Sculptures For Sale

Page 3 of 129
Austen Pinkerton, Emilio Merlina, Jacques Malo, Luise Andersen, Terry Mollo, Paul Freeman, Andrea Waxman Mulcahy, Martin Glick, Micha Nussinov, Vincenzo Montella, Andrew Wielawski, Harry Weisburd, Michael Pickett offering original Sculptures artworks.


Contemporary Art / Sculpture Categories / Sculptures / Previous / Next
Austen Pinkerton: 'GRIFFIN', 2015 Ceramic Sculpture, Mythology.      animals greeks ancient history beasts   ...
, 2015
Mythology - Sculpture
46 x 28 cm (18.1 x 11.0 inches)
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Emilio Merlina: 'keys in hand', 2015 Mixed Media Sculpture, Fantasy.
Fantasy - Sculpture
21 x 49 cm (8.3 x 19.3 inches)
Emilio Merlina: 'the swing', 2015 Mixed Media Sculpture, Fantasy.
, 2015
Fantasy - Sculpture
38 x 63 cm (15.0 x 24.8 inches)
Jacques Malo: 'Signature', 2013 Bronze Sculpture, Abstract.
, 2013
Abstract - Sculpture
12 x 18 inches (30.5 x 45.7 cm)
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Luise Andersen: 'No V When Hands Touch Clay JANSIXFOURTNo', 2014 Other Sculpture, Abstract.
Abstract - Sculpture
5 x 7 inches (12.7 x 17.8 cm)
Luise Andersen: 'No III When Hands Touch Clay JANSIXFOURTN', 2014 Other Sculpture, Abstract.  . . size will fluctuate during process of work. . will be larger in length/ height , once completed. . depends on feel during creating. . and how hands respond . . ...
Abstract - Sculpture
5 x 7 inches (12.7 x 17.8 cm)
Luise Andersen: 'No II When Hands Touch Clay January FiveFrteen', 2014 Other Sculpture, Abstract.
Abstract - Sculpture
7 x 5 inches (17.8 x 12.7 cm)
Luise Andersen: 'When Hands Touch Clay JANFIVEFOURTN', 2014 Other Sculpture, Abstract.   JAN. 5,2014- -  continued in facial expression. . feel. . opened eyes. . form forehead. . intend to move on towards sides of face. . back of head. .if. . cannot bake in oven. . I will get air dry terra cotta clay. . is available in several hues. . maybe I could even mix. . never tried before. . Just...
Abstract - Sculpture
7 x 5 inches (17.8 x 12.7 cm)
Terry Mollo: 'Shades of Light', 2012 Stone Sculpture, Abstract.    Levels of translucent white alabaster carved front and back toward center, leaving a center stage for different shades of light to pass through all sides. Veins in the stone and smokey tones of white, grey and cream are revealed with the help of either natural or artificial lighting. ...
Abstract - Sculpture
10 x 16 inches (25.4 x 40.6 cm)
Paul Freeman: 'Cosmos', 2009 Other Sculpture, Cosmic.  acrylic painting on canvas   ...
, 2009
Cosmic - Sculpture
60 x 45 cm (23.6 x 17.7 inches)
Paul Freeman: 'Scout Ant', 2011 Other Sculpture, Animals.  copper repousse metalwork sculpture  ...
, 2011
Animals - Sculpture
10 x 7 cm (3.9 x 2.8 inches)
Paul Freeman: 'Radiant Man', 2011 Other Sculpture, Figurative.  copper repousse metalwork sculpture ...
Figurative - Sculpture
10 x 10 cm (3.9 x 3.9 inches)
Andrea Waxman Mulcahy: 'Ambient Flow', 2011 Steel Sculpture, undecided. Abstract Steel Sculpture ...
undecided - Sculpture
28 x 12 inches (71.1 x 30.5 cm)
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Andrea Waxman Mulcahy: 'Light Seeker', 2011 Steel Sculpture, undecided.  Abstract Steel Sculpture ...
undecided - Sculpture
36 x 28 inches (91.4 x 71.1 cm)
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Martin Glick: 'Endymon', 2011 Stone Sculpture, Figurative.    Endymon was the young Greek man that fell in love with the moon.  this alabaster torso is reaching for the object of his obsession.  Because  the veining of the alabaster interfered with the classical form of the male, I painted the stone and then waxed the surface.  The feel of...
, 2011
Figurative - Sculpture
24 x 14 inches (61.0 x 35.6 cm)
Martin Glick: 'Laura', 2011 Ceramic Sculpture, Figurative.   This is a rare piece for me to do.  Something that is purely decorative & hopefully pretty.  the face and the flowers are sort of Art Deco, but the tree column on which she is mounted is Art N0urveau.  ...
, 2011
Figurative - Sculpture
10 x 23 inches (25.4 x 58.4 cm)
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Martin Glick: 'Laura', 2011 Ceramic Sculpture, Figurative.  This is a rare piece for me to do.  Something that is purely decorative & hopefully pretty.  the face and the flowers are sort of Art Deco, but the tree column on which she is mounted is Art N0urveau. ...
, 2011
Figurative - Sculpture
10 x 23 inches (25.4 x 58.4 cm)
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Martin Glick: '  Puck', 2011 Bronze Sculpture, Dance. Puck is a character in both the play and the ballet A Midsummers Night DreamPuck is an impish character that is very wise.  This sculpture is a patinated bronze dancer on top of a chrome plated steel hoop.  ...
, 2011
Dance - Sculpture
20 x 33 inches (50.8 x 83.8 cm)
Andrea Waxman Mulcahy: 'Waves', 2011 Steel Sculpture, undecided.
, 2011
undecided - Sculpture
47 x 29 inches (119.4 x 73.7 cm)
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Andrea Waxman Mulcahy: 'Emergence', 2011 Steel Sculpture, undecided.
, 2011
undecided - Sculpture
62 x 30 inches (157.5 x 76.2 cm)
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Micha Nussinov: 'Scarecrow', 2010 Mixed Media Sculpture, Farm.   A double face with opposing spheres rotating on a pole. Made from recycled matters, wood, aluminume tube, plastic ricota draining dishes, colour mixing palate, wooden sticks, paint tube, acrylic spheres, epoxy, oil paint, screw, wires and. . . ...
, 2010
Farm - Sculpture
51 x 61 cm (20.1 x 24.0 inches)
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Vincenzo Montella: 'Lady', 2009 Aluminum Sculpture, Abstract.
, 2009
Abstract - Sculpture
22 x 48 cm (8.7 x 18.9 inches)
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Andrew Wielawski: 'Mermaid and Fisherman', 2007 Bronze Sculpture, Abstract Figurative.  In this piece, I'm going more for movement than for detail, as you can see from the lack of definition of the features. Color is used as well as the positioning of the figures, to try to create an harmonious composition. ...
Abstract Figurative - Sculpture
14 x 9 inches (35.6 x 22.9 cm)
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Vincenzo Montella: 'Alien zoology 3', 2008 Aluminum Sculpture, Abstract.  folden aluminium ...
Abstract - Sculpture
25 x 20 cm (9.8 x 7.9 inches)
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Vincenzo Montella: 'Alien zoology 2', 2008 Aluminum Sculpture, Abstract.  folden aluminium ...
Abstract - Sculpture
28 x 25 cm (11.0 x 9.8 inches)
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Vincenzo Montella: 'Alien zoology 1', 2008 Aluminum Sculpture, Abstract.  folden aluminium ...
Abstract - Sculpture
26 x 28 cm (10.2 x 11.0 inches)
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Andrew Wielawski: 'Mykonian Man', 2008 Stone Sculpture, Figurative.  Mykonian man wants to know whether he shouild eat his apple, or try to sell it. ...
Figurative - Sculpture
125 x 100 cm (49.2 x 39.4 inches)
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Harry Weisburd: 'SALOME', 2008 Bronze Sculpture, Mythology.  LIFE SIZE PAINTED BRONZE SCULPTURE ...
, 2008
Mythology - Sculpture
48 x 72 inches (121.9 x 182.9 cm)
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Michael Pickett: 'Angel Corner Wall Hanging', 2006 Other Sculpture, Inspirational.  I have this statue on exhibit at the Applegate Arts Guild in Veneta, Oregon ( USA) .I don't remember the details of this work, like the size and height or price. if you give them a call they can give you that information. 1- ( 541) - 935- 4286 ...
Inspirational - Sculpture
0 x 0 inches (0.0 x 0.0 cm)
Paul Freeman: 'Underwater Figure', 1993 Bronze Sculpture, undecided. Limited edition bronze...
undecided - Sculpture
7 x 14 cm (2.8 x 5.5 inches)
(Page 3 of 129) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Austen Pinkerton - Austen Pinkerton If I turn my mind to it very quickly I can come up with several ideas for works aEUR|paintings, drawings, or sculptures. Sometimes ideas come to me when I least expect it, or when my mind is on other things. Ideas can be related to my current experiences, or to my feelings about things that are happening to me in my life at that particular time. Alternatively they can be related to a current interest, or something that occupies my attention at that moment, and my ideas and feelings about which Id like to share with others. A lot of my work is autobiographicalaEUR|either directly or indirectly, consciously or subconsciously. It is frequently very personal, and expresses events or circumstances or experiences in my life. I usually work in either Acrylic on Canvas, Crayon or Pastel, or both together, with Gouache, on card, Drawing in pencil, or Ink, or both, or with creating SculptureaEUR|for which I use fired artists clay. Sculpture follows a completely different set of rules and values from two-dimensional art, obviously, I think of it as Drawing in three dimensions and I take this into account when creating mine. In all my...

    Emilio Merlina - I was born in 1950 in the North East of Italy from a polish mother and a sicilian father. I toured the world until I was 35, then I returned to Italy and picked up again my old passion painting and sculpture. As for myself, I can only say thoughts and paintings, paintings and thoughts. Everything maybe useless, however everything is life. i?1/2The human being leaves its signs, graffiti, indian dreams and imagination. Now I only have left a few more possibilities to express the colors which are not. Only the sign, scratched, angry or brushed is the witness. The sign has passed from there and there it has lived.i?1/2 Emilio Merlina Some hear if a door opens Others hear a latch which opens or closes Others more they hear the Angel when he turns over a page of the Great Book From the novel Missa Sine Nomine By Ernst Wiechert I have words which relegate my hunger And the hunger which owns my body but which do not confine them I have words which are both my confined hunger and body By the Italian poetess Paola Lovisolo ...

    Jacques Malo - A native of Cap de la Madeleine, Jacques Malo began his studies in fine arts at College and the University of Quebec at Trois-Rivieres, Quebec, Canada. During these years of training, he further explores the materials and assembly techniques of modern sculpture. In 1982 my artistic journey really took off, going away more and more of domination and the influence of my teachers of fine arts. The importance I attach to the spontaneity in the creative process was problematic in sculpture. Then I began to make an approach using Styrofoam as a material and the technique of direct carving, allowed me to shape volumes with a gesture so eager to be possible in size, the images arose in my mind. To get a solid finish and acceptable, I used the fibreglass, resin and paint spray. This artistic journey was the subject of my solo exhibition at the Imagier, gallery of art in Aylmer in 1984. The event'Sculptors at work' allowed me to explore other material, marble. Always with the technique of direct carving, I began to explore this area in order to truly know its challenges and achieve more, to measure my ability to overcome such material. ...

    Luise Andersen - Luise'Mignon' Andersen Luise'Mignon' Andersen has only recently begun to reveal her lifes work. Soon after her debut she exploded onto the mainstream art world. Her breathtaking pieces have captured international interest. The stories Luise'Mignon' is telling through her truly deep, layered works seem to decipher the past and foretell the future, perhaps sharing her window to other dimensions and a seventh sense. Her detailed acrylic'Mignon' series speaks to the beholder. They inspire raw emotion and ignite ones imagination. The indescribable nature of the "Duree De Ma Vie" in particular has a growing portion of the art community considering it the conception of an entirely new style. By Maxi c)2006 Guided Through Inner Mind- Intuition- Mental Imagery- I Create The Final Of What I Am Consciously Not Aware Of.. That I Want...... Need... With Each Completed Painting... Eye Of Core Gains a Glimpse Of My Tomorrow.... c) LA I crave.. painting...drawing... sculpting... writing... Like re-inventing my life... my purpose... myself.. .Gives me a direction.. the courage to look at myself ..and find'ME' there... At least for the duration of creating.. ....and once I collect these shards of my core within colors, shapes... form...

    Terry Mollo - ARTISTS STATEMENT Stone is my most important medium. The attributes of stone motivate me to seek and appreciate the beauty that has evolved with time and natures forces. Whether marble, travertine, alabaster, agate, onyx, each piece has its own story to tell. Its hues, striations, translucence, brilliance- and faults- have history and mystery to unlock. While carving I listen to the stone and carve only enough to find, and unleash, its organic lines and its aEURoevoice.aEUR Im inspired by the point at which natures organic form meets the inorganic. I concentrate on the force and tension created between the two, and search for the line that is formed by their union. In my sculpture, organic and inorganic form often conjure human emotion, human condition. Natures sea forms, shells and waves, suggest human form, depth, fluidity, texture, tone. Botanicals are sensuous with leaves and flowers that appear muscled and fleshy. Stems of flowers, such as orchids or lilies, stand tall, appear happy or courageous and proud, while other stems are viney or gnarled and appear desperate or defeated. All are similar to the ways in which the anatomy and musculature of the human body reflect its deepest feelings and emotion. Terry ...

    Paul Freeman - I am an artist working in ceramic and metal on a small scale of size. The works are lyrical and convey an interest in the benevolent character of human beings. The morality of the represented people conveys a feeling of pleasant engagement. I am inspired by people's everyday interactions, the good attitude that keeps society running. There is nothing that people of goodwill cannot resolve. I also paint and do computer art and have a degree in Master of Studio Art from Sydney College of the Arts (University of Sydney)....

    Andrea Waxman Mulcahy - My work illuminates an energetic state that exists yet is generally not seen. Movement as it is captured in space indicates pathways and an energy flow. Visualization of this movement brings to mind that which is not seen in the world but still exists. I'm intrigued by the way simple lines can become complex structures and how complex structures can be reduced to simple lines. I choose to work in steel because it gives me the most immediate connection to my thoughts and the welding process allows me to quickly execute my ideas. The stability and the permanence of metal also gives me the capability to build with structural freedom. Steel rods can represent an single line allowing the negative space to become an important part of the sculpure and the bent steel rods create a fluidity that lets one forget that the structure is made of hard steel....

    Martin Glick - As a realistic sculptor I have often been accused of running against the tide of the more modern and abstract movements, but if you take a good look at the work the design is abstract. The look of the work may be, at first glance academic or classical, but the composition is very much in today's idiom. There is a strong sense of movement. Even in the symmetrical sculptures you feel as if they are about to move, like a stop motion camera. They all invite invite you to walk around and see the other side. There is often a strong emotional element and or a narrative. In some sense I am a story teller. Even when viewing one of my portraits you see the subject. Their history and personality is in their face for you to see and to react to. I have been told that my sculptures have something that is unique. There is a twist to the norm, a twist of the form, an emotional element that is mine. It is my heart and my particular view of the world. No price quoted on a sculpture means that it is at a gallery. All i inquiries...

    Micha Nussinov - Nussinov's Statement Oct 2012 Drifting, being transient, in between various states of body/mind, like when we travel physically and with our imagination, as in a 'waking dream'. My work represents a world of ambiguity and illusion, of recognized and abstracted scenes embedded as a tapestry of matter, illustrating different relationships. Somewhere in the process of creating artworks these worlds are mixed in an harmonious and conflicting manner, representing the contradiction and collision between languages and landscapes. At all times the viewer is challenged to unfold the mystery, to explore and discover. The works of art are created not through a planned process but rather the starting point is an impulse, a visual or musical trigger. These signals lure the me into the unknown territories where my intuition and inner vision leads to spontaneous discoveries. As a teenager my box camera was an excuse to drift away from trouble, to capture in a photo something, that was at the same time ambiguous and exciting. As a cinematographer/ director of documentaries from1976 to1980 I was acknowledged as an acute observer of people and an highly experimental filmmaker. I have been working in various fields of the arts, consistently for the ...

    Vincenzo Montella - Vincenzo Montella was born in Benevento, Italy the 7/14/1952 and lives in Naples where works as psychiatrist. He is graduated in Medicine and Philosophy and specialist in psychiatry and family psychotherapy. He is artist, poet and photographer. He studied photography at the Toscana Photographic Workshops attending courses of William Allard, Michael Yamashita, Machiel Botman, Alex Webb, Jeff Jacobson, Arkady Llove, Sarah Moon, Carol Dragon. ...

    Andrew Wielawski - Art must communicate ideas and have them received the way the artist intends, reaching as many viewers as possible to provoke an emotional response. If you go for those who are in the know about artistic periods, about current trends, and about a symbolic language that requires training to understand, then the artist will miss a huge audience. The artist then becomes a slave to styles created by others. If on the other hand, you work towards reaching multiple levels of viewers, then your task becomes more difficult, and at the same time, more fulfilling. An artist who creates a language will not fit into any already existing niche, and will alienate those looking for something they already know about, like gallerists, collectors and museums. Creativity, however, is like water...it will find its way around such obstructions, and bring the artist satisfaction and a clientele that appreciates what they create without regard for what's in fashion. Most of all, this way of producing reflects the rarity of truth in a world mostly dedicated to superficial values. ...

    Harry Weisburd - Harry Weisburd is an Internationally Represented Artist, including, USA, Expressions Gallery, Berkeley, California,

    Michael Pickett - We all have wonderful talents to bring to the World of art as artist. Your unique style and ambitions are greatly respected. We are empowered by the inspiration of our souls, inspired by the beauty of the world around us, and, in our way, changing the world. My goal as an artist is to make a difference in the world of art. I am color-blind and I have dyslexia. Having overcome many obstacles in my life then sharing my findings to those I run across. I am painfully shy when it comes to promoting myself to different galleries and organizations and that's why I've created my own portfolio web site. (www.pickettonline.com) Competition in the world of art is so high that good artist will eventually give up, not knowing that in there own way, they really are making a difference, Maybe not in the world, but in the local community or their family and friends. ...