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Sculpture For Sale - Price Range: $3000 - $3999 (199)

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Discover 199 original sculpture artworks for sale between $3000 - $3999. Contemporary emerging artists: Dan Woodard, Tai Nguyen, Richard Kloester, Richard Claraval, Gajendra Shankhwar, Vladimir Nikitin, Paul Orzech, Tzipi Biran, John Northington, Rajyaguru Devdoot, Andrew Wielawski, Lila Goldner, Diego Garcia Stern, Jane Jaskevich, Julia Cake, John Searles, Don Dougan, Steven Derks are exhibiting their affordable original art. You can buy artwork online and browse 7 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Tai Nguyen: 'wood', 2007 Wood Sculpture, Nature. Artist Description:         beautifull hand carved sculpture , it is very hard to carve on old burl wood , it more than hundred years old               ...
, 2007
Nature - Sculpture
30 x 30 inches (76.2 x 76.2 cm)
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Tai Nguyen: 'wood carving', 2010 Wood Sculpture, Nature. Artist Description:        beautifull hand carved natural  by burl wood , it is very hard to carve on burl wood              ...
Nature - Sculpture
30 x 30 inches (76.2 x 76.2 cm)
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Tai Nguyen: 'wood art ', 2010 Wood Sculpture, Nature. Artist Description:       beautifull hand carved natural  by burl wood , it is very hard to carve on burl wood             ...
, 2010
Nature - Sculpture
42 x 38 inches (106.7 x 96.5 cm)
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Richard Kloester: 'Stella', 2010 Stone Sculpture, Portrait. Artist Description: Stella is carved from Chilligoe Marble which is found in North Queensland, Australia. Stella is mounted on a black granite base ....
, 2010
Portrait - Sculpture
25 x 30 cm (9.8 x 11.8 inches)
Richard Claraval: 'Anticaryatid Kate', 2000 Other Sculpture, Philosophy. Artist Description:   Piece was one of eight similar sculptures in an exhibition entitled, Anti- caryatidean. The idea of the caryatid was turned upside- down in this show, with these sculptures hanging one inch from the ceiling and one inch from the floor, almost seeming to float instead of supporting massive ...
Philosophy - Sculpture
9 x 3 feet (2.74 x 0.91 m)
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Richard Claraval: 'Anticaryatidean Kim', 2000 Other Sculpture, Philosophy. Artist Description:   Piece was one of eight similar sculptures in an exhibition entitled, Anti- caryatidean. The idea of the caryatid was turned upside- down in this show, with these sculptures hanging one inch from the ceiling and one inch from the floor, almost seeming to float instead of supporting massive ...
Philosophy - Sculpture
9 x 3 feet (2.74 x 0.91 m)
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Richard Claraval: 'Anticaryatidean Anne', 2000 Other Sculpture, Philosophy. Artist Description:   Piece was one of eight similar sculptures in an exhibition entitled, Anti- caryatidean. The idea of the caryatid was turned upside- down in this show, with these sculptures hanging one inch from the ceiling and one inch from the floor, almost seeming to float instead of supporting massive ...
Philosophy - Sculpture
9 x 4 feet (2.74 x 1.22 m)
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Richard Claraval: 'Anticaryatid Emilley', 2000 Other Sculpture, Philosophy. Artist Description:  Piece was one of eight similar sculptures in an exhibition entitled, Anti- caryatidean. The idea of the caryatid was turned upside- down in this show, with these sculptures hanging one inch from the ceiling and one inch from the floor, almost seeming to float instead of supporting massive ...
Philosophy - Sculpture
9 x 3 feet (2.74 x 0.91 m)
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Gajendra Shankhwar: 'ganes', 2009 Bronze Sculpture, Abstract Figurative. Artist Description:  medium - brass sculpture ...
, 2009
Abstract Figurative - Sculpture
27 x 30 cm (10.6 x 11.8 inches)
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Vladimir Nikitin: 'Angel', 1985 Stone Sculpture, Fantasy. Artist Description:  The girl the Angel ...
, 1985
Fantasy - Sculpture
31 x 102 cm (12.2 x 40.2 inches)
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Paul Orzech: 'Acrobats: The Triumph of Pericles', 2007 Bronze Sculpture, Figurative. Artist Description: The Acrobats was inspired by the Shakespearian play Percales, which I saw at the Globe Theater while I visited London several summers ago. As this work evolved, I implemented the idea that as a man seeks higher goals he is supported by the woman who helps him attain ...
Figurative - Sculpture
16 x 38 inches (40.6 x 96.5 cm)
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Paul Orzech: 'Saint George and the Dragon', 2007 Bronze Sculpture, Mythology. Artist Description:  St. George and the Dragon was commissioned by the owner of another piece Paul created. It fulfilled the parton's desire to have a physical depiction, of the epic battle between the forces of good and evil, that are represented by the St. George and the Dragon legend. ...
Mythology - Sculpture
11 x 24 inches (27.9 x 61.0 cm)
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Tzipi Biran: 'Speechless 2', 2005 Other Sculpture, Love. Artist Description:  Polyresines ...
Love - Sculpture
55 x 50 inches (139.7 x 127.0 cm)
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Tzipi Biran: 'Speechless 1', 2007 Other Sculpture, Nudes. Artist Description:  Polyresines ...
Nudes - Sculpture
60 x 45 inches (152.4 x 114.3 cm)
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John Northington: 'Blade Runner', 2008 Mixed Media Sculpture, Abstract. Artist Description:   Soapstone, Glass, Steel...
Abstract - Sculpture
41 x 40 inches (104.1 x 101.6 cm)
Rajyaguru Devdoot: 'AATMA,soul', 2008 Mixed Media Sculpture, Mythology. Artist Description:  about brathing life, carnal body may be holding that breathing life temporarily but that lives within many unending sensitive boundaries. ...
, 2008
Mythology - Sculpture
24 x 26 inches (61.0 x 66.0 cm)
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Rajyaguru Devdoot: 'untitled', 2008 Stone Sculpture, Abstract Figurative. Artist Description:  it is my in mind. feamal alwayas giving direction. ...
, 2008
Abstract Figurative - Sculpture
18 x 24 inches (45.7 x 61.0 cm)
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Rajyaguru Devdoot: 'playing woman', 2004 Stone Sculpture, Abstract Figurative. Artist Description:  woman have viewring mind thats why she is good player of life. ...
Abstract Figurative - Sculpture
27 x 28 inches (68.6 x 71.1 cm)
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Andrew Wielawski: 'Mermaid and Fisherman', 2007 Bronze Sculpture, Abstract Figurative. Artist Description:  In this piece, I'm going more for movement than for detail, as you can see from the lack of definition of the features. Color is used as well as the positioning of the figures, to try to create an harmonious composition. ...
Abstract Figurative - Sculpture
14 x 9 inches (35.6 x 22.9 cm)
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Lila Goldner: ' point of research', 2006 Mixed Media Sculpture, Visionary. Artist Description:  lamp. presents rising up and flourishing of mind from apstract to figurative, from ignorance to knowledge ...
Visionary - Sculpture
0 x 1 m (0.00 x 3.28 feet)
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Lila Goldner: 'earth and water', 2006 Mixed Media Sculpture, Visionary. Artist Description:  mural. two parts, presents the finest touch and borderline between to worlds, made of alabaster, wood, stone and ready mades. . ...
Visionary - Sculpture
2 x 1 m (6.56 x 3.28 feet)
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Lila Goldner: 'point of research', 2006 Mixed Media Sculpture, undecided.
undecided - Sculpture
0 x 0 inches (0.0 x 0.0 cm)
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Diego Garcia Stern: 'Andrea', 2007 Stone Sculpture, Nudes. Artist Description:  girl made by stone carving, looks like she is sleeping on the stone. ...
, 2007
Nudes - Sculpture
70 x 30 cm (27.6 x 11.8 inches)
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Jane Jaskevich: 'Warrior', 2008 Stone Sculpture, Abstract Figurative. Artist Description:  Chloride Stone/ VA Steatite/ Found Objects16
, 2008
Abstract Figurative - Sculpture
14 x 16 inches (35.6 x 40.6 cm)
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Julia Cake: 'Fish', 2008 Stone Sculpture, Erotic. Artist Description: The Fish with black Granite base....
, 2008
Erotic - Sculpture
40 x 35 cm (15.7 x 13.8 inches)
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John Searles: 'Family Four', 2007 Other Sculpture, Abstract. Artist Description: Sold - commissions welcome. 1/ 4 aluminum, cut, painted, fabricated. Suitable for exterior display. ...
Abstract - Sculpture
60 x 50 inches (152.4 x 127.0 cm)
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Don Dougan: 'ANGEL HANG UPS: DAY SHIFT', 2007 Mixed Media Sculpture, Philosophy. Artist Description: Virginia black Buckingham slate, Itlaian Rosso Levanto serpentine, 181 stoneware, brass, 22k gold leafOne of a pair: Day and Night.  Everbody' s gotta take time- off sometime. ...
Philosophy - Sculpture
17 x 22 inches (43.2 x 55.9 cm)
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Steven Derks: 'Steel Sculpture', 2008 Steel Sculpture, Abstract. Artist Description:  Rusted Steel ...
Abstract - Sculpture
52 x 54 inches (132.1 x 137.2 cm)
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Julia Cake: 'Fish', 2008 Stone Sculpture, Fish. Artist Description: The Fish with black Granite base....
, 2008
Fish - Sculpture
40 x 35 cm (15.7 x 13.8 inches)
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Ivica Vukadin: 'RAM', 1995 Other Sculpture, Animals. Artist Description:  IRON/ THERMAL METALWORKING SCULPTURE ...
, 1995
Animals - Sculpture
33 x 38 cm (13.0 x 15.0 inches)
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Artists Describing Their Art:

Dan Woodard - Archetypes...Myths...Rituals. I have long been intrigued and fascinated by these concepts. In my sculptures, both figurative and abstract, I employ these aspects of a collective unconscious to evoke an emotional state within the viewer. In my figurative work, my goal is to capture the myriad changing state of the human condition through subtle changes in facial countenance and body language. The end result shows how the inner condition is expressed by the outward form while also conveying a sense of this expression transcending both time and history. In my abstract sculptures, I have recreated the numinous quality of subconsciously shared images, stories, and ceremonial rites. The sculptures, themselves, are composed of abstract forms that are covered with a rich, textural surface. The end result is a complex organic piece that evokes a sense of ancient artifacts, of ritualistic objects from some unknown culture, or of imagined landscapes. However, be it figurative or abstract, my ultimate goal is to have the viewer feel a sense of familiarity with the work...a sense of having experienced this before. I believe this feeling of deja vu arises from both the collective unconscious and a mystical center we all share. ...

Richard Claraval - I've always been profoundly interested in the human figure, and in the representation of dynamic motion. My sculptures, drawings, and paintings revolve around these basic concerns, fussing the undistorted, non-truncated figure with various abstract forms. I'm mainly influenced by the Renaissance, Abstract Expressionism, and pure abstract sculpture such as that of Arp and Brancusi. It has long been exciting to me to think of the beautiful draperies of a Raphael painting, or Michelangelo's drawing of the risen Christ, as fused with their figures in a seamless integration. Similarly, I wish to see a beautiful Arp sculpture flowing with a beautiful human figure. My strongest inspiration comes from music, especially classical, and most especially Beethoven, though I am extremely fond of many other forms and composers. Richard Claraval 2009...

Paul Orzech - Paul Orzech Sculpture Studio Artist Statement: The heart of my artwork is expressed by the words "Classical form with a modern edge." As an artist, I feel the need to incorporate the classic concepts of the human figure from the Ancient Greek and Italian Renaissance periods, with the more message-oriented elements of today's art. My belief in the beauty and power of the raw human form is exquisitely celebrated in the classical forms of sculpture. The modern themes I treat in my art include feminism; contemporary ideas of spirituality and love; and the all consuming presence time plays in our fast-paced American lives. I feel there is a quiet strength in the combination of established classics and contemporary expression that demonstrates a smooth continuity of social history. ...

Tzipi Biran - I try to express the feminine experience as a complete individual that is constantly engaged in fulfilling her independence and femininity. Parallel to this, I emphasize the potential of a harmonious and holistic connection within a nourishing, supporting and creative relationship between a couple, a promoting and protective partnership within a spiritual and physical connection. The figures in my works are like the dance of life in which the steps of one are adjacent, connecting, opposing, and supporting to that of others, creating a changing and constant movement. ...

John Northington - I have always looked at materials as a representation of a place in time. This idea about materials comes directly from the way I have learned to organize history. I place stone in the far past or in ancient times , I look at metal and consider it to be now and I put glass or plastic as future materials, Wood seems to be linked with history. I feel I have to link materials to a time period to better understand them, this idea is a way for me to understand what I am looking at. I have always found inspiration by the way sculpture moves or changes over time. I have always been fascinated by the Archeological find, to uncover something to never been seen in modern times or forgotten until it was discovered . I have always seemed to find a way to use something that has been overlooked and recycle the material over and over. My work develops from Geology, the Archeological discovery and the work ethic from Ancient Times. ...

Andrew Wielawski - Art must communicate ideas and have them received the way the artist intends, reaching as many viewers as possible to provoke an emotional response. If you go for those who are in the know about artistic periods, about current trends, and about a symbolic language that requires training to understand, then the artist will miss a huge audience. The artist then becomes a slave to styles created by others. If on the other hand, you work towards reaching multiple levels of viewers, then your task becomes more difficult, and at the same time, more fulfilling. An artist who creates a language will not fit into any already existing niche, and will alienate those looking for something they already know about, like gallerists, collectors and museums. Creativity, however, is like water...it will find its way around such obstructions, and bring the artist satisfaction and a clientele that appreciates what they create without regard for what's in fashion. Most of all, this way of producing reflects the rarity of truth in a world mostly dedicated to superficial values. ...

Lila Goldner - "When faced with a lack of purposeand direction,let us expand capacity of observance,increase possibility of learning and understanding,let us be ready to face the moment when the tasks set before us will be beyond our power.Let us rob the moment of eternity that belong to us and sink into oblivion" ...

Jane Jaskevich - Jane Jaskevich Artist Statement Jaskevich is a carver of dreams in stone. Her mythical figures borrow elements from ancient cultures. Jane creates figures by combining various materials such as different stones, wood and found objects. She pays homage to the stonesO Greco-Roman roots. Her recent series deals with the incomplete figure and is entitled OThe Silhouette Series O. Partial heads that can be read as a silhouette are combined with full bodies. These sculptures suggest multiple ideas; ancient ruin, contemporary dreams, and flat vs 3D. 2012 brought exhibitions in the NYC Affordable Art Fair and her sculptures being published in Contemporary Sculptors by Kracun/ McFadden. Numerous Southeast galleries represent her. Jane received her BFA from University of Georgia and Masters in Art from Florida State with additional studies in Pietrasanta, Italy. Her public collections include an outdoor sculpture in a Michigan church and three sculptures for NationsBank Headquarters in Tampa. Jane has two sculptures in the permanent collection of the Polk Museum of Art in Lakeland, Florida. Her large-scale bronze sculptures are the focal point for the Tampa GTE Data Center. . ...

Julia Cake - Julia Cake: Sculptress Born: 1973 in Monaco Currently Living in England Introduction Julia's passion for sculpting began when she was 16 after an accident cut short a holiday from another of her true passions, skiing. She enrolled in the famous Beaux Art academy in France to more fully express what was already an over whelming artistic flair. She decided to move into the three-dimensional world of sculpting. This dynamic gave Julia the release she needed to allow her artistic ideas to flow. These ideas when suppressed in earlier years were sometimes misunderstood by those around her, who would comment that Julia's introspective behavior perhap's required a quite different therapy. Her first ever piece "Trois Elephants" was judged 2nd place at an international exhibition in Cannes. She was just 17 years old. From clay she moved into marble, which soon became the stone for which Julia's passion raged. Born in Monaco and growing up in the French Riviera, Julia was able to drive into Italy to hand pick the most beautiful pieces of naturally formed marble to work with. This is what developed her most sought after talent; the ability to take a stone and transform ...

John Searles - John Searles is a metal artist & sculptor with work in more than 2000 collections across the country, including hotels, businesses and homes. His experience includes working with aluminum, copper, bronze, steel and stainless steel. His body of work includes sculptures, metal weavings, metal art tiles, wall sculptures, photography, paintings and websites. The metal wall sculptures of John Searles reflect his enduring interests in mathematical patterns, design, movement, energy and freedom and are an expression of his on-going dialogue with the metals he works with - aluminum, steel, stainless steel, copper and bronze. John Searles' background in poetry, painting and photography has heavily influenced his focus on shape and design. At times his artwork appears to depict the fluid movements of a Kung Fu master, or the flight patterns of a bird catching insects in the summer evening air. Other times, the metal represents dancers intertwined. John Searles lives and works in a converted 5600 square foot factory on three acres of land near Lake Michigan. The front third of the building is a light-filled gallery. The back part is a tool- and work table-filled space with two garage doors and a view out over the property to the ...

Don Dougan - My work comprises both abstracted and figurative imagery executed in a variety of mixed materials, with stone being the predominate medium. Other materials used (usually in conjunction with stone) include foundry cast metals, carved and joined wood, cast and fabricated plastics, cold-worked and kiln-formed glass, cast and carved hydraulic cements, cast/formed paper, welded/fabricated metals, gilding, and found/assembled objects. The more abstracted imagery is worked in pedestal pieces, large freestanding sculptures, and in wall-mounted relief sculptures. The figurative lip series is usually presented in wall-mounted reliefs, deep shadowbox framing, and occasionally as either a pedestal piece or a large freestanding work. The most recently begun series of work comprises pedestal-sized pieces using the imagery of the ship or the boat hull. Each series or each type of work allows me to express aspects of the human condition - the more abstracted works tend to reveal a more universal emotional/rational characterization of subject matter, the lip series tends to allow sensuality, humor, and more visceral expressions, while the ship series delves into personal/cultural memories and emotional journeys. For more images and information on myself, my work, and my working methods please visit my ...

Steven Derks - Artist Statement: Color field Paintings & Gridscapes My work is best described as accidental beauty or Shibui as the Japanese call it. It's my job to reconstruct those accidents with diverse methods yet a consistent result. The two most important tools in my work are a stick to push and pull paint around, and the sun, to accelerate the drying. The desert is the perfect place to make this work. While the painting is in the sun cracking and crazing may happen. Placing a painting in the sun to dry is similar to putting ceramics in a kiln. I can anticipate the results but I can't always predict what will happen. Picasso used to say, " Painting is stronger than me. It makes me do things I normally wouldn't do". I'm influenced by Turners skies, Rothko's compositions, and Richter's method of pulling paint. STEVEN DERKS ...