Figurative Art For Sale

Page 5 of 170
Browse 4921 Figurative artworks for sale. Contemporary artists: Martin Glick, Dennis Duncan, Lucille Coleman, Donna Gallant, Wayne Wilcox, Rhoda Taylor, Kathryn Arnold, Manuela Facchin Varalda, Marsha Bowers, Kyle Foster, Hyacinthe Kuller-baron, Andrew Wielawski, Micha Nussinov, Lois Di Cosola offering Figurative artworks. Links to more artworks by these contemporary artists and 170 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any Figurative art simply click on the image to go to a more detailed page about this work of art.


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Martin Glick: 'Laura', 2011 Ceramic Sculpture, Figurative.   This is a rare piece for me to do.  Something that is purely decorative & hopefully pretty.  the face and the flowers are sort of Art Deco, but the tree column on which she is mounted is Art N0urveau.  ...
, 2011
Figurative - Sculpture
10 x 23 inches (25.4 x 58.4 cm)
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Martin Glick: 'Laura', 2011 Ceramic Sculpture, Figurative.  This is a rare piece for me to do.  Something that is purely decorative & hopefully pretty.  the face and the flowers are sort of Art Deco, but the tree column on which she is mounted is Art N0urveau. ...
, 2011
Figurative - Sculpture
10 x 23 inches (25.4 x 58.4 cm)
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Dennis Duncan: 'TO JEAN', 2011 Acrylic Painting, Figurative.   In every artist life there is one individual who createdconfidence, and encouraged initiative in their community giving local youth a genuine feelingthat they were worth something. And all through the ARTS.The late Mrs. Jean E. Frazier, director and instructorwith the MODEL CITIES WORKSHOP  in Lancaster PA...
, 2011
Figurative - Painting
48 x 60 inches (121.9 x 152.4 cm)
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Lucille Coleman: 'Running Man', 2011 Oil Painting, Figurative.  This is an original oil painting of a man running. It is meant for the viewer to ask questions and glean what they will from the energy emanating from the man running. This artwork is also a greeting card and bookmark under the theme of love with an established greeting...
Figurative - Painting
18 x 24 inches (45.7 x 61.0 cm)
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Donna Gallant: 'Reclining 2', 2003 Pastel, Figurative.  Working with a live model, this relaxing pose creates a matching mood. ...
Figurative - Pastel
24 x 24 inches (61.0 x 61.0 cm)
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Wayne Wilcox: 'Blues Man', 2010 Oil Painting, Figurative.   Beale Street Blues Player  ...
, 2010
Figurative - Painting
24 x 24 inches (61.0 x 61.0 cm)
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Rhoda Taylor: 'chaos', 2011 Ink Painting, Figurative.         Rhoda Taylor - Pen and Ink Gouache Artwork on artist board.        ...
, 2011
Figurative - Painting
24 x 32 inches (61.0 x 81.3 cm)
Kathryn Arnold: 'it all comes down to this', 2010 Monoprint, Figurative.                        kathryn arnold, monprint, on paper, paper size 22 x 30         ...
Figurative - Monoprint
14 x 18 inches (35.6 x 45.7 cm)
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Kathryn Arnold: 'i can only think about this number 3', 2010 Monoprint, Figurative.                 kathryn arnold, monoprint, on paper, figure with drape, 22 x 30 archival paper size  ...
Figurative - Monoprint
13.5 x 10 inches (34.3 x 25.4 cm)
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Kathryn Arnold: 'i can only think about this number 2', 2010 Monoprint, Figurative.                kathryn arnold, monoprint, on paper, figure with drape, 22 x 30 archival paper size  ...
Figurative - Monoprint
13.5 x 10 inches (34.3 x 25.4 cm)
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Kathryn Arnold: 'i can only think about this', 2010 Monoprint, Figurative.               kathryn arnold, monoprint, on paper, figure with drape, 22 x 30 archival paper size ...
Figurative - Monoprint
13.5 x 10.5 inches (34.3 x 26.7 cm)
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Manuela Facchin Varalda: 'Reflect 7', 2010 Mixed Media, Figurative.   original artworkunique piecemixed nedia on canvas cm 70 x 70  ...
, 2010
Figurative - Mixed Media
28 x 28 inches (71.1 x 71.1 cm)
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Donna Gallant: 'Woman 2', 2009 Monoprint, Figurative.     Different medias create different expression with the human form.  ...
, 2009
Figurative - Monoprint
18 x 24 inches (45.7 x 61.0 cm)
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Donna Gallant: 'Turning 1', 2009 Monoprint, Figurative.    Different medias create different expression with the human form. ...
, 2009
Figurative - Monoprint
16 x 12 inches (40.6 x 30.5 cm)
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Manuela Facchin Varalda: 'Icon 7', 2010 Mixed Media, Figurative.  original artworkunique piecemixed nedia on canvas cm 100 x 100 ...
, 2010
Figurative - Mixed Media
40 x 40 inches (101.6 x 101.6 cm)
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Marsha Bowers: 'Awakenings', 2009 Oil Painting, Figurative.  Oil on Canvas with Gilding ...
, 2009
Figurative - Painting
24 x 48 inches (61.0 x 121.9 cm)
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Donna Gallant: 'Light on figure', 2007 Watercolor, Figurative.  This piece is very dramatic with the strong dark/ light contrast.  The sentuous female curves against the dark background make this piece a success. ...
Figurative - Watercolor
10 x 7 inches (25.4 x 17.8 cm)
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Kyle Foster: 'Heather and Chamomile', 2009 Oil Painting, Figurative.
Figurative - Painting
28 x 22 inches (71.1 x 55.9 cm)
Lucille Coleman: 'Girl Blowing Bubble', 2008 Digital Art, Figurative.  This is a colorful, figurative digital painting of a girl blowing a bubble. It was created entirely on the computer. For me the artist, I was drawing on moments that made me happy in my childhood world when I came up with the idea to paint this. A(c)2008 Lucille Coleman...
Figurative - Digital Art
11.5 x 14 inches (29.2 x 35.6 cm)
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Hyacinthe Kuller-baron: 'CASSANDRA and WHITE HORSE', 1980 Oil Painting, Figurative.   Artist, Author, Poet, Hyacinthe Kuller Baron creates her own mythology in a series of iconic paintings, Giclee prints and published books that comprise Cassandra's Tear
Figurative - Painting
4 x 4 feet (1.22 x 1.22 m)
Kyle Foster: 'Fluid Repose', 2008 Oil Painting, Figurative.
Figurative - Painting
12 x 16 inches (30.5 x 40.6 cm)
Hyacinthe Kuller-baron: 'Mother and Child', 1966 Oil Painting, Figurative. Hyacinthe! Mother and Child, oil painting from the Icon Series. From the past Collector sale. Icons are Dreams, Paintings for the Future to Collect Now. Paintings by Hyacinthe Kuller Baron released into the art market for the first time in 40 years for resale.Each month new Icons will be ...
Figurative - Painting
2 x 3 feet (0.61 x 0.91 m)
Hyacinthe Kuller-baron: 'Two Women Dream Sequence', 1966 Oil Painting, Figurative.  The Icon Series. Paintings from the 60' s still in private collections and released for sale for the first time in 40 years. For more information contact Hyacinthe or Ed Baron a barongallery@ aol. com, www. barongallery. com, or call 760 408 1881  ...
Figurative - Painting
2 x 4 feet (0.61 x 1.22 m)
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Andrew Wielawski: 'Mykonian Man', 2008 Stone Sculpture, Figurative.  Mykonian man wants to know whether he shouild eat his apple, or try to sell it. ...
Figurative - Sculpture
125 x 100 cm (49.2 x 39.4 inches)
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Micha Nussinov: 'Stretched', 2008 Glass, Figurative.  Eight years ago, while working in his studio at wharf  21b in Pyrmont,  Nussinov found four 'unwanted' glass doors. After repairing their wooden frames Nussinov decided to make figurative sketches onto the glass. Initially inspired from life drawing sessions, the intricacy and mystery of the etched work took its own...
, 2008
Figurative - Glass
100 x 180 cm (39.4 x 70.9 inches)
Manuela Facchin Varalda: 'the waiting', 2001 Acrylic Painting, Figurative.  original artwork unique pieceacrylic on faesite ( pressed cardboard)relief work  ...
Figurative - Painting
24 x 32 inches (61.0 x 81.3 cm)
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Kyle Foster: 'The Sailor', 2008 Oil Painting, Figurative.
, 2008
Figurative - Painting
16 x 24 inches (40.6 x 61.0 cm)
Kyle Foster: 'D Sharp', 2008 Oil Painting, Figurative.
, 2008
Figurative - Painting
9 x 12 inches (22.9 x 30.5 cm)
Lois Di Cosola: 'Seventeen drawing', 1952 Digital Other, Figurative.  print of Ink and watercolor drawing for Seventeen Magazine' s It' s All Yours- which won the international competition, and was published in the June 1953 issue selected by Art Kane, it' s art editor, who then entered it in the Art Director' s Club Annual...
Figurative - Digital Other
11 x 14 inches (27.9 x 35.6 cm)
Lois Di Cosola: 'women ink 5', 1992 Digital Art, Figurative. c print signed and dated...
Figurative - Digital Art
8 x 11 inches (20.3 x 27.9 cm)
(Page 5 of 170) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Martin Glick - As a realistic sculptor I have often been accused of running against the tide of the more modern and abstract movements, but if you take a good look at the work the design is abstract. The look of the work may be, at first glance academic or classical, but the composition is very much in today's idiom. There is a strong sense of movement. Even in the symmetrical sculptures you feel as if they are about to move, like a stop motion camera. They all invite invite you to walk around and see the other side. There is often a strong emotional element and or a narrative. In some sense I am a story teller. Even when viewing one of my portraits you see the subject. Their history and personality is in their face for you to see and to react to. I have been told that my sculptures have something that is unique. There is a twist to the norm, a twist of the form, an emotional element that is mine. It is my heart and my particular view of the world. No price quoted on a sculpture means that it is at a gallery. All i inquiries...

    Dennis Duncan - A lifelong student of contemporary realism, I utilize various mediums to create art that stimulates the mind , body, and soul of each individual. By incorporating these three basic principles into each subject matter , at times the imagery takes on a "surrealist" aspect , "meditative", even "spiritual"... I've tried incorporating industrial products and textured mediums into my presentations, adding an "urban edge" to my body of work. . ...

    Lucille Coleman - Although I'm able to produce other imagery, the figure has been my main subject. I believe that if an artist can capture and express the figure well, he can master any subject. I have explored the following themes to name a few: chic erotica, forms of dance such as latin and hip-hop, the family, conceptual themes pertaining to people in business, men and women in positive leadership roles and societal issues. I enjoy painting subjects and themes by using a loose, bold, direct and painterly brushstroke or flat graphite strokes over a solid drawing. Spontaneity and making visual statements by the "less is more" method is very gratifying for me. In addition, the chiaroscuro lighting of subjects fascinates me and I never tire of its effects of light and shadow. I am influenced by the works of Joaquin Sorolla, John Singer Sargeant, Caravaggio and other painters of his era, Wassily Kandinsky, Phillip Corey, Impressionism, and many great illustrators. ...

    Donna Gallant - Art is a daily routine in my life. I see, hear, taste, feel and smell the life that surrounds me and I am inspired by the simplest aspects of this world. Whether it be the way the light hits an object or the way objects or forms move in space. I find it all so fascinating and alive. I try to portray these experiences and expressions through my art making....

    Wayne Wilcox - ArtistaEURtms statements have always seemed redundant to me. The work generally speaks for itself. But here goes.. For me itaEURtms about shapes, color and lines interacting and relating to each other. Representational, abstract, non-objective theyaEURtmre all the same. Light against dark, color against color, line intersecting line. IaEUR~m as comfortable with super realism as I am with abstract expressionism. Then, of course, thereaEURtms the medium. I love the paint. I love the act of painting. I love how it flows and how it takes on a direction on itaEURtms own. ItaEURtms like magic. With one stroke something appears before your eyes that wasnaEURtmt there before. An image. An emotion. With each stroke or drip it changes. ItaEURtms an amazing experience. I highly recommend it. And then thereaEURtms image. I am a visual artist. IaEUR~m after strong images, images that evoke a feeling. Starkness, warmth, love, violence, emptiness, beauty, strength. I want the painting or drawing to stand on itaEURtms own. I am a painter. I cannot escape that fact. There have been times IaEUR~ve tried but I always return. ItaEURtms not what I do. ItaEURtm...

    Rhoda Taylor - Every day I work in my studio and every day I look forward to creating artwork. Painting is my passion.... I wouldn't know what to do without it. The studio that I work in is situated on the grounds of our house in beautiful Southern Ireland, surrounding me are the mountains with their soft mists, the rolling hills and ancient coastline, it all fills me with happiness and inspiration, I can gaze from my window at the amazing views, the Atlantic ocean, fields, cattle, birds and trees, this truly is a mystical and magical place. Over the years I have worked with various mediums, glass painting, silk screen, oils, pen and ink, gouache and watercolour, but my ultimate choice is my pen and ink work which I truly adore, I know I can put into the paintings a tremendous amount of detail that would be almost impossible using another medium. I am fortunate to of had a lot of my work purchased and exhibited worldwide, England, Ireland, France, Germany, Malta, Hong Kong, Vienna, Japan, and America, with works including Portraiture, Design and Illustration, not to mention the countless private commission requests ranging from transforming memorable photographs into paintings for ...

    Kathryn Arnold - Artist Statement Kathryn Arnold c2021 My work contains two intertwining veins. One is filled with large, colorful oils on canvas. The other are my drawings which are black and white mixed media works on paper. Both display the density and layered mark-making that points to my process and content. The work is a result of intuitive nonobjective processes and contains my search for visual magic. The sense of touch and chaotic energy of color and marks play an important role in building up layers that function to create an encompassing, enveloping field and bewildering space. Sometimes there is an introduction of a grid-like form with recognizable imagery playing upon it. These become reference points and their intrinsic relating form poetry, a type of interplay between subjective and objective reality. from Ginsberg Howl ...and who therefore ran through the icy streets obsessed witha sudden flash of the alchemy... PAINTINGS marks kinetic sensation chaotic energy a building a destruction emotional complex bewildering spaces autobiographical references major dreams minor non-dreams Materials oil canvas composition leaf gouache ink watercolor acrylic charcoal conte soft pastels oil pastels pencil polymer medium spray paint enamel varnishes rice papers newspapers collage Arches hot-pressed 100 ...

    Manuela Facchin Varalda - Why painting? For the desire of a deep knowledge of things. Painting, for me, is not only communication, but almost an additional sense, a further perception of world, of the real and of the imaginary, of the material and of the dream, of the objective and of the individual. Painting is for me the place of the revelation, of the primary reflection. As a self taught artist, I have been painting and drawing since I can remember - this is a part of me. I have discovered that Art Wanted is the opportunity to share this part with somebody else, from all over the world, trying to understand, to give a sense to our imagination and needs. Manuela...

    Marsha Bowers - Marsha Bowers was born and raised in the Central Valley of California. She is a classically trained fine artist, skilled in the old Masters techniques of Flemish/Bistre and Venetian method using a grisaille underpainting and glazing with many layers. Most of her fine art paintings are rendered in oil. She sometimes applies real gold leaf into the artworks. Marsha finds inspiration in the old masters of the past. She spends many hours visiting Museums studying their work. Gothic and Renaissance are her favorite periods along with the Pre-Raphaelites artists. The artist loves the blending of the classical painting techniques with a more contemporary approach to her paintings. Her recent fine art paintings are of women, both figurative and portraiture. The inspiration for her paintings comes from her observations of life itself and through her own experiences. Each painting shares a message, story or emotion. Its what the artist herself describes as a "flowing" of the spirit, a creative process through which the artist paints a story unto the canvas, realizing that each viewer of her work may have their own interpretation of what the art is conveying. Most recently Marsha was invited to be included into the International ...

    Kyle Foster - For a more complete look at Kyle Foster's work:

    Kyle Foster - Andrew Wielawski - Art must communicate ideas and have them received the way the artist intends, reaching as many viewers as possible to provoke an emotional response. If you go for those who are in the know about artistic periods, about current trends, and about a symbolic language that requires training to understand, then the artist will miss a huge audience. The artist then becomes a slave to styles created by others. If on the other hand, you work towards reaching multiple levels of viewers, then your task becomes more difficult, and at the same time, more fulfilling. An artist who creates a language will not fit into any already existing niche, and will alienate those looking for something they already know about, like gallerists, collectors and museums. Creativity, however, is like water...it will find its way around such obstructions, and bring the artist satisfaction and a clientele that appreciates what they create without regard for what's in fashion. Most of all, this way of producing reflects the rarity of truth in a world mostly dedicated to superficial values. ...

    Micha Nussinov - Nussinov's Statement Oct 2012 Drifting, being transient, in between various states of body/mind, like when we travel physically and with our imagination, as in a 'waking dream'. My work represents a world of ambiguity and illusion, of recognized and abstracted scenes embedded as a tapestry of matter, illustrating different relationships. Somewhere in the process of creating artworks these worlds are mixed in an harmonious and conflicting manner, representing the contradiction and collision between languages and landscapes. At all times the viewer is challenged to unfold the mystery, to explore and discover. The works of art are created not through a planned process but rather the starting point is an impulse, a visual or musical trigger. These signals lure the me into the unknown territories where my intuition and inner vision leads to spontaneous discoveries. As a teenager my box camera was an excuse to drift away from trouble, to capture in a photo something, that was at the same time ambiguous and exciting. As a cinematographer/ director of documentaries from1976 to1980 I was acknowledged as an acute observer of people and an highly experimental filmmaker. I have been working in various fields of the arts, consistently for the ...

    Micha Nussinov -