Landscape Art For Sale

Page 8 of 215
Browse 6215 Landscape artworks for sale. Contemporary artists: Jerry Di Falco, James Hill, Ron Ogle, Ruth Zachary, Eve Co, Michael Pickett, Judith Fritchman, Luise Andersen, Kyle Foster, Jovica Vucinic, John Powell, Lorrie Williamson, Jack Earley, Hyacinthe Kuller-baron, Ralph Andrea, Marie-france Busset, Ted Schaal, Micha Nussinov offering Landscape artworks. Links to more artworks by these contemporary artists and 215 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any Landscape art simply click on the image to go to a more detailed page about this work of art.


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James Hill: 'Wysteria Bridge', 2009 Oil Painting, Landscape.  Wisteria hanging over a bridge on the water. ...
Landscape - Painting
11 x 14 inches (27.9 x 35.6 cm)
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James Hill: 'Route 66 Motel', 2005 Oil Painting, Landscape.  A painting of the famous Route 66 Motel, now gone. ...
Landscape - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Ron Ogle: '645 am May 22 2009', 2009 Color Photograph, Landscape.  the view from near the Federal Building, here in Asheville, N. C. ...
Landscape - Photograph
32 x 24 inches (81.3 x 61.0 cm)
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Ron Ogle: '748 am February 13TH 2009', 2009 Color Photograph, Landscape.  over Beaver Lake, Asheville, NC ...
Landscape - Photograph
26 x 7 inches (66.0 x 17.8 cm)
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Ruth Zachary: 'Sky Over Keepers House', 2006 Color Photograph, Landscape.
Landscape - Photograph
16 x 20 inches (40.6 x 50.8 cm)
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Eve Co: 'Five Minute Ocean Sailor Sketch', 1998 Watercolor, Landscape.  Five Minute Ocean Sailor Sketch1998 ...
Landscape - Watercolor
11 x 9 inches (27.9 x 22.9 cm)
Michael Pickett: 'Snowcap Mountain', 2008 Acrylic Painting, Landscape.
Landscape - Painting
11 x 14 inches (27.9 x 35.6 cm)
Judith Fritchman: 'April in Springtown', 2008 Oil Painting, Landscape.  An April day offering warm sunshine and flowering trees. ...
Landscape - Painting
8 x 10 inches (20.3 x 25.4 cm)
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Luise Andersen: 'Play With Media  Soft Touch MSX', 2008 Watercolor, Landscape.  This W/ C is 14 in x 10. 5 inches. Might creatively play some more with it. . Right now, it stays as is. Discovered it in my portfolio amongst others. Done approx 2 or 3 years ago. - Mistakenly bought some time ago W/ C Pencils. . Did not read identification as...
Landscape - Watercolor
14 x 10 inches (35.6 x 25.4 cm)
Michael Pickett: 'Rural Outhouse', 2008 Acrylic Painting, Landscape.  This painting will glow in the dark ...
Landscape - Painting
11 x 14 inches (27.9 x 35.6 cm)
Kyle Foster: 'Approaching Storm', 2008 Oil Painting, Landscape.
Landscape - Painting
20 x 16 inches (50.8 x 40.6 cm)
Luise Andersen: 'DAY PIC  Rght Sect  LDSCPE Art Of Fire And Glass', 2008 Glass, Landscape.  NOTICED, I DECIDED ON THEME LANDSCAPE. . IS DIFFERENT KIND OF. . BUT STILL GIVES FEEL. . THE TWO VERTICAL SIDES DID NOT TAKE AS ABSTRACT, DESPITE THE GREAT POTENTIAL. . I JUST TIRED OF CONSTANT RE- DOING LINE WORK FOR THAT. . AND HEAT AND MELTING GLASS JUST ABSORBED LINES WITHIN  GLASS MASS. STILL...
Landscape - Glass
9 x 6 inches (22.9 x 15.2 cm)
Luise Andersen: 'DAY PIC  Lft Side LDSCPE Art Of Fire And Glass', 2008 Glass, Landscape.  AS PROMISED LAST NIGHT, HERE ARE PHOTOS OF SECTIONS OF- AS WELL AS MY COMPLETED LANDSCAPE IN GLASS ON COPPER.Descriptions next to previous uploads of art piece. Invite Offer.IF YOU OVER LOOKED IN THE BUZZ OF DAILY LIFE TO EXPRESS LOVE IN YOUR HEART-  TRADITIONAL VALENTINES DAY. . BECAUSE...
Landscape - Glass
9 x 6 inches (22.9 x 15.2 cm)
Michael Pickett: 'Paradise ', 2008 Acrylic Painting, Landscape.  This surreal landscape symbolizes a paradise high in the mountains where nothing really lives because of its high altitude.  ...
, 2008
Landscape - Painting
16 x 20 inches (40.6 x 50.8 cm)
Michael Pickett: 'Melting Snow', 2008 Acrylic Painting, Landscape.
Landscape - Painting
10 x 10 inches (25.4 x 25.4 cm)
Jovica Vucinic: 'La Salle Church', 2007 Oil Painting, Landscape.
Landscape - Painting
24 x 18 inches (61.0 x 45.7 cm)
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Jovica Vucinic: 'Church in Adriatic', 2007 Oil Painting, Landscape.
Landscape - Painting
24 x 24 inches (61.0 x 61.0 cm)
Jovica Vucinic: 'Bridge in Vukovar', 2007 Oil Painting, Landscape.
Landscape - Painting
36 x 24 inches (91.4 x 61.0 cm)
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Jovica Vucinic: 'Knezevo Blossom Bloom', 2007 Oil Painting, Landscape.
Landscape - Painting
11 x 9 inches (27.9 x 22.9 cm)
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John Powell: 'Plantation 1', 2007 Giclee, Landscape.  Size: 20X15=US$130, on canvas and Water Colour  Paper is done by order, via FedEx usually same day depending on time of order; Item is in the artist studio ready to ship; This painting was done in my first series of paintings early career. I still have the original...
Landscape - Giclee
20 x 15 inches (50.8 x 38.1 cm)
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Lorrie Williamson: 'The Tiki Bridge', 2004 Oil Painting, Landscape.  The Quonset Bridge adds to the natural wonder of the Bonnet House landscape. ...
Landscape - Painting
14 x 11 inches (35.6 x 27.9 cm)
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Jack Earley: 'Dancing with the Trees', 2005 Acrylic Painting, Landscape.  This rural landscape hints at a mystical nostalgia for a simpler time. Varnished acrylic on the highest quality Antwerp linen canvas. ...
Landscape - Painting
36 x 36 inches (91.4 x 91.4 cm)
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Hyacinthe Kuller-baron: 'pastell and scap', 2007 Oil Pastel, Landscape.   Oil Pastel drawing of the Baron Conservancy in the desert. On archival paper, 8
Landscape - Oil Pastel
8 x 11 inches (20.3 x 27.9 cm)
Jack Earley: 'In the Garden Alone', 2006 Acrylic Painting, Landscape.  This banner style painting,  evokes a meditative mood. As I enter the painting through the gold and watery steps, I lose myself in the lush and tranquil surroundings.  The painting is mounted on a piece of wood across the top back with wall hangers and no stretcher bars. ...
Landscape - Painting
20 x 62 inches (50.8 x 157.5 cm)
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Ralph Andrea: 'Calf Creek Falls Reflection', 2003 Color Photograph, Landscape.  Utah, USA. This colorful waterfall combines green- blue mosses, rust, and natural minerals to form a most striking display.Digital Photograph - Light Jet Print on Fujifilm Crystal Archive Paper ...
Landscape - Photograph
16 x 24 inches (40.6 x 61.0 cm)
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Marie-france Busset: 'REFLET DORE', 2006 Oil Painting, Landscape.
Landscape - Painting
50 x 65 inches (127.0 x 165.1 cm)
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Ted Schaal: 'Peaceful Meadow', 2005 , Landscape.  Bronze wall relief. ...
Landscape -
6 x 9 inches (15.2 x 22.9 cm)
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Ted Schaal: 'Meadow by day', 2005 , Landscape.  wall relief. Please allow 2 months for casting and delivery if not in stock. ...
Landscape -
6 x 9 inches (15.2 x 22.9 cm)
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Micha Nussinov: 'Jazz on the rocks', 2006 Acrylic Painting, Landscape. As one of the participant in Art on the rock competition, Micha explore different perspectives of the Rocks, Sydney. In his collage style painting Nussinov mixes existing landscapes with imaginey. He plotted people - featuring musicians, who contribute vitality and give point of views and movements. ...
Landscape - Painting
100 x 150 cm (39.4 x 59.1 inches)
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Ralph Andrea: 'Multnomah Falls Panoramic Detail 2', 2005 Color Photograph, Landscape. Columbia River Gorge, Oregon, USA.Plummeting 620 feet, the Multnomah Falls is the crown jewel of the Columbia River Gorge. This image is a seamless hand composited panoramic incorporating eight separate high- resolution images. The eight horizontal ( landscape) images were shot with a Nikon D2x professional digital camera at f16, ...
Landscape - Photograph
16 x 70 inches (40.6 x 177.8 cm)
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(Page 8 of 215) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Jerry Di Falco - Photography inspires my art and acts as a vital element in my etchings. The images I employ originate from my own photographs, as well as from the images I find from my research into the digital archives of universities, historical societies, libraries, and museums. Upon locating a documented scene I wish to etch, my first step involves the execution of two to five original drawings of the photograph. My collaboration between photography and printmaking allows me the independence to integrate my personal interpretations into the scene. Moreover, I create bridges between the physical and metaphysical visual realities in the same way that a camera intersects with human creativity . . . the nexus between the mechanical and the cerebral art tools. Art unveils everything that we mask behind our belief systems conversely, I strive in my creations to clarify those phenomena we overlook as a result of our egocentric assumptions. Ironically enough, I blame this failure to notice things, a process I label, the phenomenology of connectedness, on todayaEURtms very infatuation with and addiction to the new communicational technologies of social media. My artworks therefore become like windows through which to examine the mysteries of aEURoeeveryday consciousnessaEUR. In fact, my use of ...

    James Hill - My work explores the use of color and rhythm to create moving images that seek to provoke a particular mood or emotion by invoking a memory or moment that is meaningful to the viewer. My latest works include a study of the massive power inside thunderstorms and lightning strikes including a 6x10 oil of a storm entitled Tempest. These new paintings reflect the change in the weather patterns throughout our world thanks to global warming, which no well-educated person can deny these days. My paintings are intended to glorify the Masters Works and The awe of Creation, the Universe, the Stars and Planets, and our own incredible Earthly Skies and Lands. My other works include Fantasy, Gothic, Steampunk and Science Fiction of Utopian design cities of the future that require no use of fossil fuels at all as I look to give humanity hope for a better future of free power and sustainable living on this planet as we look to preserve it and encourage the rebuilding of nature across the world as we are but shepherds of Gods creation. ...

    James Hill - Ruth Zachary - My goal is to create striking images that touch the viewer emotionally. I try to capture the essence of a subject or scene, so that the viewer reacts with an immediate recognition, and immediate click of Yes. I depend upon composition, simplicity, shape and contrast, as well as my own aesthetic sense and emotional responses. I love creating art through photography. For me it is an opportunity for self-expression, a means of capturing a moment in time and creating beauty, as well as am important means of communication. My education includes a Masters in Social Work and a BA in English Literature. I have done formal study in drawing and pastel, but my photographic study has been informal and self-taught. Since 1980, I have been a frequent visitor to Monhegan Island, 12 miles off the coast of Maine, a remote lobstering island with a summer artists colony. On Monhegan, I became friends with a group of painters and photographers. I applied what I learned from them to my own work. Those I am most grateful to include Frances Kornbluth, Leo Brooks, Robin Young, Judi Wagner, Josie Vargas and Nancy Stanich. I show my art summers on Monhegan Island ...

    Eve Co - I began painting and drawing in 1987 and have not stopped. I have a wide range from, landscapes, still-lifes, Hubble art galaxies nebulas, abstracts, florals, architectural art and so much more. I draw every day and paint as much as I can afford. I paint more watercolors than acrylic and oil canvas art. I would prefer more canvas art, but I make do with what I have. I try to express myself in artwork as well as with words. I paint landscapes, the glorious colors of nature, water, the ever expressive sky and more, primarily with watercolors on paper. These paintings are usually thought out and planned because they represent nature as I see nature. I paint still-lifes of everyday objects. To teach me about one particular color, shading and or painting glass. I think of still-lifes as a learning process that literally has me pulling my hair out in frustration, but I still paint through how they make me feel... I am fascinated with Hubble Space Technology so, I paint galaxies and nebulas on canvas with acrylic paints. I have sold many of these paintings and I must admit they are some of my favorite subjects...

    Michael Pickett - We all have wonderful talents to bring to the World of art as artist. Your unique style and ambitions are greatly respected. We are empowered by the inspiration of our souls, inspired by the beauty of the world around us, and, in our way, changing the world. My goal as an artist is to make a difference in the world of art. I am color-blind and I have dyslexia. Having overcome many obstacles in my life then sharing my findings to those I run across. I am painfully shy when it comes to promoting myself to different galleries and organizations and that's why I've created my own portfolio web site. (www.pickettonline.com) Competition in the world of art is so high that good artist will eventually give up, not knowing that in there own way, they really are making a difference, Maybe not in the world, but in the local community or their family and friends. ...

    Judith Fritchman - I cannot remember a time when I did not want to draw or paint. From my earliest childhood days I have found great joy in depicting my surroundings. Compelling images call out to be examined and expressed: a lone oak tree starkly outlined against a curve of corn stubble, a Cezanne-like arrangement of objects on a table as I walk through a room. But of all God's infinitely varied creations, it is the human face and form which most fascinates and humbles me; the possibility of capturing a fleeting aspect of humanity unique to that individual is an endlessly exciting pursuit. After studying at Beaver College, Cedar Crest College, and Lehigh University, I have also studied classical drawing and design for many years with Myron Barnstone at his studios in Coplay, Pennsylvania. There I have learned to examine the work of great artists of the past as instruction and inspiration. Knowing they have pursued similar interests is a gratifying experience, offering the potential for learning something new, and using it to express my own personal images, values, and emotions. It is my hope that each of my works will reflect, in some small way, a facet of the ...

    Luise Andersen - Luise'Mignon' Andersen Luise'Mignon' Andersen has only recently begun to reveal her lifes work. Soon after her debut she exploded onto the mainstream art world. Her breathtaking pieces have captured international interest. The stories Luise'Mignon' is telling through her truly deep, layered works seem to decipher the past and foretell the future, perhaps sharing her window to other dimensions and a seventh sense. Her detailed acrylic'Mignon' series speaks to the beholder. They inspire raw emotion and ignite ones imagination. The indescribable nature of the "Duree De Ma Vie" in particular has a growing portion of the art community considering it the conception of an entirely new style. By Maxi c)2006 Guided Through Inner Mind- Intuition- Mental Imagery- I Create The Final Of What I Am Consciously Not Aware Of.. That I Want...... Need... With Each Completed Painting... Eye Of Core Gains a Glimpse Of My Tomorrow.... c) LA I crave.. painting...drawing... sculpting... writing... Like re-inventing my life... my purpose... myself.. .Gives me a direction.. the courage to look at myself ..and find'ME' there... At least for the duration of creating.. ....and once I collect these shards of my core within colors, shapes... form...

    Kyle Foster - For a more complete look at Kyle Foster's work:

    John Powell - Artist Statement This body of work comes from a community of ideas. My art evoke a dialogue, a message as a language I speak, to create peace in a cosmic dialogue. It speaks in the future tense in a context of time that evoke a feeling of aEUR~time passesaEURtm... The emotional and psychological content of my subject, the way the body expresses its emotion, it contextualizes the concepts of the duality of the meaning of the imagery. My style is an expression of my philosophy which becomes a language using, Post Modern, Expressionism, Latin American Tradition, Surrealism, and soft Classism. It expresses my deep awareness of global issues and is counterbalanced with my cultural heritage. My inspiration originates from lifenature, itaEURtms too spiritual to express. However, it is the same expressive energy as the work transfused between energies which awaken the realms of these energies and evoked them in dialogueaEUR| . I use a certain iconography, which becomes a language. My art has helped me to see that nothing on earth is solitary, all things are interlinked. The unique expression in my art, is an attitudelanguage of my style but is easily understood in itaEURtms emotion. My art Carries ...

    Lorrie Williamson - As time passes and history is made, it is exciting to try and capture a special moment of life in a painting. It might be inspired by an earth-shaking event or just an ordinary daily experience. More often it comes as a result of looking for something meaningful to say about life as it is today by painting a picture of it. I have a passion for painting, and a ongoing desire to master the never-ending possibilities that are inherent in making art. I hope to express a mood or tell a story that will grab and hold your attention and make you want to see more....

    Jack Earley - After writing for two decades, I was developing an idea that I knew could be better expressed as a painting. So in the mid-eighties I took up full-time a life-time passion: painting. My work is about inner energy; about, first of all, my own energy and internal balance, reinforced through the practice of yoga and tai chi. I sign the inner energy of the subject matter onto the canvas. I work with acrylics on canvas and sumi-e inks on rice paper. I also sculpt using wood, copper and leather. Along with focusing on the inner energy of my subject matter, I am constantly working with an awareness that humans have an ancient need to see form, be it in clouds or in chipped paint on a wall or in waving leaves. The ability to decipher forms is part of our oldest survival skills. Imagine the advantage of being able to quickly spot the approaching bear among the shifting shadows of trees. Imagine the advantage and the thrill. On many canvases, I create forms so the viewer "discovers" them in an uplifting act. Often, I give the paint its head in creating forms, like freeing a captured ...

    Jack Earley - Ralph Andrea - Ralph Andrea comes from a family of artists and plays classical clarinet. He has been photographing across the United States for the past 30 years and now combines his digital photography with digital art to bring the imagination and warmth of the traditional artist into a photographic genre that touches our hearts with peaceful moments....

    Marie-France Busset - Marie-France BUSSET Painter, colorist, painted the color, heat and the light on fabrics with effects of matter, fully expresses its personality of artist, in landscapes on Provence, Brittany, Auvergne, Bourbonnais, on Cocks;and Birds. Artist with dimensions AKOUN, DROUOT QUOTATION, present on Artprice. Member the House of the Artists and adherent at the ADAGP ...

    Ted Schaal - Lately I have been exploring the use of two enduring materials, bronze and stainless steel. I enjoy the juxtaposition of the primitive texture in the bronze with the mirror polished modern look of the stainless. Balance and symmetry dominate simple geometric forms. These sculptures are made to last through the ages with the highest level of craftsmanship and quality metals. Most of my latest work can be scaled up for public or corporate settings and commission inquiries are welcome. With over 20 years of sculpture experience anything is possible from desk top size to monumental fountains and sculpture. ...

    Micha Nussinov - Nussinov's Statement Oct 2012 Drifting, being transient, in between various states of body/mind, like when we travel physically and with our imagination, as in a 'waking dream'. My work represents a world of ambiguity and illusion, of recognized and abstracted scenes embedded as a tapestry of matter, illustrating different relationships. Somewhere in the process of creating artworks these worlds are mixed in an harmonious and conflicting manner, representing the contradiction and collision between languages and landscapes. At all times the viewer is challenged to unfold the mystery, to explore and discover. The works of art are created not through a planned process but rather the starting point is an impulse, a visual or musical trigger. These signals lure the me into the unknown territories where my intuition and inner vision leads to spontaneous discoveries. As a teenager my box camera was an excuse to drift away from trouble, to capture in a photo something, that was at the same time ambiguous and exciting. As a cinematographer/ director of documentaries from1976 to1980 I was acknowledged as an acute observer of people and an highly experimental filmmaker. I have been working in various fields of the arts, consistently for the ...