Contemporary Art For Sale Price Range: $100 - $199

Page 4 of 212
Over 6133 works of original contemporary art for sale in the price range $100 - $199. On this page you can find works by Harry Bayley, Donna Gallant, John Sims, William Christopherson, Marino Chanlatte, Daniel Clarke, Lynda Lehmann, Rhoda Taylor, Diana Carey, David Larkins, Larysa Uvarova, Suzanne Mcclelland, Azhar Shemdin for the follwing mediums: 1. Links to more artwork and 212 pages for works in the price range $100 - $199 and links to further artists' works at the bottom of this page. To view a work by any of these visual artists simply click on the image or browse the artist's portfolio.


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Harry Bayley: 'laggan beach', 2017 Watercolor, Landscape. Watercolour of the beach at Laggan, Lochaber in Scotland. ...
Landscape - Watercolor
10 x 8 inches (25.4 x 20.3 cm)
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Donna Gallant: 'vaugh s flowers', 2017 Pencil Drawing, Floral. An interesting piece that has strong dark light accents to portray a hot summer s day.  This pieces is a drawing on paper done with colored pencil. ...
Floral - Drawing
9 x 12 inches (22.9 x 30.5 cm)
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John Sims: 'winter solstice cold dark', 2016 Watercolor, Abstract Landscape. After a cold dark walk in Whitstable on Winter Solstice night. Watercolour on paper...
Abstract Landscape - Watercolor
21 x 21 cm (8.3 x 8.3 inches)
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John Sims: 'girl on a beach in my head', 2016 Watercolor, nudes. Another girl in my head. Watercolour on paper...
nudes - Watercolor
21 x 18 cm (8.3 x 7.1 inches)
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John Sims: 'red head', 2016 Watercolor, Abstract Figurative. Small watercolour on paper. She just appeared in my head. ...
, 2016
Abstract Figurative - Watercolor
15 x 20 cm (5.9 x 7.9 inches)
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John Sims: 'very hot day whitstable', 2016 Watercolor, Seascape. After walking on West Beach in Whitstable, Kent UK. A very hot day. Watercolour on Paper. ...
Seascape - Watercolor
21 x 21 cm (8.3 x 8.3 inches)
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William Christopherson: 'Time Tree', 2017 Giclee, Cityscape. The iconic historical restaurant The Crystal, founded in 1925.  Portrayed by the artist from the early years leftward, traveling trhough time to the modern era of the historic Lincoln Building, in downtown Watertown, NY. 16 x 20 giclee on Hannemeule brand 120lb.  watercolor paper.  Numbered, signed, and dated, with certificate, ...
, 2017
Cityscape - Giclee
12 x 16 inches (30.5 x 40.6 cm)
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William Christopherson: 'October Night', 2017 Giclee, Cityscape. An October fall night on Public Square, Watertown, NY.  Giclee printing on stretched Hahnemeulle cotton canvas gallery wrapped.  Is prepared for hanging incl. wire, hooks, and hanger.  Signed and sequentially numbered by the artist, with certificate of authenticity. ...
Cityscape - Giclee
20 x 20 inches (50.8 x 50.8 cm)
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Marino Chanlatte: 'water lilies 12', 2017 Acrylic Painting, Abstract. I love to observe water lilies in the water and in the canvas, these are my water lilies.Edge of painting 1. 5 inches depth, painted to match with painting. Ready to hang.   flowers, water lilies, monet style, impressionism, blue, decor...
Abstract - Painting
9 x 12 inches (22.9 x 30.5 cm)
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Daniel Clarke: 'autumn harvest', 2017 Watercolor, Still Life. Autumn Harvest  it s that time of the year when the crop comes in, the fires burn brightly, and we move into the season of the Witch ...
Still Life - Watercolor
9 x 2 inches (22.9 x 5.1 cm)
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Marino Chanlatte: 'deeper', 2017 Acrylic Painting, Abstract. In creating this work I navigated deeper experimenting with different layers of colors. The shapes came out spontaneously as when the water drips down the earth after the rain. The painting extends to the edges of the canvas, ready to hang.  Keywords: contemporary, decor, expressionism, abstract, gray, brwn, nature...
, 2017
Abstract - Painting
9 x 12 inches (22.9 x 30.5 cm)
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Daniel Clarke: 'observatory trail view', 2017 Watercolor, Landscape. Griffith Park Observatory viewed from one of many trails crisscrossing the park.  Watercolor on paper...
Landscape - Watercolor
16 x 12 inches (40.6 x 30.5 cm)
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Marino Chanlatte: 'water lilies 11', 2017 Acrylic Painting, Abstract. I love to observe water lilies in the water and in the canvas, these are my water lilies.   Water, lilies, Monet, flowers, nature, impressionist ...
Abstract - Painting
10 x 10 inches (25.4 x 25.4 cm)
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Lynda Lehmann: 'water study 4', 2017 Mixed Media, Beauty. Ripples make a beautiful overall  and infinitely changing  texture on lake water as twilight falls, and reflected sunlight plays in luminous bangles of light, creating its own magic.Matted 8 x 10 Print   120. 00KEYWORDS: glimmer, shimmer, beauty  water  lake  energy  flowing  light  mirroring  movement  natural  nature  nautical  optical  ...
Beauty - Mixed Media
10 x 8 inches (25.4 x 20.3 cm)
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Rhoda Taylor: 'c', 2017 Ink Drawing, Fantasy. Detailed penwork...
, 2017
Fantasy - Drawing
6 x 6 inches (15.2 x 15.2 cm)
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Rhoda Taylor: 'b', 2017 Ink Drawing, Fantasy. Detailed penwork...
, 2017
Fantasy - Drawing
6 x 6 inches (15.2 x 15.2 cm)
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Rhoda Taylor: 'a', 2017 Ink Drawing, Fantasy. Detailed penwork...
, 2017
Fantasy - Drawing
6 x 6 inches (15.2 x 15.2 cm)
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Rhoda Taylor: 'f', 2017 Ink Painting, Fantasy. Detailed Flora...
, 2017
Fantasy - Painting
6 x 12 inches (15.2 x 30.5 cm)
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Diana Carey: 'circles squares', 2017 Steel Sculpture, Abstract. Tabletop steel sculpture. Rugged. Gray. ...
Abstract - Sculpture
9 x 6 inches (22.9 x 15.2 cm)
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Marino Chanlatte: 'new morning 2', 2017 Acrylic Painting, Abstract. Mixed colors of the sun and sky in an abstract new morning. This work is comprised of two canvases 8 X 10 each. you can arrange them in any order you prefer. You can also match them with the two canvases of Morning 1, making and arrangement of a painting ...
Abstract - Painting
16 x 10 inches (40.6 x 25.4 cm)
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Lynda Lehmann: 'plantasia 17', 2017 Digital Art, Beauty. This is one of a series of a dreamlike, abstract botanical fantasy images with mysterious lighting effects, based on plant and flower forms.  abstract, fantasy, dreamy, mysterious, plants, floral, botanical, flowing, organic, pretty, subtle, abstract floral fantasy, petals, stems, curves, texture, attractive, fun, decorative, tulips, plant, flower, graceful, soft, gestural, ...
Beauty - Digital Art
12 x 9 inches (30.5 x 22.9 cm)
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Lynda Lehmann: 'plantasia 18', 2017 Digital Art, Beauty. This is one of a series of a dreamlike, abstract botanical fantasy images with mysterious lighting effects, based on plant and flower forms.  abstract, fantasy, dreamy, mysterious, plants, floral, botanical, flowing, organic, pretty, subtle, abstract floral fantasy, petals, stems, curves, texture, attractive, fun, decorative, tulips, plant, flower, graceful, soft, gestural, ...
Beauty - Digital Art
12 x 9 inches (30.5 x 22.9 cm)
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Lynda Lehmann: 'plantasia 20', 2017 Digital Art, Beauty. This is one of a series of a dreamlike, abstract botanical fantasy images with mysterious lighting effects, based on plant and flower forms.  KEYWORDS:  abstract, fantasy, dreamy, mysterious, plants, floral, botanical, flowing, organic, pretty, subtle, abstract floral fantasy, petals, stems, curves, texture, attractive, fun, decorative, tulips, plant, flower, graceful, soft, ...
Beauty - Digital Art
12 x 9 inches (30.5 x 22.9 cm)
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David Larkins: 'fishtown tugs', 2017 Giclee, Boating. Anyone whom has traveled to the Sleeping Bear Dunes area and Leland, Michigan will recognize the storied fish tugs that harbor in Fishtown.These steel hulks which have been around for generations still sail out of Fishtown a working fishing village to net the Whitefish in Lake Michigan.Once prevalent ...
Boating - Giclee
18 x 27 inches (45.7 x 68.6 cm)
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David Larkins: 'Bella Venezia', 2016 Giclee, Architecture. Venice, an archipelago of islands and canals is one of the few cities that was never
Architecture - Giclee
18 x 24 inches (45.7 x 61.0 cm)
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Larysa Uvarova: 'Painting Purple Sunset', 2016 Oil Painting, nature.  Original oil painting, signed on the back will be great asset to your private collection. This painting was made with brushes and palette knife, multi- layers. It is perfect for the stylish modern interiors. This painting is unframed, so you can choose the frame size and color by yourself to...
nature - Painting
35 x 18 cm (13.8 x 7.1 inches)
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Suzanne Mcclelland: 'Abstract glass Mosaic Tray', 2016 Mosaic, Abstract.  The flow of glass in a artist fashion of glass....
Abstract - Mosaic
19 x 2 inches (48.3 x 5.1 cm)
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Azhar Shemdin: 'Teepee Woman and the Blue Pyramid', 2016 Reproduction Artwork, Abstract Landscape. The artist has personally placed the original painting on a printer to preserve the original colours and control the quality of the print.  The original was painted in 2012. ...
Abstract Landscape - Reproduction Artwork
12 x 18 inches (30.5 x 45.7 cm)
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Azhar Shemdin: 'Tree of Life', 2016 Other Printmaking, Abstract Landscape. Prints made by directly Putting the painting on a printing machine by the artist to ensure accurate colour quality. Printed in 2016, but the original was painted before 2016.  Original painting is sold.  Only eight prints are left with the artist....
Abstract Landscape - Other Printmaking
18 x 12 inches (45.7 x 30.5 cm)
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Azhar Shemdin: 'Dream', 2016 Other Printmaking, Abstract.  This is a print of the original painting in liquid acrylic. It is reproduced by the artist by placing the painting directly on the printer to insure color precision. Only twenty prints were made in this first edition of the Dream. ...
, 2016
Abstract - Other Printmaking
13 x 19 inches (33.0 x 48.3 cm)
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(Page 4 of 212) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Harry Bayley - My paintings are very much about expressing colour in different ways, which I incorporate into whatever painting that I am working on whether it be my own work or a commission. I think colour when used in a painting whether it be bold or subtle can make all the differnce. I would describe my paintings as absrtact, contemporary and full of colour expression....

    Donna Gallant - Art is a daily routine in my life. I see, hear, taste, feel and smell the life that surrounds me and I am inspired by the simplest aspects of this world. Whether it be the way the light hits an object or the way objects or forms move in space. I find it all so fascinating and alive. I try to portray these experiences and expressions through my art making....

    John Sims - Following some thirty years working as a graphic designer and illustrator I began stone carving in 2000 and in 2002 I returned to college at Christ Church Canterbury in England to study BA Fine Art. In 2007 I went to the Cyprus College of Art to study for a Post Grad Diploma in Fine Art under the great Cypriot artist, Stass Paraskos. At the end of the course I was asked to stay on and run the Summer Schools and to be tutor on the Post Grad course. An incredible experience and an enormous influence on my work. My work now involves less stone carving more often found timber or kebab sticks My drawing in some respects has turned a full circle in the sense that prior to sculpture my illustration work was colourful but painstakingly detailed and stylised. At college I concentrated on measured observational life drawing in pencil which fed into the simple lines of my mainly figuratively based stone carvings. Whilst in Cyprus I re-discovered colour in both my drawing and sculpture. Dreams and mythology filled my waking and sleeping hours. Oil pastel and oil sticks became my favourite mediums to quickly capture these glimpses of ...

    William Christopherson - The viewer sees a finished canvas. The artist relishes its journey of creation. A thought, a feeling, an experience, a place. These are the most essential of supplies as the artist tasks to expand, explore, and evolve along the path. All are welcome here, to view, appreciate contemplate, and possess the journeys I have made, and the journeys yet to come. Over the past several years I have explored the oil medium, borrowing technique from both historical and present day impressionism. Its a medium I love to work in, even though my wardrobe and studio surfaces have suffered immensely. Much of my work now reflects the pallet knife, and explores a prolific use of heavy colorful brush stroke. Everything continues to evolve, and thats a good thing Enjoy. William Christopherson, 2017 ...

    Marino Chanlatte - I started painting a long time before I realized it was my passion, and that I would be a painter. I felt the inner need to express through painting, in a freely and spontaneous way, my feelings, thoughts, ideas and fantasies that appeared as visions ... I use color, texture, shapes, light, and shadows to express myself. If my work communicates any emotion or feeling to the viewer, then I accomplished my purpose....

    Daniel Clarke - Daniel E. Clarke is a Los Angeles Native who has been painting his entire career in the Los Angeles area. His art education has included studying under the internationally famous Timothy Clark, UCLA Extension University, and Glendale College. He has explored both pictorial and abstract designs but is dedicated to a free flow of color and dynamic composition. Mr. Clarke has concentrated on the acrylic and watercolor medium, and paints on location in his Los Angeles based studio. He also maintains his paintings and sales in his own company called Berrypunch Gallery. ...

    Lynda Lehmann - I have participated in numerous juried shows and had solo shows of my paintings. Ive sold my photography and digital art online, in galleries and other real-time venues, although I am currently marketing my work primarily online. My stock art sells well and Ive sold at least 2400 images in that venue. Life events had steered me away from painting but I am jumping back into that part of my process and hope to have new paintings online within the next few months. OTHER STUFF My painting Bibliophiles Dream has been featured on the cover of the Insights Journal of Austin Seminary. My paining Damariscotta Dream has been used for the cover of Chuck Sweetmans poetry chapbook published by Dream Horse Press. My image Enchanted Forest was used by the Sierra Club in their online feature Daily Ray of Hope. The Yellow Door has been published in Long Islands Canvas Magazine. I was a featured artist at Imagekind in July and have been featured from time to time on my other sites as well. February 1 - 28, 2009 - Metrimorphic III featuring new abstract paintings combining biomorphic and geometric elements, Harborfields Library, Greenlawn, NY. Due to time constraints I will ...

    Rhoda Taylor - Every day I work in my studio and every day I look forward to creating artwork. Painting is my passion.... I wouldn't know what to do without it. The studio that I work in is situated on the grounds of our house in beautiful Southern Ireland, surrounding me are the mountains with their soft mists, the rolling hills and ancient coastline, it all fills me with happiness and inspiration, I can gaze from my window at the amazing views, the Atlantic ocean, fields, cattle, birds and trees, this truly is a mystical and magical place. Over the years I have worked with various mediums, glass painting, silk screen, oils, pen and ink, gouache and watercolour, but my ultimate choice is my pen and ink work which I truly adore, I know I can put into the paintings a tremendous amount of detail that would be almost impossible using another medium. I am fortunate to of had a lot of my work purchased and exhibited worldwide, England, Ireland, France, Germany, Malta, Hong Kong, Vienna, Japan, and America, with works including Portraiture, Design and Illustration, not to mention the countless private commission requests ranging from transforming memorable photographs into paintings for ...

    Diana Carey - I developed a passion for the creation of metal forms while studying at the Academy of Art in San Francisco. Each piece is unique and is discovered as I create it. There is no direct path from one piece to the next, instead, each evolves from the material. Once I start working on the piece I move with it as it starts taking shape. I want the metal to flow, the pieces to be light and airy, counterbalancing the rigidity of the steel I am working with. My sculptures are there to be touched and felt. Touching my sculptures can move a person along the same wavelength I felt as I was creating it. I know a piece has succeeded when I see smiles on the faces of people looking at it. People have said that my work makes them happy as they see and experience it. ...

    David Larkins - Ii?1/2ve always been intrigued by the luminosity and transparencies found in watercolor, Oil and acrylic mediums. I believe an artist must experience the painting i?1/2 to absorb the surroundings, the atmosphere, to have a oneness with the subject matter before the first brush stroke is applied. My style is described as i?1/2Abstract Realismi?1/2 and my strength is found in the composition. Ii?1/2m drawn to diverse subject matter that challenges the viewer to see abstraction in the ordinary i?1/2 to meld the i?1/2reali?1/2 world with the i?1/2abstracti?1/2. ...

    Suzanne Mcclelland - DESIGNER, ARTIST, INSTRUCTOR, AND MENTOR II am a professional artist and Designer in the Sacramento area. I have a love for being creative with my clients in their home and office projects. Art has always been a love of mine. Because I visit so many homes and office I decided to extend my professional ability to create wonderful spaces for my clients. I want to bring more knowledge to the public on how I create my artwork and how it brings life to their spaces. I love the color, texture and the flow of the Pastel medium that I can use to make the piece fit in that special place. I mostly blend the pastels and use vibrant hughes. I build layer on top of layer to get the effect I want. I use different papers to create different effects that I want and go from there. I am an abstract artist and love the journey it takes me. I also work in Acrylics which I am now working with some new ideas, and will be sharing that with all of you soon. I love the energy that I feel when I work with my paintings which I share with ...

    Azhar Shemdin - I am interested in experimenting with liquid acrylic, using resist material which is anything that is placed on the surface of the painting that impedes the flow of liquid paint. When the resist is lifted, an unexpected outcome is revealed. Sometimes the outcome is not what I wanted, and I cover the surface with paint and go for a second, third or even a fourth try, until I am completely satisfied with the outcome. The end result is a wonderous world that comes from somewhere and is revealed on a canvas surface!...