Americana Art For Sale

Page 1 of 12
Browse 332 Americana artworks for sale. Contemporary artists: Jerry Di Falco, Brian Devon, Teri Paquette, Lora Vannoord, Lou Posner, Lynda Lehmann, David Larkins, Ruth Zachary, Nancy Bechtol, Rickie Dickerson, Ron Ogle, Walter King offering Americana artworks. Links to more artworks by these contemporary artists and 12 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any Americana art simply click on the image to go to a more detailed page about this work of art.


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Jerry  Di Falco: 'gullah baptism in cedar water', 2021 Etching, Americana. Di FalcoaEURtms driving force behind this series originated with his research into the Gullah, a community of freed and escaped African American slaves that settled on the unexplored islands off South CarolinaaEURtms Coast.  The Gullah People began settling here long before slaveryaEURtms abolition.  These West African people ...
Americana - Etching
12 x 16 inches (30.5 x 40.6 cm)
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Brian Devon: 'heat and dust', 2010 Other Photography, Americana. Signed Canvas PrintArchival museum quality art for your home or office decor with a canvas print that will never warp or sag.  Each canvas print is 1. 25aEUR deep, with a hard, sealed finish and hanging hardware, so itaEURtms designed to hang tough and is super easy to ...
Americana - Photograph
32 x 32 inches (81.3 x 81.3 cm)
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Jerry  Di Falco: 'batso mill pine boggs', 2021 Etching, Americana. BATSTO VILLAGEThis original etching by Jerry Di Falco employed the printmaking techniques of intaglio, drypoint, and Chine collA(c).  Media included Charbonnel brand inkaEUR
Americana - Etching
11 x 14 inches (27.9 x 35.6 cm)
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Teri Paquette: 'gathering eggs', 2020 Watercolor, Americana. ORIGINAL WATERCOLOR FEATURES A LADY GATHERING EGGS IN BARN- WITH HAY- CHICKEN- TOOLS- UNDER GLASS- QUALITY SILVER FRAMED- SIGNED...
Americana - Watercolor
11 x 14 inches (27.9 x 35.6 cm)
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Jerry  Di Falco: 'sauls grocery 1928', 2019 Etching, Americana. ETCHING.  Chine colle, intaglio, drypoint and aquatint.  Framed work is 11 inches by 14 inches wide.  This zinc plate etching required three separate Nitric acid baths and plate workings.  The image size of theplate was six inches high by eight inches wide.  The frame is 11 by 14 inches.THIS ...
Americana - Etching
14 x 11 inches (35.6 x 27.9 cm)
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Jerry  Di Falco: 'abe on halloween 1962', 2018 Etching, Americana. THE PRICE OF THIS MATTED ETCHING INCLUDES A FRAME THAT MEASURES 16INCHES HIGH BY 11 INCHES WIDE.  THE GOLD PAINTED, WOOD AND GLASS FRAME INCLUDES AN ACID FREE, WHITE MAT.  MOREOVER, THE ARTWORK ARRIVES WIRED AND READY TO HANG.  This etching is based on a black and white snapshot from ...
Americana - Etching
12 x 16 inches (30.5 x 40.6 cm)
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Lora Vannoord: 'the red restaurant', 2017 Oil Painting, Americana. This original oil painting on wood is of a Red Restaurant along Lake Champlain in Essex,  New York side.  Customers can drive there or sail there for lunch or dinner.  1 and 12 inch wooden gold frame included. ...
Americana - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Lou Posner: 'Dr George Rapp Family Home New Harmony Indiana', 2001 Oil Painting, Americana. Indiana art mogul, George Rapps birthplace, New Harmony, Indiana....
Americana - Painting
12 x 14 inches (30.5 x 35.6 cm)
Lynda Lehmann: 'Interplay', 2013 Color Photograph, Americana.  The interplay of lines of bricks, windows, fire escapes and shadows on the front of a city building, makes a dynamic abstract pattern.Keywords: abstracted realism, bricks, building, infrastructure, architecture, architectural elements, windows, fire escape, steel, grid, repetition, texture, geometry, geometric shapes, city, housing, lines, rhythm, strong, powerful, interlocking, construction...
, 2013
Americana - Photograph
12 x 9 inches (30.5 x 22.9 cm)
David Larkins: 'Rolled Oats', 2012 Acrylic Painting, Americana.    One of the hottest days of this year was around July 4th, which is also when the winter wheat and oats are harvested. The temperature was 104 degrees when I did my study for
Americana - Painting
24 x 18 inches (61.0 x 45.7 cm)
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Ruth Zachary: 'Island Patriot', 2012 Black and White Photograph, Americana. Forty- eight star American flag displayed on rustic shaker shingled New England barn.  Monhegan Island, Maine.   ...
Americana - Photograph
10 x 8 inches (25.4 x 20.3 cm)
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Nancy Bechtol: 'US and the Statue of Liberty', 2010 Color Photograph, Americana.  statues of liberty, performance, NYC...
Americana - Photograph
11 x 17 inches (27.9 x 43.2 cm)
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Nancy Bechtol: 'Statues of Liberty Salute', 2010 Color Photograph, Americana.       statues of liberty, performance, NYC ...
Americana - Photograph
11 x 17 inches (27.9 x 43.2 cm)
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Lynda Lehmann: 'Locked In', 2009 Color Photograph, Americana.      An aging and abandoned mental hospital, overgrown and boarded up, conjures many tales.Keywords: urban, decay, building, architecture, doorway, window, broken, abandoned, disrepair, derelict, pathos, lonely, sad, institution, historic, vintage, americana, boarded up, forbidding, mental hospital, landmark, Americana, brick, moody, scary, architectural elements, old, antique, vines       ...
, 2009
Americana - Photograph
10 x 8 inches (25.4 x 20.3 cm)
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Lynda Lehmann: 'Entry Forbidden', 2009 Color Photograph, Americana.    An aging and abandoned mental hospital, overgrown and boarded up, conjures many tales.Keywords: urban, decay, building, architecture, doorway, window, broken, abandoned, disrepair, derelict, pathos, lonely, sad, institution, historic, vintage, americana, boarded up, forbidding, bars, prison, mental hospital, rust, landmark, Americana, brick, moody, scary, architectural elements, old, antique     ...
Americana - Photograph
10 x 8 inches (25.4 x 20.3 cm)
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Lynda Lehmann: 'A Tree Looms Outside', 2009 Color Photograph, Americana.   An aging and abandoned mental hospital, overgrown and boarded up, conjures many tales.Keywords: urban, decay, building, architecture, doorway, window, broken, abandoned, disrepair, derelict, pathos, lonely, sad, institution, historic, vintage, americana, boarded up, overgrown, vines, forbidding, tree, shadows  Keywords: bars, prison, mental hospital, window, rust, building, landmark, institution, vintage, Americana...
Americana - Photograph
10 x 8 inches (25.4 x 20.3 cm)
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Lou Posner: 'The Nester House', 2004 Oil Painting, Americana. A national historic structure on the banks of the Ohio River at Troy, Indiana.  Built in 1863, it was formerly a hotel.  My plumber friend recently helped with remodeling the apartment upstairs.  Framed in lattice painted white.  The price is high because even tho it is a famous structure, there ...
Americana - Painting
14 x 9 inches (35.6 x 22.9 cm)
Ruth Zachary: 'Americana', 2006 Color Photograph, Americana.  Antique oak bureau and chair, contrasting brass drawer pulls, glasses and towels.  Charming interior or the Victorian Monhegan House Hotel, Monhegan Island, Maine.  5 x 7
, 2006
Americana - Photograph
11 x 14 inches (27.9 x 35.6 cm)
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Ruth Zachary: 'Keeping Watch', 1998 Color Photograph, Americana.  Antique rocking chair sits at window seeming to keep watch out to the sea.  When will her seaman return? Nostalgic, romantic, charming.  11 x 14
Americana - Photograph
16 x 20 inches (40.6 x 50.8 cm)
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Ruth Zachary: 'Rockettes', 1998 Color Photograph, Americana.  Antique rockers all lined up on the porch of the Victorian- era Island Inn on Monhegan Island, Maine. Crisp white, nice shadows and soft blue- gray.  11 x 14 limited edition print in an 16 x 20 acid free mat. Signed, numbered and titled.  Smaller size available.  Enjoy!  ...
, 1998
Americana - Photograph
16 x 20 inches (40.6 x 50.8 cm)
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Lou Posner: 'The 1970s', 2005 Oil Painting, Americana.  Its the 1970s, isnt it...
, 2005
Americana - Painting
48 x 34 inches (121.9 x 86.4 cm)
Rickie Dickerson: 'Bad Vibes', 2005 Color Photograph, Americana.  I came across this horrid implication of something very ugly while hiking in the beautiful mountains of Southern California. Scary. ...
, 2005
Americana - Photograph
8 x 11 inches (20.3 x 27.9 cm)
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Lou Posner: 'Abandoned II', 1995 Oil Painting, Americana. This is the companion piece to Shady Curve.  Please see that painting for a description of its genesis.  The original drawings for both these paintings are in private collections. ...
Americana - Painting
22 x 34 inches (55.9 x 86.4 cm)
Ron Ogle: 'Shield', 1999 Assemblage, Americana. An assemblage made of wood and metal objects mostly found in Rusty' s back yard- where I lived in a school bus in which I burned seasoned hickory when the snow fell, and later. I have been embellishing   this assemblage for 21 years....
, 1999
Americana - Assemblage
23 x 34 inches (58.4 x 86.4 cm)
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David Larkins: 'Sweet Nostalgia', 2005 Giclee, Americana. I was captivated by the allegorical effect of the abandoned apple orchard in
Americana - Giclee
17 x 25 inches (43.2 x 63.5 cm)
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Ron Ogle: 'SKATEBOARD', 1998 Assemblage, Americana. No wheels. ...
, 1998
Americana - Assemblage
30 x 17 inches (76.2 x 43.2 cm)
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Ron Ogle: 'Men are from Mars and Women are from England', 1999 Assemblage, Americana.  { . . . As a man learns to listen and interpret a woman' s feelings correctly, communication becomes easier. As with any art, listening requires practice. } John Gray: MEN ARE FROM MARS - WOMEN ARE FROM VENUS, page 90...
Americana - Assemblage
16 x 25 inches (40.6 x 63.5 cm)
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Ron Ogle: 'A Night In West Ashevill', 2005 Color Photograph, Americana. Zoom in. West Asheville has changed....
Americana - Photograph
18 x 12 inches (45.7 x 30.5 cm)
Walter King: 'Beautiful Dreamer', 2005 Collage, Americana. Part of the Promesas series done in NY. The Promesa Series were recently on exhibition through Dec 4th at the Columbus College of Art and Design....
Americana - Collage
18 x 18 inches (45.7 x 45.7 cm)
Andree Lisette Herz: 'Sunkiss', 2005 Acrylic Painting, Americana. acrylic on gallery wrapped canvas with collaged items...
, 2005
Americana - Painting
20 x 20 inches (50.8 x 50.8 cm)
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(Page 1 of 12) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Jerry Di Falco - Photography inspires my art and acts as a vital element in my etchings. The images I employ originate from my own photographs, as well as from the images I find from my research into the digital archives of universities, historical societies, libraries, and museums. Upon locating a documented scene I wish to etch, my first step involves the execution of two to five original drawings of the photograph. My collaboration between photography and printmaking allows me the independence to integrate my personal interpretations into the scene. Moreover, I create bridges between the physical and metaphysical visual realities in the same way that a camera intersects with human creativity . . . the nexus between the mechanical and the cerebral art tools. Art unveils everything that we mask behind our belief systems conversely, I strive in my creations to clarify those phenomena we overlook as a result of our egocentric assumptions. Ironically enough, I blame this failure to notice things, a process I label, the phenomenology of connectedness, on todayaEURtms very infatuation with and addiction to the new communicational technologies of social media. My artworks therefore become like windows through which to examine the mysteries of aEURoeeveryday consciousnessaEUR. In fact, my use of ...

    Brian Devon - I began taking pictures at a very early age, about 8 if I remember correctly, and soon began to manipulate the images, painting on colors and adding my personal touches to create soft impressionist images. My interest in photography led to further study and eventually a career in commercial advertising and fashion photography and I worked in several studios in Dublin, London and San Francisco. I constantly experimented with the medium of photography, seeking to put my own mark or style on the finished image. I became interested in Pictorialism, a movement started in the late 1860s, it approached the camera as a tool that, like the paintbrush or a chisel, which could be used to make an artistic statement. Thus photographs could have aesthetic value and be linked to the world of art expression. It was my Eureka moment. I learned a lot working at several studios over the years and have hopefully have let that experience develop into my work today. The challenge for me is to capture the energy of the moment, its up to you to judge whether I achieve that. I have been lucky enough to have seek a path to expressing my view of...

    Lora Vannoord - I am a Florida Artist originally from a small town in Michigan, now painting in Florida. My works are original oil paintings inspired by Mother Nature. I want to communicate my love of nature to help others see and appreciate the natural environment around them. My goal is to give others a calming and imaginative experience in their homes when they contemplate my oil paintings. I enjoy the creative composing of my landscapes using my store of images and my imagination. I combine my sketchbook images and photos to form my imaginary landscape. I then feel excited and fulfilled when my work goes well. Even as a child my happiest times were when I was creating art or attending art activities and museums. I am a member of the Tarpon Springs Art Association, the Creative Artists Guild, and NOAPS. I have been chosen to show my original oil paintings in many of their juried exhibits. I have had solo exhibits in Grand Rapids MI, Dunedin FL, Oldsmar FL and Tarpon Springs FL.. I have shown oil paintings in group exhibits in Clearwater FL, Crystal Beach FL, Tarpon Springs FL, Oldsmar FL, Dunedin FL, Sarasota FL, Safety Harbor FL, Tampa FL...

    Lou Posner - FLASH New offer on the classic 1982 Posners Pocket Guide to Oil Painting. Hand-written, then reproduced by offset process. Hand-assembled. Original, unique art attached to EVERY cover. No two alike. Some in oil paint, some in other media. Collectors item. Best pocket guide to oil painting, ever. For beginners as well as advanced artists. 350 each plus first class postage. Indiana residents add 7 percent sales tax to merchandise not including postageshipping. Selection of cover art offered but not guaranteed. Use email messaging here to contact the artist. No postage if you pick it up about 10 mi. north of Tell City, Indiana. Not set up for credit card sales. Check or cash only. Buy one or more or later on, kick yourself in the behind for passing up a real bargain and an investment opportunity. After you reach the main or first Posner portfolio page, the tour is pretty intuitive. Please click on an image to enlarge it and bring up further details about the piece of art and a description or story about it. Once you have done this, you may also click on zoom-in, a function, which may or may not work. There are...

    Lynda Lehmann - I have participated in numerous juried shows and had solo shows of my paintings. Ive sold my photography and digital art online, in galleries and other real-time venues, although I am currently marketing my work primarily online. My stock art sells well and Ive sold at least 2400 images in that venue. Life events had steered me away from painting but I am jumping back into that part of my process and hope to have new paintings online within the next few months. OTHER STUFF My painting Bibliophiles Dream has been featured on the cover of the Insights Journal of Austin Seminary. My paining Damariscotta Dream has been used for the cover of Chuck Sweetmans poetry chapbook published by Dream Horse Press. My image Enchanted Forest was used by the Sierra Club in their online feature Daily Ray of Hope. The Yellow Door has been published in Long Islands Canvas Magazine. I was a featured artist at Imagekind in July and have been featured from time to time on my other sites as well. February 1 - 28, 2009 - Metrimorphic III featuring new abstract paintings combining biomorphic and geometric elements, Harborfields Library, Greenlawn, NY. Due to time constraints I will ...

    David Larkins - Ii?1/2ve always been intrigued by the luminosity and transparencies found in watercolor, Oil and acrylic mediums. I believe an artist must experience the painting i?1/2 to absorb the surroundings, the atmosphere, to have a oneness with the subject matter before the first brush stroke is applied. My style is described as i?1/2Abstract Realismi?1/2 and my strength is found in the composition. Ii?1/2m drawn to diverse subject matter that challenges the viewer to see abstraction in the ordinary i?1/2 to meld the i?1/2reali?1/2 world with the i?1/2abstracti?1/2. ...

    Ruth Zachary - My goal is to create striking images that touch the viewer emotionally. I try to capture the essence of a subject or scene, so that the viewer reacts with an immediate recognition, and immediate click of Yes. I depend upon composition, simplicity, shape and contrast, as well as my own aesthetic sense and emotional responses. I love creating art through photography. For me it is an opportunity for self-expression, a means of capturing a moment in time and creating beauty, as well as am important means of communication. My education includes a Masters in Social Work and a BA in English Literature. I have done formal study in drawing and pastel, but my photographic study has been informal and self-taught. Since 1980, I have been a frequent visitor to Monhegan Island, 12 miles off the coast of Maine, a remote lobstering island with a summer artists colony. On Monhegan, I became friends with a group of painters and photographers. I applied what I learned from them to my own work. Those I am most grateful to include Frances Kornbluth, Leo Brooks, Robin Young, Judi Wagner, Josie Vargas and Nancy Stanich. I show my art summers on Monhegan Island ...

    Nancy Bechtol - Artists explore and give the world a view of their personal heightened awareness. I visualize and think with keen beliefs and insights. Reflection of human and societal concerns which cross emotional boundaries-- communicating that which is unspoken. My traditional art foundations of drawing, painting and printmaking, evolved into video, digital photography and experimental media. I use digital photography and imaging to envision the concepts originating from the creative pulse.An individual artist explores and gives the world a view of their personal heightened awareness. Artists see and think with keen beliefs and insights.Reflection of human and societal concerns which cross emotional boundaries-- communicating that which is unspoken. My traditional art foundations of drawing, painting and printmaking, evolved into video, digital photography and experimental media. I use digital photography and imaging to envision the concepts originating from the creative pulse....

    Rickie Dickerson - I work from the core, I smear my guts on the canvas, all the pain and confusion...joy, lust and anger...right before your very eyes. I have to paint, I have no choice. My mentor, Luise "Mignon" Andersen, introduced me to acrylic paint and threw me deeper into the river of creativity. Everything I do is just to keep me from drowning... As for the photography, that's compulsive as well....

    Rickie Dickerson - Walter King - I am Professor Emeritus retired from The Columbus College of Art and Design CCAD. Ive lived and made my art here for 35 years beginning as a student at CCAD and returning after accomplishing my MFA from Boston University. Im now retired and living in Virginia. Ive taught drawing, color, design and painting techniques in the illustration area since 1985. Ive exhibited in Columbus regularly, written up in the Dispatch and in Dialogue Magazine, extended my exhibitions spiraling out from Columbus to various galleries in Ohio, Indiana, Illinois, Kentucky then Maryland, New York, Oklahoma and Washington State Hiroshima Japan, Washington DC, then to Budapest Hungary, Dresden Germany, Zagreb Croatia, Buenos Aires and Cordoba Argentina Early in my life I worked as an IllustratorDesigner after high school and while putting myself through art school later. I worked on projects for Apple computers, OETA PBS and Oprah Magazine. My work is all over the world owned by people like the former Director of the National Archives in Zagreb Croatia, a Bank President in Holland, The Greater Columbus Arts Council, OSU Newark and there are works in collections in Washington DC, New York, Texas, Ohio, Oklahoma, California, Chicago, Buenos Aires, Cyprus. A peace ...