Artists Describing Their Art:
Alkistis Wechsler - Reality meets myths. Personal visual impressions of chosen English gardens ... lately also Mediterranean seaside, are coming together in imaginative collages and alchemic transformation. . Sensitive to the environment as well as to human interactions and expressions it all translates into visual myths . Not only travels between geographical points, but also a thirst for such trips in the mind through myths and readings of initiatic rituals of metamorphosis, infiltrated as well my art of painting. At the end, every archetype (for example Heliogabalus, Persephone and Artemis) and every movement reaches back to the source of rhythm and scales creating a personal mythology and so I understand my self and the world after each painting is done by a hypersensitive process and not a premeditated rational plan. The seasons or the elements and their rhythm are interwoven with my vision of human soul and the soul of the sea ...
Alkistis Wechsler -
Pat Heydlauff - I discovered my love for painting in 1993 as I was transitioning out of a stress filled career and exploring my creative side. As a colorist, I painted lively, vibrant mainstream artwork consisting of landscapes, florals and still-lifes. Through painting I noticed my life was becoming balanced, and filled with harmony instead of stress. Painting allowed me to discover my spiritual nature and peace within and lead me to paint in a stream of consciousness flowing with energy. This flow of consciousness energy is visible in my recent "art with a message" canvas work where you can always find hope, peace and joy in the subject matter and every brush stroke. Painting is the physical manifestation of my spiritual being. It is the flow of energy through paint onto a two dimensional canvas projecting three dimensional energy. I endeavor to convey a vital energy through sight with color and design. My inspirational and mainstream artwork can be placed in areas of the home and office to create an environment with balance, harmony and a flow of energy which enriches the viewer. I believe that in our world today with cement cities, sound pollution and isolated environments, it is difficult ...
Carlos Pardo - IN SHORT: INSPIRATION: Concious and unconcious perceptions, my background, all circunstances of my life, experiences, past and present, books and newspapers that I read, films, Internet aEUR|feelings, emotions and a fertile imagination sometimes, all them aid to weave a story that will change alongside the execution of a piece. In my opinion our tradition, for thousands of years, the Arts reflect the vision of a trascendent life beyond our tangible life. THEME: Unreal cityscapes let us a special kind of plasticity. The imagination and feelings are active agents that are modeling the perceptible reality. Transcendent and oniric themes entered and remain in my artwork. In my imaginary urban landscapes there are overlaid elements of towns he has visited, some imagined, and maybe dreamed, but all with a unique feminine soul. The Town is a mother, lover, or daughter of the actions, dreams and passions of those who dwell in them or recall them in the distance. It is an idea in which wander those who have been caught up in its infinite labyrinth. PROCESS: I usually have not idea about what I will show on the surface. There is a lack of a script or previous sketch. Forms are born...
Francois Falet - My pictures of the beginning describe mainly the dayly life in Montreal I have sketched during my seven years in Quebec. After having shown different aspects of the american society, I have created my own pictural language to represent the world I am living in. ...
Denise Seyhun - The glowing energy of waves and the foaming seas captivate my soul, and as a result my seascapes, waterfalls, and riverscapes bare witness to my love and admiration for the force and elegance of bodies of water. Main character in my oil paintings is water, which deeply fascinates me, not only as true beauty but also with its transparent colors reflecting in constant motion. As an artist my purpose is to accomplish the portrayal of the emotional tones and depths of shades of truth that are displayed in continuous movement. For this particular reason the unseen and untold dimensions that the undertones and the overtones of bodies of water allow me to experiment with a wide array of colors on my palette. Consequently, my goal is to never repeat myself in my artistic journey as I continue to play with many shades of reflections in water until I have compiled a finite collection of all shades of water....
Mary Hatch - Mary Hatch has had a strong interest in art beginning painting and art classes when she was twelve, and visiting the Dallas Museum of Art, and A The Chicago Art Institute regularly made an impression on her style by seeing famous paintings. She studied art at UT Arlington, and transferred in her junior year to the Architecture department from the Art department, graduating with a Bachelor of Science in Architecture and is a Registered Texas Architect and Interior Designer. She additionally studied printmaking at TCU and the University of Dallas. Seeing other museums also created a great love for art including the Kimbell Art Museum, Louvre, Prada, Kunsthistorisches, Ufizzi, and The National Gallery. In the late 70s, she participated in multiple gallery art shows, university exhibits and Dallas WomanaEURtms Caucus of Art and Texas Visual Artist competitions. In the mid 80aEURtms she attended an Adams Middleton Gallery, Dallas, TX, art show for the abstract expressionist, Herbert Ferber, at his art exhibition. His vast canvases with sculptured facade inspired her to paint large. In the 90's, the New Mexico Series was inspired by the Southwest and multiple trips to Santa Fe, NM. During 2006-2009, she was painting seascapes ...
Ana Maria Hidalgo - These paintings I have submitted belong to the sequence of paintings I have called "Sensorial Hearts". This sequence is being shown at the present time in Chile. I am showing 13 large paintings done in acrylic on canvas. The subject has to do with the world of human feelings, symbolized by the shape of a heart, which is represented figuratively only once in while on the work of art. Human feelings as subject matter constitute an excellent excuse for developing innumerable contents that finally conform the creative act. Color plays an important role in the making of the work of art. Its construction begins with deep ochre, from whom several figures emerge, concluding strokes of pure and lively color, that finish the work of art, ending in the creation of an complete body. The creation of primogenial signs that relate to ancestral human expression and human origin is one of the objectives of this work. This paintings also have to do with the creation of space and vital cosmos where the observer can recreate himself looking for shapes that originate upon his own subjectivity. On the other side, the exhibition also includes the presentation of some poems written by the ...
Dwayne Mitchell - Art or Portrait painting to me is to capture a moment in time, weather it happy or sad, it can hold a special feeling for ages, and bring to memory what was going through your mind at that exact time. it can make you cry or laugh... like watching a movie with no words...and that is what I want people to get out of my work....
John Douglas - John Douglas is an Australian multi-media artist whose painting exhibitions have received acclaim and caused controversy both in his home country and internationally. He began painting at the age of 8, and studied at the Queensland College of Art until his expulsion in 1984 for being a "disruptive and disturbing influence", after which his career really took off. His photography encompasses a broad spectrum of styles and themes, including publications in Thailand, Denmark, Sweden, United Arab Emirates, China, Qatar, Australia and Japan. John Douglas currently has his short film "Painting Air" in a solo web exhibit for The Istanbul Museum of Contemporary Art. ...
Jerry Ross - Manifesto of American Verismo By Jerry Ross, 2012 "American verismo", a movement that I have recently founded, is a catch-all phrase for an artistic style that draws its main inspiration from Italian art, both classical and modern. There is an implied nostalgia for work done "dal vero" (after life) whether classical (Raphael, Rubens, or Caravaggio, etc.) or 19th century (the Tuscan I Macchiaioli school) or more contemporary. Verismo is somewhat akin to contemporary "atelier realism" but the latter has been criticized for an academic uniformity and its over attention to details. American verismo is more poetic and linked to post-impressionism, the Milan-based Scapigliatura ('wild hair') movement, and the I Machiaioli's commitment to social issues. But like atelier realism, American verismo is associated with a painterly sketching style, use of broad brushstrokes, and the alla prima, "direct attack" technique of painting. It is also linked to all'aperto (open air) impressionist-style landscape painting. In short, to pleinairism which has become widely popular in recent years. I first introduced the term during several classes he taught at the Maude Kerns Art Center in Eugene and then later at the "Angels Fight Road Art Center" plein air retreat...
Cathy Savels - Nature as art, in absolute detail. A never ending paradox that tears me from reality. Everything has a spirit, a voice that needs to be listened to. Creativity is my passion. This was the journey of my childhood, as I watched my father create wonderful furniture in wood and observed my mother sewing beautiful garments with fabrics. When I search for inspiration, I look over the vineyards surrounding my studio in south-west France and ideas engulf me. Dreams evolve into reality, midnight sketches become my driving force. Before my canvas, I see the world through a lens. I'm interested in what escapes me. ...
Kimmie Hamm - Everywhere you dream to go can become a part of you and everywhere you have been is a part of you. I am an explorer and optimist at heart, so when I set out to create something one word always comes to mind: Possibilities I feel that through art I can explore the visions in my mind, everything from a small flower or blade of grass to distant worlds filled with whimsy and thoughts of what ifaEUR|aEUR|. Culturally I have two aspects that influence me one being my Native American ancestry and the other my German immigrant ancestry. I am deeply rooted in the beauty and wonderment of nature. My wise grandmother told me if you have strong roots your sprit can fly anywhere and still return home. That saying has always stuck with me and in many ways sparked my imagination. The explorer in me must come from my immigrant ancestry. My great grandfatheraEURtms family traveled to America on a steam ship in 1874. I can imagine them traveling for what must have seemed like an eternity. I often contemplate what they must have been thinking, and try to express the excitement of the unknown and the anticipation ...