Paintings For Sale - Price Range: $100 - $500

Page 1 of 270
Discover 7,807 original painting artworks for sale between $100 - $500. Contemporary emerging artists: Vladimir Volosov, Paulo Medina, Engelina Zandstra, Marsha Bowers, Jinsheng You, Austen Pinkerton, Lucia Timis, Denise Dalzell, Michael Garr, Ben Hotchkiss, Donna Gallant, Daniel Clarke, Kichung Lizee are exhibiting their affordable original art. You can buy artwork online and browse 270 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Vladimir Volosov: 'red a and black', 1993 Oil Painting, Abstract. There is no doubt that visual art is a powerful medium.  It has the ability to inspire and to move us deeply.The author s goal is to engage the viewer in the creative process.  He invites the viewer to go their own way and become a co- author, to ...
Abstract - Painting
18 x 24 inches (45.7 x 61.0 cm)
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Vladimir Volosov: 'mountains in karelia', 2008 Oil Painting, Impressionism. When I create my piece, I wish to convey the emotions I feel for the scene or objects to the viewer. I want the viewer to be an active participant in my joy, melancholy, humor, nostalgia. To me, the process of creating a work is transcendental I am completely lost...
Impressionism - Painting
28 x 20 inches (71.1 x 50.8 cm)
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Vladimir Volosov: 'landscape in red colors', 1997 Oil Painting, Landscape. When I create my piece, I wish to convey the emotions I feel for the scene or objects to the viewer. I want the viewer to be an active participant in my joy, melancholy, humor, nostalgia. To me, the process of creating a work is transcendental I am completely lost...
Landscape - Painting
20 x 28 inches (50.8 x 71.1 cm)
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Vladimir Volosov: 'bright autumn', 2013 Oil Painting, Impressionism. When I create my piece, I wish to convey the emotions I feel for the scene or objects to the viewer. I want the viewer to be an active participant in my joy, melancholy, humor, nostalgia. To me, the process of creating a work is transcendental I am completely lost...
Impressionism - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Paulo Medina: 'emmaus', 2022 Acrylic Painting, Religious. Lk 24, 13- 35...
, 2022
Religious - Painting
23 x 30 cm (9.1 x 11.8 inches)
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Paulo Medina: 'peters denial', 2022 Acrylic Painting, Religious. Peter denies Jesus   Mt 26, 69- 75...
Religious - Painting
23 x 30 cm (9.1 x 11.8 inches)
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Engelina Zandstra: 'composition 1636', 1998 Acrylic Painting, Abstract. The screen prints I make are monoprints on paper, my own printing. I. e. of each work is only one copy, no edition. Paper size 50 x 65 cm. I will be sent in a tube. ...
Abstract - Painting
35 x 45 cm (13.8 x 17.7 inches)
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Marsha Bowers: 'sunflowers', 2021 Oil Painting, Floral. Original oil painting on Bristol Paper...
, 2021
Floral - Painting
24 x 19 inches (61.0 x 48.3 cm)
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Jinsheng You: 'root 361', 2020 Oil Painting, Abstract. I d like to express my emotion with vibrant colors and unique brush. This is an originalabstract oil painting on canvas, it is one- of- kind, i have got it done recently.PLEASE KEEP THAT IN MINDALL MY PAINTINGS VIEWED IN PERSON MORE BEAUTIFUL THAN THE IAMGES BECAUSE OF MY ...
, 2020
Abstract - Painting
24 x 32 inches (61.0 x 81.3 cm)
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Engelina Zandstra: 'composition 1696', 1998 Acrylic Painting, Abstract. The screen prints I make are monoprints on paper, my own printing. I. e. of each work is only one copy, no edition. Paper size 50 x 65 cm. I will be sent in a tube. ...
Abstract - Painting
45 x 35 cm (17.7 x 13.8 inches)
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Engelina Zandstra: 'composition 1666', 1998 Acrylic Painting, Abstract. The screen prints I make are monoprints on paper, my own printing. I. e. of each work is only one copy, no edition. Paper size 50 x 65 cm. ...
Abstract - Painting
45 x 35 cm (17.7 x 13.8 inches)
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Jinsheng You: 'memory 360', 2020 Oil Painting, Abstract. I d like to express my emotion with vibrant colors and unique brush. This is an originalabstract oil painting on canvas, it is one- of- kind, i have got it done recently.PLEASE KEEP THAT IN MINDALL MY PAINTINGS VIEWED IN PERSON MORE BEAUTIFUL THAN THE IAMGES BECAUSE OF MY ...
, 2020
Abstract - Painting
24 x 32 inches (61.0 x 81.3 cm)
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Jinsheng You: 'root 358', 2020 Oil Painting, Abstract. I d like to express my emotion with vibrant colors and unique brush. This is an originalabstract oil painting on canvas, it is one- of- kind, i have got it done recently.PLEASE KEEP THAT IN MINDALL MY PAINTINGS VIEWED IN PERSON MORE BEAUTIFUL THAN THE IAMGES BECAUSE OF MY ...
, 2020
Abstract - Painting
24 x 32 inches (61.0 x 81.3 cm)
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Jinsheng You: 'abstract 357', 2020 Oil Painting, Abstract. I d like to express my emotion with vibrant colors and unique brush. This is an originalabstract oil painting on canvas, it is one- of- kind, i have got it done recently.PLEASE KEEP THAT IN MINDALL MY PAINTINGS VIEWED IN PERSON MORE BEAUTIFUL THAN THE IAMGES BECAUSE OF MY ...
Abstract - Painting
24 x 32 inches (61.0 x 81.3 cm)
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Engelina Zandstra: 'composition 1757', 1998 Acrylic Painting, Abstract. The screen prints I make are monoprints on paper, my own printing. I. e. of each work is only one copy, no edition. Paper size 50 x 65 cm. ...
Abstract - Painting
35 x 45 cm (13.8 x 17.7 inches)
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Austen Pinkerton: 'st pauls bay malta', 2021 Other Painting, Landscape. Last week got round to finishing the colour drawing I produced when in Malta in October:  St Pauls Bay , so called apparently because St Paul actually was shipwrecked there on the island to the right where there s a statue of him. ...
Landscape - Painting
29 x 20 cm (11.4 x 7.9 inches)
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Lucia Timis: 'Icon Religious ', 2005 Tempera Painting, Religious.  Reversed painting on glass, egg tempera, gold leaf ...
Religious - Painting
11 x 16 cm (4.3 x 6.3 inches)
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Denise Dalzell: 'trombonists', 2021 Acrylic Painting, People. A group of student musicians practicing outdoors, Los Angeles, Autumn 2021...
People - Painting
12 x 16 inches (30.5 x 40.6 cm)
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Michael Garr: 'whales tail 1', 2021 Oil Painting, Marine. From a photo taken during a whale watch in Maui, January 2021...
Marine - Painting
10 x 8 inches (25.4 x 20.3 cm)
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Ben Hotchkiss: 'composition 2017', 2021 Oil Painting, Abstract. small abstract paintings in oil...
Abstract - Painting
10 x 8 inches (25.4 x 20.3 cm)
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Ben Hotchkiss: 'composition 2015', 2021 Oil Painting, Abstract. small abstract painting in oil...
Abstract - Painting
10 x 8 inches (25.4 x 20.3 cm)
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Ben Hotchkiss: 'composition 2009', 2021 Oil Painting, Abstract. small abstract painting in oil...
Abstract - Painting
10 x 8 inches (25.4 x 20.3 cm)
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Ben Hotchkiss: 'composition 2008', 2021 Oil Painting, Abstract. small abstract painting in oil...
Abstract - Painting
10 x 8 inches (25.4 x 20.3 cm)
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Donna Gallant: 'misty prairies', 2021 Acrylic Painting, Landscape. Another horizon piece dealing with a more softer feeling or very atmospheric. ...
Landscape - Painting
9 x 7 inches (22.9 x 17.8 cm)
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Donna Gallant: 'sunrise', 2021 Acrylic Painting, Landscape. Another piece as part of a horizon theme created in acrylic inks. ...
, 2021
Landscape - Painting
10 x 8 inches (25.4 x 20.3 cm)
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Donna Gallant: 'early morning prairies', 2021 Acrylic Painting, Landscape. This piece remind you of a watercolor because its so soft and fluid but its really acrylic inks. ...
Landscape - Painting
7 x 5 inches (17.8 x 12.7 cm)
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Daniel Clarke: 'swiss autumn colors', 2021 Acrylic Painting, Landscape. The majestic summit ascends like a shimmering twilight as misty cumulus clouds fade away behind the incandescent, crimson, golden sun. Ice- cold, frosty snow envelops the brown- colored, life- size mountains. he wintry weather reveals ambiance on the evergreen trees of the detaching of the leaves. Perceiving the sound of ...
Landscape - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Kichung Lizee: 'into the light 3', 2021 Ink Painting, Spiritual. Free flowing Eastern calligraphy brush work done on mulberry paper...
Spiritual - Painting
32 x 22 inches (81.3 x 55.9 cm)
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Kichung Lizee: 'into the light 2', 2021 Ink Painting, Spiritual. Free flowing Eastern calligraphy brush work done on mulberry paper...
Spiritual - Painting
22 x 30 inches (55.9 x 76.2 cm)
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Edna Schonblum: 'high sea 38', 2021 Oil Painting, Seascape. an oil painting from a high sea hoping it will bring peace and joy as I had painting it. ...
Seascape - Painting
20 x 30 cm (7.9 x 11.8 inches)
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(Page 1 of 270) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Vladimir Volosov - I was born in 1937 in Leningrad, USSR (now St. Petersburg, Russia). My way to art was a lengthy one. Before becoming an artist, I studied for thirty years at the forefront of modern physics as a PhD scientist and professor, author more than 150 scientific articles in contemporary laser physics. Thirty years of strenuous scientific work on the front edge of modern physics gives me a deep feeling for the anxiety and unprotectedness of the world's beauty. The formula, "beauty saves the world" fits my own attitude. My creed is also embodied in the statement: "to have time to realize everything given to you by Nature." At the threshold of my fifties, I decided to live one more life, a new, alluring life of the free artist. I walked away from my established scientific career and completely devoted myself to painting. In 1991 I founded and headed the association "Light, Color and Art" to connect with scientists engaged in the arts. The main directions of my paintings are lyrical realism and abstract compositions. My paintings are about light, color, atmosphere and space. For me, the most important elements are light and color and their juxtaposition/nexus/meeting of...

    Paulo Medina - Para mA, el arte, ha sido como una pequeA+-a barca en donde he cruzado muchas veces el mar. Una barca frA!gil y pequeA+-a, sin embargo, capaz de cruzar hacia grandes horizontes. La barca ha sido un instrumento Aotil, pero nada mA!s... La pintura es poesAa silenciosa SimA3nides Artistic experience, as a spectator, and then, more directly, as an artist, has meant for me the possibility of transcending and reaching certain spaces that are intangible, but lived daily. As a creator, to be in front of a blank canvas or a digital image to be manipulated, is to be faced with a challenge that of translating to the language of forms, textures and colors something that has not yet been conceptualized, but that exists somewhere and that I desire to capture, expressing it through those materials and tools at my disposal. It thereby becomes a kind of game, in which time disappears and one enters into communion with the aesthetic experience with its infinity of moments, which go from pain to ecstasy. Self-taught experimentation in the field of art, has been for me one of the great pleasures of life. La experiencia artAstica ...

    Engelina Zandstra - In the labyrinth of my thoughts there are many roads that are leading to the unknown. many roads are leading to the unknown - around every corner a surprise - fata morganas unprecedented views - paintings designed according to laws of their own. ...

    Marsha Bowers - Marsha Bowers was born and raised in the Central Valley of California. She is a classically trained fine artist, skilled in the old Masters techniques of Flemish/Bistre and Venetian method using a grisaille underpainting and glazing with many layers. Most of her fine art paintings are rendered in oil. She sometimes applies real gold leaf into the artworks. Marsha finds inspiration in the old masters of the past. She spends many hours visiting Museums studying their work. Gothic and Renaissance are her favorite periods along with the Pre-Raphaelites artists. The artist loves the blending of the classical painting techniques with a more contemporary approach to her paintings. Her recent fine art paintings are of women, both figurative and portraiture. The inspiration for her paintings comes from her observations of life itself and through her own experiences. Each painting shares a message, story or emotion. Its what the artist herself describes as a "flowing" of the spirit, a creative process through which the artist paints a story unto the canvas, realizing that each viewer of her work may have their own interpretation of what the art is conveying. Most recently Marsha was invited to be included into the International ...

    Austen Pinkerton - Austen Pinkerton If I turn my mind to it very quickly I can come up with several ideas for works aEUR|paintings, drawings, or sculptures. Sometimes ideas come to me when I least expect it, or when my mind is on other things. Ideas can be related to my current experiences, or to my feelings about things that are happening to me in my life at that particular time. Alternatively they can be related to a current interest, or something that occupies my attention at that moment, and my ideas and feelings about which Id like to share with others. A lot of my work is autobiographicalaEUR|either directly or indirectly, consciously or subconsciously. It is frequently very personal, and expresses events or circumstances or experiences in my life. I usually work in either Acrylic on Canvas, Crayon or Pastel, or both together, with Gouache, on card, Drawing in pencil, or Ink, or both, or with creating SculptureaEUR|for which I use fired artists clay. Sculpture follows a completely different set of rules and values from two-dimensional art, obviously, I think of it as Drawing in three dimensions and I take this into account when creating mine. In all my...

    Denise Dalzell - Painting. Illustration. Expressionism. Pop Art. Modern. Realism and, occasionally, a bit of Abstraction. My current work centers on my consideration of how we respond to each other, the stories that develop between us and around us, and how our collective stories reflect on and influence us individually. How our stories bounce off each other and combine to create new stories. My paintings are illustrations of the scenes that I encounter during my travels abroad and in daily life so, some scenes are more sweeping than others. How do we, as people of differing backgrounds, cultures, and experiences interact with each other Are we different people in a crowd than when alone How do we fit in or stand out where we find ourselves at any given moment, in any given story Stories are everywhere, and thereaEURtms no predicting what theyaEURtmll reveal. Body language, movement, color, contrast combine to illustrate my scenes of interaction between people and within environments. The excitement of being a part of something as unifying as a protest, the sense of adventure that comes from starting out with no particular destination, intimate moments with those we love and those we discover in the big events...

    Michael Garr - I have been drawing and painting since Junior High. I enjoy quick art, impressionistic yet realistic, and minimal. There are interesting subjects all around us. My inspirations are architecture, people, light and shadow, the sea and boats, imagination... and the old masters. Get out and enjoy your surroundings. All my works are available as signed and numbered prints. I also do commission works, some examples of which are in the portfolio. I donate all proceeds to charity, and have recently teamed with SAVE THE BAY, a local Rhode Island eco-advocate organization, which receives 30 PER CENT of my proceeds. My opportunities for artistic expression have included drawing on napkins during airplane rides and waiting during my sons music lessons. In 2012 I took up oil painting for the first time, and my mentor is Lorena Pugh of North Kingstown. Ive done both Plein air and studio work in her presence, and am benefitting from the association. We have an informal group who meet and paint in Lorenas studio on Monday nights throughout the indoor season. I will continue to pursue art on a daily basis, and post the finished works here and on facebook for any and all to ...

    Ben Hotchkiss - My name is Ben Hotchkiss. I am 75 years old and have been painting abstract paintings for over 40 years. My interest in art germinated in my fathers studio when I was very young. I used to watch him paint. Often, while watching him paint I would thumb thru his bools on earlier painters of the 20th Century. I especially liked those of the Expressionists,Imressionists,Cubists and Abstract Painters. I was expecially intrigued by the color plates of abstract artists. They did not depect anythingwhat did they mean. But I didnt really begin painting for another 20 years when I was down and out in a rooming house in San Francisco. I actually started doing abstract water colors . In 1980 I moved to Northampton, Ma. and discovered an Art Supply store near by. At this point I had an inspiration to switch from water colors to oils. i started on a shoe string with canvas boards, Duro oil paints and small brushes. I am still painting to this day but on masonite now. I have always been a student of visual expression. I especially like compositions of thingsi.e. many visual en entities working together to create a composite ...

    Donna Gallant - Art is a daily routine in my life. I see, hear, taste, feel and smell the life that surrounds me and I am inspired by the simplest aspects of this world. Whether it be the way the light hits an object or the way objects or forms move in space. I find it all so fascinating and alive. I try to portray these experiences and expressions through my art making....

    Daniel Clarke - Daniel E. Clarke is a Los Angeles Native who has been painting his entire career in the Los Angeles area. His art education has included studying under the internationally famous Timothy Clark, UCLA Extension University, and Glendale College. He has explored both pictorial and abstract designs but is dedicated to a free flow of color and dynamic composition. Mr. Clarke has concentrated on the acrylic and watercolor medium, and paints on location in his Los Angeles based studio. He also maintains his paintings and sales in his own company called Berrypunch Gallery. ...

    Kichung Lizee - After coming to this country from Korea in the mid 60's to study art, among the many forms of Western art that I was introduced to, Abstract Expressionism interested me most. Currently I am in the process of synthesizing Eastern and Western approaches to art. Specifically, I'm adopting the techniques and materials of Eastern calligraphy to Western thematic material, my primary goal being to close the gap between East and West and reach for universal creativity. Eastern calligraphy I learned is a living and breathing spirit, rather than the dead and rigid tradition of thousands of years. It is uniquely a form that conveys the pulsation of life energy. Through it, one can experience all aspects of the living spectrum. Eastern calligraphic form reveals the kind of life the artist has led, as well as foreshadowing the person one will become. It is the art form that manifests the self as a way of life or philosophy of life. It is a powerful art form that operates through direct intuition. As an artist I rely heavily on creative intuition. Moving with changes in the stream of consciousness, my creative intuition somehow brings out the subconscious and superconscious through ...