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Sculpture For Sale - Price Range: $400 - $499 (307)

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Discover 307 original sculpture artworks for sale between $400 - $499. Contemporary emerging artists: Valda Fitzpatrick, Rufus Adeniyi, Bozena Happach, Debbie Jacobson, Blazej Siplak, Merlin Mccormick, Bart Soutendijk, Max Tolentino, Robert Pulley, Depasquale Sculptures, Diana Carey, Daniel Lombardo, Natalie Rostad Desjarlais, Elnaz Nourizadeh, Robert Hargrave, Jeffrey Yankosky, Rheta-mari Kotze, Djan Mulderij, Dave Martsolf, Constantin Ciprian Irimia, Christos Alevras, Ali Gallo, Sal Villano, Phil Schubert, Johan Nieuwborg are exhibiting their affordable original art. You can buy artwork online and browse 11 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Valda Fitzpatrick: 'gifts from the ocean', 2018 Other Sculpture, Abstract. Artist Description: These are sculptured collections that I designed from my own ground paper pulp. My mixtures include ground silk, cotton, Spanish flax and other elements collected from nature. The pure pigmented paints are especially designed for that purpose. For permanence and durability applications of internal sizing and protective sealing ...
Abstract - Sculpture
21 x 10 ( x )
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Rufus Adeniyi: 'ogboni staff', 1972 Bronze Sculpture, Culture. Artist Description: Yoruba culture. The Ologboni s are secret cult members and the Staff is for invoking the spirit of the Ancestors. ...
Culture - Sculpture
2 x 11 inches (5.1 x 27.9 cm)
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Bozena Happach: 'first date', 2015 Mixed Media Sculpture, Figurative. Artist Description: Sculpture was created as one of projects for the Sculpture Symposium in Lac Megantic. The requirement of the project was to create an inspiring and up- lifting sculpture. I like to work directly in metal structure and cover it with fibreglass. It gives me interesting texture, and I ...
, 2015
Figurative - Sculpture
7 x 12 inches (17.8 x 30.5 cm)
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Debbie Jacobson: 'sculpture - reaching', 2018 Other Sculpture, .
- Sculpture
10 x 25 inches (25.4 x 63.5 cm)
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Blazej Siplak: 'head n 3', 2017 Wood Sculpture, Abstract. Artist Description: wood, abstract, walnut, sculpture, head...
, 2017
Abstract - Sculpture
33 x 100 cm (13.0 x 39.4 inches)
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Merlin Mccormick: 'making baby', 2015 Wood Sculpture, . Artist Description: pregnant lover...
- Sculpture
10 x 13 inches (25.4 x 33.0 cm)
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Merlin Mccormick: 'trans sex lovers', 2015 Wood Sculpture, Erotic. Artist Description: gay love...
Erotic - Sculpture
12 x 18 inches (30.5 x 45.7 cm)
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Bart Soutendijk: 'heels', 2014 Steel Sculpture, Figurative. Artist Description: wire wall art of lady wearing high heels...
, 2014
Figurative - Sculpture
16 x 25 inches (40.6 x 63.5 cm)
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Max Tolentino: 'ORIGAMI', 2008 Steel Sculpture, Abstract. Artist Description:  Steel painted sculpture, not ready for delivery ...
, 2008
Abstract - Sculpture
30 x 30 cm (11.8 x 11.8 inches)
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Robert Pulley: 'Cloud Bank', 2015 Ceramic Sculpture, Abstract. Artist Description:     Abstract, hand built, stoneware, clay, sculpture , rose, black, brown, light blue, cream.  ...
, 2015
Abstract - Sculpture
13 x 13 inches (33.0 x 33.0 cm)
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Robert Pulley: 'Blue Canyon', 2013 Ceramic Sculpture, Abstract. Artist Description:     Abstract hand built stoneware clay sculpture with rose, blue, black, brown and burnt orange glazes over copper stain,  ...
Abstract - Sculpture
12 x 15 inches (30.5 x 38.1 cm)
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Depasquale Sculptures: 'Love Is', 2015 Mixed Media Sculpture, Love. Artist Description:  This Heart sculpture, Born 7/ 25/ 15 at 3: 00 pm PST, is made from Purple Passion Granite, with a Cedar wood Base. Actualheart measures 2- 3/ 4 tall, 2- 1/ 2 wide' , 1- 3/ 8' thick. Love is. . . . . Love , Faith and Hope ; the greatest of ...
, 2015
Love - Sculpture
5 x 3 inches (12.7 x 7.6 cm)
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Diana Carey: 'The Dancer', 2015 Steel Sculpture, Abstract. Artist Description: Flowing movement of a dancer. Steel sculpture abstract tabletop...
, 2015
Abstract - Sculpture
19 x 20 inches (48.3 x 50.8 cm)
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Daniel Lombardo: 'Message of Love 2', 1988 Bronze Sculpture, undecided. Artist Description: abstractbronze...
undecided - Sculpture
4 x 12 inches (10.2 x 30.5 cm)
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Natalie Rostad Desjarlais: 'Daughters of the earth', 2015 Mixed Media Sculpture, Naturalism. Artist Description:  Stone painting, using natural harvested pigment from the mountains in Nicola Valley. Native spirituality.  Bringing forth the energy that exists in Mother Earth; s gifts. ...
Naturalism - Sculpture
8 x 5 inches (20.3 x 12.7 cm)
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Elnaz Nourizadeh: 'Avoider', 2014 Ceramic Sculpture, Mask. Artist Description:    Earthenware ceramic Sculpture.       ...
, 2014
Mask - Sculpture
24 x 38 cm (9.4 x 15.0 inches)
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Robert Hargrave: 'Comet Clock Supreme', 2014 Wood Sculpture, undecided. Artist Description:  clock ...
undecided - Sculpture
14 x 14 inches (35.6 x 35.6 cm)
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Jeffrey Yankosky: 'Whirleyjig', 2014 Wood Sculpture, Abstract. Artist Description:    Steam Bent. Reclaimed Ash wood sculpture. One of a kind. Solid wood. Not Plywood or other composite. The wood can only bend once and the figure of the grain expresses the curves in the wood. Unlike metal, plastic and other medium, this cannot be duplicated. Thanks for looking. ...
, 2014
Abstract - Sculpture
5 x 21 inches (12.7 x 53.3 cm)
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Rheta-mari Kotze: 'PM357 Moon Catcher 3 in Metal Sculpture', 2011 Aluminum Sculpture, Figurative. Artist Description: buy art online, fine art for sale, artist portfolio, Figurative sculpture, nude sculpture, original sculpture, metal sculpture, aluminium wall sculpture, bling, hand beaten sculpture, metal sculpture, art for sale, metal art, buy sculpture, unique sculpture, aluminium sculpture, silver sculpture, South African art, African sculpture, moon art...
Figurative - Sculpture
4 x 10 inches (10.2 x 25.4 cm)
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Djan Mulderij: 'Space', 2013 Ceramic Sculpture, undecided. Artist Description:  Also used ceramic wheel. ...
, 2013
undecided - Sculpture
20 x 17 cm (7.9 x 6.7 inches)
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Dave Martsolf: 'Woodhenge', 2013 Wood Sculpture, Architecture. Artist Description:   Wood sculptures - After many years of inventing illusionistic space using two- dimensional formats, I am now beginning to explore real space with sculptural materials and concepts.  This second wood construction reminds me of ancient post and lintel construction such as was used in very early religious architecture. ...
, 2013
Architecture - Sculpture
16 x 17 inches (40.6 x 43.2 cm)
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Dave Martsolf: 'Wood Construction 1', 2013 Wood Sculpture, Architecture. Artist Description: Wood Sculpture - After many years of inventing illusionistic space using two- dimensional formats, I am now beginning to explore real space with sculptural materials and concepts.  This first wood construction is very architectural, bringing back fond memories of childhood, exploring, playing, and fantasizing in my father and grandfather& # ...
Architecture - Sculpture
16 x 17 inches (40.6 x 43.2 cm)
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Constantin Ciprian Irimia: 'The virgin Mary and Jesus Christ', 1979 Other Sculpture, Religious. Artist Description:  A vintage artwork in copper sheet, christian icon, dated from 1979, Iasi, Romania.Technique: metalloplastic.Size: 28 / 32 centimeters.Frame: wood. ...
Religious - Sculpture
28 x 32 cm (11.0 x 12.6 inches)
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Christos Alevras: 'Y', 2009 Stone Sculpture, Minimalism.
, 2009
Minimalism - Sculpture
19 x 30 cm (7.5 x 11.8 inches)
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Ali Gallo: 'agave americana', 2010 Bronze Sculpture, Abstract.
Abstract - Sculpture
16 x 18 inches (40.6 x 45.7 cm)
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Sal Villano: 'Winter Bird Nest   wire tree sculpture', 2011 Steel Sculpture, Nature. Artist Description:  sculpture, art, wire, metal, nature, metalwork, steel, copper, beads, glass, jade, instruction books, bonsai, trees, art work, artists, mixed media, sal villano, create wire trees, twisted wire trees, how to create wire trees  ...
Nature - Sculpture
14 x 18 inches (35.6 x 45.7 cm)
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Phil Schubert: 'Mertle the Turtle', 2011 Steel Sculpture, Sea Life. Artist Description:  Mertle the Turtle     ...
Sea Life - Sculpture
35 x 12 cm (13.8 x 4.7 inches)
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Phil Schubert: 'Serving platter', 2011 Steel Sculpture, Interior. Artist Description:  Serving platter      ...
Interior - Sculpture
35 x 20 cm (13.8 x 7.9 inches)
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Johan Nieuwborg: 'Red Kiss', 2011 Mixed Media Sculpture, Animals.
, 2011
Animals - Sculpture
20 x 20 cm (7.9 x 7.9 inches)
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Aaron Gullmes: 'resonance', 2010 Wood Sculpture, Abstract. Artist Description:  solid maple and walnut combined to create a harmonious sculpture. can be hung vertical or horizontal   ...
, 2010
Abstract - Sculpture
28 x 6 inches (71.1 x 15.2 cm)
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Artists Describing Their Art:

Valda Fitzpatrick - I believe that art is a reflection of who you are as a person and artist. It is a culmination of ones experiences and exposure to life. Art has always been the heart of my soul.While growing up in Europe, I was exposed to a rich cultural environment. My fascination for flowers,their colors and shapes,trees,the alps, all are echoed in my work. Although abstract in form, the initial concept of my designs stem from reality. For wherever I go ,nature always follows me....

Rufus Adeniyi - I am a widely traveled Nigerian Aesthetics consultant. A graduate of South Thames College, London and University of London Goldsmith College. I believed in Art as a way of life and a reflection of the spiritual and socio-economic life of the people. My flair for natural things of beauty has no measure. Apart from my Art gallery, I also run a consultancy firm in all forms of artistic embellishment in fine furnishing for corporate bodies, private individuals and diplomatic missions. Married and strongly believed in modesty and fair play....

Bozena Happach - My sculptures illustrate the complexity and beauty of human form in two and three-dimensional compositions. I intend to demonstrate the depth as well as the foibles of the human endeavor, along the journey of both physical and spiritual evolution. ...

Merlin Mccormick - I am new to the art world and still trying to feel my way through. I have lived through the free love era of years gone by and now wonder what have happened to that spirit of enlightenment. That mind set that the body is a beautiful thing to marvel at and that sexual expressions of love and openness was something to strive for. That does not seem to be the case presently. It seems as though there is a push to view the human body as something to be ashamed of and not displayed in its nude form and viewed as something vulgar. The art works that I have created express that spirit of free love and appreciation for the human body and the freedom and awareness gained from sexual interactions of the body and mind. It is my hope that my creations re-light that flame from the past and that people fine my work appealing and would want to own one or more pieces. I only show a few here but I have many more ready to offer. They are truly unique one of a kind items that will grow in value as time goes by. ...

Bart Soutendijk - I have been making Wire Wall Murals on a commission basis since 1972. A Wire Wall Mural is the final step in a simplification process that starts with a photograph or group of photographs. I make and remake the line drawing to emphasize only the essence of the subject. I ask, myself: "What is it about this image that makes is unique." Then I strip away the lines that are not required to convey that quality. Finally, like the poet who reviews every word, I re-examine every turn and curve as I bend the wire into that image -- a large line drawing in space. The final installation, a solid line in front of a moving shadow, has scale enough to suit a large space without dominating the room. After I make a wire wall sculpture I hang it up and "live with it" for a while. Sometimes I cut away additional material, add more, or change bends before I consider the sculpture ready for a home, gallery, or museum. I say: Nothing is permanent, as long as you have pliers. ...

Max Tolentino - I do not think of art as a rationalization of an artistic thought or perhaps I am not still able to think this way. What fascinates me is the exercise of art; it is doing something that can express my personal point of view of things and the perception and the expression of the world as I see. Anything that carries human significance may cause me an emotion with the same intensity that I see at any museum in the world. Art is an emotional and intellectual product to me. Since my late starting in arts I have been sculpting my way in the artistic scenario with a differenced curiosity so that my overture to this environment gives me a privileged position. Doubts - no doubt - will arise, as my works transit between the formalism and the concept, between the beautiful and the political in art. But the doubts belong more to the one who sees then to me. Maybe I want to go further than the cultural concepts i?1/2 not that I pay much attention to it - but perhaps one day appreciating from outside I may glimpse a chance to be inside thus contributing in a certain way to this world ...

Robert Pulley - A friend told me recently that it was helpul for her to know how an art work is created and how the artist thinks. That led me to consider what I have to say about my art work. When one looks at my sculpture I hope one sees strength, mystery, sensuousness, spiritual energy and more. How these constructions in modeled clay can stir such responsed in myself and others is a mystery to me, but I can say something about my methods and way of thinking. I have always been intuitive, reactive and spontaneous. I love improvisation, expression and the power of chance and serendipity. This may not seem obvious in large pieces that must be carefully crafted over weeks or months. Here is how it works. When I began the first pieces in this body of work many years ago they were purely improvisational. I would begin each piece with a flat slab of clay that I cut into a shape that would be the bottom of the sculpture. I usually had a vague idea of the proportions I wanted. This general notion set the theme within which I worked. In the manner of free jazz I would consider ...

Robert Pulley - Diana Carey - I developed a passion for the creation of metal forms while studying at the Academy of Art in San Francisco. Each piece is unique and is discovered as I create it. There is no direct path from one piece to the next, instead, each evolves from the material. Once I start working on the piece I move with it as it starts taking shape. I want the metal to flow, the pieces to be light and airy, counterbalancing the rigidity of the steel I am working with. My sculptures are there to be touched and felt. Touching my sculptures can move a person along the same wavelength I felt as I was creating it. I know a piece has succeeded when I see smiles on the faces of people looking at it. People have said that my work makes them happy as they see and experience it. As I work on my sculptures ...

Daniel Lombardo - My art is first informed by the human figure, its essential vertical presentation with a focus on unique but related frontal and rear views, and the gestalt of interconnected shapes that are both linear and volumetric. It is secondarily informed by totem poles of the Native Americans of the Pacific Northwest and other tribal cultures from around the world, with their stacked and interconnected elements that may represent key figures or concepts in their myths and legends, combined to "tell a tale" or remind of basic cultural tenets. Though my sculptures do not represent any specific events, I imagine my pieces as abstract tales both of personal events or generally themes of human experience. The pieces develop from gestural sketches based on this visual language of interconnected forms merging and diverging usually along a vertical axis. Most recently I have worked in forged steel which has fostered new gestural elements that this material inspires. ...

Elnaz Nourizadeh - Art for me is life. When I create a sculpture or a simple bowl, I feel alive. I like to create things that have feelings, emotions and motion. I create two types of artworks, sculptures and pottery. In my pottery I express my raw ideas in irregular and often asymmetric shapes of vessels and combination of different glazes and colours. This gives me the time to control my emotions and excitement. Each of my sculptures manifests a period in my life; emotions, everything I feel, see and experience. Overtime my sculptures have transitioned from statements about restrictions in my life to ideas of freedom and breaking the barriers. I get my ideas from everyday things I see in the streets, music I listen to, the news I read or a new artwork that catches my eye. I start making samples and experimenting with the idea and reading and researching about it until it becomes mature enough to build a sculpture. I prefer clay as my main medium because it gives me freedom and allows to create any shape I desire and refine the shape as it dries. ...

Robert Hargrave - Beauty is often found in unexpected places. Few people would expect anything made from plywood to be beautiful, yet they are surprised and intrigued when they learn this fact about my work. I laminate a very special Birch plywood from Russia to a darker Lauan plywood from Indonesia, then carve them to reveal the previously hidden core. The results are often compared to some rare and exotic wood, skillfully brought to life. The Plywood Sculpture line consists of nearly seventy contemporary designs that are functional as well as decorative. There are over two dozen mirrors in many shapes and sizes. The designs range from figurative to geometric, from celestial to functionally conservative. Several figurative sculptures are balanced by some furniture designs. The line is rounded out by many gift items, such as picture frames, boxes and other accessories." All of my designs have a fluid sense of movement, emphasized by the black glue line. The alternating light and dark woods have a variety of colors in natural, however dyed colors offer even more possibilities. Each piece is signed and given a smooth, maintenance free lacquer finish. A free, full color catalog is available upon request. ...

Rheta-Mari Kotze - "My biggest challenge was leaving the corporate world and a good job to pursue an uncertain career in Fine Art. Following my passion for art and teaching myself to create the hand beaten sculptures I make now, has been an incredible journey of blood, sweat and tears but mostly greatly rewarding and most satisfying to see the technique evolving over the years". ...

Dave Martsolf - Dave Martsolf I have a hand-drawing personal style that I love, but also use photorealistic collage style for some surreal work. In addition, I continue to enjoy explorations in every direction. My surreal visionary style is conceived in the bowels of endless empty space. Worlds come out of nowhere to define and fill empty space with form and reflected light. I use posed photographs with specific viewpoints that join seamlessly with other images to develop a hallucinogenic, some say gut-wrenching realistic space where mind-bending visions rule. My personal drawing style is in its simplest essence the line the drawn line and what it represented as the delineation of a form, a space, almost the way a topographical line feels out the form of a hill, or the way a blind man feels out the tender forms of his or her lover. That line is also the signature of the vibration of life and lifes emotions, twisted by the influence of others, fighting for a day in the sun, learning the way of calm, the mastery of the surf of life and the swell of love and anger. Brownian motion, cosmic ray decay, elemental particles, the paths of ...

Ali Gallo - Uncovering and bringing to the surface what boils beneath creates the tension necessary for a dialog to begin between the idea and the artist and/or the art and the viewer. Finding anyway to create this tension, gouging, scratching, laying, etc in a painting or sculpture allows for deeper inspection, providing the incredible power of metaphor for the human condition....

Sal Villano - The inspiration for creating my sculpture grew from a lifetime love of trees. I am in awe of the stately presence and silent majesty they posses. I find the structure of trees to be one of the perfections in nature. With their roots embracing the earth; in winter they show their bones, in spring gentle buds, in summer a canopy of green and in fall a magical kaleidoscope of colors. Beauty, pure beauty. ...