Figurative Art For Sale

Page 40 of 133
Browse 3854 Figurative artworks for sale. Contemporary artists: Sara Adrian, Lisa Reinke, Marcia Geier, Leslie Marcus, Richard Beckholt, Juan Pablo Cima, Bruno Lassalle, Nicole Peņa, Jane Jaskevich, Arthur Mittman, Tomas Omaoldomhnaigh, C George, Timothy King, L Gonzalez, David Cuffari, Bozena Happach, Penko Platikanov, Alaattin Bender, Nino Pkhaladze, Jonathan Benitez, Marisa Reve offering Figurative artworks. Links to more artworks by these contemporary artists and 133 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any Figurative art simply click on the image to go to a more detailed page about this work of art.


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Lisa Reinke: 'Stance', 2007 Oil Painting, Figurative.  Ah, the welcoming stance of two young girls. My husband has already nicknamed it Diss Stance. Of course, he is looking at it from his memories of that age, and I from mine - at an age where gender relations are being sorted out ad nauseam. ...
, 2007
Figurative - Painting
36 x 24 inches (91.4 x 61.0 cm)
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Marcia Geier: 'Ferry Hand', 2007 Other Photography, Figurative.  Digital color photograph reworked in Photoshop. ...
, 2007
Figurative - Photograph
14 x 11 inches (35.6 x 27.9 cm)
Leslie Marcus: 'SWISS RED', 2007 Giclee, Figurative.  GOUACHE~WATERCOLOR PAPER~BRONZE LEAF ...
, 2007
Figurative - Giclee
24 x 18 inches (61.0 x 45.7 cm)
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Leslie Marcus: 'CAFE AU LAIT', 2007 Watercolor, Figurative.  GOUACHE~WATERCOLOR PAPER~BRONZE LEAF ...
Figurative - Watercolor
24 x 18 inches (61.0 x 45.7 cm)
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Richard Beckholt: 'Phobia', 2005 Oil Painting, Figurative.  The phobic reaction when one feels that life in every aspect is closing in . ...
, 2005
Figurative - Painting
14 x 18 inches (35.6 x 45.7 cm)
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Juan Pablo Cima: 'dino', 2007 Steel Sculpture, Figurative.
, 2007
Figurative - Sculpture
40 x 100 cm (15.7 x 39.4 inches)
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Bruno Lassalle: 'woman dreaming on the beach', 2003 Acrylic Painting, Figurative.  mixed media on crushed cardboard mounted on canvas ...
Figurative - Painting
100 x 100 cm (39.4 x 39.4 inches)
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Nicole Peņa: 'Kindred Spirits', 2007 Acrylic Painting, Figurative.
Figurative - Painting
36 x 24 inches (91.4 x 61.0 cm)
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Jane Jaskevich: 'Daydream', 2006 Stone Sculpture, Figurative.  Alabaster/ Oak/ LimestoneThis pensive figure may be quiet in her pose but her hair wildly moves suggesing her inner thoughts. I created the upper torso first then added the wood. The wood was from a majestic oak that the county cut down to make a sidewalk. I tried to...
, 2006
Figurative - Sculpture
9 x 45 inches (22.9 x 114.3 cm)
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Jane Jaskevich: 'Dance', 2006 Wood Sculpture, Figurative.  This adolescent child was born from an ice storm. My favorite Peach tree was split when it was struck by falling trees. I used the forked nature of the limbs to create new life. The wood is filled with color and grain. Its curved shape suggested a dancing figure that...
, 2006
Figurative - Sculpture
30 x 40 inches (76.2 x 101.6 cm)
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Arthur Mittman: 'OICU2', 2006 Graphic Design, Figurative.
, 2006
Figurative - Graphic Design
30 x 24 inches (76.2 x 61.0 cm)
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Arthur Mittman: 'Fruitition', 2006 Acrylic Painting, Figurative.
, 2006
Figurative - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Tomas Omaoldomhnaigh: 'Patricia', 2006 Oil Painting, Figurative.  nude seated ...
, 2006
Figurative - Painting
24 x 24 inches (61.0 x 61.0 cm)
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 C George: 'garden ', 2006 Pencil Drawing, Figurative.  this is a study for a painting where the figure is dropping flower petals into the water  ...
, 2006
Figurative - Drawing
12 x 36 inches (30.5 x 91.4 cm)
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Timothy King: 'Man in Chair', 2003 Charcoal Drawing, Figurative.
Figurative - Drawing
11 x 14 inches (27.9 x 35.6 cm)
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Timothy King: 'Seated Man bending forward', 2003 Charcoal Drawing, Figurative.
Figurative - Drawing
11 x 14 inches (27.9 x 35.6 cm)
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Timothy King: 'Joy KneeUp', 2003 Charcoal Drawing, Figurative.
, 2003
Figurative - Drawing
11 x 14 inches (27.9 x 35.6 cm)
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Timothy King: 'JordanStoolfromBack', 2004 Charcoal Drawing, Figurative.
Figurative - Drawing
11 x 14 inches (27.9 x 35.6 cm)
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Timothy King: 'Study of right corner figures', 2004 Charcoal Drawing, Figurative.
Figurative - Drawing
18 x 24 inches (45.7 x 61.0 cm)
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L Gonzalez: 'Miss Nihongo', 2007 Computer Art, Figurative.  A Mona Lisa type figure with a coy mysterious smile standing proudly in profile over the land of the rising sun. ...
Figurative - Computer Art
15 x 20 inches (38.1 x 50.8 cm)
David Cuffari: 'Boy by the Water', 2004 Acrylic Painting, Figurative.
Figurative - Painting
24 x 36 inches (61.0 x 91.4 cm)
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Bozena Happach: 'Helpful hand', 2006 , Figurative. Sculpture in gesso- duro from the series Masters and Minions...
Figurative -
22 x 23 inches (55.9 x 58.4 cm)
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Bozena Happach: 'Equilibrium', 2004 Bronze Sculpture, Figurative.
Figurative - Sculpture
4 x 5 inches (10.2 x 12.7 cm)
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Penko Platikanov: 'Standing Woman', 2005 Bronze Sculpture, Figurative.
Figurative - Sculpture
14 x 5 inches (35.6 x 12.7 cm)
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Alaattin Bender: 'Sad girl', 2007 Oil Painting, Figurative.
, 2007
Figurative - Painting
88 x 94 cm (34.6 x 37.0 inches)
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Nino Pkhaladze: 'Beyond the window', 2006 Oil Painting, Figurative.  This  painting is build on silence. . . and on dream evidenced in romance. . . Here, the artistical composition creates mysterious intimacy. Having seen this canvas, instantly realize that the silence often has its power, emotion and inexplicable charm. . . This picture is a miniature episode of Nino's life, when in evening panorama...
Figurative - Painting
110 x 100 cm (43.3 x 39.4 inches)
Jonathan Benitez: 'young lass', 2002 Watercolor, Figurative.  This portrait of a young island maiden is my tribute to one of the major tribes in the island. I knew these people because I lived with them when I was 18 years old. I admire their attitude towards nature, they are respecting the forest and will take only what...
, 2002
Figurative - Watercolor
56 x 76 cm (22.0 x 29.9 inches)
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Marisa Reve: 'sensitivity', 2003 Pastel, Figurative.
Figurative - Pastel
45 x 50 cm (17.7 x 19.7 inches)
Marisa Reve: 'lonelyness', 2002 Pastel, Figurative.
, 2002
Figurative - Pastel
45 x 50 cm (17.7 x 19.7 inches)
Satu Laurel: 'Dream', 2006 Oil Painting, Figurative.
, 2006
Figurative - Painting
30 x 35 cm (11.8 x 13.8 inches)
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(Page 40 of 133) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Sara Adrian - Iconic art, the symbols of alchemy and the mythology of culture has always held an interest for me. I use color and symbols combined with familiar imagery to talk about social issues and stereotypes. There are specific ideas that I present in my work, but I feel it's very important not to be too specific as I want the viewer to come to their own conclusions as to what my art is trying to say. My purpose is to make the viewer think about what they see and what they believe in, and create a dialogue. The media I use in painting is oil and acrylics mixed in with metallic substances, such as gold or aluminum leafing, iron oxide, or metallic tinted paint, combined with strong design and chroma. I want the work to react to the light changes in the environment, and be an active participant in the space. The strong color combined with the wood I prefer to paint on is to echo the medieval byzantine iconic painting of which I find much inspiration. It's important to me to combine aesthetic with content, and this is what I work to achieve. ...

    Lisa Reinke - Recognize yourself, someone, everyone and no one in my faces - celebrate color in the shape of a nose, the curve of the ears, the mask of the eyes, and the lines of the lips and hair. Most of all remember the humanity in humanity. The human face inspires me. As humans, we respond to its image beyond all others. For all its familiarity, we rarely pause to consider the face as a visual form, something more than the recognition of a friend or an interaction with a stranger. I paint the face in ways to cause the viewer to reconsider its splendor and renew faith in all things human. Colors and sunlight playing across faces remind me of our connection to the universe and symbolize eternal and fleeting moments simultaneously. I love how we recognize and explore human faces for clues to identity and personality. I am happy to be creating my work and hope that my art inspires you to look around and see the world as a vibrant and exciting place where the most amazing patterns are on display all the time. Lisa Reinke ...

    Leslie Marcus - Born and raised in New York, Leslie Marcus maintains her cutting edge: continually taking her artwork to greater heights with passion and sensitivity. After receiving a B.F.A from The Academy of Art College in S.F. CA., Marcus immersed herself in the Fashion World of Los Angeles, creating exclusive, original & exotic Textile Designs for Apparel & Home Furnishings. Leslie's Textile Designs now can be found in her Contemporary Fine Art Paintings of sensuous and exotic female figures. The women Marcus paints are draped in finely embellished decorative clothing, posed in lavishly ornate settings. Marcus, is also an Art Educator, and has taught High School and Elementary School Visual Arts. She continues to offer Private & Group Classes in Watercolor and Oil Painting. Leslie has achieved numerous awards & recognition. Her art has been reproduced for wine labels, limited edition giclees, and fine art greeting cards. In January 2012, Leslie's artwork was installed as part of the permanent collection in the New Healing Arts Program at Santa Barbara Cottage Hospital in California. In addition, Leslie's work will be featured in a Solo Exhibition at Santa Barbara Cottage Hospital's New Birthing Center and Maternity Wing through January 2013. Marcus' ...

    Richard Beckholt - My artwork is very unique.I have spent most of my life developing the language of my work and continue to process and refine the course I have chosen. I work very hard to bring all the drama in color and design that I can possibly muster while remaining true to my initial concepts.I will not allow myself to slip into the realm of decorative art for the sake of sales.My art is honest and straight from my heart. Those collecting my works sense the emotions expressed within the stark images....

    Bruno Lassalle - The art of Bruno Lassalle goes beyond the ordinary rules and hierarchies. With an amazing freedom, he opposes shapes and colours. He takes us into a poetic world where composition and strength show through colour, contrasts and rhythmic mobility, within a unified space of supreme autonomy. He takes us into a world of dreams, almost unreal and yet warm, sensual, exotic and surprisingly tangible. His works speak of life, of those moments of happiness, tenderness, loneliness or boredom that punctuate our existence, and they seem to speak intimately about us. Galerie Aude Oumow, Saint Germain-en-laye, Juin 1996 ...

    Nicole Peņa - In many of my paintings I depict entranced individuals who are seduced into a musical and psychic celebration. A song lives within the space of my canvas enrapturing participants to sway to its vibrations and experience its sensual essence. In one painting a frenzied conga compels hips to gyrate and eyes to close while in another a gentle psalm inspires as it soothes the soul. In these works, rhythm liberates the body and frees the spirit by compelling the participants to combine sensual movements with soulful meditations....

    Jane Jaskevich - Jane Jaskevich Artist Statement Jaskevich is a carver of dreams in stone. Her mythical figures borrow elements from ancient cultures. Jane creates figures by combining various materials such as different stones, wood and found objects. She pays homage to the stonesO Greco-Roman roots. Her recent series deals with the incomplete figure and is entitled OThe Silhouette Series O. Partial heads that can be read as a silhouette are combined with full bodies. These sculptures suggest multiple ideas; ancient ruin, contemporary dreams, and flat vs 3D. 2012 brought exhibitions in the NYC Affordable Art Fair and her sculptures being published in Contemporary Sculptors by Kracun/ McFadden. Numerous Southeast galleries represent her. Jane received her BFA from University of Georgia and Masters in Art from Florida State with additional studies in Pietrasanta, Italy. Her public collections include an outdoor sculpture in a Michigan church and three sculptures for NationsBank Headquarters in Tampa. Jane has two sculptures in the permanent collection of the Polk Museum of Art in Lakeland, Florida. Her large-scale bronze sculptures are the focal point for the Tampa GTE Data Center. . ...

    C George - I WORK IN ACRYLICS ,AIRBRUSHED ONTO PAPER ,CANVAS AND WORK IN VARIOUS SIZES .I DID A DEGREE IN PAINTING AND ILLUSTRATION .MY WORK IS BASED ON NUMEROUS IDEAS ,BUT MAINLY POETRY AND HUMAN RELATIONSHIPS. I LIKE THE EFFECT OF GOTHIC AND CLASSICAL IDEALS AND TRY TO INCORPORATE THESE ELEMENTS INTO MY WORK,ESPECIALLY THE FEELING OF MARBLE , SCULPTURE AND METAL .IN MY WORK I TRY TO CONTRAST THE ELEMENTS OF FRAILTY AND STRENGHT WHICH I THINK HELPS TO PRODUCE THE COMPLEXITIES OF HUMAN RELATIONSHIPS,PERHAPS LEANING TOWARDS THE SINISTER, VULNERABLE WEAKNESSES THAT ALL PEOPLE HAVE IN THEIR LIFE.I SUPPOSE MY WORK IS INFLUENCED BY SUCH ARTISTS AS EGON SCHEILE AND GUSTAV KLIMT AND ESPECIALLY KNOPFF .A LOT OF THE IDEAS REVOLVE AROUND THE AREA OF THE UNOBTAINABLE AND OUR INABILITY TO OVERCOME THESE PROBLEMS DUE TO OUR WEAKNESSES OR OUTSIDE INFLUENCES. I LIKE DOING COMMISIONS FOR PEOPLE AS LONG AS I HAVE A REASONABLE FREE HAND IN THE WORK BUT ALL THINGS WILL BE CONSIDERED...

    Timothy King - ARTIST STATEMENT and BIOGRAPHY STATEMENT I find painting goes beyond the notion that painted reality is "nothing but " a precursor to a photographic realism. Painting is a phenomenological experiment. There is a synthesis between the visual and the kinesthetic that forms a powerful third range of human perception. Human space and form are not purely optical manifestations. The painting of mass and line can provoke a muscle sense, a physical ness between viewer and the painted relationships. Hans Hoffman called this "Push-Pull". Matisse referred to this as the convexity of pictorial space. In this "meta-vision" or "minds-eye" the painter is not freed from the experience of perspective and local color and the naturalistic geometry of the objects and scenes. Rather, the painter can be liberated by the experience and knowledge of the defining aspects of human reality. Vision encompasses the obvious factors of sight along with other less obvious paths to sensing reality. Human vision is based on a plasticity of structures that tell us more than what a photograph can convey. The visual system, governed by layers of logical relationships, goes much further than a photo interpretation of reality. Painters like Courbet and Cezanne understood ...

    L Gonzalez - I draw whenever the urge hits me. When moments of quiet descend upon me, I find a bit of digital fingerpainting eases any mood. My current artistic endeavors are digitally oriented. I find that digital media makes the creation process for an artist that much easier. I started with traditional media but found myself draw in by the ease of digital art. I use a number of software to create my works. Most of the works on this site were created with "Expression" by Creature house. It's a versatile illustration program. I also use Bryce 4 for 3D rendering, Adobe Photoshop (I have 6.0) and Painter Classic. The latter is a very nice software that allows you to fake oil painting, watercolor and other traditional media. It's very handy for practicing at traditional arts w/o the messy clean up and hassles. I've also begun using Terragen for 3D scenery. If not for the game Myst, I probably never would have attempted digital art. It was my interest in the creation of the game Myst that peaked my interest in digital art. With the help of friends and acquaintances online who were also intrigued with digital ...

    David Cuffari - I approach my work as a visual poem. Sometimes the meaning is simple and direct and other times it's more complex. I prefer to create work that is open-ended allowing the viewer their own interpretation of what I present. I am primarily a painter preferring to work in acrylics as it allows me to make rapid revisions which helps keep the work fresh and immediate. The over-arching theme of my artwork is the human condition. I see the fabric of life as woven in opposites. By employing dualities like order/chaos, rough/smooth textures, themes of life/death, controlled effects/happy accidents, rational/irrational imagery, I try to paint interesting pictures that allow the viewer to see the world a bit differently. I am also interested in the notion of time. I don't believe that time is linear but more like an echo. I try to avoid static imagery preferring to create a complex painting that unfolds as you look at it, with layers of imagery and meaning. I do this by preserving the process of editing and revision as I arrive at the final image. Most recently I've been proceeding without a pre-conceived ...

    Bozena Happach - My sculptures illustrate the complexity and beauty of human form in two and three-dimensional compositions. I intend to demonstrate the depth as well as the foibles of the human endeavor, along the journey of both physical and spiritual evolution. ...

    Penko Platikanov - Sculpture is an act of creating art, and a philosophy on living. It is my belief that my artwork follows some means of a universal law I call "Creation and Beauty." Stated simply, there is no doubt a responsibility inherent toward created forms. It's quality, it's energy, and the messages released through my actions are expressions that I work toward being aware of. This is the first thing I concern myself with before I step into my studio and stand before the set block of clay on any given day. A quality sculpture has to be a product of spiritual, mental and technical abilities. Great works of art should possess deep roots in human spirituality, as well as depth regarding thought and feeling. Artwork can appear as fleeting inspirations or a belabored process based on the experience of the artist. In turn, if an artwork is created with the intention of lasting decades and being viewed for many generations, it has to be technologically strong and skillfully made. Important thought is the search for quality. Quality, which is proportional to the amount of effort, must be made to the best of the artist's ability. The Ancient Greeks ...

    Jonathan Benitez - my art is a storytelling in visual form.my images are my attempt to extricate memories from my past experiences as a child.i live in a coastal community where the daily toils of the fisher folks are my sources of inspirations. beauty sometimes do not reconcile with certain aesthetics. but i found it in exploring realities,there is beauty in depicting the human conditions,the other side of happiness,the negative feelings as effected by pain and sufferings but unspoken.the best art in the world is not about happiness but its about depicting what happen to humanity. ...

    Marisa Reve - "I do not do copies or reproductions of my artwork. All my pieces are unique. Those who purchase my paintings are assured that nobody else will have the same piece." "I have a lot of passion in my colors and my paintings show my emotions." Marisa Ventura was born in Angola in 1969. In 1975 the family moved to Lisbon, Portugal, where she currently resides. At an early age her talent was evident. Although her career in business administration and family obligations occupied most of her time, she never gave up on her dream. She has enrolled in painting classes and is gradually developing her own unique style. Marisa combines a wonderful sense of color, line and texture in her depictions of life. ...