus figures of the Neolithic period, cycladic sculpture of the eighth millennium BC, classical sculpture of Greece and Egypt and all the sculpture to the present indicates that stone sculpture is intrinsic to human expression. Sculpting in stone directly links me to the people of the past. The subject and ideas I choose are derived from the past thus strengthening that link. The resolutions of the technical problems are the same that sculptors in the past confronted and solved. Although modern tools and implements facilitate my work I am still doing what all sculptors and stone carvers have done in the past; chipping, abrading and polishing the stone to release the form contained therein. My ideas and subjects are borrowed from antiquity with each piece telling a story. Antiquity provides a wealth of resources for my work; warriors, the myths, Venus figures, beasts, demigods and shaman/priests are the subjects I appropriate. In executing an idea, the importance of light and shadow, through the use of negative space is a primary concern in the ...

    Paul Carbo - I started messing round with wood in 1999 while still working as a graphic artist for the Los Angeles Times. We all worked on computers at that time and I was craving to do art with my hands like we used to back in the "dim time" before computers. I initially started to build small functional art pieces for children. Things like paper and pencil holders. I then progressed to larger caricatures of famous people I thought kids should be aware of like Abe Lincoln and Mark Twain, still intended as furniture for children. I would store the finished cabinets in my living room. They mingled well with my other furniture and and found I using them to store CD's,books ans such. At that point I said to myself " Why wouldn't grown-ups like this kinda thing"? I left my job at the newspaper, forged on and continued to build....

    Paul Orzech - Paul Orzech Sculpture Studio Artist Statement: The heart of my artwork is expressed by the words "Classical form with a modern edge." As an artist, I feel the need to incorporate the classic concepts of the human figure from the Ancient Greek and Italian Renaissance periods, with the more message-oriented elements of today's art. My belief in the beauty and power of the raw human form is exquisitely celebrated in the classical forms of sculpture. The modern themes I treat in my art include feminism; contemporary ideas of spirituality and love; and the all consuming presence time plays in our fast-paced American lives. I feel there is a quiet strength in the combination of established classics and contemporary expression that demonstrates a smooth continuity of social history. ...

    Angela Treat Lyon - I make art because I must. It's a cellular need. It's a compulsion, an addiction, a Beingness I cannot deny. Simply put: Art is Spirit moving through any particular medium, whether it be stone, music, cooking, dance, speech, or whatever. Create an intention, take action, results follow, fine or not. Images dwell within me getting fat and juicy until they just simply will not allow me to sit on them one more minute. Many many nights I'll wake up with designs in my head, all clamoring to come out at once, and I'll have to get up and draw furiously till they're out and happy. When I was very young, I made a pact with myself not to do any artwork that depicts pain and suffering - why paint that when we see so much of it all around us, every day? What I wanted to see and surround myself with was expressions of the feeling I had in my heart about how I felt it could be, and really is, on levels we don't normally think about or have visual access to during the glaring light of day. I want my work to do ...

    Elena Osterwalder - When people leave their homeland, their home memories freeze in that instant, and without them realizing it both the country and the people progress in divergent directions. The external influences of the new country tend to be assimilated with the old ones and in "The Arts" form a new esthetic with components of both cultures. Years later the yearning for what was left behind takes a hold of them and forces them to look back. In my case using components that have historical and spiritual value in the Mexican tradition, I strive to converge the various cultures that have influenced me and create a 21st century aesthetic. Cuando uno deja a su pais , el recuerdo de su pais se congela en ese instante y no se da cuenta que tanto el pais como el mismo progresan en direcciones divergentes. Las influencias del nuevo se asimilan con las antiguas y en "Las Artes" forman una nueva estetica con componentes de las dos culturas. Anos mas tarde cuando cree que ha incorporado ambas culturas, la anoranza de lo que ha dejado detras toma mucha fuerza y lo empuja a mirar atras. En mi caso...