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Sculpture For Sale - Price Range: $1000 - $1999 (370)

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Discover 370 original sculpture artworks for sale between $1000 - $1999. Contemporary emerging artists: Robbie O Carroll, Alexey Klimov, Von Nicholson, Hunter Brown, Gunnel Watkins, Suzanne Benton, Eric Jacobson, Marcio Faria, Robert Haifley, Olav Ata, Austen Pinkerton, Robert Pulley, Daniel Lombardo, Dominik Ra, Elnaz Nourizadeh, Jack Hill, Stan Harmon, Martin Navratil, Aad Flapper, Noel Molloy are exhibiting their affordable original art. You can buy artwork online and browse 13 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Alexey Klimov: 'WINDOWS 3', 2015 Other Sculpture, Abstract. Artist Description:     This is the collection of fifteen metal wall- hung sculptures. Though each one is clearly a stand- alone piece, they are related to one another. I look at them as a family of equals United by their size, materials they are made of, clear presence of a square ...
, 2015
Abstract - Sculpture
16 x 16 inches (40.6 x 40.6 cm)
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Alexey Klimov: 'WINDOWS 1', 2015 Other Sculpture, Abstract. Artist Description:   This is the collection of fifteen metal wall- hung sculptures. Though each one is clearly a stand- alone piece, they are related to one another. I look at them as a family of equals United by their size, materials they are made of, clear presence of a square ...
, 2015
Abstract - Sculpture
20 x 20 inches (50.8 x 50.8 cm)
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Von Nicholson: 'Bounty of the Sea', 2016 Wood Sculpture, Sea Life. Artist Description:  Bounty of the Sea was brought fourth in March of 2016 and cut from Pine log and is now finished, on display, and available.  260 633 0818...
Sea Life - Sculpture
30 x 80 inches (76.2 x 203.2 cm)
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Hunter Brown: 'Axis', 2016 Steel Sculpture, Abstract. Artist Description:  Modern stainless steel sculpture with polished finish. Stainless steel sculpture designed and fabricated by Hunter Brown. Metal sculpture, modern, fine art, monumental ...
, 2016
Abstract - Sculpture
30 x 104 inches (76.2 x 264.2 cm)
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Gunnel Watkins: 'synergy', 2016 Other Sculpture, Abstract. Artist Description: to be ordered copy 27...
, 2016
Abstract - Sculpture
50 x 25 cm (19.7 x 9.8 inches)
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Gunnel Watkins: 'geisha', 2012 Other Sculpture, Abstract. Artist Description:  to be ordered copy 412...
, 2012
Abstract - Sculpture
20 x 25 inches (50.8 x 63.5 cm)
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Gunnel Watkins: 'ode to modi', 2009 Other Sculpture, Abstract. Artist Description: 	Ode to ModiMaterial- Hydrostone Other poaI have been inspired by ModiglianiaEURtmswork, created in the face of personal suffering and hardship. His beautiful faces, often with wistful and forlorn expressions have moved me deeply. As an artist we learn by recreating the masters, hence Ode to Modi. ...
Abstract - Sculpture
15 x 40 cm (5.9 x 15.7 inches)
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Gunnel Watkins: 'bangara shadow', 2006 Other Sculpture, Abstract. Artist Description:  to be ordered - price dependent on medium chosen 	Bangara Shadowforton or broxe poaInspired by the Bangara Dance Group. Linking strength, sensuality, drama, movement, line, female form, the classical and abstract....
Abstract - Sculpture
40 x 30 cm (15.7 x 11.8 inches)
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Gunnel Watkins: 'context is decisive', 2012 Other Sculpture, Abstract. Artist Description: 	context is decisive		Year - 2007				A symbol depicting a distinction in the realm of being ontology aEURoethe context is decisiveaEUR. You can create a new context for anything at any point in time. The context determines your experience and the quality of your life. The distinction so empowered ...
Abstract - Sculpture
35 x 35 cm (13.8 x 13.8 inches)
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Suzanne Benton: 'Rachel, copper coated steel mask', 1989 Mixed Media Sculpture, undecided. Artist Description:  Metal mask, steel, copper coat           ...
undecided - Sculpture
15 x 12 inches (38.1 x 30.5 cm)
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Eric Jacobson: 'Horns and Flags', 2016 Other Sculpture, Abstract. Artist Description: This is an abstract constructed sculpture. It is inspired by music. It is also inspired by abstract painting such as that of Kandinsky. ...
Abstract - Sculpture
50 x 72 inches (127.0 x 182.9 cm)
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Marcio Faria: 'gabo linha amarela', 2014 Steel Sculpture, undecided. Artist Description:  steel and silicone wire ...
undecided - Sculpture
60 x 55 cm (23.6 x 21.7 inches)
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Robert Haifley: 'SACRIFICE', 2016 Wood Sculpture, History. Artist Description:  First United States National Flag approved by George Washington and our Continental Congress sculpted and constructed with over 5,000 toothpicks. This piece is 3- dimensional, hand stained ( NOT PAINTED) and each of the 13- stars are constructed and sculpted out of toothpicks. This without doubt is my ...
, 2016
History - Sculpture
58 x 33 inches (147.3 x 83.8 cm)
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Robert Haifley: 'SACRIFICE', 2016 Wood Sculpture, History. Artist Description: First United States National Flag approved by George Washington and our Continental Congress sculpted and constructed with over 5,000 toothpicks. This piece is 3- dimensional, hand stained ( NOT PAINTED) and each of the 13- stars are constructed and sculpted out of toothpicks. This without doubt is my ...
, 2016
History - Sculpture
58 x 33 inches (147.3 x 83.8 cm)
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Olav Ata: 'Universe', 2015 Mixed Media Sculpture, Abstract. Artist Description:  Wooden sculpture with mixed applied art approach/ ...
, 2015
Abstract - Sculpture
60 x 50 cm (23.6 x 19.7 inches)
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Austen Pinkerton: 'URBAN SPACEMAN', 2015 Ceramic Sculpture, Space. Artist Description:    SPACEMAN ROBOT PORTRAIT FIGURE ...
Space - Sculpture
22 x 22 cm (8.7 x 8.7 inches)
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Robert Pulley: 'Portal', 2012 Ceramic Sculpture, Abstract. Artist Description:     Abstract, bronze, sandstone, salmon, teal, burnt umber. ...
, 2012
Abstract - Sculpture
16 x 18 inches (40.6 x 45.7 cm)
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Daniel Lombardo: '3 Graces', 2013 Steel Sculpture, undecided. Artist Description:          abstract  forged steel         ...
, 2013
undecided - Sculpture
5 x 26 inches (12.7 x 66.0 cm)
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Dominik Ra: 'The jealousy', 2014 Limestone Sculpture, Abstract. Artist Description:  Human jealousy, is a complicated condition . I triedto realize it with abstract form , where the two sides( two conditions) stare at each other and at the end,they needlessly intertwining each other. . This form abstract may present some other human emotions and characteristics , such as ; Love , passion , ...
Abstract - Sculpture
80 x 35 cm (31.5 x 13.8 inches)
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Elnaz Nourizadeh: 'Punch out', 2015 Ceramic Sculpture, Nature. Artist Description:     Earthenware ceramic Sculpture.        ...
, 2015
Nature - Sculpture
90 x 28 cm (35.4 x 11.0 inches)
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Jack Hill: 'Female Torso Front', 2015 Bronze Sculpture, Mythology.
Mythology - Sculpture
6 x 17 inches (15.2 x 43.2 cm)
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Jack Hill: 'Female Torso Back', 2015 Bronze Sculpture, Mythology.
Mythology - Sculpture
6 x 17 inches (15.2 x 43.2 cm)
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Stan Harmon: 'Glass Stingray', 2014 Glass Sculpture, Nature. Artist Description:  Kiln formed glass with copper and bronze tail. Can be displayed on wall or hanging from ceiling upside down or as part of a mobile with multiple stingrays. Comes in 3 sizes.   Fused Glass, copper, bronze, steel   ...
Nature - Sculpture
30 x 6 inches (76.2 x 15.2 cm)
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Von Nicholson: 'Golden Seahorse', 2014 Wood Sculpture, Sea Life. Artist Description:   created from Knotty pine and sealed for all weather. about 6+ ft. tall  ...
Sea Life - Sculpture
2 x 6 feet (0.61 x 1.83 m)
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Martin Navratil: 'Artists 2', 2012 Bronze Sculpture, Figurative. Artist Description:     Threads of Life, Moon Music, wood, game, garden statues, housing, light, monument, luna, memorial, relief, building, fountain, zinc, iron, abstract, figurative sculpture, bust coin, medal, jewel, sculpture in architecture, squares, parks, gardens, wild in nature, sculptures in public areas, banks, halls and stadiumsstatues in the sacral, private ...
, 2012
Figurative - Sculpture
10 x 40 cm (3.9 x 15.7 inches)
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Aad Flapper: 'diving girl', 2009 Bronze Sculpture, Nudes. Artist Description:  diving girl ...
Nudes - Sculpture
11 x 38 cm (4.3 x 15.0 inches)
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Noel Molloy: 'Simply Impassable', 2014 Mixed Media Sculpture, Figurative. Artist Description:  on the story of Alice in Wonderland ...
Figurative - Sculpture
2 x 3 feet (0.61 x 0.91 m)
Noel Molloy: 'cheshire cat', 2014 Mixed Media Sculpture, Figurative. Artist Description:    on the story of Alice in Wonderland   ...
Figurative - Sculpture
2 x 3 feet (0.61 x 0.91 m)
Noel Molloy: 'follow the white rabbit', 2014 Mixed Media Sculpture, Figurative. Artist Description:   on the story of Alice in Wonderland  ...
Figurative - Sculpture
2 x 3 feet (0.61 x 0.91 m)
Bertrand Beaufour: 'The flotilla of boats flying fish', 2014 Mixed Media Sculpture, Seascape. Artist Description:   digital image, inflatable, floating and flying sculptures    ...
Seascape - Sculpture
80 x 120 cm (31.5 x 47.2 inches)
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Artists Describing Their Art:

Robbie O Carroll - When I Graduated from Harvard University my sculpturing followed the traditional cubist approach, but over time the wood started to dictate its own direction and continues that way today. Sometime I will look at a piece of wood, or the combination of pieces of wood, for over a year before it comes to me what its final shape should be and even then it continues to change during the sculpturing process. Someone once called my work enigmatic, and maybe it is, because that is what interests me, the indescribable mystery that can only be revealed in a work of Art. ...

Alexey Klimov - ARTIST STATEMENT I think that absolute freedom in art is no more than a mirage. Like a vanishing point, not only it is not achievable, but also constant strive for being totally uninhibited fundamentally contradicts the very nature of art. I discovered that by trying to free myself I instead only created un-freedom within, but at the same time I recognized it as a blessing because this un-freedom, to my great surprise, flowered into my very own freedom. I built my personal space inside it, I fenced in all I was made of and then I gladly confined myself into this space and opened all the windows to share whataEURtms inside with others. This is the moment of great joy for me because this space has never existed before I have created it. Not unlike theater, my work attempts to counterpart outside reality with no ambition to compete with it. It is just a window into my parallel world, my very own, not so little Universe. ...

Alexey Klimov - Gunnel Watkins - My intention is to experience creative expression inside the context of the transpersonal. transaEURC/peraEURC/sonaEURC/al/transE^pEtmrsEtmnl/ Adjective: Of, denoting, or dealing with states or areas of consciousness beyond the limits of personal identity. Forms arise spontaneously and naturally from present circumstancesaEUR|..reflection, meditation, dreams and ritual open up dialogues with form bringing mind and heart back into balanceaEUR|aEUR|.central to my artistic expression, is the premise, that the art-making process is salutary in and of itself. I work with art and people with special needs; and, as an end-of-life Doula. aEURoeWhen the soul wants to experience something, she throws out an image in front of her and steps into it aEURoe Meister Eckhart ...

Gunnel Watkins - Eric Jacobson - My work is influenced by a variety of sources from mandalas to contructivism "drawing in space" and nature: artists like David Smith, Mark Di Suvero, Miro, Picasso, etc. My current work incorporates brass tubing with mobiles and water. Some of these create sound as well. I have also created steel "frames", often octagonal that enclose a series of elements floating within this environment. I have been exploring the use of depth(perspective), color and balance in my work. I am very interested in the "layers" that make up each person's life history and mind, and therefore create layers in my sculpture to symbolize this. I often see things in the world as having an" inner and an outer", sometimes revealed to the world at large and sometimes hidden. This includes the human mind. People often keep parts of themselves hidden or protected even sometimes from themselves. Sometimes thes things are revealed in artwork. My sculptures also involve the relationship of the natural and man-made environments and the balance or imbalance between them....

Marcio Faria - Born in SAPSo Paulo, Brazil. in 1979, MA!rcio Faria is graduated and post-graduated in fine arts. In recent years, has been dedicated to research with flat geometric shapes, trying to discover new ways of organizing planes in space. On a constant pursuit of volumes, proportions and lines, the artist has the urban landscape of the city of SAPSo Paulo as a starting point for your projects....

Robert Haifley - I chose the medium of toothpicks in which to express myself with after a myriad of life changing events that occured within my personal and professional life within a short period of time over 30-years ago. No models, diagrams, or photos are ever referred to or utilized in any of my sculptures. The image, thought, or idea that comes into my heart and mind is simply acted on by what I sculpt. What has helped me get over the greatest loss in my personal life is this simple saying that came to me shortly after loosing that which meant the world to me and that is simply this When we forgive others and ourselves we live, When we dont, we cease living Robert Haifley, Artist, Sculptor, Author...

Austen Pinkerton - Artists Statement Austen Pinkerton If I turn my mind to it very quickly I can come up with several ideas for works aEUR|paintings, drawings, or sculptures. Sometimes ideas come to me when I least expect it, or when my mind is on other things. Ideas can be related to my current experiences, or to my feelings about things that are happening to me in my life at that particular time. Alternatively they can be related to a current interest, or something that occupies my attention at that moment, and my ideas and feelings about which Id like to share with others. A lot of my work is autobiographicalaEUR|either directly or indirectly, consciously or subconsciously. It is frequently very personal, and expresses events or circumstances or experiences in my life. I usually work in either Acrylic on Canvas, Crayon or Pastel, or both together, with Gouache, on card, Drawing in pencil, or Ink, or both, or with creating SculptureaEUR|for which I use fired artists clay. Sculpture follows a completely different set of rules and values from two-dimensional art, obviously, I think of it as Drawing in three dimensions and I take this into account when creating mine. In...

Robert Pulley - A friend told me recently that it was helpul for her to know how an art work is created and how the artist thinks. That led me to consider what I have to say about my art work. When one looks at my sculpture I hope one sees strength, mystery, sensuousness, spiritual energy and more. How these constructions in modeled clay can stir such responsed in myself and others is a mystery to me, but I can say something about my methods and way of thinking. I have always been intuitive, reactive and spontaneous. I love improvisation, expression and the power of chance and serendipity. This may not seem obvious in large pieces that must be carefully crafted over weeks or months. Here is how it works. When I began the first pieces in this body of work many years ago they were purely improvisational. I would begin each piece with a flat slab of clay that I cut into a shape that would be the bottom of the sculpture. I usually had a vague idea of the proportions I wanted. This general notion set the theme within which I worked. In the manner of free jazz I would consider ...

Daniel Lombardo - My art is first informed by the human figure, its essential vertical presentation with a focus on unique but related frontal and rear views, and the gestalt of interconnected shapes that are both linear and volumetric. It is secondarily informed by totem poles of the Native Americans of the Pacific Northwest and other tribal cultures from around the world, with their stacked and interconnected elements that may represent key figures or concepts in their myths and legends, combined to "tell a tale" or remind of basic cultural tenets. Though my sculptures do not represent any specific events, I imagine my pieces as abstract tales both of personal events or generally themes of human experience. The pieces develop from gestural sketches based on this visual language of interconnected forms merging and diverging usually along a vertical axis. Most recently I have worked in forged steel which has fostered new gestural elements that this material inspires. ...

Elnaz Nourizadeh - Art for me is life. When I create a sculpture or a simple bowl, I feel alive. I like to create things that have feelings, emotions and motion. I create two types of artworks, sculptures and pottery. In my pottery I express my raw ideas in irregular and often asymmetric shapes of vessels and combination of different glazes and colours. This gives me the time to control my emotions and excitement. Each of my sculptures manifests a period in my life; emotions, everything I feel, see and experience. Overtime my sculptures have transitioned from statements about restrictions in my life to ideas of freedom and breaking the barriers. I get my ideas from everyday things I see in the streets, music I listen to, the news I read or a new artwork that catches my eye. I start making samples and experimenting with the idea and reading and researching about it until it becomes mature enough to build a sculpture. I prefer clay as my main medium because it gives me freedom and allows to create any shape I desire and refine the shape as it dries. ...

Stan Harmon - Retirement brought Stan Harmon's passion into the daylight. Finally quitting his "day job", after a career with an environmental water management company, Harmon found himself able to devote more time to artistic endeavors that he had previously crammed into late night hours after everyone else was asleep. Following his dream to learn to blow glass he enrolled at the famous Penland School of Craft in the North Carolina mountains, quickly succumbing to the addictive nature of glass blowing. However, blowing glass requires at least one helper and that wouldn't fit into his new schedule (which was no schedule). Not to mention the constant overhead involved in firing a glass furnace 24/7. While at Penland, Harmon was introduced to the technique of kiln-forming glass which being taught in the next studio. This proved to be the best of both worlds, embracing the serendipity of hot glass creation and the advantages of a flexible schedule because a computer runs the kiln, taking care of the most time consuming aspects of creation. Thus no helper was needed, no outrageous gas bill to stress about, and still reaping the creative opportunities afforded by hot glass. Kiln-formed or fused glass ...

Aad Flapper - Dear reader, The most important qualities of a work of art for me are: --Originality: I can only be inspired to start making a sculpture when it has for me the quality of something new, it must feel like being a real part of me. --The work has to arouse thoughts behind the surface, the viewer has to be able to wander around, find his own ideas and fantacies while viewing. --Good craftmanship...