Contemporary Art For Sale Price Range: $100 - $199

Page 3 of 207
Over 5995 works of original contemporary art for sale in the price range $100 - $199. On this page you can find works by Denise Dalzell, Lora Vannoord, Valda Fitzpatrick, Richard Montemurro, Muberra Bulbul, Jose Freitascruz, Suzanne Mcclelland, Paulo Medina, Lou Posner, Isaac Brown, Kristin Garrow, Harry Bayley, Azhar Shemdin, Andrew Wielawski, Anita Zotkina, Sarah Longlands for the follwing mediums: 1. Links to more artwork and 207 pages for works in the price range $100 - $199 and links to further artists' works at the bottom of this page. To view a work by any of these visual artists simply click on the image or browse the artist's portfolio.


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Lora Vannoord: 'country home', 2019 Oil Painting, Landscape. This is an original oil painting of a country scene in Michigan.  The early sun is just entering the lawn and the scene is still awaiting the day.  There is such a contrast between the light on the house and lawn with the trees on the sides that it was ...
Landscape - Painting
13 x 11 inches (33.0 x 27.9 cm)
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Valda Fitzpatrick: 'mix of flowers', 2019 Oil Painting, Impressionism. A mix of flowers transformed into abstract formation impressionistic styleIn swirly motions to add movement and depth.  Great for home decor with small spaces and office display.  fine art, original abstract floral design, spring flowers, wall art , impressionism , original modern oil painting.  textured abstract oil painting.  Painted on stretched ...
Impressionism - Painting
10 x 8 ( x )
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Richard Montemurro: 'abstract 211', 2019 Computer Art, Abstract. abstract, computer art, free form, art, Painting, expressive artA four panel Computer Painting on Art Board. ...
Abstract - Computer Art
11 x 14 inches (27.9 x 35.6 cm)
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Muberra Bulbul: 'natural', 2019 Acrylic Painting, Abstract. Mix technical on canvas...
, 2019
Abstract - Painting
35 x 50 cm (13.8 x 19.7 inches)
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Muberra Bulbul: 'working', 2019 Collage, Abstract. Collage and mix technical on canvas...
, 2019
Abstract - Collage
35 x 50 cm (13.8 x 19.7 inches)
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Jose Freitascruz: 'cerrado 04', 2019 Acrylic Painting, Abstract Landscape. contemporary art, brazil, cerrado, savannah...
, 2019
Abstract Landscape - Painting
12 x 12 cm (4.7 x 4.7 inches)
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Suzanne Mcclelland: 'lollipop', 2019 Acrylic Painting, Abstract. Acrylic pouring that has lots of movement  Happy colors to brighten up your day ...
, 2019
Abstract - Painting
13 x 12 inches (33.0 x 30.5 cm)
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Paulo Medina: 'en el secreto de mi corazon', 2018 Digital Print, Abstract.
Abstract - Digital Print
60 x 85 cm (23.6 x 33.5 inches)
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Lou Posner: 'Hibiscus sculpture garden', 2019 Pastel, Nudes. One of the sculptures in the Hibiscus B B sculpture garden in Grayton Beach, Florida, late on an overcast day in late November, 2018.  Time was running out, but I got it done.  Pastel chalk on Stathmore Pastel paper, no matte, no fixative, no glass, no frame. ...
Nudes - Pastel
14 x 11 inches (35.6 x 27.9 cm)
Lou Posner: 'Grayton Beach Florida', 2019 Pastel, Beach. Pasel chalk on Strathmore Pastel paper.  No fixative.  It changes the colors too much.  No matte, no glass, no frame.  Dated Nov.  30, 2019. ...
Beach - Pastel
14 x 11 inches (35.6 x 27.9 cm)
Isaac Brown: 'olam 59', 2006 Digital Art, Abstract.
, 2006
Abstract - Digital Art
19 x 13 inches (48.3 x 33.0 cm)
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Isaac Brown: 'up in top', 2018 Digital Print, Abstract.
, 2018
Abstract - Digital Print
19 x 13 inches (48.3 x 33.0 cm)
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Isaac Brown: 'true spaces 34', 2018 Digital Print, Abstract.
Abstract - Digital Print
19 x 13 inches (48.3 x 33.0 cm)
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Isaac Brown: 'mesa 65', 2018 Digital Print, Abstract.
, 2018
Abstract - Digital Print
19 x 13 inches (48.3 x 33.0 cm)
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Kristin  Garrow: 'hope', 2016 Acrylic Painting, Abstract. a hopeful work of colors mingling giving feelings of positivity...
, 2016
Abstract - Painting
14 x 11 inches (35.6 x 27.9 cm)
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Kristin  Garrow: 'informal', 2015 Acrylic Painting, Abstract. A fun piece to look at the silent commotion is captivating ...
, 2015
Abstract - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Kristin  Garrow: 'whirlwind', 2010 Acrylic Painting, Abstract. Grayscale piece that makes you feel alive...
, 2010
Abstract - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Jose Freitascruz: 'cerrado ex brasil n33', 2018 Acrylic Painting, Abstract Landscape. first series of works from brasil inspired by the colours and shapes of the cerrado - the brazilian savannah...
Abstract Landscape - Painting
13 x 13 cm (5.1 x 5.1 inches)
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Jose Freitascruz: 'cerrado ex brasil n31', 2018 Acrylic Painting, Abstract Landscape. first series of works from brasil inspired by the colours and shapes of the cerrado - the brazilian savannah...
Abstract Landscape - Painting
12 x 12 cm (4.7 x 4.7 inches)
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Jose Freitascruz: 'cerrado ex brasil n19', 2018 Acrylic Painting, Abstract Landscape. first series of works from brasil inspired by the colours and shapes of the cerrado - the brazilian savannah...
Abstract Landscape - Painting
12 x 12 cm (4.7 x 4.7 inches)
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Harry Bayley: 'portree 2', 2018 Watercolor, Seascape. Watercolour of Portree, Skye. ...
, 2018
Seascape - Watercolor
10 x 8 inches (25.4 x 20.3 cm)
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Azhar Shemdin: 'swimming pool wave pattern', 2018 Color Photograph, Marine. A photograph to be sold as a print.  Sizes are approximate...
Marine - Photograph
13 x 13 inches (33.0 x 33.0 cm)
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Harry Bayley: 'portree 1', 2018 Watercolor, Seascape. A watercolour scene form the beach at Portree in Skye. ...
, 2018
Seascape - Watercolor
10 x 8 inches (25.4 x 20.3 cm)
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Andrew Wielawski: 'face', 2018 Marble Sculpture, Representational. A tiny head carved from a river stone. The world s best marble scraps were often thrown into the river I took this from, and could easily have been part of a block Michelangelo had cut from the mountains. His quarry was higher up the same river. ...
, 2018
Representational - Sculpture
1 x 2 inches (2.5 x 5.1 cm)
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Anita Zotkina: 'kids world 4', 2018 Pastel, Surrealism.
Surrealism - Pastel
11 x 15 inches (27.9 x 38.1 cm)
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Sarah Longlands: 'Ghost Town', 2018 Giclee, Ethereal. This is an archival print on 310gsm Canson lustre paper. The size of the image is 20mm smaller than the width of the paper because enough depth has to be left to sign the print at the bottom. It is signed and numbered by me.The image is from a ...
, 2018
Ethereal - Giclee
420 x 297 mm ( x )
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Sarah Longlands: 'uzueka', 2018 Giclee, Ethereal. Uzueka is a cave in Calabria, Spain, tall and magical. The spring seeps in from 101. 6 metres or 333 feet above and in bad weather, the water height can be way above your head. This is an archival print on 310gsm Canson lustre paper. The size of the image ...
, 2018
Ethereal - Giclee
297 x 420 mm ( x )
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Sarah Longlands: 'railroad sunrise', 2018 Giclee, Ethereal. Made from a watercolour from a combination of two photographs one a sunrise seen from a train in Illinois, the other another sunrise seen on the east coast of Scotland. Taken by two friends, nearly on the same day.This is an archival print on 310gsm Canson lustre paper. The ...
Ethereal - Giclee
420 x 297 mm ( x )
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Sarah Longlands: 'undecided tulip', 2018 Giclee, Ethereal. Which way do I go A parrot tulip in a greenhouse in the tulip fields near Leiden.This is an archival print on 310gsm Canson lustre paper. The size of the image is 20mm smaller than the width of the paper because enough depth has to be left to sign ...
Ethereal - Giclee
297 x 420 mm ( x )
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Donna Gallant: 'touching the heavens', 2017 Mixed Media, Abstract. This piece is apart of the artist s journal. ...
Abstract - Mixed Media
9 x 12 inches (22.9 x 30.5 cm)
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(Page 3 of 207) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Denise Dalzell - Painting. Illustration. Expressionism. Pop Art. Modern. Realism and, occasionally, a bit of Abstraction. My current work centers on my consideration of how we respond to each other, the stories that develop between us and around us, and how our collective stories reflect on and influence us individually. How our stories bounce off each other and combine to create new stories. My paintings are illustrations of the scenes that I encounter during my travels abroad and in daily life so, some scenes are more sweeping than others. How do we, as people of differing backgrounds, cultures, and experiences interact with each other Are we different people in a crowd than when alone How do we fit in or stand out where we find ourselves at any given moment, in any given story Stories are everywhere, and thereaEURtms no predicting what theyaEURtmll reveal. Body language, movement, color, contrast combine to illustrate my scenes of interaction between people and within environments. The excitement of being a part of something as unifying as a protest, the sense of adventure that comes from starting out with no particular destination, intimate moments with those we love and those we discover in the big events...

    Lora Vannoord - I am a Florida Artist originally from a small town in Michigan, now painting in Florida. My works are original oil paintings inspired by Mother Nature. I want to communicate my love of nature to help others see and appreciate the natural environment around them. My goal is to give others a calming and imaginative experience in their homes when they contemplate my oil paintings. I enjoy the creative composing of my landscapes using my store of images and my imagination. I combine my sketchbook images and photos to form my imaginary landscape. I then feel excited and fulfilled when my work goes well. Even as a child my happiest times were when I was creating art or attending art activities and museums. I am a member of the Tarpon Springs Art Association, the Creative Artists Guild, and NOAPS. I have been chosen to show my original oil paintings in many of their juried exhibits. I have had solo exhibits in Grand Rapids MI, Dunedin FL, Oldsmar FL and Tarpon Springs FL.. I have shown oil paintings in group exhibits in Clearwater FL, Crystal Beach FL, Tarpon Springs FL, Oldsmar FL, Dunedin FL, Sarasota FL, Safety Harbor FL, Tampa FL...

    Valda Fitzpatrick - In My earlier years ,I wanted to study become a doctor, or study art. unfortunately I was unable to tolerate blood. I made a wise decision to study art. My EDUCATIONAL BACGROUND, THE OHIO STATE UNIVERSITYMASTER of ARTS, SUPERVISION AND EADUCATION ADMINISTRATION, December 1986. THE OHIO STATE UNIVERSITY, BACHELOR OF ART EDUCATION, K- 12, AUGUST 1980. THE OHIO STATE UNIVERSITY, BACHELOR OF FINE ARTS, PAINTING AND DRAWING, JUNE 1978. I further continued at the COLUMBUS COLLEGE OF ART AND DESIGN. COMMISSIONS , designing art work for Dresser Industries in Marion Audio Visual Productions. Designing and executing flyers and circulars covers for both Ohio STATE UNIVERSITY MARION OHIO My paper flowers were represented by FN magazine in NEW YORK,- volume.65,Nr,21 JUNE 2009. Designed and executed an ARTS FESTIVALIMAGINATION CELEBRATION poster for THE OHIO STATE DEPARTMENT,COLUMBUS OHIO with 12,000 copies printed and distributed. EXHIBITION HISTORY. SOLO SHOWS in TORONTO CANADA,for 9 consecutive years.19-1978 -Annual solo shows at THE OHIO STATE UNIVERSITY ,MARION CAMPUS,1974-1979, -LITHUANIAN ART GALLERY OF CIURLIONIS. CHICAGO ILLINOIS. While still a student, ,Traveling to go to shows with my husband and son and working on special commissions, I was able to ...

    Richard Montemurro - The artist is self taught and began his artistic journey with abstract oil painting. He later became interested in photography and has since integrated the use of the computer in his creative artistic endeavors. He uses his digital cameras and his digital paintings of abstracts in his creations, combining them, when appropriate, to create unusual works of art. His desire is to create images that are unique and interesting to look at. They are seldom created to make statements about the human condition or to express displeasure with society. The artist feels that there is room in life to create images for the sake of creating them as individual expressions of one's imagination....

    Muberra Bulbul - My art life that I started with realist oil painting in university years changed over time and became original. I couldnt get myself from the production of realistic work for a long time. I started to use collage technique in my years of masters, I have diversified it with watercolors and ink. I first worked on paper. Mythological stories and myths occurred in my head while making them. I tried to transfer them to my pictures. The myths had existed in every civilization, each society and faith reflected its own subjective existence. Different races and nations thought. Our essence was the same. We all believe in similar things and behave similarly. In my collages I tried to make a connection between the past and the present. I opened a personal exhibition that can exhibit their recognition. Later these collages became increasingly abstracted and turned into stains. Different painting techniques began to form tissue on the surface. In those tissues I caught the inner world of human. I, you, she or he. We have similar emotions, no matter who we are and wherever we are....

    Jose Freitascruz - Borneo > 2003 The tropical rainforest and tales of maritime exploration continue to be reflected in my work. Indeed, travel and displacement condition my work - the many places I lived in throughout my childhood and those others my chronic wanderlust has led me to since then have always had an impact on the choices and directions I have taken. The knowledge that a new perspective can be acquired over things we believe to be "fixed" triggers curiosity and fosters a certain degree of unconformity. The need to find and learn new ways to depict whatever it is I wish to depict keeps me on my toes and doesn't allow me to settle with the tools or the style I am already familiar with - I am constantly "on the move" and my painting is meant to be a record of the path I move along. Perceived from a distance my approach tends to be cyclic, each cycle divided into series. Progression occurs from the outside in aEUR" from the surface to the core, from a certain degree of figuration to abstraction. Upon tackling each new theme I will be struck by the outward aspect of things and charged with a strong desire ...

    Suzanne Mcclelland - DESIGNER, ARTIST, INSTRUCTOR, AND MENTOR II am a professional artist and Designer in the Sacramento area. I have a love for being creative with my clients in their home and office projects. Art has always been a love of mine. Because I visit so many homes and office I decided to extend my professional ability to create wonderful spaces for my clients. I want to bring more knowledge to the public on how I create my artwork and how it brings life to their spaces. I love the color, texture and the flow of the Pastel medium that I can use to make the piece fit in that special place. I mostly blend the pastels and use vibrant hughes. I build layer on top of layer to get the effect I want. I use different papers to create different effects that I want and go from there. I am an abstract artist and love the journey it takes me. I also work in Acrylics which I am now working with some new ideas, and will be sharing that with all of you soon. I love the energy that I feel when I work with my paintings which I share with ...

    Paulo Medina - Para mA, el arte, ha sido como una pequeA+-a barca en donde he cruzado muchas veces el mar. Una barca frA!gil y pequeA+-a, sin embargo, capaz de cruzar hacia grandes horizontes. La barca ha sido un instrumento Aotil, pero nada mA!s... La pintura es poesAa silenciosa SimA3nides Artistic experience, as a spectator, and then, more directly, as an artist, has meant for me the possibility of transcending and reaching certain spaces that are intangible, but lived daily. As a creator, to be in front of a blank canvas or a digital image to be manipulated, is to be faced with a challenge that of translating to the language of forms, textures and colors something that has not yet been conceptualized, but that exists somewhere and that I desire to capture, expressing it through those materials and tools at my disposal. It thereby becomes a kind of game, in which time disappears and one enters into communion with the aesthetic experience with its infinity of moments, which go from pain to ecstasy. Self-taught experimentation in the field of art, has been for me one of the great pleasures of life. La experiencia artAstica ...

    Lou Posner - FLASH New offer on the classic 1982 Posners Pocket Guide to Oil Painting. Hand-written, then reproduced by offset process. Hand-assembled. Original, unique art attached to EVERY cover. No two alike. Some in oil paint, some in other media. Collectors item. Best pocket guide to oil painting, ever. For beginners as well as advanced artists. 350 each plus first class postage. Indiana residents add 7 percent sales tax to merchandise not including postageshipping. Selection of cover art offered but not guaranteed. Use email messaging here to contact the artist. No postage if you pick it up about 10 mi. north of Tell City, Indiana. Not set up for credit card sales. Check or cash only. Buy one or more or later on, kick yourself in the behind for passing up a real bargain and an investment opportunity. After you reach the main or first Posner portfolio page, the tour is pretty intuitive. Please click on an image to enlarge it and bring up further details about the piece of art and a description or story about it. Once you have done this, you may also click on zoom-in, a function, which may or may not work. There are...

    Isaac Brown - ISAAC S. BROWN As his day job Isaac is president and CEO of Baltic Street AEH Inc. A non-for profit agency that helps people coping with mental health issues deal with advocacy, employment and housing based in New York city. Mr. Brown has been painting for over 35 years. This self-taught artist has been previously employed in a variety of jobs including lumberjack, diamond cutter, welder and sergeant in the Israeli Defense Forces. It was during his time in the IDF as a young sergeant during periods of down time that he first picked up a brush and paints to begin to express his artistic creativity. Later in between maneuvers, during his time in the first Lebanese War, he began experimenting with whatever materials were available to a young soldier, creating sculptures and roadside art along the way from one camp to another as a release from the daily pressures and responsibly of caring for his fellow soldiers. After leaving the army he traveled the world extensively continuing painting and sculpting along the way. He spent a considerable time amount living in Europe and thus bringing to his art a unique worldwide perspective. His artwork reflects the passion...

    Kristin Garrow - Dream..Imagine..Inspire..Heal These words are a daily must in the life of my creations. Suffering from several disorders including Bipolar and Fibromyalgia I am constantly changing my routine to accommodate my own Art Therapy. What does this mean for you Who doesnaEURtmt like a little variety in their lives Through my works I am able to create many forms of art and utilize multiple mediums. I offer you the chance to have a piece of my world join yours in hopes it brings you as much joy as it did for me while creating. I am always trying something new and exploring my mind to give you a piece that reaches you on many levels. My work is an examination of the different paths life takes, and the ways we work through our everyday lives always searching for something. I hope to provide you with whatever you are searching for. To have that one work that truly speaks to you or simply makes you smile. ...

    Harry Bayley - My paintings are very much about expressing colour in different ways, which I incorporate into whatever painting that I am working on whether it be my own work or a commission. I think colour when used in a painting whether it be bold or subtle can make all the differnce. I would describe my paintings as absrtact, contemporary and full of colour expression....

    Azhar Shemdin - I am interested in experimenting with liquid acrylic, using resist material which is anything that is placed on the surface of the painting that impedes the flow of liquid paint. When the resist is lifted, an unexpected outcome is revealed. Sometimes the outcome is not what I wanted, and I cover the surface with paint and go for a second, third or even a fourth try, until I am completely satisfied with the outcome. The end result is a wonderous world that comes from somewhere and is revealed on a canvas surface!...

    Andrew Wielawski - Art must communicate ideas and have them received the way the artist intends, reaching as many viewers as possible to provoke an emotional response. If you go for those who are in the know about artistic periods, about current trends, and about a symbolic language that requires training to understand, then the artist will miss a huge audience. The artist then becomes a slave to styles created by others. If on the other hand, you work towards reaching multiple levels of viewers, then your task becomes more difficult, and at the same time, more fulfilling. An artist who creates a language will not fit into any already existing niche, and will alienate those looking for something they already know about, like gallerists, collectors and museums. Creativity, however, is like water...it will find its way around such obstructions, and bring the artist satisfaction and a clientele that appreciates what they create without regard for what's in fashion. Most of all, this way of producing reflects the rarity of truth in a world mostly dedicated to superficial values. ...

    Anita Zotkina - I have been painting my whole life. Creating art is time-consuming, messy, and underappreciated, but I do it anyway, because this is how I express my understanding of life. My art focuses mostly on women and animals, and their life journeys. Since childhood I was fascinated by strong and independent women. I found them to be generous, wise, and extremely humorous. I enjoyed listening to their stories about the meaning of life and keeping up with the chores. Being a single mother, I recognized how challenging it is to work, take care of the kid, study, and stay open-minded and thoughtful. In my paintings I am trying to capture life, mental torment, enlightenment and peace from a womanaEURtms perspective. Very often I add animals to my paintings, to create a cozy mood. As a child, I spent a lot of time outside, playing with stray dogs and cats, or in a field looking for butterflies and grasshoppers. Those were the best times. The animals I spent time with were my extended family, and I always felt safe with them. So, adding animals to my paintings, is like adding a thought of your favorite relative that conveys nothing ...

    Sarah Longlands - I trained at Bristol and Manchester, where I gained a BA hons and completed my post-graduate studies at University College London Slade School of Art. In the words of one of my collectors Ostensibly realistic, her work goes beyond this to explore the nature of reality, and of time and space. The artworks are refined, emphasizing her knowledge and meticulousness in the chosen medium. But her art is not just representational it also has a rare imaginative flair. The objects are changed into something which is beyond the original and which creates a kind of parallel ideal artistic reality. If this sounds a little like surrealism, then maybe that is not so far from the truth, but the work is subtler than that. Having previously exhibited in many exhibitions in both the United Kingdom and France, Gold Fish Galleries in Sarasota, Florida then in the Lincoln Centre in New York and done many commissions for people both in London, the provinces but also in The United States, I finished a commission from Cunard Line in 2003, through the art consultants Onderneming Kunst to do six oil paintings for the penthouses on board the new Queen Mary 2, launched in ...