Equine Art For Sale

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Browse 164 Equine artworks for sale. Contemporary artists: Tom Lund-lack, Julius Maurer, Jerry Di Falco, Sarah Longlands, Engelina Zandstra, Stephen Mead, Jack Earley, Hyacinthe Kuller-baron, Paula Durbin, Ghassan Rached, A M Bowe, Carol Watroba, Debbi Chan, Lidia Kirov, Daniela Vasileva, Patrick Hromas offering Equine artworks. Links to more artworks by these contemporary artists and 6 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any Equine art simply click on the image to go to a more detailed page about this work of art.


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Tom Lund-lack: 'energy 27', 2019 Pastel, Equine. Harder to do than they look, no mistakes allowed.  In this series of pastels the title reflects the energy of the sport of horse racing and the execution of the piece.  The support is 300GSM Mi Teintes pastel paper.  This is a somewhat disorganised field of scattred riders and horses.  ...
, 2019
Equine - Pastel
50 x 70 cm (19.7 x 27.6 inches)
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Tom Lund-lack: 'energy 26', 2019 Pastel, Equine. Harder to do than they look, no mistakes allowed.  In this series of pastels the title reflects the energy of the sport of horse racing and the execution of the piece. The support is 300GSM Mi Teintes pastel paper. ...
, 2019
Equine - Pastel
50 x 70 cm (19.7 x 27.6 inches)
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Tom Lund-lack: 'energy 25', 2019 Pastel, Equine. Harder to do than they look, no mistakes allowed.  In this series of pastels the title reflects the energy of the sport of horse racing and the execution of the piece. The support is 300GSM Mi Teintes pastel paper. ...
, 2019
Equine - Pastel
50 x 70 cm (19.7 x 27.6 inches)
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Tom Lund-lack: 'Uninhibted Joy ', 2019 Pastel, Equine. The uninhibited joy of being a grey hound able to run like thewind.  Pastel on 300gsm Mi Teinte pastel paper...
Equine - Pastel
50 x 70 cm (19.7 x 27.6 inches)
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Julius Maurer: 'equus', 2018 Digital Print, Equine. Limited Edition of 30 with artist markings and Certificate Of Authenticity. Available in 3 sizes, the largest being 24x36w. ...
, 2018
Equine - Digital Print
36 x 24 inches (91.4 x 61.0 cm)
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Jerry  Di Falco: 'COWBOY CHILD IN CAMDEN 1956 ', 2014 Etching, Equine.  Title of this endearing work is, COWBOY CHILD IN CAMDEN NJ 1956 or On My Way To The Boots and Saddle on Christopher Street. This etching incorporated the studio techniques of drypoint, intaglio, and aquatint. It was created using two zinc plates placed on the press, one positioned above the...
Equine - Etching
10 x 13 inches (25.4 x 33.0 cm)
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Sarah Longlands: 'Dove or Hawk', 2011 Watercolor, Equine. painted on 850gsm Arches paper ...
Equine - Watercolor
53 x 73 cm (20.9 x 28.7 inches)
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Engelina Zandstra: 'Horses 3', 1998 Giclee, Equine.  From original linocut landscape composition people abstract- figurative limited edition signed and numbered   ...
, 1998
Equine - Giclee
40 x 54 cm (15.7 x 21.3 inches)
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Stephen Mead: 'HorseDance', 1994 Watercolor, Equine.  Evocative watercolor on canvas, incorporated into the series
, 1994
Equine - Watercolor
18 x 24 inches (45.7 x 61.0 cm)
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Jack Earley: 'Speckled Horse', 1990 Other Painting, Equine. This energetic horse is painted in sumi- e ink on hand- made rice paper and framed with double matting in a rich black frame and conservation glass....
Equine - Painting
35 x 32 inches (88.9 x 81.3 cm)
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Jack Earley: 'Running Horses', 1990 Other Painting, Equine. Head shot of wild horses running, painted in sumi- e ink on hand- made rice paper, triple acid- free matting, with a rich dark mahogony frame and uv conservation glass....
Equine - Painting
50 x 38 inches (127.0 x 96.5 cm)
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Hyacinthe Kuller-baron: 'ARABIAN DREAMER', 2008 Reproduction Artwork, Equine. ARABIAN DREAMER is a limited edition of 30 reproductions 2' x3' on quality paper or canvas and signed by Hyacinthe and numbered with hand painted touches by the artist. The Original is in a famous Arizona Arabian breeder' s collection...
Equine - Reproduction Artwork
24 x 36 inches (61.0 x 91.4 cm)
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Hyacinthe Kuller-baron: 'DARKWIND STALLION', 2008 Giclee - Open Edition, Equine. 2X3signed on canas or paper with hand touches. Original painting in oil on canvas 4x4 in the Whitney Collection. ...
Equine - Giclee - Open Edition
24 x 36 inches (61.0 x 91.4 cm)
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Paula Durbin: 'Tony Boy', 2003 Color Photograph, Equine. A Fresson print. May be printed in other sizes and processes....
, 2003
Equine - Photograph
11 x 14 inches (27.9 x 35.6 cm)
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Paula Durbin: 'Nose', 2003 Color Photograph, Equine. A Fresson print. May be printed in other sizes and processes....
, 2003
Equine - Photograph
11 x 14 inches (27.9 x 35.6 cm)
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Paula Durbin: 'Sascha', 2003 Color Photograph, Equine. An Ilfachrome print.May be printed in other sizes and processes. ...
, 2003
Equine - Photograph
15 x 20 inches (38.1 x 50.8 cm)
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Paula Durbin: 'Brown Horse', 2003 Color Photograph, Equine. Fresson Print. May be printed inn other sizes and processes....
Equine - Photograph
11 x 14 inches (27.9 x 35.6 cm)
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Ghassan Rached: 'Racing Horses', 2002 Watercolor, Equine. Painting by Ghassan Rached, 2002...
Equine - Watercolor
40 x 58 cm (15.7 x 22.8 inches)
Ghassan Rached: 'A  Proud Horse', 2001 Oil Painting, Equine. Oil Painting by Ghassan Rached...
Equine - Painting
10 x 12 inches (25.4 x 30.5 cm)
Ghassan Rached: 'Horse Race', 1998 Watercolor, Equine.
, 1998
Equine - Watercolor
48 x 36 cm (18.9 x 14.2 inches)
A M Bowe: 'Number Twelve', 2009 Oil Painting, Equine.
Equine - Painting
12 x 10 inches (30.5 x 25.4 cm)
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Carol Watroba: 'Maestoso Lipizzan Waiting', 2002 , Equine. Lipizzan Horse Limited Edition of 300 fine art giclee on canvas print using archival inks and clear coat on canvas not stretched or framed. Has about a 1. 5 inch unprinted border on canvas.  Copyright registered and protected. ...
Equine -
24 x 20 inches (61.0 x 50.8 cm)
Debbi Chan: 'an Amercan Pharoah  born album ', 2016 Artistic Book, Equine.  These album leaves are part of a larger 70 continuous story painting in a folding album.  ...
Equine - Artistic Book
13 x 21 inches (33.0 x 53.3 cm)
Lidia Kirov: 'Original MODERNISM Contemporary Fine oil painting Blue by Lidia Kirov ', 2011 Oil Painting, Equine.    This is my original oil painting,  Blue Moon  38x60
Equine - Painting
38 x 60 inches (96.5 x 152.4 cm)
Lidia Kirov: 'the bath', 2011 Giclee, Equine.    This is a limited edition fine art print from the painting the bath   ...
, 2011
Equine - Giclee
35 x 35 inches (88.9 x 88.9 cm)
Lidia Kirov: 'TREE OF LIFE ', 2011 Giclee, Equine.  This is an original 1000 Prints on canvas signed and numbered , its from the original oil painting the tree of life by Lidia Kirov ...
Equine - Giclee
35 x 35 inches (88.9 x 88.9 cm)
Daniela Vasileva: 'equestrian', 2013 Pastel, Equine.   horse  ...
, 2013
Equine - Pastel
4 x 6 inches (10.2 x 15.2 cm)
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Daniela Vasileva: 'Horse', 2013 Pastel, Equine.  horse ...
, 2013
Equine - Pastel
12 x 16 inches (30.5 x 40.6 cm)
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Patrick Hromas: 'Spiritual States of Equus', 1996 Pencil Drawing, Equine.  Horse, Prewalski's Horse, Foal, Dam, Horses, Mouth, Metaphysical, Surrealism, Pencil, Ink, Brush, Brush and Ink, Spiritual, States, Samsara, Nirvana, Heaven, Mother, Frottage, Animal, Earth, Revolve, Circle, Line, Tone, Gradation, Composition, Mass, Negative Space, Positive Space, Space, Weight, Weighting, Balance, Black, Grey, White, Clay, Tablet ...
Equine - Drawing
80 x 121 cm (31.5 x 47.6 inches)
Diane Kopczeski: 'Dyna King', 2011 Pencil Drawing, Equine.           Colored pencil drawing, done from your photo.          ...
, 2011
Equine - Drawing
14 x 16 inches (35.6 x 40.6 cm)
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(Page 1 of 6) - MORE ARTWORKS

Artists Describing Their Art:

Tom Lund-Lack - I am an experienced artist whose work uses the power of imagination to find find the essence of the subject.A It is grounded in the need to celebrate life, and to portray the subject through the transforming power of colour and light. Arrangements of shape, line, pattern and colour are brilliant at conjuringA up powerful expressions, sometimes these can be dreamlike and at peace sometimes exciting and dramatic. My work does not always represent an actual moment, place or object in time, but they areA the result of a process of reflection, recollection and reinvention, a distillation of experience. Art is a very small word having the widest possible meaning appreciation is a subjective judgement and no artist or workA can please everyone.A My aim is to please at least some of you and I am very confident that this aspiration is achievable ...

Jerry Di Falco - Photography inspires my art and acts as a vital element in my etchings. The images I employ originate from my own photographs, as well as from the images I find from my research into the digital archives of universities, historical societies, libraries, and museums. Upon locating a documented scene I wish to etch, my first step involves the execution of two to five original drawings of the photograph. My collaboration between photography and printmaking allows me the independence to integrate my personal interpretations into the scene. Moreover, I create bridges between the physical and metaphysical visual realities in the same way that a camera intersects with human creativity . . . the nexus between the mechanical and the cerebral art tools. Art unveils everything that we mask behind our belief systems conversely, I strive in my creations to clarify those phenomena we overlook as a result of our egocentric assumptions. Ironically enough, I blame this failure to notice things, a process I label, the phenomenology of connectedness, on todayaEURtms very infatuation with and addiction to the new communicational technologies of social media. My artworks therefore become like windows through which to examine the mysteries of aEURoeeveryday consciousnessaEUR. In fact, my use of ...

Sarah Longlands - I trained at Bristol and Manchester, where I gained a BA (hons) and completed my post-graduate studies at University College London (Slade School of Art). In the words of one of my collectors: "Ostensibly realistic, her work goes beyond this to explore the nature of reality, and of time and space. The artworks are refined, emphasizing her knowledge and meticulousness in the chosen medium. But her art is not just representational: it also has a rare imaginative flair. The objects are changed into something which is beyond the original and which creates a kind of parallel ideal artistic reality. If this sounds a little like surrealism, then maybe that is not so far from the truth, but the work is subtler than that." Having previously exhibited in many exhibitions in both the United Kingdom and France, Gold Fish Galleries in Sarasota, Florida then in the Lincoln Centre in New York and done many commissions for people both in London, the provinces but also in The United States, I finished a commission from Cunard Line in 2003, through the art consultants "Onderneming & Kunst" to do six oil paintings for the penthouses on board the new "Queen Mary 2", launched in ...

Engelina Zandstra - 'In the labyrinth of my thoughts there are many roads leading to the unknown' LANDSCAPES OF THE MIND Engelina Zandstra is a Dutch artist living in Amsterdam, Netherlands. My way of working is spontaneous. It starts with a concept, an idea in my mind, which is in most cases not well-defined. It can have its origin in the images that are stored in my imagination, or in the impressions of daily life. The paintings made in this way can be considered as'Landscapes of the mind', because they are reproductions of the ideas that are formed in my head. The style of the paintings can best be described as lyrical-abstract. Sometimes they are more figurative, at other times fully abstract. Colour is very important for me : the alchemy of colour. This defines for me the atmosphere of a painting. Usually I work in many thin layers of paint on top of each other. I let myself be guided by the forms and colours that develop during the process of painting. Each new layer gives inspiration for the following one, with new ideas. Because of the different layers and colours, the acrylic paint gets depth and character. Sometimes the...

Stephen Mead - In the early 1990's Stephen Mead's poems began appearing in such journals as Onionhead, Bellowing Ark, and Invert, but upon moving to Provincetown, Mass., Stephen decided to concentrate more on visual work. It was in the year 2000, after moving back to NY, that Stephen started seeking publication again for both his writing and his art combined. Since, then, thanks to the wonders of the World Wide Web, his work has appeared internationally both in cyberspace, hard copy, and physical Gallery Space. Often the writing has appeared along side his paintings, and at other times with the text superimposed. In 2004 Stephen began experimenting even more with these poetry/art hybrids creating a series of e books, including the award winning "We Are More Than Our Wounds". From there Stephen began experimenting with his art and poems as films, at first creating slideshows with captions, and then doing his own soundtracks and voice overdubs. These DVDs are available through Indieflix.com In 2006 Stephen put this technology to use releasing a CD of poems set to music "Safe & Other Love Poems" (CDBaby.com), as well as two print editions of his image/art hybrids, "Selected Works" and "Tree ...

Jack Earley - After writing for two decades, I was developing an idea that I knew could be better expressed as a painting. So in the mid-eighties I took up full-time a life-time passion: painting. My work is about inner energy; about, first of all, my own energy and internal balance, reinforced through the practice of yoga and tai chi. I sign the inner energy of the subject matter onto the canvas. I work with acrylics on canvas and sumi-e inks on rice paper. I also sculpt using wood, copper and leather. Along with focusing on the inner energy of my subject matter, I am constantly working with an awareness that humans have an ancient need to see form, be it in clouds or in chipped paint on a wall or in waving leaves. The ability to decipher forms is part of our oldest survival skills. Imagine the advantage of being able to quickly spot the approaching bear among the shifting shadows of trees. Imagine the advantage and the thrill. On many canvases, I create forms so the viewer "discovers" them in an uplifting act. Often, I give the paint its head in creating forms, like freeing a captured ...

Jack Earley - Paula Durbin - Photography has always captured my spirit. It was only natural that my creative "release" be expressed through the same medium. But, because I am a unique spirit, it had to have other levels of creativity - the photo itself just wasn't enough. My first creative approach to photography was the use of the Polaroid transfer technique. My work consisted of subjects that are still close to me: animals and nature. The technique suited me well; it expresses the selected image seen and it allows me to further express its beauty with the softness of the technique. The watercolor paper used brings yet another dimension to the image. A search for the true expression in my photography led me to explore the techniques of the Fresson family of photographers. The Fresson technique, which culminates in the special care given the developmental process and the paper used, presented me the opportunity to express the richness of my photography. My work now moves beyond that 'moment' and presents a depth and richness perhaps not otherwise felt. I am honored to be a part of the Fresson family. There are only a limited number of artists with whom I share this honor. Having gone ...

Ghassan Rached - I am a geoscientist. I paint, but painting is only a hobby. I paint, whenever I can spare the time, what is relaxing, touches my heart and pleasant to me for enjoyment. I love to use oil and watercolor as media to express beauty. Comments of visitors would be appreciated....

A M Bowe - Anne-Marie Bowe was born in Dublin and is from a family of Irish Artists. She lives in England and has been exhibiting regularly both there and in her home town of Dublin ever since. Her main focus is on portraiture in oil and acrylic, however, she excels in figurative work as well as landscapes and cityscapes. She is a member of the Virginia Waters Art Society....

Carol Watroba - My artwork reflects and admires the beauty, grace and balletic elegance of the Lipizzan horse and the Spanish Riding School and its great heritage. My technique is classical realism in oils and alkyds, using many glazings for depth of color and meticulous pre-study drawings for technical accuracy of the complex anatomy of this horse before color application. My portrayal of this beautiful Baroque horse and its great history in classical horsemanship and culture will show in all my works now and in future works....

Debbi Chan - I am going to do an updated artist's statement. But until I submit it you have a short temporary one. As an artist I an fullfilled and contend. But at the same time I seek more , absorb more, and enjoy more. Art fills and fullfills me..I am always being an artist. My eyes see art always. This is not a hobby that I partake of when time suits. Art feeds me. Art consoles me. And being prolific it also takes my time. And for this I am thankful that i listened to my inner self. I am thankful for a following that grows by the minute. I enjoy you enjoying my portfolio. I also have come to realize that the coined phrase "starving artist" is a reality for some of us. But if you take another quote, my own , you will see that starving and rich pertain to material $. because of you the viewers , and because art is my life and my passion I can truly say that I AM RICH.. RICH WITH NO MONEY... and I can also say with truth that I am happy. I chose the path that allowed this rich life. There will continue ...