Sculpture For Sale - Price Range: $1000 - $1999

Page 3 of 15
Discover 408 original sculpture artworks for sale between $1000 - $1999. Contemporary emerging artists: Stan Harmon, Vladimiras Nikonovas, John Searles, Scott Mohr, Marcin Biesek, Marty Scheinberg, Berthold Neutze, Robert Pulley, Robert Hughes, David Mcelfish, Lars Berg, Houda Khalladi, Bozena Happach, Don Dougan, Ali Gallo are exhibiting their affordable original art. You can buy artwork online and browse 15 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Vladimiras Nikonovas: 'Trojan', 2014 Mixed Media Sculpture, Animals.             sculpture made from old metal parts on wood board                              ...
, 2014
Animals - Sculpture
60 x 56 cm (23.6 x 22.0 inches)
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John Searles: 'Undulated Copper Wavy Weaving', 2013 Other Sculpture, Beauty.   Copper strips are cut into wavy patterns, woven together, undulated then mounted on a rigid backing and flame colored. This wall art weaving is sealed with lacquer. ...
Beauty - Sculpture
36 x 16 inches (91.4 x 40.6 cm)
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Scott Mohr: 'Gemini', 1979 Bronze Sculpture, Figurative.  My mother was a Genini and inspired this sculpture. The enigmatic twins ...
, 1979
Figurative - Sculpture
2 x 3 feet (0.61 x 0.91 m)
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Scott Mohr: 'Duprass', 1996 Stone Sculpture, Figurative.  Original alabaster carving. The name comes from K. Vonnegut's
, 1996
Figurative - Sculpture
8 x 11 inches (20.3 x 27.9 cm)
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Scott Mohr: 'Karass', 1995 Bronze Sculpture, Figurative.  The name comes from K. Vonnegut's
, 1995
Figurative - Sculpture
8 x 11 inches (20.3 x 27.9 cm)
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Scott Mohr: 'Kundalini', 1996 Stone Sculpture, Figurative.  It's al about here back, the original stone before I started carving had this spinelike curve I just brought out the rest of the figure, I just got out of the way and let her come out!    ...
, 1996
Figurative - Sculpture
6 x 11 inches (15.2 x 27.9 cm)
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Scott Mohr: 'Through the Veil', 2004 Bronze Sculpture, Figurative.  From an original alabaster carving this copy in bronze expresses the desire to connect to the other side to find our true self our higher being  ...
Figurative - Sculpture
10 x 24 inches (25.4 x 61.0 cm)
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Marcin Biesek: 'Sitting woman', 2011 Stone Sculpture, nudes.      Marble  ...
nudes - Sculpture
9 x 5 cm (3.5 x 2.0 inches)
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Marcin Biesek: 'Thinking woman', 2011 Stone Sculpture, nudes.     Marble ...
nudes - Sculpture
7 x 15 cm (2.8 x 5.9 inches)
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Marcin Biesek: 'She', 2011 Stone Sculpture, nudes.      Marble sculpture- this is one of me the harder artworks I ever done. I tried discover Rodin and also More art. The Modernism , and all we recive is like a gold in our hands to keep, and develop in our art.    ...
, 2011
nudes - Sculpture
15 x 30 cm (5.9 x 11.8 inches)
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Marcin Biesek: 'Reclining woman', 2011 Stone Sculpture, nudes.     Marble sculpture- this is one of me the harder artworks I ever done. I tried discover Rodin and also More art. The Modernism , and all we recive is like a gold in our hands to keep, and develop in our art.   ...
nudes - Sculpture
15 x 14 cm (5.9 x 5.5 inches)
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Marty Scheinberg: 'Tush', 2002 Stone Sculpture, Abstract Figurative.   A rosy pink alabaster lower torso on a black granite base.  ...
, 2002
Abstract Figurative - Sculpture
12 x 17 inches (30.5 x 43.2 cm)
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Marty Scheinberg: 'Innocence', 2013 Stone Sculpture, Abstract Figurative.  Cabarra Italian Marble - White/ Grey/ Black   ...
, 2013
Abstract Figurative - Sculpture
5 x 14 inches (12.7 x 35.6 cm)
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Berthold Neutze: 'Scents of the Seven Senses', 2012 Wood Sculpture, Abstract.               beechwood, oiled, 2012             ...
Abstract - Sculpture
43 x 30 cm (16.9 x 11.8 inches)
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Berthold Neutze: 'Rhythms of Frost', 2012 Wood Sculpture, Abstract.              beechwood, oiled, 2012            ...
Abstract - Sculpture
27 x 40 cm (10.6 x 15.7 inches)
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Robert Pulley: 'Dancer And Bird', 2008 Bronze Sculpture, Abstract.  Bronze abstract on black marble base.  Black and brown patina.  ...
Abstract - Sculpture
16 x 14 inches (40.6 x 35.6 cm)
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Robert Hughes: 'GoalShooter', 2012 Bronze Sculpture, Sports.        Known for his strength and passion for the game, artist created this signed limited edition bronze by Olympic athlete and artist Bob Hughes.         ...
Sports - Sculpture
8 x 8 inches (20.3 x 20.3 cm)
Robert Hughes: 'WhipShot', 2012 Bronze Sculpture, Sports. As an Olympic Games competitor, Bob Hughes was known for his power goal shots like this over the shoulder whip shot, nearly impossible to defend against.        ...
, 2012
Sports - Sculpture
8 x 8 inches (20.3 x 20.3 cm)
Robert Hughes: 'LadyShooter', 2012 Bronze Sculpture, Sports. Celebrating 2012 Olympic Games Gold Medal USA Women' s Water Polo Team. Signed limited edition bronze by Olympic athlete and artist Bob Hughes     ...
Sports - Sculpture
8 x 8 inches (20.3 x 20.3 cm)
Robert Hughes: 'TheStruggle', 2012 Bronze Sculpture, Sports.     Players reaching out of the water for control of the ball, artist has captured the strength and action as only someone who has played the game can express in this exciting piece.      ...
Sports - Sculpture
8 x 8 inches (20.3 x 20.3 cm)
David Mcelfish: 'Tusken Temple', 2012 Wood Sculpture, Inspirational.   This is from my wisdom well collection. There is a small slot to deposit notes of wisdom to pass on to others. This piece was designed with trinity in mind with a little twist and curve in it. Kind of the path I seem to take most often. I get...
Inspirational - Sculpture
13 x 20 inches (33.0 x 50.8 cm)
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Lars Berg: 'Complete', 2012 Wood Sculpture, Gestalt.
, 2012
Gestalt - Sculpture
30 x 12 cm (11.8 x 4.7 inches)
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Houda Khalladi: 'africa', 2012 Steel Sculpture, Abstract Landscape.    nature   ...
, 2012
Abstract Landscape - Sculpture
100 x 70 cm (39.4 x 27.6 inches)
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Bozena Happach: 'Sunset', 2008 Bronze Sculpture, Figurative.  bronze, figurative, earth, child, expression ...
, 2008
Figurative - Sculpture
9 x 6 inches (22.9 x 15.2 cm)
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Don Dougan: 'THE FUTURE SWEEPS: RED TINT', 2007 Mixed Media Sculpture, Technology. Indiana limestone, Georgia marble, circuit board, aluminum, stainless steel, stoneware, glass, acrylic, graphite, pigmentDone for an exhibit called the 'History of the Future,' this wall piece is made of limestone, computer circuit board, marble, aluuminum, stainless steel,  glass, and pigment.  ...
Technology - Sculpture
13 x 17 inches (33.0 x 43.2 cm)
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Don Dougan: 'THAT WAS MY FAVORITE COLOR', 2007 Mixed Media Sculpture, Abstract Figurative. Irish slate,  white stoneware, amazonite, Spanish black marble, glass  ...
Abstract Figurative - Sculpture
10 x 7 inches (25.4 x 17.8 cm)
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Don Dougan: 'THROUGH A GLASS DARKLY', 2010 Mixed Media Sculpture, Abstract Figurative. cast iron, embedded glass, illumination ...
Abstract Figurative - Sculpture
12 x 9 inches (30.5 x 22.9 cm)
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Ali Gallo: 'dragon ship', 2011 Steel Sculpture, Abstract.  welded steel    ...
Abstract - Sculpture
16 x 28 inches (40.6 x 71.1 cm)
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Ali Gallo: 'cross road', 2011 Steel Sculpture, Abstract.    welded steel   ...
, 2011
Abstract - Sculpture
18 x 33 inches (45.7 x 83.8 cm)
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Ali Gallo: 'african warrior', 2011 Steel Sculpture, Abstract.   welded steel  ...
Abstract - Sculpture
12 x 52 inches (30.5 x 132.1 cm)
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(Page 3 of 15) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Stan Harmon - Retirement brought Stan Harmon's passion into the daylight. Finally quitting his "day job", after a career with an environmental water management company, Harmon found himself able to devote more time to artistic endeavors that he had previously crammed into late night hours after everyone else was asleep. Following his dream to learn to blow glass he enrolled at the famous Penland School of Craft in the North Carolina mountains, quickly succumbing to the addictive nature of glass blowing. However, blowing glass requires at least one helper and that wouldn't fit into his new schedule (which was no schedule). Not to mention the constant overhead involved in firing a glass furnace 24/7. While at Penland, Harmon was introduced to the technique of kiln-forming glass which being taught in the next studio. This proved to be the best of both worlds, embracing the serendipity of hot glass creation and the advantages of a flexible schedule because a computer runs the kiln, taking care of the most time consuming aspects of creation. Thus no helper was needed, no outrageous gas bill to stress about, and still reaping the creative opportunities afforded by hot glass. Kiln-formed or fused glass ...

    John Searles - John Searles is a metal artist & sculptor with work in more than 2000 collections across the country, including hotels, businesses and homes. His experience includes working with aluminum, copper, bronze, steel and stainless steel. His body of work includes sculptures, metal weavings, metal art tiles, wall sculptures, photography, paintings and websites. The metal wall sculptures of John Searles reflect his enduring interests in mathematical patterns, design, movement, energy and freedom and are an expression of his on-going dialogue with the metals he works with - aluminum, steel, stainless steel, copper and bronze. John Searles' background in poetry, painting and photography has heavily influenced his focus on shape and design. At times his artwork appears to depict the fluid movements of a Kung Fu master, or the flight patterns of a bird catching insects in the summer evening air. Other times, the metal represents dancers intertwined. John Searles lives and works in a converted 5600 square foot factory on three acres of land near Lake Michigan. The front third of the building is a light-filled gallery. The back part is a tool- and work table-filled space with two garage doors and a view out over the property to the ...

    Marcin Biesek - I present in this place some part of my art. Especially wood&plaster sculpture,ceramics and mixed media paintings. I live in Kingston upon Hull ( East Riding of Yorkshire- UK) .I am a memeber of Kingston Art Group.(kingstonartgroup.co.uk) I have started ceramics course in Hull College and I really enjoyed.I try keep my arts and it give me a lot's of satisfy. I found some new ways to develop my ideas and project's. I had some exhibitions-personal also group exhibitions(Reveal Open Studios ,Hull College, Middleton Hall Gallery(Hull University) and Ferens Art Gallery in Hull. And still I try to find new ways to show what I do. Subject's of my art is usually human. I try observe a people in move also relation's between. I try develop ideas of Giacometti ,Manuel Neri and school of Contemporary art. But I still learn all masters(like Rodin) work's. ...

    Berthold Neutze - Artists Statement Art from wood is either turned (pretty bowl), roughly hewed (pure artistic laziness) or from selected ugliness regarding to the choice of wood. The flashy the material the less you see the sloppy work of the artist Why do I use wood after all? Besides hard and splintery beechwood? The work is risky and tedious, demands concentration and sensitivity for the material's structure - thus a challenge for craftmanship. Together with the subtle texture and unexitedly tint of beechwood that makes it to my favourite material. Beechwood allows undisguised view towards the form language. The shiny smooth surface means a distance to ,,harsh" nature to me. The outcoming piece is a picture, not copy. The tactile dimension. There is this invitation to the spectator to touch it, to feel the inherent warmth of wood, to feel out the incorporated strings and muscles to append another dimension to his phantasy. Subject follows function. My abstract -, as well as the anthropo- and zoomorphic sculptures emerge from the curiosity what other structures evolution could find - or improve - to add another niche in nature. I mostly work without preceding drawings und start to work unintentionally; the ,,idea" evolves during the progress - the ...

    Robert Pulley - A friend told me recently that it was helpul for her to know how an art work is created and how the artist thinks. That led me to consider what I have to say about my art work. When one looks at my sculpture I hope one sees strength, mystery, sensuousness, spiritual energy and more. How these constructions in modeled clay can stir such responsed in myself and others is a mystery to me, but I can say something about my methods and way of thinking. I have always been intuitive, reactive and spontaneous. I love improvisation, expression and the power of chance and serendipity. This may not seem obvious in large pieces that must be carefully crafted over weeks or months. Here is how it works. When I began the first pieces in this body of work many years ago they were purely improvisational. I would begin each piece with a flat slab of clay that I cut into a shape that would be the bottom of the sculpture. I usually had a vague idea of the proportions I wanted. This general notion set the theme within which I worked. In the manner of free jazz I would consider ...

    David Mcelfish - I feel that we all have artistic ability. One person will paint with oil while another will paint with words. Some with wood, some with metal or bronze. We all need to find that medium in which we can create. It is the balance of life, the ying and the yang. At times we get really out of balance exercising the logical side and not the creative. I have been in that boat before, dealing with worldly matters to the extreme and depriving the spiritual or creative side. I believe it can cause physical health issues as well as mental health issues. The body, mind, and spirit, tight rope. So due to triping and falling a time or two I have found a medium in which I can express my artistic side. Thus finding moments of bliss and balance in the every day routine. I only hope that I may share this with you even for just a breif moment, may somthing stir within you and make the day just a little brighter for you. The true joy of art is found in sharing it with others and knowing that we are not alone. May you have a fine and ...

    Bozena Happach - My sculptures illustrate the complexity and beauty of human form in two and three-dimensional compositions. I intend to demonstrate the depth as well as the foibles of the human endeavor, along the journey of both physical and spiritual evolution. ...

    Don Dougan - My work comprises both abstracted and figurative imagery executed in a variety of mixed materials, with stone being the predominate medium. Other materials used (usually in conjunction with stone) include foundry cast metals, carved and joined wood, cast and fabricated plastics, cold-worked and kiln-formed glass, cast and carved hydraulic cements, cast/formed paper, welded/fabricated metals, gilding, and found/assembled objects. The more abstracted imagery is worked in pedestal pieces, large freestanding sculptures, and in wall-mounted relief sculptures. The figurative lip series is usually presented in wall-mounted reliefs, deep shadowbox framing, and occasionally as either a pedestal piece or a large freestanding work. The most recently begun series of work comprises pedestal-sized pieces using the imagery of the ship or the boat hull. Each series or each type of work allows me to express aspects of the human condition - the more abstracted works tend to reveal a more universal emotional/rational characterization of subject matter, the lip series tends to allow sensuality, humor, and more visceral expressions, while the ship series delves into personal/cultural memories and emotional journeys. For more images and information on myself, my work, and my working methods please visit my ...

    Ali Gallo - Uncovering and bringing to the surface what boils beneath creates the tension necessary for a dialog to begin between the idea and the artist and/or the art and the viewer. Finding anyway to create this tension, gouging, scratching, laying, etc in a painting or sculpture allows for deeper inspection, providing the incredible power of metaphor for the human condition....