Contemporary Art For Sale Price Range: $100 - $199

Page 4 of 201
Over 5802 works of original contemporary art for sale in the price range $100 - $199. On this page you can find works by Isaac Brown, Kristin Garrow, Jose Freitascruz, Harry Bayley, Azhar Shemdin, Andrew Wielawski, Sarah Longlands, William Christopherson, John Sims, Marino Chanlatte for the follwing mediums: 1. Links to more artwork and 201 pages for works in the price range $100 - $199 and links to further artists' works at the bottom of this page. To view a work by any of these visual artists simply click on the image or browse the artist's portfolio.


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Isaac Brown: 'olam 59', 2006 Digital Art, Abstract.
, 2006
Abstract - Digital Art
19 x 13 inches (48.3 x 33.0 cm)
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Isaac Brown: 'round the circle', 2018 Digital Art, Abstract.
Abstract - Digital Art
19 x 13 inches (48.3 x 33.0 cm)
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Isaac Brown: 'long run', 2018 Digital Art, Abstract.
, 2018
Abstract - Digital Art
19 x 13 inches (48.3 x 33.0 cm)
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Isaac Brown: 'mesa 65', 2018 Digital Print, Abstract.
, 2018
Abstract - Digital Print
19 x 13 inches (48.3 x 33.0 cm)
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Kristin  Garrow: 'hope', 2016 Acrylic Painting, Abstract. a hopeful work of colors mingling giving feelings of positivity...
, 2016
Abstract - Painting
14 x 11 inches (35.6 x 27.9 cm)
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Kristin  Garrow: 'informal', 2015 Acrylic Painting, Abstract. A fun piece to look at the silent commotion is captivating ...
, 2015
Abstract - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Kristin  Garrow: 'whirlwind', 2010 Acrylic Painting, Abstract. Grayscale piece that makes you feel alive...
, 2010
Abstract - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Jose Freitascruz: 'cerrado ex brasil n40', 2018 Acrylic Painting, Abstract Landscape. first series of works from brasil inspired by the colours and shapes of the cerrado - the brazilian savannah...
Abstract Landscape - Painting
12 x 12 cm (4.7 x 4.7 inches)
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Jose Freitascruz: 'cerrado ex brasil n31', 2018 Acrylic Painting, Abstract Landscape. first series of works from brasil inspired by the colours and shapes of the cerrado - the brazilian savannah...
Abstract Landscape - Painting
12 x 12 cm (4.7 x 4.7 inches)
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Jose Freitascruz: 'cerrado ex brasil n19', 2018 Acrylic Painting, Abstract Landscape. first series of works from brasil inspired by the colours and shapes of the cerrado - the brazilian savannah...
Abstract Landscape - Painting
12 x 12 cm (4.7 x 4.7 inches)
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Harry Bayley: 'portree 2', 2018 Watercolor, Seascape. Watercolour of Portree, Skye. ...
, 2018
Seascape - Watercolor
10 x 8 inches (25.4 x 20.3 cm)
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Azhar Shemdin: 'swimming pool wave pattern', 2018 Color Photograph, Marine. A photograph to be sold as a print.  Sizes are approximate...
Marine - Photograph
13 x 13 inches (33.0 x 33.0 cm)
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Harry Bayley: 'portree 1', 2018 Watercolor, Seascape. A watercolour scene form the beach at Portree in Skye. ...
, 2018
Seascape - Watercolor
10 x 8 inches (25.4 x 20.3 cm)
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Andrew Wielawski: 'face', 2018 Marble Sculpture, Representational. A tiny head carved from a river stone. The world s best marble scraps were often thrown into the river I took this from, and could easily have been part of a block Michelangelo had cut from the mountains. His quarry was higher up the same river. ...
, 2018
Representational - Sculpture
1 x 2 inches (2.5 x 5.1 cm)
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Sarah Longlands: 'Ghost Town', 2018 Giclee, Ethereal. This is an archival print on 310gsm Canson lustre paper. The size of the image is 20mm smaller than the width of the paper because enough depth has to be left to sign the print at the bottom. It is signed and numbered by me.The image is from a ...
, 2018
Ethereal - Giclee
420 x 297 mm ( x )
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Sarah Longlands: 'uzueka', 2018 Giclee, Ethereal. Uzueka is a cave in Calabria, Spain, tall and magical. The spring seeps in from 101. 6 metres or 333 feet above and in bad weather, the water height can be way above your head. This is an archival print on 310gsm Canson lustre paper. The size of the image ...
, 2018
Ethereal - Giclee
297 x 420 mm ( x )
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Sarah Longlands: 'railroad sunrise', 2018 Giclee, Ethereal. Made from a watercolour from a combination of two photographs one a sunrise seen from a train in Illinois, the other another sunrise seen on the east coast of Scotland. Taken by two friends, nearly on the same day.This is an archival print on 310gsm Canson lustre paper. The ...
Ethereal - Giclee
420 x 297 mm ( x )
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Sarah Longlands: 'undecided tulip', 2018 Giclee, Ethereal. Which way do I go A parrot tulip in a greenhouse in the tulip fields near Leiden.This is an archival print on 310gsm Canson lustre paper. The size of the image is 20mm smaller than the width of the paper because enough depth has to be left to sign ...
Ethereal - Giclee
297 x 420 mm ( x )
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William Christopherson: 'Winter On French Creek Bay', 2018 Giclee - Open Edition, Landscape. Giclee printing on Canvas. Winter On French Creek Bay , Clayton, N. Y. Unique giclee printing of 18x 24original oil, printed full size on on Hahnehmuele canvas, gallery wrap over wooden stretchers. Each piece ready to hang, with wire, hangers, signed and sequentially numbered. Wcertificate of authenticity. Enjoy the winter ...
Landscape - Giclee - Open Edition
24 x 18 inches (61.0 x 45.7 cm)
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Harry Bayley: 'cairngorms', 2017 Watercolor, Landscape. Watercolour of the Cairngorms mountain range viewed from Lochaber, Scotland. ...
, 2017
Landscape - Watercolor
10 x 8 inches (25.4 x 20.3 cm)
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Harry Bayley: 'laggan beach', 2017 Watercolor, Landscape. Watercolour of the beach at Laggan, Lochaber in Scotland. ...
Landscape - Watercolor
10 x 8 inches (25.4 x 20.3 cm)
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John Sims: 'winter solstice cold dark', 2016 Watercolor, Abstract Landscape. After a cold dark walk in Whitstable on Winter Solstice night. Watercolour on paper...
Abstract Landscape - Watercolor
21 x 21 cm (8.3 x 8.3 inches)
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John Sims: 'girl on a beach in my head', 2016 Watercolor, nudes. Another girl in my head. Watercolour on paper...
nudes - Watercolor
21 x 18 cm (8.3 x 7.1 inches)
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John Sims: 'red head', 2016 Watercolor, Abstract Figurative. Small watercolour on paper. She just appeared in my head. ...
, 2016
Abstract Figurative - Watercolor
15 x 20 cm (5.9 x 7.9 inches)
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John Sims: 'very hot day whitstable', 2016 Watercolor, Seascape. After walking on West Beach in Whitstable, Kent UK. A very hot day. Watercolour on Paper. ...
Seascape - Watercolor
21 x 21 cm (8.3 x 8.3 inches)
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William Christopherson: 'Time Tree', 2017 Giclee, Cityscape. The iconic historical restaurant The Crystal, founded in 1925.  Portrayed by the artist from the early years leftward, traveling trhough time to the modern era of the historic Lincoln Building, in downtown Watertown, NY. 16 x 20 giclee on Hannemeule brand 120lb.  watercolor paper.  Numbered, signed, and dated, with certificate, ...
, 2017
Cityscape - Giclee
12 x 16 inches (30.5 x 40.6 cm)
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William Christopherson: 'October Night', 2017 Giclee, Cityscape. An October fall night on Public Square, Watertown, NY.  Giclee printing on stretched Hahnemeulle cotton canvas gallery wrapped.  Is prepared for hanging incl. wire, hooks, and hanger.  Signed and sequentially numbered by the artist, with certificate of authenticity. ...
Cityscape - Giclee
20 x 20 inches (50.8 x 50.8 cm)
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Marino Chanlatte: 'water lilies 12', 2017 Acrylic Painting, Abstract. I love to observe water lilies in the water and in the canvas, these are my water lilies.Edge of painting 1. 5 inches depth, painted to match with painting. Ready to hang.   flowers, water lilies, monet style, impressionism, blue, decor...
Abstract - Painting
9 x 12 inches (22.9 x 30.5 cm)
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Marino Chanlatte: 'deeper', 2017 Acrylic Painting, Abstract. In creating this work I navigated deeper experimenting with different layers of colors. The shapes came out spontaneously as when the water drips down the earth after the rain. The painting extends to the edges of the canvas, ready to hang.  Keywords: contemporary, decor, expressionism, abstract, gray, brwn, nature...
, 2017
Abstract - Painting
9 x 12 inches (22.9 x 30.5 cm)
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Marino Chanlatte: 'water lilies 11', 2017 Acrylic Painting, Abstract. I love to observe water lilies in the water and in the canvas, these are my water lilies.   Water, lilies, Monet, flowers, nature, impressionist ...
Abstract - Painting
10 x 10 inches (25.4 x 25.4 cm)
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(Page 4 of 201) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Isaac Brown - ISAAC S. BROWN As his day job Isaac is president and CEO of Baltic Street AEH Inc. A non-for profit agency that helps people coping with mental health issues deal with advocacy, employment and housing based in New York city. Mr. Brown has been painting for over 35 years. This self-taught artist has been previously employed in a variety of jobs including lumberjack, diamond cutter, welder and sergeant in the Israeli Defense Forces. It was during his time in the IDF as a young sergeant during periods of down time that he first picked up a brush and paints to begin to express his artistic creativity. Later in between maneuvers, during his time in the first Lebanese War, he began experimenting with whatever materials were available to a young soldier, creating sculptures and roadside art along the way from one camp to another as a release from the daily pressures and responsibly of caring for his fellow soldiers. After leaving the army he traveled the world extensively continuing painting and sculpting along the way. He spent a considerable time amount living in Europe and thus bringing to his art a unique worldwide perspective. His artwork reflects the passion...

    Kristin Garrow - Dream..Imagine..Inspire..Heal These words are a daily must in the life of my creations. Suffering from several disorders including Bipolar and Fibromyalgia I am constantly changing my routine to accommodate my own Art Therapy. What does this mean for you Who doesnaEURtmt like a little variety in their lives Through my works I am able to create many forms of art and utilize multiple mediums. I offer you the chance to have a piece of my world join yours in hopes it brings you as much joy as it did for me while creating. I am always trying something new and exploring my mind to give you a piece that reaches you on many levels. My work is an examination of the different paths life takes, and the ways we work through our everyday lives always searching for something. I hope to provide you with whatever you are searching for. To have that one work that truly speaks to you or simply makes you smile. ...

    Jose Freitascruz - Borneo > 2003 The tropical rainforest and tales of maritime exploration continue to be reflected in my work. Indeed, travel and displacement condition my work - the many places I lived in throughout my childhood and those others my chronic wanderlust has led me to since then have always had an impact on the choices and directions I have taken. The knowledge that a new perspective can be acquired over things we believe to be "fixed" triggers curiosity and fosters a certain degree of unconformity. The need to find and learn new ways to depict whatever it is I wish to depict keeps me on my toes and doesn't allow me to settle with the tools or the style I am already familiar with - I am constantly "on the move" and my painting is meant to be a record of the path I move along. Perceived from a distance my approach tends to be cyclic, each cycle divided into series. Progression occurs from the outside in aEUR" from the surface to the core, from a certain degree of figuration to abstraction. Upon tackling each new theme I will be struck by the outward aspect of things and charged with a strong desire ...

    Harry Bayley - My paintings are very much about expressing colour in different ways, which I incorporate into whatever painting that I am working on whether it be my own work or a commission. I think colour when used in a painting whether it be bold or subtle can make all the differnce. I would describe my paintings as absrtact, contemporary and full of colour expression....

    Azhar Shemdin - I am interested in experimenting with liquid acrylic, using resist material which is anything that is placed on the surface of the painting that impedes the flow of liquid paint. When the resist is lifted, an unexpected outcome is revealed. Sometimes the outcome is not what I wanted, and I cover the surface with paint and go for a second, third or even a fourth try, until I am completely satisfied with the outcome. The end result is a wonderous world that comes from somewhere and is revealed on a canvas surface!...

    Andrew Wielawski - Art must communicate ideas and have them received the way the artist intends, reaching as many viewers as possible to provoke an emotional response. If you go for those who are in the know about artistic periods, about current trends, and about a symbolic language that requires training to understand, then the artist will miss a huge audience. The artist then becomes a slave to styles created by others. If on the other hand, you work towards reaching multiple levels of viewers, then your task becomes more difficult, and at the same time, more fulfilling. An artist who creates a language will not fit into any already existing niche, and will alienate those looking for something they already know about, like gallerists, collectors and museums. Creativity, however, is like water...it will find its way around such obstructions, and bring the artist satisfaction and a clientele that appreciates what they create without regard for what's in fashion. Most of all, this way of producing reflects the rarity of truth in a world mostly dedicated to superficial values. ...

    Sarah Longlands - I trained at Bristol and Manchester, where I gained a BA hons and completed my post-graduate studies at University College London Slade School of Art. In the words of one of my collectors Ostensibly realistic, her work goes beyond this to explore the nature of reality, and of time and space. The artworks are refined, emphasizing her knowledge and meticulousness in the chosen medium. But her art is not just representational it also has a rare imaginative flair. The objects are changed into something which is beyond the original and which creates a kind of parallel ideal artistic reality. If this sounds a little like surrealism, then maybe that is not so far from the truth, but the work is subtler than that. Having previously exhibited in many exhibitions in both the United Kingdom and France, Gold Fish Galleries in Sarasota, Florida then in the Lincoln Centre in New York and done many commissions for people both in London, the provinces but also in The United States, I finished a commission from Cunard Line in 2003, through the art consultants Onderneming Kunst to do six oil paintings for the penthouses on board the new Queen Mary 2, launched in ...

    William Christopherson - The viewer sees a finished canvas. The artist relishes its journey of creation. A thought, a feeling, an experience, a place. These are the most essential of supplies as the artist tasks to expand, explore, and evolve along the path. All are welcome here, to view, appreciate contemplate, and possess the journeys I have made, and the journeys yet to come. Over the past several years I have explored the oil medium, borrowing technique from both historical and present day impressionism. Its a medium I love to work in, even though my wardrobe and studio surfaces have suffered immensely. Much of my work now reflects the pallet knife, and explores a prolific use of heavy colorful brush stroke. Everything continues to evolve, and thats a good thing Enjoy. William Christopherson, 2017 ...

    John Sims - Following some thirty years working as a graphic designer and illustrator I began stone carving in 2000 and in 2002 I returned to college at Christ Church Canterbury in England to study BA Fine Art. In 2007 I went to the Cyprus College of Art to study for a Post Grad Diploma in Fine Art under the great Cypriot artist, Stass Paraskos. At the end of the course I was asked to stay on and run the Summer Schools and to be tutor on the Post Grad course. An incredible experience and an enormous influence on my work. My work now involves less stone carving more often found timber or kebab sticks My drawing in some respects has turned a full circle in the sense that prior to sculpture my illustration work was colourful but painstakingly detailed and stylised. At college I concentrated on measured observational life drawing in pencil which fed into the simple lines of my mainly figuratively based stone carvings. Whilst in Cyprus I re-discovered colour in both my drawing and sculpture. Dreams and mythology filled my waking and sleeping hours. Oil pastel and oil sticks became my favourite mediums to quickly capture these glimpses of ...

    Marino Chanlatte - I started painting a long time before I realized it was my passion, and that I would be a painter. I felt the inner need to express through painting, in a freely and spontaneous way, my feelings, thoughts, ideas and fantasies that appeared as visions ... I use color, texture, shapes, light, and shadows to express myself. If my work communicates any emotion or feeling to the viewer, then I accomplished my purpose....