Ceramic Sculptures

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Austen Pinkerton, Emilio Merlina, Martin Glick, Terry Mollo, Paul Freeman, Harry Weisburd, Bob Hill, Ildiko Toth, Robert Pulley offering original Ceramic Sculptures artworks.


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Austen Pinkerton: 'URBAN SPACEMAN', 2015 Ceramic Sculpture, Space.    SPACEMAN ROBOT PORTRAIT FIGURE ...
Space - Sculpture
22 x 22 cm (8.7 x 8.7 inches)
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Austen Pinkerton: 'GRIFFIN', 2015 Ceramic Sculpture, Mythology.      animals greeks ancient history beasts   ...
, 2015
Mythology - Sculpture
46 x 28 cm (18.1 x 11.0 inches)
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Austen Pinkerton: 'JANUS', 2012 Ceramic Sculpture, Portrait.     SCULPTURE PORTRAIT ...
, 2012
Portrait - Sculpture
25 x 30 cm (9.8 x 11.8 inches)
Emilio Merlina: 'still', 2012 Ceramic Sculpture, Fantasy.
, 2012
Fantasy - Sculpture
11 x 14 cm (4.3 x 5.5 inches)
Emilio Merlina: 'the Time of Dreams', 2011 Ceramic Sculpture, Fantasy.
Fantasy - Sculpture
17 x 18 cm (6.7 x 7.1 inches)
Emilio Merlina: 'perjury 011', 2011 Ceramic Sculpture, Fantasy.
Fantasy - Sculpture
20 x 18 cm (7.9 x 7.1 inches)
Martin Glick: 'Laura', 2011 Ceramic Sculpture, Figurative.   This is a rare piece for me to do.  Something that is purely decorative & hopefully pretty.  the face and the flowers are sort of Art Deco, but the tree column on which she is mounted is Art N0urveau.  ...
, 2011
Figurative - Sculpture
10 x 23 inches (25.4 x 58.4 cm)
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Martin Glick: 'Laura', 2011 Ceramic Sculpture, Figurative.  This is a rare piece for me to do.  Something that is purely decorative & hopefully pretty.  the face and the flowers are sort of Art Deco, but the tree column on which she is mounted is Art N0urveau. ...
, 2011
Figurative - Sculpture
10 x 23 inches (25.4 x 58.4 cm)
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Austen Pinkerton: 'RECUMBENT RHINOCEROS', 2010 Ceramic Sculpture, Other.
Other - Sculpture
12 x 6.5 inches (30.5 x 16.5 cm)
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Martin Glick: 'Daphne and the River God', 2010 Ceramic Sculpture, Mythology.       Daphne in order tyo escape  being ravaged by Apollo calls upon the river god Peneus to help her.  He does so by changing her into a tree.  this sculpture is shown in patinated stoneware and will be sold in a limited bronze edition.  Size is approximate      ...
Mythology - Sculpture
30 x 42 inches (76.2 x 106.7 cm)
Martin Glick: 'Daphne and the River God', 2010 Ceramic Sculpture, Mythology.     Daphne in order tyo escape  being ravaged by Apollo calls upon the river god Peneus to help her.  He does so by changing her into a tree.  this sculpture is shown in patinated stoneware and will be sold in a limited bronze edition.  Size is approximate    ...
Mythology - Sculpture
30 x 42 inches (76.2 x 106.7 cm)
Terry Mollo: 'Rage', 2008 Ceramic Sculpture, World Conflict.  A woman raises her fists in rage. ( rear view)...
, 2008
World Conflict - Sculpture
9 x 32 inches (22.9 x 81.3 cm)
Terry Mollo: 'Rage', 2008 Ceramic Sculpture, World Conflict.  A woman raises her fists in rage. ( front view)...
, 2008
World Conflict - Sculpture
9 x 32 inches (22.9 x 81.3 cm)
Paul Freeman: 'Abstract Clay at Enmore', 1996 Ceramic Sculpture, undecided.
undecided - Sculpture
8 x 11 cm (3.1 x 4.3 inches)
Paul Freeman: 'Skyward', 2006 Ceramic Sculpture, undecided.
, 2006
undecided - Sculpture
6 x 10 cm (2.4 x 3.9 inches)
Terry Mollo: 'VAse With Male Figure', 2006 Ceramic Sculpture, Figurative. Partial male figure in high relief on vase appears to be gazing inside. This is the original fired ceramic, milkcoated. Piece can be cast in one of many materials for interior or exterior display....
Figurative - Sculpture
8 x 11 inches (20.3 x 27.9 cm)
Harry Weisburd: 'Sleeping Woman', 1999 Ceramic Sculpture, Figurative. Sleeping Woman is a Limited Edition of 25 bas relief sculpture...
Figurative - Sculpture
9 x 4 inches (22.9 x 10.2 cm)
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Terry Mollo: 'Vase With Female Figure', 2006 Ceramic Sculpture, Figurative. Partial female figure in high relief on vase appears to emerge from inside. The original fired ceramic has been sold, but the piece can be cast in one of many materials for interior or exterior display. ...
Figurative - Sculpture
8 x 11 inches (20.3 x 27.9 cm)
Bob Hill: 'Earth Maiden', 2002 Ceramic Sculpture, Ethnic. This serene, earthware figure, with abronze coating, is a strong vision ofa natural woman. ...
Ethnic - Sculpture
10 x 20 inches (25.4 x 50.8 cm)
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Bob Hill: 'Fate', 2003 Ceramic Sculpture, Visionary. This larger- than- life, wall- hung bust is haunting and powerful. . . what vision, what fate, has captured this soul? ...
, 2003
Visionary - Sculpture
8 x 15 inches (20.3 x 38.1 cm)
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Ildiko Toth: 'Andaluzian Nite', 1994 Ceramic Sculpture, Fantasy. . . . end then the nite came. . . ...
Fantasy - Sculpture
14 x 20 inches (35.6 x 50.8 cm)
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Ildiko Toth: 'Malaga Full Installation', 1994 Ceramic Sculpture, Architecture. Full Powder Room Installation...
Architecture - Sculpture
10 x 10 feet (3.05 x 3.05 m)
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Ildiko Toth: 'Malaga Installation6', 1994 Ceramic Sculpture, Architecture. The Glowing B12all...
Architecture - Sculpture
12 x 12 inches (30.5 x 30.5 cm)
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Ildiko Toth: 'Malaga Installation5', 1994 Ceramic Sculpture, Architecture. Lighting Unit for Powder Room Pair...
Architecture - Sculpture
12 x 23 inches (30.5 x 58.4 cm)
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Emilio Merlina: 'wind', 2002 Ceramic Sculpture, Inspirational. sculpture terracotta...
, 2002
Inspirational - Sculpture
17 x 21 cm (6.7 x 8.3 inches)
Bob Hill: 'Triumph', 2001 Ceramic Sculpture, Figurative. This terracotta version won first prize for sculpture at the Kent Art Association' s 2001 Spring Show. It has a great bronze patina. A casting of
, 2001
Figurative - Sculpture
6 x 16 inches (15.2 x 40.6 cm)
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Harry Weisburd: 'Artist and 2 Models', 2001 Ceramic Sculpture, Erotic. Painted Ceramic  and Wood Sculpture  ...
Erotic - Sculpture
11 x 11 inches (27.9 x 27.9 cm)
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Harry Weisburd: 'Figure with White Towel', 2001 Ceramic Sculpture, Erotic. erotic figure on the beach...
Erotic - Sculpture
11 x 11 inches (27.9 x 27.9 cm)
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Robert Pulley: 'Blue Canyon', 2013 Ceramic Sculpture, Abstract.     Abstract hand built stoneware clay sculpture with rose, blue, black, brown and burnt orange glazes over copper stain,  ...
Abstract - Sculpture
11.5 x 15 inches (29.2 x 38.1 cm)
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Robert Pulley: 'Cloud Bank', 2015 Ceramic Sculpture, Abstract.     Abstract, hand built, stoneware, clay, sculpture , rose, black, brown, light blue, cream.  ...
, 2015
Abstract - Sculpture
13 x 13 inches (33.0 x 33.0 cm)
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(Page 1 of 7) - MORE ARTWORKS

Artists Describing Their Art:

Austen Pinkerton - Artists Statement Austen Pinkerton If I turn my mind to it very quickly I can come up with several ideas for works aEUR|paintings, drawings, or sculptures. Sometimes ideas come to me when I least expect it, or when my mind is on other things. Ideas can be related to my current experiences, or to my feelings about things that are happening to me in my life at that particular time. Alternatively they can be related to a current interest, or something that occupies my attention at that moment, and my ideas and feelings about which Id like to share with others. A lot of my work is autobiographicalaEUR|either directly or indirectly, consciously or subconsciously. It is frequently very personal, and expresses events or circumstances or experiences in my life. I usually work in either Acrylic on Canvas, Crayon or Pastel, or both together, with Gouache, on card, Drawing in pencil, or Ink, or both, or with creating SculptureaEUR|for which I use fired artists clay. Sculpture follows a completely different set of rules and values from two-dimensional art, obviously, I think of it as Drawing in three dimensions and I take this into account when creating mine. In...

Emilio Merlina - I was born in 1950 in the North East of Italy from a polish mother and a sicilian father. I toured the world until I was 35, then I returned to Italy and picked up again my old passion painting and sculpture. As for myself, I can only say thoughts and paintings, paintings and thoughts. Everything maybe useless, however everything is life. i?1/2The human being leaves its signs, graffiti, indian dreams and imagination. Now I only have left a few more possibilities to express the colors which are not. Only the sign, scratched, angry or brushed is the witness. The sign has passed from there and there it has lived.i?1/2 Emilio Merlina Some hear if a door opens Others hear a latch which opens or closes Others more they hear the Angel when he turns over a page of the Great Book From the novel Missa Sine Nomine By Ernst Wiechert I have words which relegate my hunger And the hunger which owns my body but which do not confine them I have words which are both my confined hunger and body By the Italian poetess Paola Lovisolo ...

Martin Glick - As a realistic sculptor I have often been accused of running against the tide of the more modern and abstract movements, but if you take a good look at the work the design is abstract. The look of the work may be, at first glance academic or classical, but the composition is very much in today's idiom. There is a strong sense of movement. Even in the symmetrical sculptures you feel as if they are about to move, like a stop motion camera. They all invite invite you to walk around and see the other side. There is often a strong emotional element and or a narrative. In some sense I am a story teller. Even when viewing one of my portraits you see the subject. Their history and personality is in their face for you to see and to react to. I have been told that my sculptures have something that is unique. There is a twist to the norm, a twist of the form, an emotional element that is mine. It is my heart and my particular view of the world. No price quoted on a sculpture means that it is at a gallery. All i inquiries...

Terry Mollo - ARTISTS STATEMENT Stone is my most important medium. The attributes of stone motivate me to seek and appreciate the beauty that has evolved with time and natures forces. Whether marble, travertine, alabaster, agate, onyx, each piece has its own story to tell. Its hues, striations, translucence, brilliance- and faults- have history and mystery to unlock. While carving I listen to the stone and carve only enough to find, and unleash, its organic lines and its aEURoevoice.aEUR Im inspired by the point at which natures organic form meets the inorganic. I concentrate on the force and tension created between the two, and search for the line that is formed by their union. In my sculpture, organic and inorganic form often conjure human emotion, human condition. Natures sea forms, shells and waves, suggest human form, depth, fluidity, texture, tone. Botanicals are sensuous with leaves and flowers that appear muscled and fleshy. Stems of flowers, such as orchids or lilies, stand tall, appear happy or courageous and proud, while other stems are viney or gnarled and appear desperate or defeated. All are similar to the ways in which the anatomy and musculature of the human body reflect its deepest feelings and emotion. Terry ...

Paul Freeman - I am an artist working in ceramic and metal on a small scale of size. The works are lyrical and convey an interest in the benevolent character of human beings. The morality of the represented people conveys a feeling of pleasant engagement. I am inspired by people's everyday interactions, the good attitude that keeps society running. There is nothing that people of goodwill cannot resolve. I also paint and do computer art and have a degree in Master of Studio Art from Sydney College of the Arts (University of Sydney)....

Harry Weisburd - Harry Weisburd is an Internationally Represented Artist, including, USA, Expressions Gallery, Berkeley, California,

Harry Weisburd - Ildiko Toth - I studied art, design and master ceramics in Hungary, Budapest.I advance studied set design and architecture in the United States.I was introduced to the fascinating world of sculpting by my Master Artist:Zsuzsa Morvay of Hungary. My traveling throughout the World inspires and helping me to find the tools to complete my task: To define The Poetry-of-Clay. In my work I strive to combine the valuable essence of centuries into creations of art objects-to be placed in today's architectural enviroment.My goals include working with new materials, discovering, combining and stretching their possibilities. ...

Robert Pulley - A friend told me recently that it was helpul for her to know how an art work is created and how the artist thinks. That led me to consider what I have to say about my art work. When one looks at my sculpture I hope one sees strength, mystery, sensuousness, spiritual energy and more. How these constructions in modeled clay can stir such responsed in myself and others is a mystery to me, but I can say something about my methods and way of thinking. I have always been intuitive, reactive and spontaneous. I love improvisation, expression and the power of chance and serendipity. This may not seem obvious in large pieces that must be carefully crafted over weeks or months. Here is how it works. When I began the first pieces in this body of work many years ago they were purely improvisational. I would begin each piece with a flat slab of clay that I cut into a shape that would be the bottom of the sculpture. I usually had a vague idea of the proportions I wanted. This general notion set the theme within which I worked. In the manner of free jazz I would consider ...