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Sculpture For Sale - Price Range: $400 - $499 (325)

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Discover 325 original sculpture artworks for sale between $400 - $499. Contemporary emerging artists: Jernej Tramte, Sergio Milani, Blazej Siplak, Merlin Mccormick, Bart Soutendijk, Max Tolentino, Dimitri Sonkeng, Malke, Robert Pulley, Depasquale Sculptures, Diana Carey, Daniel Lombardo, Natalie Rostad Desjarlais, Elnaz Nourizadeh, Louise Parenteau, Robert Hargrave, Bogdan Lachowicz, Jeffrey Yankosky, Rheta-mari Kotze, Djan Mulderij are exhibiting their affordable original art. You can buy artwork online and browse 12 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Jernej Tramte: 'rooster', 2016 Wood Sculpture, Animals. Artist Description: 2017 is the Chinese Year of the rooster and announces a year of awakening, new beginnings and hard work. Proud posture symbolizes courage in the daily steps we have to walk. ...
, 2016
Animals - Sculpture
43 x 43 cm (16.9 x 16.9 inches)
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Sergio Milani: 'zeus 2016-32s', 2016 Wood Sculpture, Circus. Artist Description: The horses of the Zeus line are made entirely of wood and interpret the jockey with his horse, the work mounted on wheels during towing the juggler rotates dynamically opening the arms, is prepared for painting with white background.The decorative theme of Zeus line is  circus scenes , ...
Circus - Sculpture
10 x 7 inches (25.4 x 17.8 cm)
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Blazej Siplak: 'head n 3', 2017 Wood Sculpture, Abstract. Artist Description: wood, abstract, walnut, sculpture, head...
, 2017
Abstract - Sculpture
33 x 100 cm (13.0 x 39.4 inches)
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Sergio Milani: 'acrobat 2017-48 bill', 2017 Wood Sculpture, Fantasy. Artist Description: Artist Sergio Milani - Acrobat . . . . . . . . . . . . . .   designed, built and painted in Italy    size  in  7,8 x 8,2 x 3,5         weight   lb  0,66 . . . . . . . whim  master s art collection by Sergio Milani. The  ACROBAT  line horses are the child s interpretation of his toy  the puppet is articulated, ...
Fantasy - Sculpture
8 x 8 inches (20.3 x 20.3 cm)
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Sergio Milani: 'venezia 2017 02', 2017 Wood Sculpture, Animals. Artist Description: The work belongs to the line of ponyVenice , the pony resumes the profile of the golden bronze horses placed on the terrace of the Basilica of San Marco, it is mounted on a precious wood base serving as a jewelery box.The decorative theme isVenetian Architectural and Landscape ...
Animals - Sculpture
9 x 9 inches (22.9 x 22.9 cm)
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Merlin Mccormick: 'making baby', 2015 Wood Sculpture, . Artist Description: pregnant lover...
- Sculpture
10 x 13 inches (25.4 x 33.0 cm)
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Merlin Mccormick: 'trans sex lovers', 2015 Wood Sculpture, Erotic. Artist Description: gay love...
Erotic - Sculpture
12 x 18 inches (30.5 x 45.7 cm)
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Bart Soutendijk: 'heels', 2014 Steel Sculpture, Figurative. Artist Description: wire wall art of lady wearing high heels...
, 2014
Figurative - Sculpture
16 x 25 inches (40.6 x 63.5 cm)
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Max Tolentino: 'ORIGAMI', 2008 Steel Sculpture, Abstract. Artist Description:  Steel painted sculpture, not ready for delivery ...
, 2008
Abstract - Sculpture
30 x 30 cm (11.8 x 11.8 inches)
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Dimitri Sonkeng: 'Chess table made with ebony wood', 2015 Wood Sculpture, undecided. Artist Description:  original chess table made by a cameroonian artisan, with ebony wood and red wood ...
undecided - Sculpture
35 x 0 cm (13.8 x 0.0 inches)
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 Malke: 'Upside Down', 2014 Mixed Media Sculpture, Figurative. Artist Description:    Wood, ceramic composition, clay              ...
Figurative - Sculpture
6 x 9 inches (15.2 x 22.9 cm)
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Robert Pulley: 'Cloud Bank', 2015 Ceramic Sculpture, Abstract. Artist Description:     Abstract, hand built, stoneware, clay, sculpture , rose, black, brown, light blue, cream.  ...
, 2015
Abstract - Sculpture
13 x 13 inches (33.0 x 33.0 cm)
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Robert Pulley: 'Blue Canyon', 2013 Ceramic Sculpture, Abstract. Artist Description:     Abstract hand built stoneware clay sculpture with rose, blue, black, brown and burnt orange glazes over copper stain,  ...
Abstract - Sculpture
12 x 15 inches (30.5 x 38.1 cm)
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Depasquale Sculptures: 'Love Is', 2015 Mixed Media Sculpture, Love. Artist Description:  This Heart sculpture, Born 7/ 25/ 15 at 3: 00 pm PST, is made from Purple Passion Granite, with a Cedar wood Base. Actualheart measures 2- 3/ 4 tall, 2- 1/ 2 wide' , 1- 3/ 8' thick. Love is. . . . . Love , Faith and Hope ; the greatest of ...
, 2015
Love - Sculpture
5 x 3 inches (12.7 x 7.6 cm)
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Diana Carey: 'The Dancer', 2015 Steel Sculpture, Abstract. Artist Description: Flowing movement of a dancer. Steel sculpture abstract tabletop...
, 2015
Abstract - Sculpture
19 x 20 inches (48.3 x 50.8 cm)
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Daniel Lombardo: 'Message of Love 2', 1988 Bronze Sculpture, undecided. Artist Description: abstractbronze...
undecided - Sculpture
4 x 12 inches (10.2 x 30.5 cm)
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Natalie Rostad Desjarlais: 'Daughters of the earth', 2015 Mixed Media Sculpture, Naturalism. Artist Description:  Stone painting, using natural harvested pigment from the mountains in Nicola Valley. Native spirituality.  Bringing forth the energy that exists in Mother Earth; s gifts. ...
Naturalism - Sculpture
8 x 5 inches (20.3 x 12.7 cm)
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Elnaz Nourizadeh: 'Avoider', 2014 Ceramic Sculpture, Mask. Artist Description:    Earthenware ceramic Sculpture.       ...
, 2014
Mask - Sculpture
24 x 38 cm (9.4 x 15.0 inches)
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Louise Parenteau: 'Chandu', 2014 Ceramic Sculpture, Mask. Artist Description:  Mixed media: Ceramic, wood, leather.                     mask, african, art, sculpture, ethnic, raku, ceramic, wall sculpture,   ...
, 2014
Mask - Sculpture
35 x 36 cm (13.8 x 14.2 inches)
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Robert Hargrave: 'Comet Clock Supreme', 2014 Wood Sculpture, undecided. Artist Description:  clock ...
undecided - Sculpture
14 x 14 inches (35.6 x 35.6 cm)
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Bogdan Lachowicz: 'Spear Gold Fish', 2014 Mixed Media Sculpture, Fish. Artist Description:    sculpture, wood, mixted media, painted, one of kind   ...
Fish - Sculpture
58 x 28 cm (22.8 x 11.0 inches)
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Jeffrey Yankosky: 'Whirleyjig', 2014 Wood Sculpture, Abstract. Artist Description:    Steam Bent. Reclaimed Ash wood sculpture. One of a kind. Solid wood. Not Plywood or other composite. The wood can only bend once and the figure of the grain expresses the curves in the wood. Unlike metal, plastic and other medium, this cannot be duplicated. Thanks for looking. ...
, 2014
Abstract - Sculpture
5 x 21 inches (12.7 x 53.3 cm)
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Rheta-mari Kotze: 'PM335 Birdman 3 in Metal', 2010 Aluminum Sculpture, Figurative. Artist Description:  buy African tribal sculpture, fine art for sale, buy art online, art for sale, tribal art for sale, African warrior sculpture, buy original silver tribal sculpture, buy hand beaten tribal sculpture, bird art, symbolic bird dance, bird costume, folk lore...
Figurative - Sculpture
5 x 10 inches (12.7 x 25.4 cm)
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Rheta-mari Kotze: 'PM321 The Stretch in Metal', 2009 Aluminum Sculpture, Figurative. Artist Description:  buy nude sculpture, fine art for sale, buy art online, art for sale, nude art for sale, art for sale, nude woman sculpture, buy original silver sculpture, buy hand beaten nude sculpture, art, Stylised nude figure, abstracted nude sculpture...
Figurative - Sculpture
8 x 12 inches (20.3 x 30.5 cm)
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Djan Mulderij: 'No Wireless Piece II', 2014 Ceramic Sculpture, Figurative. Artist Description:    Also used ceramic wheel. Clay, Glaze, Wire   ...
Figurative - Sculpture
16 x 22 cm (6.3 x 8.7 inches)
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Djan Mulderij: 'No Wireless Piece', 2014 Ceramic Sculpture, Dance. Artist Description:   Also used ceramic wheel. Clay, Glaze, Wire  ...
Dance - Sculpture
12 x 26 cm (4.7 x 10.2 inches)
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Rheta-mari Kotze: 'PM357 Moon Catcher 3 in Metal Sculpture', 2011 Aluminum Sculpture, Figurative. Artist Description: buy art online, fine art for sale, artist portfolio, Figurative sculpture, nude sculpture, original sculpture, metal sculpture, aluminium wall sculpture, bling, hand beaten sculpture, metal sculpture, art for sale, metal art, buy sculpture, unique sculpture, aluminium sculpture, silver sculpture, South African art, African sculpture, moon art...
Figurative - Sculpture
4 x 10 inches (10.2 x 25.4 cm)
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Rheta-mari Kotze: 'PM251 Sleeping Nude in Metal', 2005 Aluminum Sculpture, Geometric. Artist Description: buy art online, fine art for sale, ORIGINAL, one of a kind sculpture, hand beaten aluminium wall sculpture, contemporary art, buy art, buy sculpture, texture, metal wall sculpture, silver and black, silver sculpture, metal art, figurative sculpture, bling art, nude sculpture, nude art, ...
Geometric - Sculpture
14 x 7 inches (35.6 x 17.8 cm)
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Rheta-mari Kotze: 'PM366 Ballerina and Juggler 2 in Metal', 2013 Aluminum Sculpture, Figurative. Artist Description: buy art online, fine art for sale, art for sale, ORIGINAL, one of a kind sculpture, hand beaten aluminium wall sculpture, buy contemporary art, buy art, buy sculpture, texture, metal wall sculpture, silver and black, silver sculpture, metal art, figurative sculpture, bling art, dance sculpture, tutu, circus art, ...
Figurative - Sculpture
7 x 8 inches (17.8 x 20.3 cm)
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Rheta-mari Kotze: 'PM323 Rose Tree in Moonlight', 2009 Aluminum Sculpture, Botanical. Artist Description:  ORIGINAL, one of a kind, hand beaten hammered aluminium wall sculpture, metal wall sculpture, decorative sculpture, decor, silver art, silver sculpture, metal art, bling, contemporary sculpture, buy art online, buy sculpture, texture, aluminium art, graphic sculpture, silver and black art, tree sculpture, tree art, rose tree, arbour art, ...
Botanical - Sculpture
10 x 10 inches (25.4 x 25.4 cm)
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Artists Describing Their Art:

Jernej Tramte - Carving is an old profession and it has experienced full boom in the past, for the first time in ancient Egypt and in Europe in the Middle Ages. It can be seen in the classic, old art, but pleasant lines of manually treated wood are also included in a modern setting, where they diversify and fill the space. My products are just that and they promote positive energy in space and bring peace and love. Each tree and wood has its own vibration. Wood is beautiful however it is treated, but most important for me is to revive and reimburse life to it in another form, in harmony with my expression, which vibrates in the direction of unconditional love. When working with wood I feel and connect with it, which is imprinted in the product. I work with a variety of wood materials oak, walnut, pear, cherry, alder, linden ..., also choosing them according to the harmony with the product. Bartolus is my artistic name, which is derivative of the Hebrew word for Jernej, as this is my name. I wish you a pleasant visit of my site, Jernej Tramte...

Sergio Milani - In 1960 I graduated from the P.Selvatico Institute of Padua - Italy, and immediately began my career as a teacher of art, at the same time as a freelance designer, I collaborated with the most famous Italian toy industry In plastic, with the task of designing new toys lines, designing and realizing their prototypes. As a lover of wood, in 1999, I came to the idea of aEUR
Merlin Mccormick - I am new to the art world and still trying to feel my way through. I have lived through the free love era of years gone by and now wonder what have happened to that spirit of enlightenment. That mind set that the body is a beautiful thing to marvel at and that sexual expressions of love and openness was something to strive for. That does not seem to be the case presently. It seems as though there is a push to view the human body as something to be ashamed of and not displayed in its nude form and viewed as something vulgar. The art works that I have created express that spirit of free love and appreciation for the human body and the freedom and awareness gained from sexual interactions of the body and mind. It is my hope that my creations re-light that flame from the past and that people fine my work appealing and would want to own one or more pieces. I only show a few here but I have many more ready to offer. They are truly unique one of a kind items that will grow in value as time goes by. ...

Bart Soutendijk - I have been making Wire Wall Murals on a commission basis since 1972. A Wire Wall Mural is the final step in a simplification process that starts with a photograph or group of photographs. I make and remake the line drawing to emphasize only the essence of the subject. I ask, myself: "What is it about this image that makes is unique." Then I strip away the lines that are not required to convey that quality. Finally, like the poet who reviews every word, I re-examine every turn and curve as I bend the wire into that image -- a large line drawing in space. The final installation, a solid line in front of a moving shadow, has scale enough to suit a large space without dominating the room. After I make a wire wall sculpture I hang it up and "live with it" for a while. Sometimes I cut away additional material, add more, or change bends before I consider the sculpture ready for a home, gallery, or museum. I say: Nothing is permanent, as long as you have pliers. ...

Max Tolentino - I do not think of art as a rationalization of an artistic thought or perhaps I am not still able to think this way. What fascinates me is the exercise of art; it is doing something that can express my personal point of view of things and the perception and the expression of the world as I see. Anything that carries human significance may cause me an emotion with the same intensity that I see at any museum in the world. Art is an emotional and intellectual product to me. Since my late starting in arts I have been sculpting my way in the artistic scenario with a differenced curiosity so that my overture to this environment gives me a privileged position. Doubts - no doubt - will arise, as my works transit between the formalism and the concept, between the beautiful and the political in art. But the doubts belong more to the one who sees then to me. Maybe I want to go further than the cultural concepts i?1/2 not that I pay much attention to it - but perhaps one day appreciating from outside I may glimpse a chance to be inside thus contributing in a certain way to this world ...

Robert Pulley - A friend told me recently that it was helpul for her to know how an art work is created and how the artist thinks. That led me to consider what I have to say about my art work. When one looks at my sculpture I hope one sees strength, mystery, sensuousness, spiritual energy and more. How these constructions in modeled clay can stir such responsed in myself and others is a mystery to me, but I can say something about my methods and way of thinking. I have always been intuitive, reactive and spontaneous. I love improvisation, expression and the power of chance and serendipity. This may not seem obvious in large pieces that must be carefully crafted over weeks or months. Here is how it works. When I began the first pieces in this body of work many years ago they were purely improvisational. I would begin each piece with a flat slab of clay that I cut into a shape that would be the bottom of the sculpture. I usually had a vague idea of the proportions I wanted. This general notion set the theme within which I worked. In the manner of free jazz I would consider ...

Robert Pulley - Diana Carey - I developed a passion for the creation of metal forms while studying at the Academy of Art in San Francisco. Each piece is unique and is discovered as I create it. There is no direct path from one piece to the next, instead, each evolves from the material. Once I start working on the piece I move with it as it starts taking shape. I want the metal to flow, the pieces to be light and airy, counterbalancing the rigidity of the steel I am working with. My sculptures are there to be touched and felt. Touching my sculptures can move a person along the same wavelength I felt as I was creating it. I know a piece has succeeded when I see smiles on the faces of people looking at it. People have said that my work makes them happy as they see and experience it. As I work on my sculptures ...

Daniel Lombardo - My art is first informed by the human figure, its essential vertical presentation with a focus on unique but related frontal and rear views, and the gestalt of interconnected shapes that are both linear and volumetric. It is secondarily informed by totem poles of the Native Americans of the Pacific Northwest and other tribal cultures from around the world, with their stacked and interconnected elements that may represent key figures or concepts in their myths and legends, combined to "tell a tale" or remind of basic cultural tenets. Though my sculptures do not represent any specific events, I imagine my pieces as abstract tales both of personal events or generally themes of human experience. The pieces develop from gestural sketches based on this visual language of interconnected forms merging and diverging usually along a vertical axis. Most recently I have worked in forged steel which has fostered new gestural elements that this material inspires. ...

Elnaz Nourizadeh - Art for me is life. When I create a sculpture or a simple bowl, I feel alive. I like to create things that have feelings, emotions and motion. I create two types of artworks, sculptures and pottery. In my pottery I express my raw ideas in irregular and often asymmetric shapes of vessels and combination of different glazes and colours. This gives me the time to control my emotions and excitement. Each of my sculptures manifests a period in my life; emotions, everything I feel, see and experience. Overtime my sculptures have transitioned from statements about restrictions in my life to ideas of freedom and breaking the barriers. I get my ideas from everyday things I see in the streets, music I listen to, the news I read or a new artwork that catches my eye. I start making samples and experimenting with the idea and reading and researching about it until it becomes mature enough to build a sculpture. I prefer clay as my main medium because it gives me freedom and allows to create any shape I desire and refine the shape as it dries. ...

Louise Parenteau - ARTISTIC STATEMENT I studied fine arts at the University Of Quebec In Montreal (1986-1991). I was involved in various artistic activities in which I took a strong stand against injustice, poverty, and social exclusion. My work took shape using different methods of research and observation. I articulated my artistic approach inspired by existential human sufferings. I created portraits of individuals with unusual physical traits, expressions, deformities, attitudes... These characters inspired me to use colour in contrasts and splashes. My aim was to express the life animating the characters by an internal light. For my installations, I used a physical space to transpose socio-political situations and dramatic events. With the barest resources, my intention was to stimulate the interest of the viewer. My material supplies: Acrylic, rubbish, wood, metal, rust, polystyrene panels, personal objects, used clothing, etc. In 1995, I realized that I had reached limits with my artistic approach. I decided to have a period of questioning with the aim of going further in my research in terms of intention and expression. This process enabled me to explore, to experiment with different materials and to reposition myself using sculpture as my main form of expression. Ever...

Robert Hargrave - Beauty is often found in unexpected places. Few people would expect anything made from plywood to be beautiful, yet they are surprised and intrigued when they learn this fact about my work. I laminate a very special Birch plywood from Russia to a darker Lauan plywood from Indonesia, then carve them to reveal the previously hidden core. The results are often compared to some rare and exotic wood, skillfully brought to life. The Plywood Sculpture line consists of nearly seventy contemporary designs that are functional as well as decorative. There are over two dozen mirrors in many shapes and sizes. The designs range from figurative to geometric, from celestial to functionally conservative. Several figurative sculptures are balanced by some furniture designs. The line is rounded out by many gift items, such as picture frames, boxes and other accessories." All of my designs have a fluid sense of movement, emphasized by the black glue line. The alternating light and dark woods have a variety of colors in natural, however dyed colors offer even more possibilities. Each piece is signed and given a smooth, maintenance free lacquer finish. A free, full color catalog is available upon request. ...

Rheta-Mari Kotze - "My biggest challenge was leaving the corporate world and a good job to pursue an uncertain career in Fine Art. Following my passion for art and teaching myself to create the hand beaten sculptures I make now, has been an incredible journey of blood, sweat and tears but mostly greatly rewarding and most satisfying to see the technique evolving over the years". ...