Browse over works of contemporary art for sale in the price range . On this page you can find works by Vladimir Volosov, Jerry Di Falco, Dave Martsolf, Michael Todd, Julia Sorokina, Marsha Bowers, John Sims, John Biro, Ewa Leliwa, Roman Barelko.
Vladimir Volosov - I was born in 1937 in Leningrad, USSR (now St. Petersburg, Russia). My way to art was a lengthy one. Before becoming an artist, I studied for thirty years at the forefront of modern physics as a PhD scientist and professor, author more than 150 scientific articles in contemporary laser physics. Thirty years of strenuous scientific work on the front edge of modern physics gives me a deep feeling for the anxiety and unprotectedness of the world's beauty. The formula, "beauty saves the world" fits my own attitude. My creed is also embodied in the statement: "to have time to realize everything given to you by Nature." At the threshold of my fifties, I decided to live one more life, a new, alluring life of the free artist. I walked away from my established scientific career and completely devoted myself to painting. In 1991 I founded and headed the association "Light, Color and Art" to connect with scientists engaged in the arts. The main directions of my paintings are lyrical realism and abstract compositions. My paintings are about light, color, atmosphere and space. For me, the most important elements are light and color and their juxtaposition/nexus/meeting of...
Jerry Di Falco - Photography inspires my hand-pulled etchings and also serves as a key element in my art. My imagery originates from my own photographs and those of other artists. I research my subjects in the archives of universities, historical societies, libraries, museums, and foundations. I attempt to balance visual gravity with the narrations within everyday scenes . . . I hope to create a convergence between the metaphysical and physical aspects of space, time, and reflection. My examination of the familiar strives to unveil the splendors of life that are masked by our assumptions My stories emerge from beneath the surfaces of that which we overlook as a result of our neglected perceptions . . . of that which is frequently visible but overlooked. Ironically enough, I blame this inability to see reality . . . or what I call, the phenomenology of connectedness . . . on todays infatuation with and addiction to the new technologies of communication. I see my artworks as windows through which people can see the undiscovered mysteries of human consciousness. In fact, my use of multiple etching plates to create one etched design helps to reinforce the illusion of looking at a scene through a window. Each individual area created in my multiple-plate etchings becomes a ...
Dave Martsolf - Dave Martsolf I have a hand-drawing personal style that I love, but also use photorealistic collage style for some surreal work. In addition, I continue to enjoy explorations in every direction. My surreal visionary style is conceived in the bowels of endless empty space. Worlds come out of nowhere to define and fill empty space with form and reflected light. I use posed photographs with specific viewpoints that join seamlessly with other images to develop a hallucinogenic, some say gut-wrenching realistic space where mind-bending visions rule. My personal drawing style is in its simplest essence the line the drawn line and what it represented as the delineation of a form, a space, almost the way a topographical line feels out the form of a hill, or the way a blind man feels out the tender forms of his or her lover. That line is also the signature of the vibration of life and lifes emotions, twisted by the influence of others, fighting for a day in the sun, learning the way of calm, the mastery of the surf of life and the swell of love and anger. Brownian motion, cosmic ray decay, elemental particles, the paths of ...
Michael Todd - You may read my short Biodescription about myself on my website artistmichaeltodd.com but briefly Im just one of those multi-talented, highly creative, highly motivated and enthusiastic people that is always expanding his horizons in one form or another. I travel when I can and I adventure. I love to scuba dive and cook. Im 64 and slowing down some haha which is helping me in my visual art performance anyway...more time applied. My next point of destination is Belize to retire and paint Thanks for reading and I do hope, of course, that youll like something I created enough to then purchase and have to embellish your home or business. ...
Marsha Bowers - Marsha Bowers was born and raised in the Central Valley of California. She is a classically trained fine artist, skilled in the old Masters techniques of Flemish/Bistre and Venetian method using a grisaille underpainting and glazing with many layers. Most of her fine art paintings are rendered in oil. She sometimes applies real gold leaf into the artworks. Marsha finds inspiration in the old masters of the past. She spends many hours visiting Museums studying their work. Gothic and Renaissance are her favorite periods along with the Pre-Raphaelites artists. The artist loves the blending of the classical painting techniques with a more contemporary approach to her paintings. Her recent fine art paintings are of women, both figurative and portraiture. The inspiration for her paintings comes from her observations of life itself and through her own experiences. Each painting shares a message, story or emotion. Its what the artist herself describes as a "flowing" of the spirit, a creative process through which the artist paints a story unto the canvas, realizing that each viewer of her work may have their own interpretation of what the art is conveying. Most recently Marsha was invited to be included into the International ...
John Sims - Following some thirty years working as a graphic designer and illustrator I began stone carving in 2000 and in 2002 I returned to college at Christ Church Canterbury in England to study BA Fine Art. In 2007 I went to the Cyprus College of Art to study for a Post Grad Diploma in Fine Art under the great Cypriot artist, Stass Paraskos. At the end of the course I was asked to stay on and run the Summer Schools and to be tutor on the Post Grad course. An incredible experience and an enormous influence on my work. My work now involves less stone carving more often found timber or kebab sticks My drawing in some respects has turned a full circle in the sense that prior to sculpture my illustration work was colourful but painstakingly detailed and stylised. At college I concentrated on measured observational life drawing in pencil which fed into the simple lines of my mainly figuratively based stone carvings. Whilst in Cyprus I re-discovered colour in both my drawing and sculpture. Dreams and mythology filled my waking and sleeping hours. Oil pastel and oil sticks became my favourite mediums to quickly capture these glimpses of ...
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