Sculpture For Sale - Price Range: $3000 - $3999 (196)

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Discover 196 original sculpture artworks for sale between $3000 - $3999. Contemporary emerging artists: Elizabeth Frank, Charles Mctheeney, Jane Jaskevich, Chau Pham, Yves Goyatton, Wilson Sasso, Alexander Iv Ivanov, Julia Cake, Robert Kelly, Robin Antar, Ted Schaal, Eric Jacobson, Gabriella Sarlos, Pavel Sorokin, Alexey Klimov, Federico Molinaro, Matiass Jansons are exhibiting their affordable original art. You can buy artwork online and browse 7 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Elizabeth Frank: 'Earth Spirit', 2018 Wood Sculpture, Figurative. Artist Description: Carved from fallen aspen wood, base is covered in mosaic of antique tin.  Figure holds bronze and found object components.  Vintage metal nailed to torso.  Painted with acrylic.  Finished with wax. ...
Figurative - Sculpture
15 x 75 inches (38.1 x 190.5 cm)
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Charles Mctheeney: 'pinnacle 81', 2018 Steel Sculpture, Abstract. Artist Description: Original Outdoor Steel Sculpture Painted ...
Abstract - Sculpture
2 x 9 inches (5.1 x 22.9 cm)
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Jane Jaskevich: 'clarissa', 2017 Marble Sculpture, Figurative. Artist Description: abstract expressive stone figurative sculpture...
, 2017
Figurative - Sculpture
12 x 26 inches (30.5 x 66.0 cm)
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Jane Jaskevich: 'cia', 2018 Mixed Media Sculpture, Figurative.
, 2018
Figurative - Sculpture
11 x 31 inches (27.9 x 78.7 cm)
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Jane Jaskevich: 'isa', 2018 Mixed Media Sculpture, Figurative. Artist Description: stone and wood figurative sculpture...
, 2018
Figurative - Sculpture
12 x 31 inches (30.5 x 78.7 cm)
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Jane Jaskevich: 'dream', 2017 Stone Sculpture, Figurative. Artist Description: Reclining marble expressive female  figure...
, 2017
Figurative - Sculpture
11 x 9 inches (27.9 x 22.9 cm)
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Chau Pham: 'hands and mind', 2016 Other Sculpture, . Artist Description: Lacquer relief...
- Sculpture
150 x 100 cm (59.1 x 39.4 inches)
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Yves  Goyatton: 'Aspiration', 2015 Bronze Sculpture, . Artist Description: 2015 figurative bronze sculpture by Yves Goyatton...
, 2015
- Sculpture
6 x 15 inches (15.2 x 38.1 cm)
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Wilson Sasso: 'trumpeter', 2005 Wood Sculpture, Abstract. Artist Description: Wood turning woods, pine, imbuia and pau- ferro. ...
, 2005
Abstract - Sculpture
22 x 41 cm (8.7 x 16.1 inches)
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Alexander Iv Ivanov: 'moonlight', 2015 Bronze Sculpture, Love. Artist Description: bronze, sculpture, love, romance, abstraction...
, 2015
Love - Sculpture
30 x 42 cm (11.8 x 16.5 inches)
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Julia Cake: 'Pippa', 2017 Marble Sculpture, Abstract Figurative. Artist Description: Philippa Charlotte, PippaMiddleton. The younger sister of Catherine, Duchess of Cambridge, pippa, Pippa Middleton, Pippa and James Matthews, pippa ...
, 2017
Abstract Figurative - Sculpture
25 x 90 cm (9.8 x 35.4 inches)
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Robert Kelly: 'arion', 2016 Other Sculpture, Horses. Artist Description: Limited edition   1 15  Hand cast marble...
, 2016
Horses - Sculpture
9 x 10 inches (22.9 x 25.4 cm)
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Robin Antar: 'conversations 2', 2009 Stone Sculpture, Abstract Figurative. Artist Description: conversations, onyx, alabaster, figures, talking...
Abstract Figurative - Sculpture
16 x 12 inches (40.6 x 30.5 cm)
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Robin Antar: 'the thinker 2', 2010 Stone Sculpture, Abstract Figurative. Artist Description: carved out to picasso marble, thinker, person, thinking, expression...
Abstract Figurative - Sculpture
7 x 9 inches (17.8 x 22.9 cm)
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Ted Schaal: 'small dropsy', 2016 Mixed Media Sculpture, Abstract. Artist Description: Cast bronze and hand polished stainless steel contemporary abstract sculpture...
Abstract - Sculpture
13 x 21 inches (33.0 x 53.3 cm)
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Eric Jacobson: 'cause and effect detail 2', 2017 Other Sculpture, Abstract.
Abstract - Sculpture
40 x 48 inches (101.6 x 121.9 cm)
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Eric Jacobson: 'cause and effect detail 3', 2017 Other Sculpture, Abstract.
Abstract - Sculpture
40 x 48 inches (101.6 x 121.9 cm)
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Eric Jacobson: 'cause and effect', 2017 Other Sculpture, Abstract. Artist Description: Constructed sculpture depicting man s impact on our changing climate. ...
Abstract - Sculpture
40 x 48 inches (101.6 x 121.9 cm)
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Eric Jacobson: 'cause and effect detail', 2017 Other Sculpture, Abstract.
Abstract - Sculpture
40 x 48 inches (101.6 x 121.9 cm)
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Gabriella Sarlos: 'abstract', 2017 Stone Sculpture, Abstract. Artist Description: Light green Soapstone abstract sculpture...
, 2017
Abstract - Sculpture
6 x 22 inches (15.2 x 55.9 cm)
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Pavel Sorokin: 'interior vase carved of wood', 2017 Wood Sculpture, Floral. Artist Description: Decorative interior vase, from WOODIUS collection, carved rose wood and crystal glass inside.One more similar vase, with the glass height of 40 cm is also in my collection, ask for the pair. Two similar vases25 x 25 x 40 cm with another kind of carving and completely ...
Floral - Sculpture
24 x 60 inches (61.0 x 152.4 cm)
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Alexey Klimov: 'past continuous in yellow', 2009 Steel Sculpture, Abstract. Artist Description: This collection of 4 wall sculptures reflects my fascination with the timeless nature of most visually captivating architectural detail of the ancient past graduating into contemporary Post- Modern. This is where the name
Abstract - Sculpture
36 x 36 inches (91.4 x 91.4 cm)
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Alexey Klimov: 'past continuous in red', 2009 Steel Sculpture, Abstract. Artist Description: This collection of 4 wall sculptures reflects my fascination with the timeless nature of most visually captivating architectural detail of the ancient past graduating into contemporary Post- Modern. This is where the name
Abstract - Sculpture
35 x 36 inches (88.9 x 91.4 cm)
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Alexey Klimov: 'past continuous in yellow', 2009 Steel Sculpture, Abstract. Artist Description: This collection of 4 wall sculptures reflects my fascination with the timeless nature of most visually captivating architectural detail of the ancient past graduating into contemporary Post- Modern. This is where the name
Abstract - Sculpture
36 x 36 inches (91.4 x 91.4 cm)
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Alexey Klimov: 'past continuous in blue', 2009 Steel Sculpture, Abstract. Artist Description: This collection of 4 wall sculptures reflects my fascination with the timeless nature of most visually captivating architectural detail of the ancient past graduating into contemporary Post- Modern. This is where the name
Abstract - Sculpture
36 x 36 inches (91.4 x 91.4 cm)
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Alexey Klimov: 'past continuous in green', 2009 Steel Sculpture, Abstract. Artist Description: This collection of 4 wall sculptures reflects my fascination with the timeless nature of most visually captivating architectural detail of the ancient past graduating into contemporary Post- Modern. This is where the name
Abstract - Sculpture
36 x 36 inches (91.4 x 91.4 cm)
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Federico Molinaro: 'untitled', 2014 Steel Sculpture, Figurative. Artist Description: Sculpture Metal on Iron.TechniqueWelded sculpture made of iron.The figure is made of sheet iron while the frame are made of square iron bar.The sculpture has been polished to remove the welding patina, surface of the frameis rusted.A transparent rust preventer paint and some ...
, 2014
Figurative - Sculpture
43 x 108 cm (16.9 x 42.5 inches)
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Federico Molinaro: 'untitled', 2015 Steel Sculpture, Figurative. Artist Description: Metal sculpture. Iron figure, stainless steel frame, wood base.Note For any commissioned artworks, please to contact the artist email to info@ federicomolinaro. comShipping cost are included.Keywords iron sculpture, woman, contemporary art, Metal sculpture, home decor, metal art, figurative...
, 2015
Figurative - Sculpture
63 x 90 cm (24.8 x 35.4 inches)
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Matiass Jansons: 'old friend', 2012 Other Sculpture, Fish. Artist Description: Material from about 3000 years old peat layer. ...
, 2012
Fish - Sculpture
61 x 35 cm (24.0 x 13.8 inches)
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Romain Dehaussy: 'foca morentec', 2008 Ceramic Sculpture, Fauna. Artist Description: Dying seal...
Fauna - Sculpture
15 x 55 cm (5.9 x 21.7 inches)
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(Page 1 of 7) - MORE ARTWORKS

Artists Describing Their Art:

Elizabeth Frank - My artworks begin with fallen aspen branches. I make at least one trip annually to the mountains of the southwestern United States to gather the aspen that I'll use over the course of the year. My visits to the forest are like a pilgrimage. Every time I return I'm inspired by the strength and the delicacy of the natural world. After the aspen is collected it's dried in a room on my studio roof. Once dry, I cut and shape the rough branches with a band saw. Next I make a puzzle of all the odd parts. I spread them out on the floor, stack them up on a table and move them around until everything fits. The pieces are carved in small components that are joined together with pegs and nails. The surface is painted with acrylic, metal leaf and wax. I combine my carvings with found objects. The carving style is simple, inspired by iconic images found in folk, tribal and primitive art. The themes I use are personal yet universal. My love of the natural world and my concern for the environment translate into works about the intricate relationship between man and nature. I ...

Charles Mctheeney - ARTIST BIOGRAPHY Ive been a professional artist and sculpture since 1982 well sort of. In 1982 I started my own paint and body repair business out of the garage of my Home Place. Since then I moved into collision repair and have done millions of dollars worth of paint and body and collision repair for customers. I have done this of course to make a living but what has kept me going is the smile on the customers face when they see the finished product. I got to thinking if I can make people this happy just by giving them what they had before their accident or return a vehicle to the condition it was in when it was new. How happy could I make people if I gave them something that they never seen before or never ARTIST STATEMENT I like modern abstract steel sculpture. Thats probably why thats the kind of art that Im good at producing. I am shooting for inspirational, uplifting, strength, efficiency, cleanliness. Im interested in commissioning for residential and commercial indoor and outdoor installations. Any size any color. I have no problem working with individuals architects and managers to get exactly what is required...

Jane Jaskevich - Jane Jaskevich Artist Statement Jaskevich is a carver of dreams in stone. Her mythical figures borrow elements from ancient cultures. Jane creates figures by combining various materials such as different stones, wood and found objects. She pays homage to the stonesO Greco-Roman roots. Her recent series deals with the incomplete figure and is entitled OThe Silhouette Series O. Partial heads that can be read as a silhouette are combined with full bodies. These sculptures suggest multiple ideas; ancient ruin, contemporary dreams, and flat vs 3D. 2012 brought exhibitions in the NYC Affordable Art Fair and her sculptures being published in Contemporary Sculptors by Kracun/ McFadden. Numerous Southeast galleries represent her. Jane received her BFA from University of Georgia and Masters in Art from Florida State with additional studies in Pietrasanta, Italy. Her public collections include an outdoor sculpture in a Michigan church and three sculptures for NationsBank Headquarters in Tampa. Jane has two sculptures in the permanent collection of the Polk Museum of Art in Lakeland, Florida. Her large-scale bronze sculptures are the focal point for the Tampa GTE Data Center. . ...

Yves Goyatton - My current body of work represents my fascination with the mystery of abstract shapes and their juxtaposition with human form.A My work has taken this concept most literally by combining the human form and the abstracted shapes of modern landscapes. aEUR"I am a process-oriented artist. The process is what drives my work from one piece to the next. I am constantly exploring my personal boundaries. I am inspired by all the steps in which art is made I am not afraid to face the difficulties the process requires of myself, so long as I continue to learn and grow from it.A The process allows me to conquer problems these challenges allow new points of departure for the next works. aEUR"I enjoy composing in a fusion between these two elements. I conceive my workA primarily as abstract with anthropomorphic elements.A It is important for me to begin with an idea, but remain malleable to the end result. It is most important to me that the piece reflects a refined aesthetic, which I can only describe when I am visually satisfied. This becomes my new boundary for the next work to exceed what I have done before without duplication. aEUR"The work ...

Wilson Sasso - WILSON SASSO - EXHIBITIONS CASA JOAO TURIN, Curitiba, PR/BRAZIL. INDIVIDUAL, currently, up to 28/01/2008. 6a MOSTRA JOAO TURIN Casa Andrade Muricy, Curitiba - PR/BRAZIL Selected artist, 2003. A NATUREZA DOS ELEMENTOS II Espaco Cultural FALEC, Curitiba - PR/BRAZIL With the paint artist Paulo Assis, 2003. SERES PATETICOS Museu Joao Turin, Curitiba - PR/BRAZIL Individual, 2001. IMPRESSOES DA NATUREZA Museu do Jardim Botanico, Curitiba - PR/BRAZIL Collective, 2000. ARTE E EXPRESSAO Espaco Cultural Francis Bacon, Curitiba - PR/BRAZIL Collective, 2000. A NATUREZA DOS ELEMENTOS I Curitiba - PR/BRAZIL With the paint artist Paulo Assis, 1999. MUSEU VIRTUAL DE ARTE BRASILEIRA -MVAB/BRAZILIAN MUSEUM Galeria XXI Web page:

Julia Cake - Julia Cake: Sculptress Born: 1973 in Monaco Currently Living in England Introduction Julia's passion for sculpting began when she was 16 after an accident cut short a holiday from another of her true passions, skiing. She enrolled in the famous Beaux Art academy in France to more fully express what was already an over whelming artistic flair. She decided to move into the three-dimensional world of sculpting. This dynamic gave Julia the release she needed to allow her artistic ideas to flow. These ideas when suppressed in earlier years were sometimes misunderstood by those around her, who would comment that Julia's introspective behavior perhap's required a quite different therapy. Her first ever piece "Trois Elephants" was judged 2nd place at an international exhibition in Cannes. She was just 17 years old. From clay she moved into marble, which soon became the stone for which Julia's passion raged. Born in Monaco and growing up in the French Riviera, Julia was able to drive into Italy to hand pick the most beautiful pieces of naturally formed marble to work with. This is what developed her most sought after talent; the ability to take a stone and transform ...

Robert Kelly - Artist's Statement I have always loved doing things with my hands and sculpture was the next natural extension of that love when I decided to dedicate my remaining years to art. I have always loved the realism of the Masters like Michelangelo, Bernini and Rodin but also have always loved the works of the abstract Masters like Brancusi, Boccioni and Henry Moore. I have tried to combine these styles of observation and emotion. I am attempting to capture man's inner struggle, quiet contemplation, expectation and peace. When asked what my art means, I like to defer to the form and let it speak for itself. I feel strongly that my sculpture is my statement. It is hard to put into words what my art means or how I'm feeling about it while I'm in the process of creating it. I know when it's working for me and I know when I'm finished with a piece. It tells me when it's done. If different people see different things and have different emotions with my work then I have been successful. ...

Robin Antar - My abstract pieces depict the waves of thoughts moving through my mind at various moments. Sometimes, I sit in front of the stone, shut my eyes and meditate before starting the art process. I think of the form I need to create to transfer feelings of tranquility onto these works. When I feel angry, I attack the stone with the same mass array of sharp and powerful tools such as 7-inch diamond blades and high-powered air hammers, to chisel away and eliminate my stress, anxiety, and frustration. These emotions vanish as they are infused into the rock. Its true beauty of these sculpture lays not merely in its physical presence, but in its soul. My point is to bring a dead rock to life. What better way than to give it a physical shape and breathe my emotions into its grooves ...

Ted Schaal - Lately I have been exploring the use of two enduring materials, bronze and stainless steel. I enjoy the juxtaposition of the primitive texture in the bronze with the mirror polished modern look of the stainless. Balance and symmetry dominate simple geometric forms. These sculptures are made to last through the ages with the highest level of craftsmanship and quality metals. Most of my latest work can be scaled up for public or corporate settings and commission inquiries are welcome. With over 20 years of sculpture experience anything is possible from desk top size to monumental fountains and sculpture. ...

Eric Jacobson - My work is influenced by a variety of sources from mandalas to contructivism "drawing in space" and nature: artists like David Smith, Mark Di Suvero, Miro, Picasso, etc. My current work incorporates brass tubing with mobiles and water. Some of these create sound as well. I have also created steel "frames", often octagonal that enclose a series of elements floating within this environment. I have been exploring the use of depth(perspective), color and balance in my work. I am very interested in the "layers" that make up each person's life history and mind, and therefore create layers in my sculpture to symbolize this. I often see things in the world as having an" inner and an outer", sometimes revealed to the world at large and sometimes hidden. This includes the human mind. People often keep parts of themselves hidden or protected even sometimes from themselves. Sometimes thes things are revealed in artwork. My sculptures also involve the relationship of the natural and man-made environments and the balance or imbalance between them....

Alexey Klimov - ARTIST STATEMENT I think that absolute freedom in art is no more than a mirage. Like a vanishing point, not only it is not achievable, but also constant strive for being totally uninhibited fundamentally contradicts the very nature of art. I discovered that by trying to free myself I instead only created un-freedom within, but at the same time I recognized it as a blessing because this un-freedom, to my great surprise, flowered into my very own freedom. I built my personal space inside it, I fenced in all I was made of and then I gladly confined myself into this space and opened all the windows to share whataEURtms inside with others. This is the moment of great joy for me because this space has never existed before I have created it. Not unlike theater, my work attempts to counterpart outside reality with no ambition to compete with it. It is just a window into my parallel world, my very own, not so little Universe. ...

Federico Molinaro - "In all my sculptures I always try to convey the feeling of motion, lightness, suppleness, three features in sharp contrast with the rigidity and the heaviness of the materials used, such as iron and steel. The motion is conveyed by the action or the shape which should be winding, never stiff. The suppleness comes from the peculiar working technique the iron, all riddled with holes, allows you to glimpse at the backside, communicating a feeling of "passing through....