Paintings For Sale - Price Range: $5000 - $10000

Page 21 of 78
Discover 2,244 original painting artworks for sale between $5000 - $10000. Contemporary emerging artists: Vladimir Zagitov, Bodo Gsedl, Massimiliano Stanco, Yunsook Park, Ludmila Guryeva, Leon Aarts, Yoli Salmona, John Douglas, Stephen Powell, Erik Pevernagie, Karen Aghamyan, Lawrence Buttigieg, Michael Todd Longhofer, Bridget Busutil, Jorge Posada, Timothy King, Jose Cardoso, Ilgvars Zalans, Ali El Ghul, Edmond Gjikopulli, Laurie Pagels are exhibiting their affordable original art. You can buy artwork online and browse 78 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Bodo Gsedl: 'The beauty and grace of beeing eighty', 2007 Oil Painting, Portrait.  Portrait of Inge, my aunt ...
Portrait - Painting
120 x 100 cm (47.2 x 39.4 inches)
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Massimiliano Stanco: 'Lemons', 2004 Oil Painting, Abstract Figurative.  The red apple.  Representation of the temptation.Neo- Cubist version ...
, 2004
Abstract Figurative - Painting
30 x 40 inches (76.2 x 101.6 cm)
Yunsook Park: 'Best of 7s', 2006 Acrylic Painting, Abstract. Winning lottery tickes, acrylic on canvas...
, 2006
Abstract - Painting
42 x 50 inches (106.7 x 127.0 cm)
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Ludmila Guryeva: 'Summer', 2002 Oil Painting, nudes.  canvas, oil ...
, 2002
nudes - Painting
60 x 80 cm (23.6 x 31.5 inches)
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Ludmila Guryeva: 'Designer Olya', 2002 Oil Painting, People.  canvas, oil ...
People - Painting
80 x 100 cm (31.5 x 39.4 inches)
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Leon Aarts: 'Cogito ergo sum', 2007 Oil Painting, Abstract Figurative.  cogito ergo sum.  I think therefore I am ...
Abstract Figurative - Painting
76 x 60 cm (29.9 x 23.6 inches)
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Yoli Salmona: ' All hands taken something is cooking', 2004 Oil Painting, Portrait.  A woman' s task. . . This is a self portrait of my daily life, inspired by a small sketch by an unknown Australian artist.My grey cat wouldn' t stay in place, each time I stepped away to photograph her, she followed me. . . So I painted my white cat...
Portrait - Painting
102 x 102 cm (40.2 x 40.2 inches)
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John Douglas: 'Earth1 Australia 4', 2004 Acrylic Painting, Abstract.  From a series inspired by the earth colours of remote Cape York, northern Australia. ...
Abstract - Painting
84 x 59 cm (33.1 x 23.2 inches)
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Stephen Powell: 'Bengal Tiger', 2007 Oil Painting, Wildlife.  Bengal Tiger  ...
Wildlife - Painting
60 x 90 cm (23.6 x 35.4 inches)
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Erik Pevernagie: 'Even if the world goes down my handy will still save me', 2006 Oil Painting, Abstract Figurative.  Even if the world collapses she feels she will be saved by her mobile. Technology has become so fascinating that people consider IT gadgets as God's tools to salvation ...
Abstract Figurative - Painting
100 x 100 m (328.08 x 328.08 feet)
Erik Pevernagie: 'Sex for fish', 2006 Oil Painting, Abstract Figurative.  Erik Pevernagie is close to the current events in the world. In this painting he alludes to the women in some African countries who sell there body for fish and by doing so get some state of independence ...
Abstract Figurative - Painting
80 x 100 cm (31.5 x 39.4 inches)
Erik Pevernagie: 'Happy days are back again', 2007 Oil Painting, Abstract Figurative. Reflexions on happiness and  real values in life...
Abstract Figurative - Painting
100 x 100 cm (39.4 x 39.4 inches)
Karen Aghamyan: 'Approaching', 2005 Oil Painting, Figurative.  Its a nature of human being always to look and choose in all speres of life, even in relations with other people.In another case when one chooses somebody to be beside him its very difficult to find the right way to do it, it becomes even more difficult to...
Figurative - Painting
100 x 80 cm (39.4 x 31.5 inches)
Lawrence Buttigieg: 'Nude lying down on yellow and blue background', 2007 Oil Painting, nudes.
nudes - Painting
195 x 130 cm (76.8 x 51.2 inches)
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Leon Aarts: 'Immigrant', 2007 Oil Painting, Abstract.  Non representational style ...
, 2007
Abstract - Painting
76 x 60 cm (29.9 x 23.6 inches)
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Michael Todd Longhofer: 'Chrysler kisses Colors', 2007 Oil Painting, Undecided.  The needle of the Chrysler building kisses the United States Flag. ...
Undecided - Painting
30 x 40 inches (76.2 x 101.6 cm)
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Bridget Busutil: 'African mask 3', 2007 Acrylic Painting, Abstract Figurative.  the spirituality of African masks.pigments with binder on canvas ...
Abstract Figurative - Painting
75 x 150 cm (29.5 x 59.1 inches)
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Jorge Posada: 'Exodus escape V', 2007 Oil Painting, Abstract Figurative.  Semi- Human form in motion ...
Abstract Figurative - Painting
48 x 72 inches (121.9 x 182.9 cm)
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Jorge Posada: 'Exodus, escape VI', 2007 Oil Painting, Abstract Figurative.  Composition of a human form in motion  ...
Abstract Figurative - Painting
48 x 72 inches (121.9 x 182.9 cm)
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Jorge Posada: 'Animus Corpus V', 2007 Oil Painting, Abstract Figurative.  Semiabstract human figure in red ...
Abstract Figurative - Painting
36 x 60 inches (91.4 x 152.4 cm)
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Jorge Posada: 'Animus Corpus 4', 2007 Oil Painting, Abstract Figurative.  Semiabstract composition of a human form in red. ...
Abstract Figurative - Painting
36 x 60 inches (91.4 x 152.4 cm)
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Timothy King: 'Wing ParkTwo Trees', 2006 Oil Painting, Abstract Landscape.
Abstract Landscape - Painting
48 x 36 inches (121.9 x 91.4 cm)
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Jose Cardoso: 'AVIATION2', 2001 Acrylic Painting, Undecided. Aviation tremes, exposed at the noblest part of Gongonhas AirPort in SAPSo Paulo in the 20002001 years...
, 2001
Undecided - Painting
5 x 3 m (16.40 x 9.84 feet)
Jose Cardoso: 'Aviation', 2001 Acrylic Painting, Aviation. Aviation tremes with 2,67x4,80 mExposed at Gongonhas airport in SAPSo Paulo during 20002001 years...
, 2001
Aviation - Painting
5 x 4 m (16.40 x 13.12 feet)
Ilgvars Zalans: 'traffic', 2007 Oil Painting, Undecided.  night , highway, 2007 ...
, 2007
Undecided - Painting
150 x 120 cm (59.1 x 47.2 inches)
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Bridget Busutil: 'Mermaid2', 2006 Encaustic Painting, Abstract Figurative.  Encaustic on wood.Follow leavingThis Mermaid reflects her sadness of leaving.  She is bent under the weight of the suffering, , , , ...
, 2006
Abstract Figurative - Painting
60 x 50 inches (152.4 x 127.0 cm)
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Ali El Ghul: 'Rum Scripts 1', 2003 Acrylic Painting, Abstract Figurative.
Abstract Figurative - Painting
110 x 55 cm (43.3 x 21.7 inches)
Edmond Gjikopulli: 'In a market', 2005 Oil Painting, People.
People - Painting
75 x 250 cm (29.5 x 98.4 inches)
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Laurie Pagels: 'Bridge of Sigh', 2007 Oil Painting, Sceanic. Dimensions given are for the canvas only and do not include the frame dimensions.  Please email for frame dimensions.   Bridge of Sigh, Venice, Italy, Gondola, Water, Buildings, Architecture, Sceanic, Canal, Man in Gondola, Person, Historic, Landmark, blue, brown, off white, old  ...
Sceanic - Painting
40 x 30 inches (101.6 x 76.2 cm)
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Alexander Sibachev: 'Shark Woman', 2005 Oil Painting, Abstract Figurative.  Oil on Canvas. Please e- mail for payment and shipping information....
Abstract Figurative - Painting
32 x 56 inches (81.3 x 142.2 cm)
(Page 21 of 78) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Vladimir Zagitov - Artist-painter. Since 2010 member of the of the National Public Artistic Association "Russian Federation Artist's Union" (since 2010) Was born in 1978 in Ufa, Russia. Graduated The Ufa State Academy Of Arts (1996-2002). Since 1998 participant of city's, republican and national exhibitions of fine arts. Grant of Ufa's City Mayor (2001). Grant Of Culture Ministry of Russian Federation (2005). PLACES OF WORKS: Bashkirian State Art Museum named M.V. Nesterov, private collections of Russia, France, USA, India....

    Bodo Gsedl - In my works - portraits of individuals, surroundings and music - my goal is to catch what can not be seen at a glance. What is behind the image of a person? How can I make music visible? My art has to be explored. There is always something behind the first impression. ...

    Bodo Gsedl - Yunsook Park - Good Luck Project paintings incorporate New York lottery scratch game tickets cut into pieces and arranged into numbers, signs or game titles. Through attention to re-composition from the original source, the numbers and words are re-signified as an abstract meaning for desire and luck as a promise of instant wealth. Although hand-crafted, the collages recall the hard edge of the digital placed against the painted background....

    Leon Aarts - What is Art? Art is the thrilling spark that beats death - thats all. Brett Whiteley Why does one paint? The most fundamental reason one paints is in order to see. Whiteley Who is an artist? I am an individual who is also an artist-look at what I am doing. Alan Pearson. What is the definition of Art? Discovery is the definition of Art. Pearson. What is'good' art? There are no rules about investment. Sharks can be good. Artist's dung can be good. Oil on canvas can be good. There's a squad of conservators out there to look after anything an artist decides is art. Charles Saatchi (Art Collector) Can one explain what one's art is about? Painting is a language which cannot be replaced by another language. I don't know what to say about what I paint, really. Balthus The position of the artist is humble. He is essentially a channel. Mondrian It is particularly colouring of the soul which literary technicians have not so far found to be chemically analysable, and consequently,it has NO name.Expressionism is today in the AIR. I choose to be an artist. Leonardus Aarts...

    Yoli Salmona - I paint to capture an experience, a feeling, and strive to share it through colour, form, and light. AERIAL LANDSCAPES It's a different beauty from the air, more poignant and more objective in its apparent immobility. Whether formal or natural, the landscapes seen from the air become become more abstract. I can playfully re-order and move around details and elements of reality- mostly trees and shadows- like tesserae in a mosaic. PORTRAITS To portray is for me to express an unequivocal presence, a feeling for an actual person. Sometimes, there can be an ambivalence, an invitation to a question, particularly fascinating when painting young people. For me, a successful portrait has an element of timelessness, while revealing something about the subject's present circumstance. BACKGROUND Born in France, I was a child who was drawing all the time. But for various reasons, I was unable to attend Art school growing up, and became a clothes/costume designer for ten years before studying (section Communication Visuelle) at the Paris Ecole Nationale Superieure des Arts Decoratifs. My aim then was to reach a wide audience trough Print, and Paris Art Publisher Flammarion gave me the first of a...

    John Douglas - John Douglas is an Australian multi-media artist whose painting exhibitions have received acclaim and caused controversy both in his home country and internationally. He began painting at the age of 8, and studied at the Queensland College of Art until his expulsion in 1984 for being a "disruptive and disturbing influence", after which his career really took off. His photography encompasses a broad spectrum of styles and themes, including publications in Thailand, Denmark, Sweden, United Arab Emirates, China, Qatar, Australia and Japan. John Douglas currently has his short film "Painting Air" in a solo web exhibit for The Istanbul Museum of Contemporary Art. ...

    Stephen Powell - WILDLIFE ARTIST - PHOTOGRAPHER - TUTOR - SPEAKER - MOTIVATOR - WEBSITE DESIGNER Stephen has been an active environmentalist working in, field work, public speaking and lobbying at all levels of government. He has spoken at school and community gatherings as well as on radio. His comments on environmental issues have appeared in newspapers and newsletters. His love of wildlife and the need for illustrations for news letters lead to an artistic future. After a management career in the ceramic industry for 20 years Steve set his sights on an artistic future. 25 years had elapsed since he last attended High School Art classes and the first step was to undertake VCE Studio Art. The first year of his artistic career resulted in, distinctions in VCE, a proposal from a leading publisher for an illustrated book and the sale of his first Wildlife paintings. This rapid rise has continued, his work has featured in a books, graphic displays, numerous environmental news letters and a R.S.P.C.A. Calendar and an 8 page feature in 'The Artist's Palette magazine' has show cased his work. His work has attracted a number awards, Which include Wildlife Art Society of Australasia & Best Flora or Fauna - Moomba ...

    Erik Pevernagie - WORK OF ERIK PEVERNAGIE : BRIDGING GAPS THROUGH ART Art, by its creative power, unleashes positive energy, closer relations between individuals and peoples. Through art people meet and get to know each other. By its very nature, art is universal and makes it easier to cross frontiers and barriers. It helps to forget alienations. Herald Tribune wrote quite rightly: " Bridging the gaps between generations, social strata and nationalities is a tricky business. However Erik Pevernagie may have hit upon a workable formula to ease the alienation. " The paintings of Pevernagie can be situated in this frame. The main theme in his work is man in his environment. The painter scans people and situations, juggles with colours and provokes emotions. In the first place Erik Pevernagie wants to state his alliance with society and the world at large. He wants to give evidence of the elements which do strike him in daily life. In order to stress this evidence he uses slogans, outcries, certain " truths " in his paintings like graffiti. His characters are expecting, looking forward, escaping, in quest of alternatives. Imagination is essential if we want to save our lives. The artist wants to give evidence on many levels. Reality is ...

    Lawrence Buttigieg - "My paintings are a balance of physical form and feeling. I penetrate the character of the person and focus on the inward reflective qualities. I slip my view of the subject between the layers of paint. I want my colours to be the colours of life, rendering likeness and personal stylisation inseparable. I am not concerned with the instantaneous image of the model but rather a prolonged record of his or her character."...

    Michael Todd Longhofer - I paint because I have a passion to do so. That passion began in early childhood and continues to grow to this day. I love everything about it...the creative process, the ability to express emotions, the blending of color and the smell of paint. I can't imagine a world without it. It is who I am and what I do. The subject matter of my paintings ranges from contemporary cityscapes and landscapes to contemplative figure studies. They are a chronicle of both my life experience and my imagination. My style of painting is realism and my technique has been called "photo-impressionistic". Perspective, depth and value are key components of my work, as well as the use of color to create the illusion of light to set the mood of the piece. I live in the Metroplex area, working full time as a painter. I earned my BFA from The Laguna College of Art and Design. My hope is that I'll be accepted into a master's program in the future. My commissioned works include landscapes, portraits and murals....

    Bridget Busutil - Bridget Busutil,google22976108fdd647b3.html Powered by View my page on Peacemaker Institute ARTIST STATEMENT. Art is a way of Life My life is about Art and reflects the multicultural diversity in which I was raised. I favour projects that mix Arts and multiculturalism and are interdisciplinary. I think that as an artist my world is not limited to an aesthetical dimension. Hopefully it goes beyond, through engaging a dialogue with the viewer that proposes discovery, criticism and reflection. Through my work I am offering the discovery of several worlds packed up in layers as in my encaustic, a sort of journey of self-discovery, as well as discovery of i?1/2the otheri?1/2 with the respect for cultural differences. The necessity is to succeed in viewing these differences as contributions to our own cultures and understand the wealth they have to offer. When I paint or teach students to draw a linei?1/2, I am aware of reaching out for a world without frontiers. Technically I wish to bridge the past to the present and show that there is a continuity in life experience that only artists are capable of showing. Keyword Optimizer ...

    Jorge Posada - In my intention to be part of a collective memory, my art serves as a vehicle to present my own interpretation of the violent reality I have witnessed. I use the human form to explore the rituals of violence that are present in our global society. I portray the brutality inflicted on the human being by his own kind. I reflect the impact that has been engraved in my mind when I was confronted in my childhood with the universe of icons that represent the martyrs of the Catholic Church. In my quest to exorcise these images, I use the body as the center of my artwork. In my former paintings and drawings, I depicted the figure in a more realistic way. Today I use a different visual approach that integrates the human form into a juxtaposition of color, shape, texture and carefully applied transparencies. The tension between gestural body fragments and planes suggests a constant flux of the body in the two-dimensional space. I articulate the formal dynamics of the ephemeral human presence with a blend of realistic and semi-abstract figuration. I invade the canvas and the paper with brush strokes and lines in spontaneous motions to ...

    Timothy King - ARTIST STATEMENT and BIOGRAPHY STATEMENT I find painting goes beyond the notion that painted reality is "nothing but " a precursor to a photographic realism. Painting is a phenomenological experiment. There is a synthesis between the visual and the kinesthetic that forms a powerful third range of human perception. Human space and form are not purely optical manifestations. The painting of mass and line can provoke a muscle sense, a physical ness between viewer and the painted relationships. Hans Hoffman called this "Push-Pull". Matisse referred to this as the convexity of pictorial space. In this "meta-vision" or "minds-eye" the painter is not freed from the experience of perspective and local color and the naturalistic geometry of the objects and scenes. Rather, the painter can be liberated by the experience and knowledge of the defining aspects of human reality. Vision encompasses the obvious factors of sight along with other less obvious paths to sensing reality. Human vision is based on a plasticity of structures that tell us more than what a photograph can convey. The visual system, governed by layers of logical relationships, goes much further than a photo interpretation of reality. Painters like Courbet and Cezanne understood ...

    Ali El Ghul - ALI EL GHUL IS A JORDANIAN PAINTER BORN IN JERUSALEM 1938 AND STUDIED ARCHITECTURE IN FLORENCE- ITALY AND NEWCASTLE UPON TYNE IN ENGLAND-UK. HIS FIRST TOUTRE IN PAINTING WAS PROF.LEONARDO RICCI IN FLORENCE .THEN AREF RAYES FROM LEBANON AND SHEKER HASSN FROM IRAQ. HE IS AN EXPEREMENTAL PAINTER . HE IS TEACHING ART AND ARCHITECTURE AT THE UNIVERSITY OF JORDAN AND LECTURES SOME TIMES AT CITY UNIVERSITY -AMMAN - J0RDAN FOR MORE INFORMATION YOU CAN VISITE: HTTP://www.alighul.com ... Further Information ...

    Edmond Gjikopulli - Artistic statement Like a film fragment standing daily before our eyes, a film where we feel being at the same time viewers and actors, Albania of the years 2000 is obsessed by a consumerist fever, from the beginning of another system of references, which nevertheless, unable to substitute entirely the old one and matching everyday with him, is aiming to reach a much dreamed Eldorado. We experience around us a strong loging for consume, a loging which gradually is transforming our psyche and our system of values, but that nevertheless hasn't been able to reach the essence of what is original, "exotic", interesting and sincere. These are moments that I see everyday, people that I know, people living the everyday poetic and prosaic moments of existence, people anonymous and real in the capitalist Albania of the years 2000. We participate in this fairytale since fifteen years, with absurd scenes, tragicomic, kind and painful, grotesques and unique, which at the same time are the features of the new Albanian identity of these last years. Witnessing everyday this transformation is difficult not to be stimulated by these signals which are found everywhere, you can't keep yourself by turning the head ...

    Laurie Pagels - "I have been impressed with the urgency of doing. Knowing is not enough; we must apply. Being willing is not enough; we must do" -- Leonardo DaVinci Today must not be a souvenir of yesterday, and so the struggle is everlasting. Who am I today? What do I see today? How shall I use what I know, and how shall I avoid being victim of what I know? Life is not repetition. (Robert Henri)...