Artists Describing Their Art:
Jerry Ross - Manifesto of American Verismo By Jerry Ross, 2012 "American verismo", a movement that I have recently founded, is a catch-all phrase for an artistic style that draws its main inspiration from Italian art, both classical and modern. There is an implied nostalgia for work done "dal vero" (after life) whether classical (Raphael, Rubens, or Caravaggio, etc.) or 19th century (the Tuscan I Macchiaioli school) or more contemporary. Verismo is somewhat akin to contemporary "atelier realism" but the latter has been criticized for an academic uniformity and its over attention to details. American verismo is more poetic and linked to post-impressionism, the Milan-based Scapigliatura ('wild hair') movement, and the I Machiaioli's commitment to social issues. But like atelier realism, American verismo is associated with a painterly sketching style, use of broad brushstrokes, and the alla prima, "direct attack" technique of painting. It is also linked to all'aperto (open air) impressionist-style landscape painting. In short, to pleinairism which has become widely popular in recent years. I first introduced the term during several classes he taught at the Maude Kerns Art Center in Eugene and then later at the "Angels Fight Road Art Center" plein air retreat...
Jean-Luc Lacroix - Jean-Luc Lacroix offers to older tools, utensils or other items the chance of a life more beautiful, a contemplative retreat. His talent in the art of recovery and his imagination in the creative reconstruction are without limits. A chair or a console in the sculptured design gives the tray of a pedal assembly the elegance of lace, a fifth wheel as a small pedestal table makes it a beautiful set to pulleys and cranks... But the effect of his work would be incomplete if it did not emphasize the humor that runs through each part: a phantasmagoric bestiary or realistic vain brightenes his work, as well as suggestive names like aEURoeHangover seweraEUR, aEURoeUrlubaEUR or aEURoeBrutusaEUR. Abroad (paintings & sculptures): - represented by Jacques Boulan (Art Editor): Japan. Sweden. Norway. Germany. France. - USA. Belgium. Luxemburg. Spain. United Kingdom. From 2009 to 2010 - Luxemburg, City Bank 1998 - Geneve (Gallery ) 2001 - Rotary Club "Recup Art", Charleroi (Belgium) 2008 - Gallery San Pedro, California / Chattanooga, Tennessee 2004 - "Don Quichotte", Logrono, Spain 2004 - Casa delle Culture, Cosenza (87100) Italy 2006 - "Rot Mail Art Project" in Stuttgart, Brazil, Chicago, Hungaria, Yeshkar (Russia), Canada, Spain Personal exhibitions in France - Exhibition at "Savour Club" Paris 16 (near "Maison de la ...
Jean-Luc Lacroix -
Amy Wetterlin - I strive to exalt the human spirit through capturing composition, structures (organic and non)and repeating patterns. The patterns and forms create an abstract while maintaining balance and movement of life force. Life either moves or is stagnant...it's up to you. Thanks for looking! Cheers Amy...
Chris Gould - Never the studious young boy, I spent most of my class time drawing sketches in the pages of my notebooks. Santa Anna, raising his sword in the battle for the Alamo buried deep within my notebook jumped out and attacked my father one evening while he help me with my homework. He counter attacked by hurling, "you will never be anything doing stuff like this", and I believed him. In school I loved art class, excelled and looked forward to it but never believed that I could be something there. When I went to college I focused on art and graduated near the top of my class with a BFA, and still believed that I would never be anything. After all, all I needed was a degree. With diploma in hand I entered the professional world with the ambition to climb the corporate ladder. Climb and climb to be something. Reaching to be something, I fall on art as therapy for the stress and anxiety that being something brings. Now I am something and nothing at the same time because I don't believe any more. And now I want to be something else. It is here in this ambition ...
Chris Gould -
Marek Kasprzak - The characters, objects, a structure embedded in an unspecified environment is the subject of most of my work. A surreal world full of inscrutable forms of pervasive emotional landscapes of the soul. The beginning is usually only an outline, a boost to the entrance of the land of colors, where the brush shows the way.The content of my images is the result of exploring further layers of smoldering visions. Defining the purpose of the work is unknown, but the temptation to visit the intangible places is huge. This portfolio is the beginning of a journey into the recesses of my imagination. Are you sure that the door which you are knocking at are to open? ...
Chris Jehn - I am primarily a self taught artist and have always felt creative. I worked my way through college by teaching crafts at an arts and crafts store, everything from embroidery and macrame to tole painting and pottery. I have taken numerous workshops from other practicing artists. Being with a group of other artists creates a synergy that inspires me. I now primarily work with acrylics and collage. I especially love intense color, and have made a study of color composition. One of the main reasons I live in Colorado is because almost everywhere you look there is something wonderful, and IaEURtmm compelled to try to paint what I see and feel. ...
Alberto Ruggieri - Ruggieri works in two main areas: as an advertising and editorial illustrator and a painter. For the last ten years his illustrations have been published regularly in most important Italian newspapers and magazines. Ruggieri also illustrates children's books and produces bespoke book covers for several leading publishing houses. His painting are mainly acrylic on canvas, other time mixed media or acrylic on paper; in the last years he use the computer also. Ruggieri's work has been highly commended in industry sponsored awards from all around the world for several years. ...
Claudette Losier - Artistic Statement - Claudette Losier (LosiersArt) "Where Beauty Lies " "The artist knows that even though he has created something beautiful, it can be destroyed. His real and innermost satisfaction is not in the object, but in the subject; that thing within him that penetrates the mystic splendor of Beauty itself." (Ernest Holmes pg 39) One of my bodies of work explores the concept of Paradise as something sought after by modern society. My search centres on gardens--as near as our own backyard and as far away as other continents or the imaginary garden in our consciousness. It has been stated that each garden reflects our longing for spiritual peace--a tie with our primeordal beginnings. It is in the beauty of nature where I find this spiritual peace from a homemade garden to a formal garden, from a tree to the vastness of Grand Canyon, from a rocky coast line to the calmness of a man made pond. In Dr. Wayne Dyer's book "Power of Intention" he quotes from Emily Dickson and John Keats(pg 51): "Beauty is not caused. It is " As you awaken to your divine nature, you'll begin to appreciate beauty in everything you see, ...
Patrick Lynch - Inspired by the English Pre-Raphaelites and the writings of late Victorian Kentucky poets Madison J. Cawein and Robert Burns Wilson, my paintings are of the eternal human quest for love set in a lost Gothic world inhabited primarily by women who are caught in the contradictions of their dreams and how they have found their world to actually be. Many of the inhabitants are haunted, but not by supernatural forces. When ghosts appear, they are not always the spirits of lost loved ones, more often, they are the ghosts of an idea or dream-for example, the idea that one can find a lifelong and true love or of that one person who simply cannot be forgotten. The women who spread their wings are not angels in the expected sense; their wings are a manifestation of the forces that shape their lives. Men are sometimes present in my images, often in an embrace of acceptance and partnership as they share the immutable longing for love. At other times, men are found at that pivotal moment of undesired separation or are reaching out to comfort those in pain. But not every moment is one of tragic endings. There are moments ...
John Douglas - John Douglas is an Australian multi-media artist whose painting exhibitions have received acclaim and caused controversy both in his home country and internationally. He began painting at the age of 8, and studied at the Queensland College of Art until his expulsion in 1984 for being a "disruptive and disturbing influence", after which his career really took off. His photography encompasses a broad spectrum of styles and themes, including publications in Thailand, Denmark, Sweden, United Arab Emirates, China, Qatar, Australia and Japan. John Douglas currently has his short film "Painting Air" in a solo web exhibit for The Istanbul Museum of Contemporary Art. ...
Mert Ulcay - Mert Ulcay was born in Istanbul, Turkey in 1974. After studying to obtain a Bachelor of Economics in Istanbul, he moved to Italy and successfully completed a Masters Degree in International Economics and Management in Milan. He started his painting studies in 1996 with Mehmet Guleryuz (one of Turkey's leading contemporary painters) at his Bilsak Atelier in Istanbul. He moved Sevinc Altan in 2000, who was a former assistant to Mehmet Guleryuz, opening two exhibitions with her atelier. His works were chosen by the Cagdas Sanat Committee in 2001, for an exhibition with other "up and coming artists" at the Contemporary Art Center in Istanbul. In 2003, he participated in the "International Art Action for Peace" exhibition, with several leading painters in Turkey and moved to Stuttgart, Germany, where he now lives and works, painting from his own atelier. Mert Ulcay's paintings can be described as being emotional, somewhat introvert and very figurative. Always being interested in different expressions of people and of hidden feelings shown from behind "the mask". MERT ULCAY- www.mertulcay.com ...
Bob Cauley - For centuries masters of art have influenced pupils of study to expand upon style and skill. I have been most influenced by Jackson Pollock and the Impressionists. I mostly work in oils, usually mixing the paint on the canvas, not on the pallet. My abstracts give me a sense of freedon.. They are similar to Pollock's work with my own little twist, free-flowing paint and style. When I create a landscape, it gives me a place to escape from reality. I have had an interest in art since my childhood years. But I did not attempt to create my own works of art until the age of 38. My inspirations come from my dreams and my vivd imagination. I much enjoy creating my art pieces. When I am finished with a piece, a great sense of satisfaction follows. This is the very same feeling that comes over me when I see others enjoying and appreciating my art....
Sylva Zalmanson - Before I became a painter, before I even thought I could, I would look for long hours at the pictures painted by beloved artists and feel their deep pain. I felt that I was not the only one in this world that had a desperate need to make everyone cognizant of this sorrow. Can anything be more important than irresistible art luring and hypnotizing down through the generations with its mysterious riddle and its genius magic touch....
Robert Tittle - I like to experiment with different surfaces, such as painting on burlap, I like the challenge of painting clean edges on the rough, bumpy and fuzzy surface. My creations have led some viewers to described them as having characteristics of romanticism. My desire is to stimulate emotions and imaginations, to invoke curiosity in the viewer and create a feeling of being there in the location the painting depicts. I hope my paintings reveal my spiritual character, my faith in God, and the beauty of nature. I have been taught, when an artist puts creativity and spirituality into a painting, they will then have something to leave to the world. ...