Botanical Art For Sale

Page 1 of 12
Browse 332 Botanical artworks for sale. Contemporary artists: Marsha Bowers, Brian Devon, David Larkins, Joyce Waddell Bailey, Paulo Medina, Jerry Di Falco, Lynda Lehmann, Teresa Sherwin, Eve Co, Lou Posner, Harry Weisburd, C. A. Hoffman, Kichung Lizee, Michael Garr, Tary Socha, Luise Andersen offering Botanical artworks. Links to more artworks by these contemporary artists and 12 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any Botanical art simply click on the image to go to a more detailed page about this work of art.


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Marsha Bowers: 'artist garden', 2021 Other Painting, Botanical. Gouache painting. Inspired from my garden. ...
Botanical - Painting
30 x 22 inches (76.2 x 55.9 cm)
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Brian Devon: 'breakthrough', 2021 Other Photography, Botanical. Signed Canvas Print Archival museum quality art for your home or office decor with a canvas print that will never warp or sag.  Each canvas print is 1. 25aEUR deep, with a hard, sealed finish and hanging hardware, so itaEURtms designed to hang tough and is super easy to ...
Botanical - Photograph
32 x 32 inches (81.3 x 81.3 cm)
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David Larkins: 'pac man lily pads', 2020 Oil Painting, Botanical. Lily pads floating in crystal clear Lake Hamlin located in Michigan projects a water abstraction. While painting the pads it became apparent to me that I was painting Pac- Man s  Yes, I have included eyes on every pad  ...
Botanical - Painting
16 x 12 inches (40.6 x 30.5 cm)
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Joyce Waddell Bailey: 'Strawberry Sonata', 2005 Oil Painting, Botanical. This part of a special series about forms and sounds in outer- space othersBlast Of, Moon Glow, Merengue.  The objects in the composition represent random debris left over from space craft- - a cactus, golden bun and a hollow, deteriorating shape with a strawberry brush attached to its extremity.  My ...
Botanical - Painting
30 x 30 inches (76.2 x 76.2 cm)
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Joyce Waddell Bailey: 'Tuscan Ipods', 2007 Oil Painting, Botanical. Tuscan iPods emanated from the rich, multi- hued grapes, turning to bright globular pendants in the afternoon sun of Tuscany.  The grapespendantswere builtup from monochromatic bases and set in chunky gold fittings.  This study is related to another painting, Midnight Masquerade.  Here I am trying to bring the forms into ...
Botanical - Painting
28 x 22 inches (71.1 x 55.9 cm)
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Joyce Waddell Bailey: 'beetonia', 2004 Oil Painting, Botanical. The basic composition of Beetonia is an essay on the beautiful designs in the Croton leaf and its sticky counterpart, the honeycomb.  Since the Crotons do not flower, I had to invent aCroton Roseto attract thebee.  By placing the bee at the focal of the flat leaf, I set up ...
, 2004
Botanical - Painting
60 x 48 inches (152.4 x 121.9 cm)
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Joyce Waddell Bailey: 'Carnivale', 2003 Oil Painting, Botanical. Carnivale is one o two paintings Paradiso based on the Orange Bird of Paradise.  The plant of consists of a base, beak of the bird, showy orange and yellow sepals and a blue flower protruding from the sepals.  In my interpretation, I show the blue flower as a little bird ...
, 2003
Botanical - Painting
60 x 48 inches (152.4 x 121.9 cm)
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Paulo Medina: 'intitulado', 2019 Acrylic Painting, Botanical. pouring technique...
, 2019
Botanical - Painting
24 x 30 cm (9.4 x 11.8 inches)
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Paulo Medina: 'poppy', 2018 Acrylic Painting, Botanical. Amapola   Poppy   Mohn   coquelicot...
, 2018
Botanical - Painting
40 x 50 cm (15.7 x 19.7 inches)
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Jerry  Di Falco: 'magnolia sugar dawning', 2017 Monoprint, Botanical. This multi layered monoprint is executed in water base printing inks on RivesBFK white paper and represents a new experiment by the artist in color and geometric design in nature.  Please note that the work is sold without mat, or frame.  The paper size is eighteen by twenty two inches.  ...
Botanical - Monoprint
18 x 22 inches (45.7 x 55.9 cm)
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Jerry  Di Falco: 'a fountain in savannah', 2017 Etching, Botanical. This work was printed and published by the artist in 2017 at The Center for Works on Paper, which is on the Philadelphia campus of The Fleisher Art Memorial. The etching was executed on two zinc plates, and DiFalco employed the techniques of Intaglio, Chine colle, Aquatint, and Drypoint. Five ...
Botanical - Etching
11 x 15 inches (27.9 x 38.1 cm)
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Lynda Lehmann: 'Peony Fantasy', 2012 Digital Art, Botanical.  Dreamy graceful Peonies floating in an ambiguous space, like a tapestry of petals. Elegant and mysterious. Keywords: beauty, nature, garden, blooms, floral, flower, lush, graceful, peony, blossoms, gesture, gestural, grace, pink, orange pink, petals, peonies, gorgeous, spatial, digital fantasy, elegant, mystery, floating, dancing ...
Botanical - Digital Art
10 x 9 inches (25.4 x 22.9 cm)
Lynda Lehmann: 'Pas De Deux', 2012 Digital Art, Botanical.  A floral fantasy, digitally created from an original photograph of a lush summer Peony.  I hope this image lures you into a world of peace and relaxation, while you meditate on the graceful Peonies suspended in space.  beauty, nature, garden, blooms, floral, flower, lush, graceful, peony, blossoms, gesture, gestural, grace...
Botanical - Digital Art
12 x 9 inches (30.5 x 22.9 cm)
Teresa Sherwin: 'Flowers', 2001 Gouache Drawing, Botanical.   Gouache on Fabriano Uno  140 lb. paper.                 ...
, 2001
Botanical - Drawing
10.5 x 8 inches (26.7 x 20.3 cm)
Teresa Sherwin: 'Vine', 2012 Gouache Drawing, Botanical.   Gouache on 90 lb watercolor paper.       ...
, 2012
Botanical - Drawing
8.5 x 11 inches (21.6 x 27.9 cm)
Teresa Sherwin: 'Flower Faces and Bees', 2012 Gouache Drawing, Botanical.  Gouache on Arches 140 lb paper.   ...
Botanical - Drawing
10 x 6.8 inches (25.4 x 17.3 cm)
Lynda Lehmann: 'Magic Orbs', 2011 Computer Art, Botanical.   abstract, computer, contemporary, texture, tactile, pattern, cool, elegant, decorative, design, decor, digital,
, 2011
Botanical - Computer Art
10 x 8 inches (25.4 x 20.3 cm)
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Lynda Lehmann: 'Sculpted Princess', 2011 Color Photograph, Botanical.  Gorgeous, lush Iris blossom in spring, with graceful, sculptural curves. Keywords: vivid, intense, bright, colorful, cheerful, close- up, botanical, flower, floral, blossom, garden, bloom, color,
Botanical - Photograph
10 x 8 inches (25.4 x 20.3 cm)
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Eve Co: 'Morning Glory Bud Trio', 2010 Pencil Drawing, Botanical.  Graphite Sketch  ...
Botanical - Drawing
5.5 x 8 inches (14.0 x 20.3 cm)
Lou Posner: 'Coconut Shell Puerto Rico', 2010 Pencil Drawing, Botanical.  I found this coconut shell on the beach in Puerto Rico and took it back to the lodgings to make some art of it.  Colored pencil on paper...
Botanical - Drawing
11 x 14 inches (27.9 x 35.6 cm)
Harry Weisburd: 'Violet Flower', 2009 Watercolor, Botanical.  Original Watercolor on CanvaALSO AVAILABLELimited Edition , 50, Color Xerox print, signed and numbered by the Artist ...
Botanical - Watercolor
12 x 12 inches (30.5 x 30.5 cm)
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C. A. Hoffman: 'Thistle Heaven', 2007 Color Photograph, Botanical. This was taken at the local metro park and on a very HOT summer day.  The intensity of the sun created a very bright day for capturing these little guys. A field of wild thistles and hundreds of hungry bees! ...
Botanical - Photograph
8 x 10 inches (20.3 x 25.4 cm)
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Kichung Lizee: 'Enchanted Jade Garden Series M Pine', 2005 Mixed Media, Botanical.  done on mulberry paper, using Chinese ink, Eastern calligraphy brush, water color and oil....
Botanical - Mixed Media
32 x 69 inches (81.3 x 175.3 cm)
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Kichung Lizee: 'Enchanted Jade Garden Series F Pine', 2005 Mixed Media, Botanical.  done on mulberry paper, using Chinese ink, Eastern calligraphy brush, water color and oil....
Botanical - Mixed Media
33 x 60 inches (83.8 x 152.4 cm)
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Kichung Lizee: 'Two Fleshes', 2002 Mixed Media, Botanical.  done on mulbery paper, using Chinese ink, Eastern calligraphy brush and water color.  presented as a traditional Asian scroll. ...
Botanical - Mixed Media
20 x 49 inches (50.8 x 124.5 cm)
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Kichung Lizee: 'Tree with Red Blossoms', 2002 Mixed Media, Botanical.  done on mulberry paper, using Chinese ink, Eastern calligraphy brush and water color.  presented as a traditional Asian scroll. ...
Botanical - Mixed Media
19 x 39 inches (48.3 x 99.1 cm)
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Michael Garr: 'mushroom by the conklin house', 1999 Pastel, Botanical. whimsy by the side of the old farmhouse...
Botanical - Pastel
11 x 14 inches (27.9 x 35.6 cm)
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Tary Socha: 'Two Palms', 2005 Acrylic Painting, Botanical. A contemporary interpretation of palms....
, 2005
Botanical - Painting
36 x 18 inches (91.4 x 45.7 cm)
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Luise Andersen: 'Precious Heart', 1995 Collage, Botanical. Precious in many ways. . . . When I started this piece. . . I thought, it would be real easy. . . to do a heart. . . specially with beautiful blossoms. . . petals. . . leaves. . . I was surprised. . .  thatit engaged me in many hours. .  several weeks. . . to arrange more than l50 little pieces. . .  look forthem. . . sort. . . . arrange ...
Botanical - Collage
30 x 30 inches (76.2 x 76.2 cm)
Luise Andersen: 'Precious', 2004 Collage, Botanical. Precious. . . and so it is. . . .  Silk like petals. . . feathers of Gerdas  and Lisas  Parakeets. . .  Live birds. . : - )I have also Parrot feathers. . Crows. . and Hawks donated. . . Doves. . . .  Wild Fowl. . And did You notice the Iguana Lizzard. . .  His present. .  Shed his beautiful skin. . . nailcovers. . . eyelids. . . so fragile. . and intact- amazing. . added some ...
, 2004
Botanical - Collage
18 x 14 inches (45.7 x 35.6 cm)
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(Page 1 of 12) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Marsha Bowers - Marsha Bowers was born and raised in the Central Valley of California. She is a classically trained fine artist, skilled in the old Masters techniques of Flemish/Bistre and Venetian method using a grisaille underpainting and glazing with many layers. Most of her fine art paintings are rendered in oil. She sometimes applies real gold leaf into the artworks. Marsha finds inspiration in the old masters of the past. She spends many hours visiting Museums studying their work. Gothic and Renaissance are her favorite periods along with the Pre-Raphaelites artists. The artist loves the blending of the classical painting techniques with a more contemporary approach to her paintings. Her recent fine art paintings are of women, both figurative and portraiture. The inspiration for her paintings comes from her observations of life itself and through her own experiences. Each painting shares a message, story or emotion. Its what the artist herself describes as a "flowing" of the spirit, a creative process through which the artist paints a story unto the canvas, realizing that each viewer of her work may have their own interpretation of what the art is conveying. Most recently Marsha was invited to be included into the International ...

    Brian Devon - I began taking pictures at a very early age, about 8 if I remember correctly, and soon began to manipulate the images, painting on colors and adding my personal touches to create soft impressionist images. My interest in photography led to further study and eventually a career in commercial advertising and fashion photography and I worked in several studios in Dublin, London and San Francisco. I constantly experimented with the medium of photography, seeking to put my own mark or style on the finished image. I became interested in Pictorialism, a movement started in the late 1860s, it approached the camera as a tool that, like the paintbrush or a chisel, which could be used to make an artistic statement. Thus photographs could have aesthetic value and be linked to the world of art expression. It was my Eureka moment. I learned a lot working at several studios over the years and have hopefully have let that experience develop into my work today. The challenge for me is to capture the energy of the moment, its up to you to judge whether I achieve that. I have been lucky enough to have seek a path to expressing my view of...

    David Larkins - Ii?1/2ve always been intrigued by the luminosity and transparencies found in watercolor, Oil and acrylic mediums. I believe an artist must experience the painting i?1/2 to absorb the surroundings, the atmosphere, to have a oneness with the subject matter before the first brush stroke is applied. My style is described as i?1/2Abstract Realismi?1/2 and my strength is found in the composition. Ii?1/2m drawn to diverse subject matter that challenges the viewer to see abstraction in the ordinary i?1/2 to meld the i?1/2reali?1/2 world with the i?1/2abstracti?1/2. ...

    Joyce Waddell Bailey - WELCOME if you love art, you will love my website. I work in all media and create works of art in a distinct series of related by style and iconography. Underpinning all of my work is drawing--it all starts with the pencil. Even ideas for photographs and digital prints are sketched out. Each series stands by itself Wash Drawings, Botanical Forms, Digital Prints, Photographs, Miniatures. As for my focus on botanical forms in Southwest Florida, these are wonders that compel fascination. I admit to careful study of botanical sources but l am not a Botanist--Botany is a science. Rather, I choose a subject, make drawings, take photographs and observe its response to i environment, placement, water, light, soil. Some plants are unlucky, others, breathe great growth into their lives by an accident of Nature. When I select a subject, I re-compose its attributes in a way harmonious, even surprising, to the viewer. This is in the way of following a logical perfection of the components in relation to each other and the viewer. Most of my work does not represent quiet scenes, they demand viewer participation. I do this by way of shapes, placement, color and a ...

    Paulo Medina - Para mA, el arte, ha sido como una pequeA+-a barca en donde he cruzado muchas veces el mar. Una barca frA!gil y pequeA+-a, sin embargo, capaz de cruzar hacia grandes horizontes. La barca ha sido un instrumento Aotil, pero nada mA!s... La pintura es poesAa silenciosa SimA3nides Artistic experience, as a spectator, and then, more directly, as an artist, has meant for me the possibility of transcending and reaching certain spaces that are intangible, but lived daily. As a creator, to be in front of a blank canvas or a digital image to be manipulated, is to be faced with a challenge that of translating to the language of forms, textures and colors something that has not yet been conceptualized, but that exists somewhere and that I desire to capture, expressing it through those materials and tools at my disposal. It thereby becomes a kind of game, in which time disappears and one enters into communion with the aesthetic experience with its infinity of moments, which go from pain to ecstasy. Self-taught experimentation in the field of art, has been for me one of the great pleasures of life. La experiencia artAstica ...

    Jerry Di Falco - Photography inspires my art and acts as a vital element in my etchings. The images I employ originate from my own photographs, as well as from the images I find from my research into the digital archives of universities, historical societies, libraries, and museums. Upon locating a documented scene I wish to etch, my first step involves the execution of two to five original drawings of the photograph. My collaboration between photography and printmaking allows me the independence to integrate my personal interpretations into the scene. Moreover, I create bridges between the physical and metaphysical visual realities in the same way that a camera intersects with human creativity . . . the nexus between the mechanical and the cerebral art tools. Art unveils everything that we mask behind our belief systems conversely, I strive in my creations to clarify those phenomena we overlook as a result of our egocentric assumptions. Ironically enough, I blame this failure to notice things, a process I label, the phenomenology of connectedness, on todayaEURtms very infatuation with and addiction to the new communicational technologies of social media. My artworks therefore become like windows through which to examine the mysteries of aEURoeeveryday consciousnessaEUR. In fact, my use of ...

    Lynda Lehmann - I have participated in numerous juried shows and had solo shows of my paintings. Ive sold my photography and digital art online, in galleries and other real-time venues, although I am currently marketing my work primarily online. My stock art sells well and Ive sold at least 2400 images in that venue. Life events had steered me away from painting but I am jumping back into that part of my process and hope to have new paintings online within the next few months. OTHER STUFF My painting Bibliophiles Dream has been featured on the cover of the Insights Journal of Austin Seminary. My paining Damariscotta Dream has been used for the cover of Chuck Sweetmans poetry chapbook published by Dream Horse Press. My image Enchanted Forest was used by the Sierra Club in their online feature Daily Ray of Hope. The Yellow Door has been published in Long Islands Canvas Magazine. I was a featured artist at Imagekind in July and have been featured from time to time on my other sites as well. February 1 - 28, 2009 - Metrimorphic III featuring new abstract paintings combining biomorphic and geometric elements, Harborfields Library, Greenlawn, NY. Due to time constraints I will ...

    Teresa Sherwin - I love to paint. I love the whole artistic process. I feel compelled to put paint to paper. Painting for me is about making myself happy with the end product. If other people enjoy what I do thats great, if they dont thats ok too. ...

    Eve Co - I began painting and drawing in 1987 and have not stopped. I have a wide range from, landscapes, still-lifes, Hubble art galaxies nebulas, abstracts, florals, architectural art and so much more. I draw every day and paint as much as I can afford. I paint more watercolors than acrylic and oil canvas art. I would prefer more canvas art, but I make do with what I have. I try to express myself in artwork as well as with words. I paint landscapes, the glorious colors of nature, water, the ever expressive sky and more, primarily with watercolors on paper. These paintings are usually thought out and planned because they represent nature as I see nature. I paint still-lifes of everyday objects. To teach me about one particular color, shading and or painting glass. I think of still-lifes as a learning process that literally has me pulling my hair out in frustration, but I still paint through how they make me feel... I am fascinated with Hubble Space Technology so, I paint galaxies and nebulas on canvas with acrylic paints. I have sold many of these paintings and I must admit they are some of my favorite subjects...

    Lou Posner - FLASH New offer on the classic 1982 Posners Pocket Guide to Oil Painting. Hand-written, then reproduced by offset process. Hand-assembled. Original, unique art attached to EVERY cover. No two alike. Some in oil paint, some in other media. Collectors item. Best pocket guide to oil painting, ever. For beginners as well as advanced artists. 350 each plus first class postage. Indiana residents add 7 percent sales tax to merchandise not including postageshipping. Selection of cover art offered but not guaranteed. Use email messaging here to contact the artist. No postage if you pick it up about 10 mi. north of Tell City, Indiana. Not set up for credit card sales. Check or cash only. Buy one or more or later on, kick yourself in the behind for passing up a real bargain and an investment opportunity. After you reach the main or first Posner portfolio page, the tour is pretty intuitive. Please click on an image to enlarge it and bring up further details about the piece of art and a description or story about it. Once you have done this, you may also click on zoom-in, a function, which may or may not work. There are...

    Harry Weisburd - Harry Weisburd is an Internationally Represented Artist, including, USA, Expressions Gallery, Berkeley, California,

    C. A. Hoffman - For me, my artwork is very personal. It reflects a lot about how I am feeling at any given time and place. I feel that art has to be on this personal level to completely capture how the artist is feeling daily, or trying to convey a certain thought or emotion at that particular moment. We all, at one time or another try to express our thoughts or ideas, whether it is to others or just to ourselves, by words, actions, ideas or pictures. If we are sucessful in this attempt, I think it shows through in our everyday work or art. I believe that one is either born to create art naturally or by learning. For me, I feel that I was born with this wonderful gift, and I try to improve upon it every day. In my photos and art, I hope to show how everyday objects and nature can capture our imaginations and feelings. Sometimes I work with an image to improve it, inhance it, or just to fuel the imagination. I truly hope this shows in all of my art. ...

    Kichung Lizee - After coming to this country from Korea in the mid 60's to study art, among the many forms of Western art that I was introduced to, Abstract Expressionism interested me most. Currently I am in the process of synthesizing Eastern and Western approaches to art. Specifically, I'm adopting the techniques and materials of Eastern calligraphy to Western thematic material, my primary goal being to close the gap between East and West and reach for universal creativity. Eastern calligraphy I learned is a living and breathing spirit, rather than the dead and rigid tradition of thousands of years. It is uniquely a form that conveys the pulsation of life energy. Through it, one can experience all aspects of the living spectrum. Eastern calligraphic form reveals the kind of life the artist has led, as well as foreshadowing the person one will become. It is the art form that manifests the self as a way of life or philosophy of life. It is a powerful art form that operates through direct intuition. As an artist I rely heavily on creative intuition. Moving with changes in the stream of consciousness, my creative intuition somehow brings out the subconscious and superconscious through ...

    Michael Garr - I have been drawing and painting since Junior High. I enjoy quick art, impressionistic yet realistic, and minimal. There are interesting subjects all around us. My inspirations are architecture, people, light and shadow, the sea and boats, imagination... and the old masters. Get out and enjoy your surroundings. All my works are available as signed and numbered prints. I also do commission works, some examples of which are in the portfolio. I donate all proceeds to charity (I have a day job). My opportunities for artistic expression have included drawing on napkins during airplane rides and waiting during my sons' music lessons. In 2012 I took up oil painting for the first time, and my mentor is Lorena Pugh of North Kingstown. I've done both Plein air and studio work in her presence, and am benefitting from the association. We have an informal group who meet and paint in Lorena's studio on Monday nights throughout the indoor season. I will continue to pursue art on a daily basis, and post the finished works here and on facebook for any and all to peruse. In 2003, I legally changed my name back to my original name, Michael Garr, so ...

    Tary Socha - I am an innovative contemporary artist, exploring unconventional images and techniques in mixed media, collage, acrylic painting, pastel and textile and surface design. I am committed to experimentation and a unique and dynamic expression of my own view of the natural environment, with unexpected color, texture and energy. Through my work, I intend to uplift and brighten the spirit of the viewer, and cause them to question their own perspective of nature and life. My paintings exhibit a fascination with the physical properties of life and science involved in transforming our environment, such as the power of electrical storms, oceans, volcanoes, oxidation, and the process of renewal and rebirth that arises from deterioration and regeneration. Reverence for life, its phenomena and the interconnectedness of all things are the foundation of my work. Primarily, my images are abstractions and impressions of earth, sky, sea and other mysterious phenomena. However, I also continue to work in pastels, drawing, printmaking, and textile design, and I explore all types of imagery, to expand my creative insight and skills. ...

    Luise Andersen - Luise'Mignon' Andersen Luise'Mignon' Andersen has only recently begun to reveal her lifes work. Soon after her debut she exploded onto the mainstream art world. Her breathtaking pieces have captured international interest. The stories Luise'Mignon' is telling through her truly deep, layered works seem to decipher the past and foretell the future, perhaps sharing her window to other dimensions and a seventh sense. Her detailed acrylic'Mignon' series speaks to the beholder. They inspire raw emotion and ignite ones imagination. The indescribable nature of the "Duree De Ma Vie" in particular has a growing portion of the art community considering it the conception of an entirely new style. By Maxi c)2006 Guided Through Inner Mind- Intuition- Mental Imagery- I Create The Final Of What I Am Consciously Not Aware Of.. That I Want...... Need... With Each Completed Painting... Eye Of Core Gains a Glimpse Of My Tomorrow.... c) LA I crave.. painting...drawing... sculpting... writing... Like re-inventing my life... my purpose... myself.. .Gives me a direction.. the courage to look at myself ..and find'ME' there... At least for the duration of creating.. ....and once I collect these shards of my core within colors, shapes... form...