Artists Describing Their Art:
Sara Adrian - Iconic art, the symbols of alchemy and the mythology of culture has always held an interest for me. I use color and symbols combined with familiar imagery to talk about social issues and stereotypes. There are specific ideas that I present in my work, but I feel it's very important not to be too specific as I want the viewer to come to their own conclusions as to what my art is trying to say. My purpose is to make the viewer think about what they see and what they believe in, and create a dialogue. The media I use in painting is oil and acrylics mixed in with metallic substances, such as gold or aluminum leafing, iron oxide, or metallic tinted paint, combined with strong design and chroma. I want the work to react to the light changes in the environment, and be an active participant in the space. The strong color combined with the wood I prefer to paint on is to echo the medieval byzantine iconic painting of which I find much inspiration. It's important to me to combine aesthetic with content, and this is what I work to achieve. ...
Laura Walker - I am a quiet observer taking snapshots of occurrences in which subjects are unaware of their exhibitions of solitude or bliss. Everything that enters my focus is perceived in a way that resonates with my work. In my view of subjects in nature and urban settings, both share the common motif of wearing new. I take pleasure in transforming what may be perceived as disparging and portray the matter with an optimistic palate of oil paints, making light of reality....
David Cuffari - I approach my work as a visual poem. Sometimes the meaning is simple and direct and other times it's more complex. I prefer to create work that is open-ended allowing the viewer their own interpretation of what I present. I am primarily a painter preferring to work in acrylics as it allows me to make rapid revisions which helps keep the work fresh and immediate. The over-arching theme of my artwork is the human condition. I see the fabric of life as woven in opposites. By employing dualities like order/chaos, rough/smooth textures, themes of life/death, controlled effects/happy accidents, rational/irrational imagery, I try to paint interesting pictures that allow the viewer to see the world a bit differently. I am also interested in the notion of time. I don't believe that time is linear but more like an echo. I try to avoid static imagery preferring to create a complex painting that unfolds as you look at it, with layers of imagery and meaning. I do this by preserving the process of editing and revision as I arrive at the final image. Most recently I've been proceeding without a pre-conceived ...
Marza Traian - Activitate profesionala: 1998-1999 Lector (cadru asociat) la institutul de grad universitar "Buna Vestire", grecocatolic, Blaj. Membru al Societatii de arta Choisy Le Roy, Franta Din 1996 pana in prezent, profesor la Liceul de muzica si arte plastice, Alba Iulia. Din 1998 este membru al UAP din Romania. 2003 Doctorand arte vizuale la Universitatea de Vest Timisoara. 1999-2005 Presedintele Filialei Alba a UAP...
Richard Wynne - Richard is an acclaimed International Artist recently returned to the USA. Richard has lived in many Countries. "The last being Thailland. He started his art studies at a very young age at the John Herron Art Institute In Indianapolis, Indiana and then later at the Art Institute of Chicago Richard has lived in many countries, painting, and playing music. Mr Wynne has exhibited in Thailand, the United States, Spain, Argentina, Kuwait, Korea, Ihdia, and other Countries. Sometimes perhaps I say too much about my self but maybe it helps people understand what motivates my work. For your information I've lived in 8 different countries and have been around the world 5 times. I speak a few different languages, some very well; others not so well. By the way I am not a workaholic as I don't consider what I do work. I enjoy life too much. I forgot to say I am also a weight lifter as lifting weights is my Zen. When I am troubled the concentration it takes to lift makes me calm. I guess my page will probably be a little different from what people expect. Sorry I have not been uploading new work as ...
Jerry Ross - Manifesto of American Verismo By Jerry Ross, 2012 "American verismo", a movement that I have recently founded, is a catch-all phrase for an artistic style that draws its main inspiration from Italian art, both classical and modern. There is an implied nostalgia for work done "dal vero" (after life) whether classical (Raphael, Rubens, or Caravaggio, etc.) or 19th century (the Tuscan I Macchiaioli school) or more contemporary. Verismo is somewhat akin to contemporary "atelier realism" but the latter has been criticized for an academic uniformity and its over attention to details. American verismo is more poetic and linked to post-impressionism, the Milan-based Scapigliatura ('wild hair') movement, and the I Machiaioli's commitment to social issues. But like atelier realism, American verismo is associated with a painterly sketching style, use of broad brushstrokes, and the alla prima, "direct attack" technique of painting. It is also linked to all'aperto (open air) impressionist-style landscape painting. In short, to pleinairism which has become widely popular in recent years. I first introduced the term during several classes he taught at the Maude Kerns Art Center in Eugene and then later at the "Angels Fight Road Art Center" plein air retreat...
Norbert Szuk - My artwork can be divided into periods by idea, emotion and impression. I am proud that the pulsating colours of my pictures have been accepted by Playboy Magazine in Hungary, as well as by the world-famous electronic record company, Some Bizarre Studios in London, for whom I occasionally design CD covers. I have achieved success in the field of illustration and my own artistic universe in which I blend different trends. Apart from my own style, I also paint Japanese manga pictures where I mix European art forms with Far-Eastern images like wayang, so that my artistic style might be called international. My manga and wayang figures express emotions and passion, animated by various ideas. My heart and emotions are European, my ideas are nurtured by Spanish surrealism, my images promote the harmony of the Far-Eastern world. I always maintain a broad perspective. As well as painting, I have worked in international festival management in Hungary and abroad. I deal with graffiti, airbrush, ice, sand, giant painting and various other kinds of installations, art camps, designs, illustrations and exhibition organizing. I have created 120 minor and major art programmes and movements. From art festival management, I am ...