Figurative Art For Sale

Page 2 of 191
Browse 5521 Figurative artworks for sale. Contemporary artists: Julius Maurer, Jim Lively, Denise Dalzell, Van De Ven, Steven Lamb, Caren Keyser, Michael Fornadley, John Sims, John Powell, Scott Brown, Raphael Perez Israeli Painter offering Figurative artworks. Links to more artworks by these contemporary artists and 191 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any Figurative art simply click on the image to go to a more detailed page about this work of art.


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Julius Maurer: 'palmetto teal', 2018 Digital Print, Figurative. Limited Edition of 15 with artist markings and Certificate Of Authenticity. Available in 3 sizes, with 40x50h being the largest. Also offered in two other colors to form a triptych. ...
Figurative - Digital Print
40 x 50 inches (101.6 x 127.0 cm)
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Jim Lively: '231', 2018 Acrylic Painting, Figurative. contemporary, albums, vinyl...
, 2018
Figurative - Painting
30 x 40 inches (76.2 x 101.6 cm)
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Julius Maurer: 'palmetto salmon', 2018 Digital Print, Figurative. Limited Edition of 15 with artist markings and Certificate Of Authenticity. Available in 3 sizes, with 40x50h being the largest. Also offered in two other colors to form a triptych. ...
Figurative - Digital Print
40 x 50 inches (101.6 x 127.0 cm)
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Denise Dalzell: 'avenue', 2018 Acrylic Painting, Figurative. Avenue, figurative, illustration...
, 2018
Figurative - Painting
24 x 20 inches (61.0 x 50.8 cm)
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Van De  Ven: 'rainy day digital vector', 2018 Digital Painting, Figurative. Rainy day is a numerically unique manual vector painting depicting a young woman behind the rainy window of a diner.  Restrained colors give the painting a soft, nuanced appearance.  The large painting needs clean white walls.  High resolution of 14000 x 21000 px.  at 300 dpi.  A Certificate of Unicity ...
Figurative - Digital Painting
120 x 180 cm (47.2 x 70.9 inches)
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Steven Lamb: 'three women and a kid', 2018 Mixed Media, Figurative.
Figurative - Mixed Media
20 x 20 inches (50.8 x 50.8 cm)
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Steven Lamb: 'street in montreal', 2017 Mixed Media, Figurative.
Figurative - Mixed Media
24 x 16 inches (61.0 x 40.6 cm)
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Steven Lamb: 'spring in montreal', 2018 Mixed Media, Figurative.
Figurative - Mixed Media
18 x 36 inches (45.7 x 91.4 cm)
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Van De  Ven: 'thoughts digital vector', 2018 Digital Painting, Figurative. Thoughts is a digital vector painting depicting a woman in thought standing by a window. Numerically unique work. The soft nuanced appearance, uncharacteristic for vector, is obtained by using mainly shades of grey and discarding all but one color. This large painting needs clean white walls and a sparsely furnished ...
Figurative - Digital Painting
120 x 180 cm (47.2 x 70.9 inches)
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Jim Lively: '88 record albums', 2018 Acrylic Painting, Figurative. Contemporary, vinyl, records...
Figurative - Painting
24 x 16 inches (61.0 x 40.6 cm)
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Van De  Ven: 'diner digital vector', 2018 Digital Painting, Figurative. A numerically unique digital vector painting depicting a young woman in a diner. Restrained colors give the painting a soft, nuanced appearance. This large work needs clean white walls and a sparsely furnished room of modern design. High resolution of 14000 x 21000 px. at 300 dpi. Certificate of Unicity ...
Figurative - Digital Painting
120 x 180 cm (47.2 x 70.9 inches)
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Jim Lively: '157 record albums', 2018 Acrylic Painting, Figurative. Record, albums, contemporary...
Figurative - Painting
30 x 30 inches (76.2 x 76.2 cm)
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Jim Lively: '265 albums', 2018 Acrylic Painting, Figurative. Vinyl, contemporary, album...
, 2018
Figurative - Painting
48 x 36 inches (121.9 x 91.4 cm)
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Caren Keyser: 'pensive', 2018 Acrylic Painting, Figurative. This girl in a short flirty skirt is sitting on a bench with her feet up looking very pensive. Her thoughts have drifted away. ...
, 2018
Figurative - Painting
11 x 14 inches (27.9 x 35.6 cm)
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Michael Fornadley: 'Water Jugs', 2018 Oil Painting, Figurative.
, 2018
Figurative - Painting
57 x 37 inches (144.8 x 94.0 cm)
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Michael Fornadley: 'Go Ask Alice', 2018 Oil Painting, Figurative.
Figurative - Painting
57 x 38 inches (144.8 x 96.5 cm)
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John Sims: 'bathing angels cyprus', 2009 Oil Pastel, Figurative. Another Cyprus winged figure dream in Oil Pastel on Paper...
Figurative - Oil Pastel
30 x 40 cm (11.8 x 15.7 inches)
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John Sims: 'dream of angels cyprus', 2009 Oil Pastel, Figurative. An early oil pastel on paper. I often Had dreams that featured naked winged figures. In this dream that is me in the background with my sculptors mallet in the bottom left...
Figurative - Oil Pastel
40 x 29 cm (15.7 x 11.4 inches)
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John Sims: 'coptic storm cyprus', 2009 Oil Pastel, Figurative. I opened the door of my room at The Cyprus College of Art and a hot strong sand laden wind blew in straight from Africa across the Med. This is a somewhat exaggerated, whimsical portrayal of the event ...
Figurative - Oil Pastel
50 x 33 cm (19.7 x 13.0 inches)
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John Sims: 'yellow snake dream cyprus', 2009 Oil Pastel, Figurative. Whilst working as a tutor at The Cyprus College of Art I started to use oil pastel as my prefered medium. I think perhaps it was the Cyprus Brandy that induced a period of intensely detailed dreams. This work,  Dream of the Yellow Snake  was one of the earliest and ...
Figurative - Oil Pastel
39 x 67 cm (15.4 x 26.4 inches)
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John Powell: 'Swan lake', 2013 Acrylic Painting, Figurative. ORDER PRINTS AT
, 2013
Figurative - Painting
18 x 22 inches (45.7 x 55.9 cm)
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Scott Brown: 'bolder shoulder', 2013 Pastel, Figurative. original pastel painting female nude figurative...
Figurative - Pastel
18 x 23 inches (45.7 x 58.4 cm)
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Scott Brown: 'yellow girl', 2013 Pastel, Figurative. Original Pastel paining female nude figurative...
Figurative - Pastel
15 x 21 inches (38.1 x 53.3 cm)
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Scott Brown: 'shallow water', 2017 Oil Painting, Figurative. Original Oil painting Nude Female bather figurativw...
Figurative - Painting
36 x 24 inches (91.4 x 61.0 cm)
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Scott Brown: 'full monty', 2013 Oil Painting, Figurative. Original oil painting nude male figurative...
, 2013
Figurative - Painting
20 x 30 inches (50.8 x 76.2 cm)
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Michael Fornadley: 'In the wilderness', 1997 Oil Painting, Figurative.
Figurative - Painting
57 x 38 inches (144.8 x 96.5 cm)
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Michael Fornadley: 'The pandora box', 1995 Oil Painting, Figurative. Repainted with oils 2016...
Figurative - Painting
57 x 37 inches (144.8 x 94.0 cm)
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Raphael Perez  Israeli Painter : 'realism artist realistic art', 2017 Acrylic Painting, Figurative. realism artist realistic painter raphael perez ...
Figurative - Painting
80 x 120 cm (31.5 x 47.2 inches)
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Raphael Perez  Israeli Painter : 'realism painter realistic art', 2017 Acrylic Painting, Figurative. realism painter, realistic  artist, realistic painters, realistic artists, raphael perez, realism paintings, realism painting, realism art , ...
Figurative - Painting
150 x 150 cm (59.1 x 59.1 inches)
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Raphael Perez  Israeli Painter : 'gay painter queer artist', 2017 Acrylic Painting, Figurative. gay painter homosexual artist raphael perez queer paintings homoerotic art ...
Figurative - Painting
140 x 150 inches (355.6 x 381.0 cm)
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(Page 2 of 191) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Jim Lively - Whether portrayed in the abstract, realism, or somewhere in between, I am most influenced by both the beautiful and unattractive components of contemporary urban culture. Many times, one painting will reflect both components. My art tends to focus upon interesting juxtapositions of close-up images of human faces. Often, the larger images border upon realism and are caught expressing a panoply of emotions usually directed at the other images that share the canvas. Several of my recent works such as the tongue in cheek entitled "Lenin and Things" contain unlikely combinations of images such as a statue of Lenin which is dwarfed by a billboard size fashion model displaying a vacuous stare. A number of works contain both large images and interrelated small images. For example in the painting "Staring at Natalie", all the smaller images are a depiction of a collective group of voyeurs staring at a larger image of a posed fashion model. I want those viewing the painting to be the ultimate voyeur. The viewer is not only drawn initially to the larger image in its own right but also cannot help but then notice the relationship of the smaller images to the large image. Works displayed ...

    Denise Dalzell - ItaEURtms all about Interaction. Communication. Conveying a shared experience with color, light, shadow, and the framing of a scene. How do we, as people of differing backgrounds, cultures, and histories interact with each other How do we respond to one another Where do we fit in Will we know when we get there Will we realize, perhaps while in the middle of a crowd, where that will be Stories can come from anywhere, and thereaEURtms no predicting where theyaEURtmll be revealed. My paintings are illustrations, pictures waiting to be paired with text. Color, movement, body language, movement, the contrast of light and shadow, the encounters, settings, the people that I encounter who are also in the midst of being on their way. What does their body language say about them My future as an Illustrator was inevitable. I have been drawing, working with color, since I was three. As a child, one of my favorite school activities was writing a story, then illustrating it. In College, I avoided painting, preferring markers, and then colored pencil. Once I tried painting with Acrylics, I combined them with pencil and started painting seriously. At first, I painted old signs and...

    Van De Ven - Registration Netherlands Institute for Art History RKD 473520 Autodidact painter and graphic artist, fiction writer Graduated at University of Amsterdam Digital vector painter. Started around 1998 with watercolor, linocut and monotype of etching ground on glass. Changed to digital painting on a Palm handheld in 2004, initially raster. Proceeded through a combination of raster-vector to vector around 2013. Lorenzo Award for digital painting at the 2015 Florence Biennale, several other awards. Author of Digital painting explained and illustrated, 2013-2019, an online source of information on digital painting. I am exploring the new medium of vector. My work develops in cycles from figurative to abstract and back to figurative. Hard lines, monochrome colors and perfect gradients limit the emotional palette of vector. aEUR~Ceci est un oeufaEURtm 2015, below expresses my initial dislike. Still, I hold manual vector to be the only cooperation between the artist and the computer that offers a new language of form while leaving the artist in charge. On one side there is digital raster painting, where the artist is fully in charge but there is no difference with traditional painting. On the other, computer generated painting offers renewal, but the computer takes the lead. Its ...

    Steven Lamb - Ever since I remember myself as a person I dealt with my life by isolating myself and creating.For me the painting is not just a creative discipline, it's a vocation. To be able to deliver my visions and fantasies to the world, I trained myself in the Academy of Fine Arts in Leipzig, Germany. My perception of the world is always from a comical point of view. I have reached the conclusion for myself, that what matters the most ,is the human ability to laugh. I am using the grotesque as a tool of a social commentary, not to criticize , but to amuse and entertain. In most of my work I take inspiration from the beauty of the Montreal, its streets, buildings and people. Cafe scenes, clowns, magicians,singers,artists,families walking their dogs,coaches riding around are all funny,happy and exciting models for my work.The choice of the characters is influenced by my understanding of the world which I see through the eyes of a child.The people and animals in my paintings are always happy and ready to enjoy every little bit of their lives. Their appearances and clothing are not related to any ...

    Caren Keyser - My expressionist paintings are done using an intuitive process. I begin with the paint and then allow the paint and my subconscious to lead me to the subject matter. Exciting interactions between colors evolve from brushwork, pouring, glazing, spraying and other techniques. I strive to show the essence of the subject rather than paint an overly realistic image. I never know what I will find next in my work. I hope it will be dramatic and emotional. Note that the paintings are not framed. ------------------------------------- I began painting professionally in 1977 after studying art at Florida Atlantic University. There I explored the many styles and techniques available to the acrylic painter. My first photo-realism style piece was created while attending FAU. I knew from that moment that realistic nature scenes would be my style of choice. This remained my theme and style until after 2005. As time has passed my work has changed and become more creative in its processes. Color is still the dominant feature in my work. As my focus has shifted toward expressionism I stored my realism pieces. The originals of many of them are still available for purchase and are included in my inventory here at ...

    Michael Fornadley - All my life I have been drawing images out of my imagination, without preconceived themes or using any reference material. My work has been described as undefined narratives, relating to human relationships in the context of society. Compositions are filled with figurative gestures, without any attempt to develop a narrative thread, it drives the viewer to find a completed story, however, an unscripted conclusion is what they will find. TitleaEURtms to my tales are literary allusions - commentaries, occurring after the paintings are finished and the storyline, to which the title refers is not a factor in the paintings evolution. I describe my style as illustrative with intellect, sometimes showing opposites through thought and emotion. I try to balance both. I have always enjoyed the Expressionists Movements in art and my work reflects this. My painting technique is traditional. The mediums I use are oils, egg tempera on wood and wood cuts. Distinctive to my paintings are figures running, persons gesturing, eccentric objects, mysterious boxes, and usually one person in the background watching impassively. I lead the eye through a theatrical space walls and stages. Moving the viewer, with head movement, to pointed fingers, to a figure by a peculiar...

    John Sims - Following some thirty years working as a graphic designer and illustrator I began stone carving in 2000 and in 2002 I returned to college at Christ Church Canterbury in England to study BA Fine Art. In 2007 I went to the Cyprus College of Art to study for a Post Grad Diploma in Fine Art under the great Cypriot artist, Stass Paraskos. At the end of the course I was asked to stay on and run the Summer Schools and to be tutor on the Post Grad course. An incredible experience and an enormous influence on my work. My work now involves less stone carving more often found timber or kebab sticks My drawing in some respects has turned a full circle in the sense that prior to sculpture my illustration work was colourful but painstakingly detailed and stylised. At college I concentrated on measured observational life drawing in pencil which fed into the simple lines of my mainly figuratively based stone carvings. Whilst in Cyprus I re-discovered colour in both my drawing and sculpture. Dreams and mythology filled my waking and sleeping hours. Oil pastel and oil sticks became my favourite mediums to quickly capture these glimpses of ...

    John Powell - Artist Statement This body of work comes from a community of ideas. My art evoke a dialogue, a message as a language I speak, to create peace in a cosmic dialogue. It speaks in the future tense in a context of time that evoke a feeling of aEUR~time passesaEURtm... The emotional and psychological content of my subject, the way the body expresses its emotion, it contextualizes the concepts of the duality of the meaning of the imagery. My style is an expression of my philosophy which becomes a language using, Post Modern, Expressionism, Latin American Tradition, Surrealism, and soft Classism. It expresses my deep awareness of global issues and is counterbalanced with my cultural heritage. My inspiration originates from lifenature, itaEURtms too spiritual to express. However, it is the same expressive energy as the work transfused between energies which awaken the realms of these energies and evoked them in dialogueaEUR| . I use a certain iconography, which becomes a language. My art has helped me to see that nothing on earth is solitary, all things are interlinked. The unique expression in my art, is an attitudelanguage of my style but is easily understood in itaEURtms emotion. My art Carries ...

    Scott Brown - The world is filled with visual excitement. When I am receptive to that excitement, a work of art is born. Then it becomes a matter of fleshing it out on paper. If I am sucessful the viewer will feel that initial excitement I felt. In a sense, the artist is a reporter of feelings. Digital Collection. Recently I started creating digital artwork. All works in the Digital Collection can be resized to any multiple of 8.5 inches by 11 inches horizontal landscape or vertical portrait orientation. After purchasing the artwork, you must inform me of the size you desire and contact information of the printer you would like to use. I will send the printer the corresponding file. ...

    Raphael Perez Israeli Painter - Pride and Prejudice: on Raphael Perez's Artwork Raphael Perez, born in 1965, studied art at the College of Visual Arts in Beer Sheva, and from 1995 has been living and working in his studio in Tel Aviv. Today Perez plays an important role in actively promoting the LGBT (lesbian, gay, bisexual and transsexual) art and culture in Tel Aviv, and the internet portal he set up helps artists from the community reach large audiences in Israel and abroad. Hundreds of his artworks are part of private collections in Israel and abroad, and his artworks were shown in several group exhibitions: in Tel Aviv Museum of Art, "Zman Le'Omanut" art gallery, Camera Obscura, The Open House in Jerusalem, Ophir Gallery, The Haifa Forum and other private businesses and galleries. In 2003-4 his paintings and studio appeared in a full-length movie, three student films and two graduation films. Raphael Perez is the first Israeli artist to express his lifestyle as a Gay. His life and the life of the LGBT community are connected and unfold over hundreds of artwork pieces. His art creation is rare and extraordinary by every Israeli and international artistic standard. His sources of inspiration ...