Mixed Media Art

Artists Describing Their Art:

Ken Hillberry - In art and in life, dynamics of balance, integrity and tolerant interaction of all elements or participants ought to be see, experienced and maintained. At the same time, the challenge of affecting this balance is creatively encountering all changes and adapt accordingly. For some, the destination or pre-determined outcomes are sought more often than not. Then there are some who savor the journey, thus witnessing and enjoying developments along the way. I fall into the latter category. It's like watching the film develop in a darkroom. the image takes form a little at a time right before my eyes. The creative process, for me, is void of pressure and timeless. The ability and practice and discipline are central in my approach. My creative intent is to engage a viewer in thought and emotion, as well as, with their eyes. Using imagination, retrospect or model, my range of composition can be conceptual, perhaps impressionistic or abstract in application, but always developed to evoke an awareness and appreciation for the relative conditions in life experience and art form as I incisively or playfully interpret my experiences along the way. ...

Winnie Davies - I started my initial art training with traditional Chinese painting and Chinese Calligraphy. I've found that the traditional art training gave me a good foundation for my further development of art, even in oil painting and sculpture. I love art of all forms and all media, art shouldn't have any limitation....

Laurie Vaughn - Primarily, my inspiration is derivitive of the New York School art movement genre of abstract expressionism. Additionally, I incorporate expressionist painting influences, derived from the CoBrA art, German Expressionism, in creating my personal brand, of representational, expressionist painting. Taking formal techniques from the CoBrA and New York School art movement, I blend subliminal nuances emanating from sources of inspiration, that are as diverse as Japanese calligraphy to the tribal art, of the Dogon. Utilizing a layering of abstract expressionist painting applications, I reference the oevres of expressionist artists that includes: Jackson Pollock, Lee Krasner, Joan Mitchell, Willem deKooning, Hans Hofmann, Robert Motherwell, and lesser known, abstract expressionism art movement painters. Representational techniques have been strongly influenced by the bold, vibrant, and colorful expressionist painting genre of significant CoBrA art movement icons, including: Cornielle, Karel Appel, Rooskens, Eugene Brands, Lucebert and Asger Jorn.I prefer to work in mixed media, incorporating gesso, tempera, acrylic, enamel and oil on canvas. My goal is to create individual series, dominated by influences from a combination of artists, overlaid with my personal interpretation or social commentary on events that effect us all....

Sherry Harradence - Sherry M. Harradence Artist Statement: What inspires me is in the form of being challenged with Mixed Media Printmaking that uses a matrix such as plexi-glass plates, copper or blocks that produces one of a kind impressions that are most unique. Monoprint/Relief Printing has a history from as far back as the Masters, Rembrandt, Pablo Picasso, Albrecht Durer and many others. Multiple unique impressions printed from a single matrix are known as variable editions (original and ghost copies AKA). There are many techniques used in Monoprinting, including collagraph, collage, hand painted additions, and a form of tracing by which thick paint or ink are laid down on a monoprint press, registering the paper on the painted plate and passing through the press for the transferring of the paint or ink to the paper. Monoprints can also be made by altering the type, color, and viscosity of the ink or paint used to create different prints. Its a challenging medium and you are also painting in reverse. When I am pulling the first print/edition its like Christmas and cannot wait to see what is under the press blankets. My love for color is an obsession and expressed in ...

Katharina Eltringham - I begin with color or texture, adding layers as the personality of the piece speaks to me. My art beckons a closer look and I urge you to reach out and feel it. Life, like art demonstrates that although we may meet thousands of people in our lifetime, it is only when we take the time to appreciate the texture of their being that they become truly beautiful. The use of acrylic paints, as well as gesso, papers, fabrics, embellishments, stones, metals and unconventional tools offer endless possibilities and an intimacy between artist and audience....

Kimberly Rowlett - My name is Kimberly Rowlett and I have shown locally, in the SE TN area, globally,via traveling group exhibitions throughout Russia, and on the internet for many years. I have sold successfully via Ebay, ArtByUs.com and Yessy art galleries. I have been Noted for both the art and photography that I do, in Marquis Who's Who of America, and Who's Who of American Women for many years, now. I am also listed in the Askart Bluebook, and on the AskArt.com site. I also do some social networking via the ArtReview blog, as well. I am in original art and print collections all over the world. My interests include the environment, preservation of historic rural areas, wildlife, farming, heritage and more. I now have a site on Etsy at

Bonnie Gloris - A fleeting moment captured in a snapshot, an intriguing word or phrase, a distant memory that has suddenly surfaced... any of these elements may be my inspiration for a new work of art. Usually, my focus is the human interest: a figure that becomes the main character in a tantalizing narrative, revealed by some elements of the scene, yet veiled by others - unsettling or comforting: evocative but never pretentious. I add layers, and repeatedly bring forth and push back the light and shadow... the colors become saturated and the once-flat surface gains depth. I make patterns emerge from the background, cause nostalgic motifs to appear, and immerse the scene in an aura of mystery. Sometimes the outcome is exactly how I imagined it would be, but more commonly it has evolved into something unexpected, realizations of feelings I didn't know I had, but am glad to have discovered....

Miri Chais - I create crossbreeds, and connect intricate, surrealistic "light-bearing" objects, luring the viewer into a world of fantasy and imagination. This combinations and fusions generate an illusion, introducing new perspectives which orient and move toward the light. I am interested in exploring and uncovering the poetic elements built into the technological world, while striving to transform the resulting research data into a visual display. It is an investigative process committed to asking questions, probing,and attempting to comprehend the world in which we live, the possibilities at hand, and the expectations for the future. The relationship between information and meaning arising from the works is associated with acts of subtraction, addition, and equation of the different fields of knowledge, while breaking free from the fetters of concreteness, duration, and memory, and taking the liberty to create a new space of operation. The displayed information and the visual capacity discernible in my works sustain a system of equilibrium and a delicate balance between object and image, artist and inspiration, setting and dream. Each work is based on a dialogue between figure and setting, tracing the embodiment of informative concepts and the object's ability to convey and transfer them, as they ...

Jessica Burke - Artist Statement Jessica Burke "I don't think art is propaganda; it should be something that liberates the soul, provokes the imagination and encourages people to go further. It celebrates humanity instead of manipulating it." -Keith Harring My paintings are a means of communication. I believe we are a visual culture and our identity is defined by the images we create. My work operates as a documentation of the experience of being human. These images function as the vehicle for the assertion of this cultural identity. I believe there is an inherent power within an image that allows people to relate to each other, themselves and their world through the sharing of a universal visual vocabulary. ...