Figurative Art For Sale

Page 2 of 170
Browse 4920 Figurative artworks for sale. Contemporary artists: Deborah Paige Jackson, Judith Fritchman, Ron Anderson, Austen Pinkerton, Igor Shulman, Edem Elesh, James Johnson, Ronald Smith, John Powell, Michael Schaffer, Denise Dalzell, Van De Ven, Jim Lively, Michael Fornadley, John Sims offering Figurative artworks. Links to more artworks by these contemporary artists and 170 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any Figurative art simply click on the image to go to a more detailed page about this work of art.


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Judith Fritchman: 'crab patrol', 2018 Oil Painting, Figurative. Three young cousins make a happy discovery at the beach. ...
Figurative - Painting
24 x 24 inches (61.0 x 61.0 cm)
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Ron Anderson: 'Harlequins Dream', 1998 Oil Painting, Figurative. Original oil painting by Ohio artist Ron Anderson.  Painting entitled Harlequins Dream.  Painting is priced and sold unframed.  Buyer is responsible for all shipping fees, insurance costs and any applicable sales tax and duties.  Artist reserves all rights to reproduction and copyright.  ...
Figurative - Painting
217 x 69 inches (551.2 x 175.3 cm)
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Deborah Paige Jackson: 'fierce ii', 2019 Watercolor, Figurative. The second piece depicting women in a role of power. ...
, 2019
Figurative - Watercolor
18 x 24 inches (45.7 x 61.0 cm)
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Deborah Paige Jackson: 'fierce I', 2019 Watercolor, Figurative. This piece is part of a series showing power in women.women, woman, powerful, control, fierce...
, 2019
Figurative - Watercolor
18 x 24 inches (45.7 x 61.0 cm)
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Deborah Paige Jackson: 'girl on a roof', 2019 Watercolor, Figurative. The young model is resting on her rooftop deck. ...
Figurative - Watercolor
16 x 12 inches (40.6 x 30.5 cm)
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Austen Pinkerton: 'reclining robot', 2019 Other Ceramics, Figurative. Just completed latest sculpture:   Reclining Robot , 23 x 55 x 27cm high, Ceramic . I like Robots. . . . they are the most important development of our era, and will change the world beyond recognition. ...
Figurative - Ceramics
55 x 27 cm (21.7 x 10.6 inches)
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Igor Shulman: 'winter tales iii', 2018 Oil Painting, Figurative. This picture is not about dogs. And not about winter. She s not even about people. It s about love. About a person s love for a friend. I m against having animals considered family members. I m for the beast to become your friend. And you are his. Well, ...
Figurative - Painting
39.4 x 39.4 inches (100.1 x 100.1 cm)
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Igor Shulman: 'madrid', 2018 Oil Painting, Figurative. Strange thing. The older I get, the more I m drawn to allegories and metaphors. More and more often I want to turn off a well- known road. More and more I try to find other ways. Here again . . . . Why not call it John, or Roberto  Yes, because it turned ...
, 2018
Figurative - Painting
31.4 x 35.3 inches (79.8 x 89.7 cm)
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Edem Elesh: 'street saint', 2019 Mixed Media, Figurative. Contemporary portrait of a contemporary youth. ...
Figurative - Mixed Media
24 x 48 inches (61.0 x 121.9 cm)
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Austen Pinkerton: 'dorothy number six', 2019 Crayon Drawing, Figurative. Drawn two weeks ago at Narberth |Musum Life Drawing Group...
Figurative - Drawing
42 x 30 cm (16.5 x 11.8 inches)
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James Johnson: 'why', 2019 Steel Sculpture, Figurative. Free will, choice, or predetermination  Composed of 60 stainless steel and 40 bronze has a light brown surface color and polished to be smoother to the touch. These are high resolution renderings of a limited edition of 20 with an artistaEURtms signature, date, and number. Each piece may appear ...
, 2019
Figurative - Sculpture
4.4 x 5.9 inches (11.2 x 15.0 cm)
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James Johnson: 'discover', 2019 Steel Sculpture, Figurative. First moment of consciousness of what is right in front of you. . .  The work is composed of 60 stainless steel and 40 bronze with a light brown color and a granular surface.  These are high resolution renderings of a limited edition of 20 with an artistaEURtms signature, date, and ...
, 2019
Figurative - Sculpture
9.8 x 14.5 inches (24.9 x 36.8 cm)
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Ronald Smith: 'dragon head', 1999 , Figurative. Sculpture, Wood, Poly- chromed, Fantasy, Tolkien, Mythology, Figurative, Representational, ...
Figurative -
49 x 52.5 inches (124.5 x 133.3 cm)
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Ronald Smith: 'A Warrior Dwarf is Never Too Old', 1997 , Figurative.  A Warrior Dwarf is Never Too Old , Sculpture, wood, fantasy, Tolkien, mythology, figurative, representational...
Figurative -
24 x 60 inches (61.0 x 152.4 cm)
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John Powell: 'Passage of Time', 2001 Acrylic Painting, Figurative. It was inspired by the rural scenery of a family washing this piece was originally intended for oil on canvas size 48x36 but i just did an acrylic just to test out the composition will painting the canvas in time.  Prints are available just email me. ...
Figurative - Painting
22 x 16 inches (55.9 x 40.6 cm)
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Michael Schaffer: 'Fallen Beatle', 2016 Mixed Media, Figurative. Based on a very prophetic Beatles photograph from 1966 that seemed to be a premonition of John Lennon s murder. ...
Figurative - Mixed Media
24 x 18 inches (61.0 x 45.7 cm)
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Denise Dalzell: 'more to say', 2018 Digital Other, Figurative.
Figurative - Digital Other
8 x 11 inches (20.3 x 27.9 cm)
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Van De  Ven: 'woman digital vector', 2018 Digital Painting, Figurative. Woman is a numerically unique digital vector painting depicting a woman sitting on an couch.  Restrained colors give the painting a soft, nuanced appearance.  The large painting needs clean white walls and a sparsely furnished room of modern design.  High resolution of 14000 x 21000 px.  at 300 dpi.  A ...
Figurative - Digital Painting
120 x 180 cm (47.2 x 70.9 inches)
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Jim Lively: '231', 2018 Acrylic Painting, Figurative. contemporary, albums, vinyl...
, 2018
Figurative - Painting
30 x 40 inches (76.2 x 101.6 cm)
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Denise Dalzell: 'avenue', 2018 Acrylic Painting, Figurative. Avenue, figurative, illustration...
, 2018
Figurative - Painting
24 x 20 inches (61.0 x 50.8 cm)
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Van De  Ven: 'rainy day digital vector', 2018 Digital Painting, Figurative. Rainy day is a numerically unique manual vector painting depicting a young woman looking out of a diner window.  High resolution of 14000 x 21000 px.  at 300 dpi.  Certificate of Unicity with detailed description.  Matte 2 mm.  acrylic glass finished with an aluminum slimline case.  Ready to hang.  Shipped ...
Figurative - Digital Painting
120 x 180 cm (47.2 x 70.9 inches)
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Van De  Ven: 'thoughts digital vector', 2018 Digital Painting, Figurative. Thoughts is a digital vector painting depicting a woman in thought standing by a window. Numerically unique work. The soft nuanced appearance, uncharacteristic for vector, is obtained by using mainly shades of grey and discarding all but one color. This large painting needs clean white walls and a sparsely furnished ...
Figurative - Digital Painting
120 x 180 cm (47.2 x 70.9 inches)
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Jim Lively: '88 record albums', 2018 Acrylic Painting, Figurative. Contemporary, vinyl, records...
Figurative - Painting
24 x 16 inches (61.0 x 40.6 cm)
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Van De  Ven: 'diner digital vector', 2018 Digital Painting, Figurative. A numerically unique digital vector painting depicting a young woman in a diner. Restrained colors give the painting a soft, nuanced appearance. This large work needs clean white walls and a sparsely furnished room of modern design. High resolution of 14000 x 21000 px. at 300 dpi. Certificate of Unicity ...
Figurative - Digital Painting
120 x 180 cm (47.2 x 70.9 inches)
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Michael Fornadley: 'Go Ask Alice', 2018 Oil Painting, Figurative.
Figurative - Painting
57 x 38 inches (144.8 x 96.5 cm)
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John Powell: 'Poet ', 2019 Mixed Media, Figurative. NOTEORDER PRINTS @
, 2019
Figurative - Mixed Media
12 x 15 inches (30.5 x 38.1 cm)
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John Sims: 'bathing angels cyprus', 2009 Oil Pastel, Figurative. Another Cyprus winged figure dream in Oil Pastel on Paper...
Figurative - Oil Pastel
30 x 40 cm (11.8 x 15.7 inches)
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John Sims: 'dream of angels cyprus', 2009 Oil Pastel, Figurative. An early oil pastel on paper. I often Had dreams that featured naked winged figures. In this dream that is me in the background with my sculptors mallet in the bottom left...
Figurative - Oil Pastel
40 x 29 cm (15.7 x 11.4 inches)
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John Sims: 'coptic storm cyprus', 2009 Oil Pastel, Figurative. I opened the door of my room at The Cyprus College of Art and a hot strong sand laden wind blew in straight from Africa across the Med. This is a somewhat exaggerated, whimsical portrayal of the event ...
Figurative - Oil Pastel
50 x 33 cm (19.7 x 13.0 inches)
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John Sims: 'yellow snake dream cyprus', 2009 Oil Pastel, Figurative. Whilst working as a tutor at The Cyprus College of Art I started to use oil pastel as my prefered medium. I think perhaps it was the Cyprus Brandy that induced a period of intensely detailed dreams. This work,  Dream of the Yellow Snake  was one of the earliest and ...
Figurative - Oil Pastel
39 x 67 cm (15.4 x 26.4 inches)
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(Page 2 of 170) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Deborah Paige Jackson - I love art and design in all forms and medium, in every aspect of my life. It's a part of who I am and something I can't get away from. I try to use true to life situations when possible. My favorite medium is watercolor because of the beauty of it. It seems to have a life of it's own as it flows and connects with the paper. Yet, the medium forces me to think and use extraordinary control. I am at a point in my life where the thought of art, design, and all the components involved in them consume my thinking. It shows up in my home in decorating, in my garden with landscaping, in my work, even with my family. I look forward to increasing my art presence in my portfolio here and in as many venues as possible. To all who view my work, I wish you much enjoyment. ...

    Judith Fritchman - I cannot remember a time when I did not want to draw or paint. From my earliest childhood days I have found great joy in depicting my surroundings. Compelling images call out to be examined and expressed: a lone oak tree starkly outlined against a curve of corn stubble, a Cezanne-like arrangement of objects on a table as I walk through a room. But of all God's infinitely varied creations, it is the human face and form which most fascinates and humbles me; the possibility of capturing a fleeting aspect of humanity unique to that individual is an endlessly exciting pursuit. After studying at Beaver College, Cedar Crest College, and Lehigh University, I have also studied classical drawing and design for many years with Myron Barnstone at his studios in Coplay, Pennsylvania. There I have learned to examine the work of great artists of the past as instruction and inspiration. Knowing they have pursued similar interests is a gratifying experience, offering the potential for learning something new, and using it to express my own personal images, values, and emotions. It is my hope that each of my works will reflect, in some small way, a facet of the ...

    Ron Anderson - Working as an illustrator and painter for more than 20 years, I have often utilized the figure in narratives to communicate the nature of the human condition. I give each of my characters a role in my paintings that plays out like a scene from a motion picture. Carefully scripted by a personal experience, these characters go about their lives like you and me. Many of my paintings depict tension or energy in some way. The tension is exhibited in an attitude, an action or in some activity on the canvas. The tension is either overt or more kinetic, but is almost palpable in each piece of artwork. The size of my paintings, along with some personal connection, pulls you into the canvas. The drag of an alto saxophone fills the room in one painting while the noise deafens you; the smoke chokes you. A fight breaks out in the corner of the room on another canvas while a pool hustler wins a round. The subjects are infinite. Henry O. Tanner, John Sloan, and George Bellows were masters at observing and translating these types of human conditions onto a canvas in oil. My technique, drawn from what I have observed ...

    Austen Pinkerton - Austen Pinkerton If I turn my mind to it very quickly I can come up with several ideas for works aEUR|paintings, drawings, or sculptures. Sometimes ideas come to me when I least expect it, or when my mind is on other things. Ideas can be related to my current experiences, or to my feelings about things that are happening to me in my life at that particular time. Alternatively they can be related to a current interest, or something that occupies my attention at that moment, and my ideas and feelings about which Id like to share with others. A lot of my work is autobiographicalaEUR|either directly or indirectly, consciously or subconsciously. It is frequently very personal, and expresses events or circumstances or experiences in my life. I usually work in either Acrylic on Canvas, Crayon or Pastel, or both together, with Gouache, on card, Drawing in pencil, or Ink, or both, or with creating SculptureaEUR|for which I use fired artists clay. Sculpture follows a completely different set of rules and values from two-dimensional art, obviously, I think of it as Drawing in three dimensions and I take this into account when creating mine. In all my...

    Austen Pinkerton - Edem Elesh - I am interested in examining the miracle of everyday existence. I have lead a very unique life. Born in Los Angeles and educated from an early age at English boarding schools, I have been exposed to two different cultures. This gives my work an American energy with English sensibilities. I am intrigued by the interplay born of this duality: order and chaos, old and new, the conscious and unconscious, structure and freedom. Not to mention expectation and accident. I am currently working with a new form of mixed media which allows, to an even greater extent, the chances of an interplay between process and providence....

    James Johnson - The basis of my work is the exploration of universal patterns of being common to everyone such as shadow, hero, or trickster. My interest in patterns of being is a fascination that we all share common behaviors or emotions that can be understood singularly. Each pattern of being may be expressed as a figurative sculpture of hand cast aluminum alloy at half-life scale. Patterns of being may be referenced with Jungian archetypes. My hope is to make patterns of being more visible and tangible. Deject Selected as Best in show at the 2021 Piccolo Spoleto Art Exhibition ...

    James Johnson - John Powell - Artist Statement This body of work comes from a community of ideas. My art evoke a dialogue, a message as a language I speak, to create peace in a cosmic dialogue. It speaks in the future tense in a context of time that evoke a feeling of aEUR~time passesaEURtm... The emotional and psychological content of my subject, the way the body expresses its emotion, it contextualizes the concepts of the duality of the meaning of the imagery. My style is an expression of my philosophy which becomes a language using, Post Modern, Expressionism, Latin American Tradition, Surrealism, and soft Classism. It expresses my deep awareness of global issues and is counterbalanced with my cultural heritage. My inspiration originates from lifenature, itaEURtms too spiritual to express. However, it is the same expressive energy as the work transfused between energies which awaken the realms of these energies and evoked them in dialogueaEUR| . I use a certain iconography, which becomes a language. My art has helped me to see that nothing on earth is solitary, all things are interlinked. The unique expression in my art, is an attitudelanguage of my style but is easily understood in itaEURtms emotion. My art Carries ...

    Michael Schaffer - Exploring the realms of color, texture, drama, and feelings are the main ingredients of my art work. To inspire the viewer to deal with the issues presented to him is my goal. To inspire the viewer to interpret and react is my passion. I hope you have been inspired... or at least have an opinion. Art and life have many of the same ingredients for us to enjoy....

    Denise Dalzell - Painting. Illustration. Expressionism. Pop Art. Modern. Realism and, occasionally, a bit of Abstraction. My current work centers on my consideration of how we respond to each other, the stories that develop between us and around us, and how our collective stories reflect on and influence us individually. How our stories bounce off each other and combine to create new stories. My paintings are illustrations of the scenes that I encounter during my travels abroad and in daily life so, some scenes are more sweeping than others. How do we, as people of differing backgrounds, cultures, and experiences interact with each other Are we different people in a crowd than when alone How do we fit in or stand out where we find ourselves at any given moment, in any given story Stories are everywhere, and thereaEURtms no predicting what theyaEURtmll reveal. Body language, movement, color, contrast combine to illustrate my scenes of interaction between people and within environments. The excitement of being a part of something as unifying as a protest, the sense of adventure that comes from starting out with no particular destination, intimate moments with those we love and those we discover in the big events...

    Van De Ven - Registration Netherlands Institute for Art History RKD 473520 Painter and graphic artist, fiction writer. Graduated at University of Amsterdam. Quit work as journalist at a national newspaper in 2000 to become fulltime painter and writer. Initially watercolor, linocut and monotype of etching ground on glass. Changed to digital raster painting in 2004. Proceeded through a combination of raster-vector to vector around 2013. Lorenzo Award for digital painting at the 2015 Florence Biennale, several other awards. Author of Digital painting explained and illustrated, 2013-2019, an online source of information on digital painting. Encounters of the heart mind The latest abstract vector works, Particles and Volatiles, are the clearest representations of my lifelong effort to let the mind liberate the heart. I create contrasts. Round and angular, light and dark, concave and convex - there are many. With that I start shifting and turning, enlarging, reducing, eliminating, adding, grouping, loosening, changing color, etc. If I change something in one place the rest usually topples over and everything has to be redone. Ultimately, every action serves the contrast between hard and angular, which symbolizes reason, and soft and round, symbolizing emotion. Aspects like color, placement, size, form, rithm, all play a role. ...

    Jim Lively - Whether portrayed in the abstract, realism, or somewhere in between, I am most influenced by both the beautiful and unattractive components of contemporary urban culture. Many times, one painting will reflect both components. My art tends to focus upon interesting juxtapositions of close-up images of human faces. Often, the larger images border upon realism and are caught expressing a panoply of emotions usually directed at the other images that share the canvas. Several of my recent works such as the tongue in cheek entitled "Lenin and Things" contain unlikely combinations of images such as a statue of Lenin which is dwarfed by a billboard size fashion model displaying a vacuous stare. A number of works contain both large images and interrelated small images. For example in the painting "Staring at Natalie", all the smaller images are a depiction of a collective group of voyeurs staring at a larger image of a posed fashion model. I want those viewing the painting to be the ultimate voyeur. The viewer is not only drawn initially to the larger image in its own right but also cannot help but then notice the relationship of the smaller images to the large image. Works displayed ...

    Michael Fornadley - All my life I have been drawing images out of my imagination, without preconceived themes or using any reference material. My work has been described as undefined narratives, relating to human relationships in the context of society. Compositions are filled with figurative gestures, without any attempt to develop a narrative thread, it drives the viewer to find a completed story, however, an unscripted conclusion is what they will find. TitleaEURtms to my tales are literary allusions - commentaries, occurring after the paintings are finished and the storyline, to which the title refers is not a factor in the paintings evolution. I describe my style as illustrative with intellect, sometimes showing opposites through thought and emotion. I try to balance both. I have always enjoyed the Expressionists Movements in art and my work reflects this. My painting technique is traditional. The mediums I use are oils, egg tempera on wood and wood cuts. Distinctive to my paintings are figures running, persons gesturing, eccentric objects, mysterious boxes, and usually one person in the background watching impassively. I lead the eye through a theatrical space walls and stages. Moving the viewer, with head movement, to pointed fingers, to a figure by a peculiar...

    John Sims - Following some thirty years working as a graphic designer and illustrator I began stone carving in 2000 and in 2002 I returned to college at Christ Church Canterbury in England to study BA Fine Art. In 2007 I went to the Cyprus College of Art to study for a Post Grad Diploma in Fine Art under the great Cypriot artist, Stass Paraskos. At the end of the course I was asked to stay on and run the Summer Schools and to be tutor on the Post Grad course. An incredible experience and an enormous influence on my work. My work now involves less stone carving more often found timber or kebab sticks My drawing in some respects has turned a full circle in the sense that prior to sculpture my illustration work was colourful but painstakingly detailed and stylised. At college I concentrated on measured observational life drawing in pencil which fed into the simple lines of my mainly figuratively based stone carvings. Whilst in Cyprus I re-discovered colour in both my drawing and sculpture. Dreams and mythology filled my waking and sleeping hours. Oil pastel and oil sticks became my favourite mediums to quickly capture these glimpses of ...