Paintings For Sale - Price Range: $500 - $1000

Page 7 of 305
Discover 8,825 original painting artworks for sale between $500 - $1000. Contemporary emerging artists: B Malke, Manuela Facchin Varalda, Shelly Leitheiser, John Powell, George Grant, Austen Pinkerton, Cathy Dobson, Alice Murdoch, Rhoda Taylor, Walther Von Krenner, Roz Zinns, Jack Earley, Michael Garr, Heather Hyatt, Suzanne Mcclelland, Margaret Stone, John Gamache, Rickie Dickerson are exhibiting their affordable original art. You can buy artwork online and browse 305 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Manuela Facchin Varalda: 'TIBET', 2004 Oil Painting, Figurative.      original artworkunique pieceoil on linen canvas cm 40 x 50    ...
, 2004
Figurative - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Shelly Leitheiser: 'Segment of the Lagoon', 2015 Acrylic Painting, Abstract.   This is an abstract nebula scene in bright colors such as oranges, magenta, blues and violets. Painted in 2015, it is 24
Abstract - Painting
24 x 24 inches (61.0 x 61.0 cm)
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John Powell: 'National Pride', 2015 Acrylic Painting, nature.                                  From national symbols of Jamaica series; prints are available on POD on the left.                     ...
nature - Painting
22 x 16 inches (55.9 x 40.6 cm)
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George Grant: 'Woman playing with the ball', 2015 Oil Painting, Abstract Figurative.  woman playing with the ball, oil, canvas...
Abstract Figurative - Painting
50 x 40 cm (19.7 x 15.7 inches)
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Austen Pinkerton: 'CLOUDS AT AMROTH', 2015 Acrylic Painting, Clouds.   SEA CLOUDS SEASIDE STORM WEATHER ...
Clouds - Painting
40 x 20 cm (15.7 x 7.9 inches)
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Cathy Dobson: 'Enchanted Buttefly', 2015 Oil Painting, Psychedelic. Original Illuminous Oil Painting  from The Butterflies and Unicorns Collection. Lights up in the dark or under black lights.         ...
Psychedelic - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Cathy Dobson: 'Psychedelic Butterfly', 2013 Oil Painting, Psychedelic.       Original Illuminous Oil Painting  from The Butterflies and Unicorns Collection.        ...
Psychedelic - Painting
16 x 12 inches (40.6 x 30.5 cm)
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Alice Murdoch: 'SIESTA', 2015 Oil Painting, Figurative.  Couple at beach                                 ...
, 2015
Figurative - Painting
18 x 20 inches (45.7 x 50.8 cm)
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Cathy Dobson: 'White Butterfly', 2014 Oil Painting, Magical.  Original Illuminous Oil Painting  from The Butterflies and Unicorns Collection. Phosphorescent highlights glow in the dark or under black lights. Magical !     ...
Magical - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Shelly Leitheiser: '600 ppm Ocean', 2015 Acrylic Painting, Abstract.  This is an acrylic abstract, blues and other cool colors. Painted in 2015, it is 24 x 24 unframed on a gallery wrapped canvas....
Abstract - Painting
24 x 24 inches (61.0 x 61.0 cm)
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Rhoda Taylor: 'Pipe Dream', 2015 Ink Painting, Fantasy.    Detailed fantasyEveryone dreams and this 1920's mermaid is no exception.Flowers penned from life, everything else is imagination.Ivory mount around picture is two and a half inches wide.The painting is on firm, high quality artboard.           ...
, 2015
Fantasy - Painting
12 x 19 inches (30.5 x 48.3 cm)
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Walther Von Krenner: 'Sumi Blossom', 2015 Ink Painting, Abstract Figurative.              monochrome Chinese style brush painting, essence of nature, abstract detail, black and white                                  ...
Abstract Figurative - Painting
15 x 23 inches (38.1 x 58.4 cm)
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Roz Zinns: 'Cityscape', 2015 Acrylic Painting, Cityscape.   Based on photo of New York City        ...
, 2015
Cityscape - Painting
24 x 30 inches (61.0 x 76.2 cm)
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Jack Earley: 'Three Sisters', 2014 Other Painting, Indiginous.    This ink and watercolor painting depicts scenes from Oregon' s Wilderness Area of that name and an image of three Native American women from that region.  Paper on strecher bars, it is preserved with high quality soluvar varnish.    ...
Indiginous - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Jack Earley: 'Assiniboine', 2014 Other Painting, Indiginous.   This ink and watercolor painting depicts scenes from eastern Montana and an image of an Assiniboine from that region.  Paper on strecher bars, it is preserved with high quality soluvar varnish.   ...
Indiginous - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Michael Garr: 'Kamchatka 1', 2015 Oil Painting, Abstract Landscape.       From above. ...
Abstract Landscape - Painting
24 x 18 inches (61.0 x 45.7 cm)
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Shelly Leitheiser: 'Lone Wolf', 2014 Acrylic Painting, Abstract Figurative.  Lone Wolf is an emotive painting, abstract background with figures. ...
, 2014
Abstract Figurative - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Heather Hyatt: 'Night', 2014 Oil Painting, Portrait.
, 2014
Portrait - Painting
18 x 20 inches (45.7 x 50.8 cm)
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Heather Hyatt: 'Daydream', 2014 Oil Painting, Portrait.
, 2014
Portrait - Painting
16 x 18 inches (40.6 x 45.7 cm)
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Heather Hyatt: 'Glance', 2014 Oil Painting, Portrait.
, 2014
Portrait - Painting
16 x 18 inches (40.6 x 45.7 cm)
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Shelly Leitheiser: 'River City', 2012 Acrylic Painting, Expressionism.  A river on a city, or a city on a river; expressionistic, abstract, and wild. It' s inspired by this spring' s overflowing rivers and storms. This painting is matted, but not sold framed due to the weight....
, 2012
Expressionism - Painting
30 x 26 inches (76.2 x 66.0 cm)
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Suzanne Mcclelland: 'Sochi 2014', 2014 Acrylic Painting, Abstract.
, 2014
Abstract - Painting
60 x 20 inches (152.4 x 50.8 cm)
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Margaret Stone: 'Discussing The Twin Moons', 2015 Acrylic Painting, Abstract Figurative. What would we do if we looked at the sky one night, after dark, after the sun had set, and, things were not as we expected them to be.  We saw two moons, perhaps twin moons.  Well, we could avoid panic and just discuss it with a friend.  Painting is ...
Abstract Figurative - Painting
8 x 14 inches (20.3 x 35.6 cm)
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Cathy Dobson: 'Magic Butterfly', 2013 Oil Painting, Magical. Original Illuminous Oil Painting. The Butterflies and Unicorns Collection. Phosphorescent ButterflyGlows in the dark or under black lights. Dark Wood Frame. Primed cotton canvas.     ...
Magical - Painting
9 x 12 inches (22.9 x 30.5 cm)
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Michael Garr: 'Sahara 4', 2013 Oil Painting, Landscape.      Realistic overhead view of a portion of the Sahara Desert ...
, 2013
Landscape - Painting
24 x 18 inches (61.0 x 45.7 cm)
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John Gamache: 'Enjoying Light', 2010 Oil Painting, undecided.  Oil on linen   ...
undecided - Painting
12 x 14 inches (30.5 x 35.6 cm)
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Rickie Dickerson: 'Feng Shui Gone Bad', 2007 Acrylic Painting, Abstract.     My red door for luck, prosperity etc. is melting. Bombarded by the inner demons of self loathing and abandonment. . . by the outer demon of betrayal. . . nothing can stand up to the strength of the emotion. It all falls away. . . soul running like a river away from the scene of the...
Abstract - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Michael Garr: 'Grandpas Trestle', 2013 Oil Painting, Trains.     This work is inspired by my Swedish Grandfather, who came to this country in 1904 and soon after with a brother of his went to work on the gangs who built railroad trestles in the Northern Rockies. One of his brothers ended up settling in Idaho. I did a similar...
Trains - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Suzanne Mcclelland: 'The Conversation', 2013 Acrylic Painting, Abstract.   Two people maybe having a conversation in the back seat.two canvas 36 x 36    ...
Abstract - Painting
36 x 36 inches (91.4 x 91.4 cm)
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Michael Garr: 'Sahara 3', 2013 Oil Painting, Landscape.     A view of the Sahara Desert from above, chosen from Google Earth ...
, 2013
Landscape - Painting
16 x 12 inches (40.6 x 30.5 cm)
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(Page 7 of 305) - MORE ARTWORKS
  • MORE »
  • Artists Describing Their Art:

    Kathryn Arnold - Manuela Facchin Varalda - Why painting? For the desire of a deep knowledge of things. Painting, for me, is not only communication, but almost an additional sense, a further perception of world, of the real and of the imaginary, of the material and of the dream, of the objective and of the individual. Painting is for me the place of the revelation, of the primary reflection. As a self taught artist, I have been painting and drawing since I can remember - this is a part of me. I have discovered that Art Wanted is the opportunity to share this part with somebody else, from all over the world, trying to understand, to give a sense to our imagination and needs. Manuela...

    Shelly Leitheiser - Art comes from my head and my heart. I care deeply about the environment and often do artwork expressing my interest in environmental topics. I also use my art work to tell stories and uncover truths. Water and paint are sometimes used but often I will use photography and digital painting programs to get the images I envision. I am a formally trained artist in fine art, and have recently left the world of painting realism as my interest in photography grows. Why should art and photography look the same? Now I do more impressionist art and also abstracts, many of them inspired by other worlds. The realistic painting I do these days is very contemporary. Art is a lot of work but it's also very rewarding for me when someone inquires further into the meaning of my art....

    John Powell - Artist Statement This body of work comes from a community of ideas. My art evoke a dialogue, a message as a language I speak, to create peace in a cosmic dialogue. It speaks in the future tense in a context of time that evoke a feeling of aEUR~time passesaEURtm... The emotional and psychological content of my subject, the way the body expresses its emotion, it contextualizes the concepts of the duality of the meaning of the imagery. My style is an expression of my philosophy which becomes a language using, Post Modern, Expressionism, Latin American Tradition, Surrealism, and soft Classism. It expresses my deep awareness of global issues and is counterbalanced with my cultural heritage. My inspiration originates from lifenature, itaEURtms too spiritual to express. However, it is the same expressive energy as the work transfused between energies which awaken the realms of these energies and evoked them in dialogueaEUR| . I use a certain iconography, which becomes a language. My art has helped me to see that nothing on earth is solitary, all things are interlinked. The unique expression in my art, is an attitudelanguage of my style but is easily understood in itaEURtms emotion. My art Carries ...

    George Grant - In my works I try to mold invisible ideas into visible forms. Merging of the invisible and visible in surreal themes and objects, or in coded geometrical shapes in my art is the way I establish the purpose of breaking through the conventional perception of material life, into the dream world of human subconscious, where the infinite universes are hiding. So the objects and beings in my works are often appearing as symbols pointing to that which can hardly be talked about by words, allowing the viewer to get the hunch on deeper non-verbal level. Apart of surrealismabstractionism and abstract expressionism, my second fav is a realistic classic painting, where I endeavor to follow the principles and techniques of Renaissance artists. ...

    Austen Pinkerton - Artists Statement Austen Pinkerton If I turn my mind to it very quickly I can come up with several ideas for works aEUR|paintings, drawings, or sculptures. Sometimes ideas come to me when I least expect it, or when my mind is on other things. Ideas can be related to my current experiences, or to my feelings about things that are happening to me in my life at that particular time. Alternatively they can be related to a current interest, or something that occupies my attention at that moment, and my ideas and feelings about which Id like to share with others. A lot of my work is autobiographicalaEUR|either directly or indirectly, consciously or subconsciously. It is frequently very personal, and expresses events or circumstances or experiences in my life. I usually work in either Acrylic on Canvas, Crayon or Pastel, or both together, with Gouache, on card, Drawing in pencil, or Ink, or both, or with creating SculptureaEUR|for which I use fired artists clay. Sculpture follows a completely different set of rules and values from two-dimensional art, obviously, I think of it as Drawing in three dimensions and I take this into account when creating mine. In...

    Alice Murdoch - Originally from the South, Alice Murdoch lives in Charlotte and maintains her studio in Burlington, Vermont. She studied at the University of Vermont, the Vermont Studio Center and the Art Students League in New York. She has exhibited extensively throughout the East coast and the South, and is in many corporate and private collections throughout the United States. She paints in oil and has a penchant for portraying a certain social class, as well as general and canine portraiture. I have always wondered why statements are necessary from artists, unless their statements are not clear in their work. I think my paintings are strong enough to make their own, and that is my statement about my artist's statement....

    Rhoda Taylor - Every day I work in my studio and every day I look forward to creating artwork. Painting is my passion.... I wouldn't know what to do without it. The studio that I work in is situated on the grounds of our house in beautiful Southern Ireland, surrounding me are the mountains with their soft mists, the rolling hills and ancient coastline, it all fills me with happiness and inspiration, I can gaze from my window at the amazing views, the Atlantic ocean, fields, cattle, birds and trees, this truly is a mystical and magical place. Over the years I have worked with various mediums, glass painting, silk screen, oils, pen and ink, gouache and watercolour, but my ultimate choice is my pen and ink work which I truly adore, I know I can put into the paintings a tremendous amount of detail that would be almost impossible using another medium. I am fortunate to of had a lot of my work purchased and exhibited worldwide, England, Ireland, France, Germany, Malta, Hong Kong, Vienna, Japan, and America, with works including Portraiture, Design and Illustration, not to mention the countless private commission requests ranging from transforming memorable photographs into paintings for ...

    Walther Von Krenner - Before I studied in Asia, Picasso and Gauguin had a great influence on my thinking. Later I admired the ideas and importance of Pollocks action painting. After 60 years of painting I believe I have found and created my own unique and personal style. I think art is about beauty and should not become entwined in politics and controversy. Empires have come and gone but beautiful things have survived most. To much of what passes for art these days is stuff that requires absolutely no skill, talent, taste or training and depends entirely on scandal, political statements and controversy. --------------------------------------------------------------------------------------------------- Walther v. Krenner is well known in the United States, Europe and the Orient for his unique style of ink paintings. These works display a remarkable range, varying between delicate grace and outright earthiness, reflecting his years of study of Zen and his disarming sense of reality. Von Krenners successful works depend on his arduous discipline, careful observation of nature, strict control of the brush and his great sensitivity to living things. After many years of training, it has become possible for him to work swiftly, without accident or loss of detail, to achieve realistic effects which are most remarkable in ...

    Roz Zinns - Roz Zinns has been involved in art for the last 40 years, from oil painting to weaving to contemporary art quilts. Her work has been displayed nationally and has been reproduced in US and international publications. She majored in Arts Administration and owned a San Francisco gallery specializing in original art and quality artisan crafts. Recently she has come full-circle, back to painting, and is enjoying the creativity and challenge of working in acrylics and water-immersible oils She has always had a love of the land which is evident in her work. Although she is currently focusing on landscapes, she is finding that the compositional element of land in an urban environment has become a fascinating study for her. She also loves to travel and has been interpreting her images on to canvas. She has observed that over the years many of the places she has painted either don't exist anymore or have changed drastically in their usage or appearance. So how wonderful to have captured them as they existed, but with her own interpretation....

    Jack Earley - After writing for two decades, I was developing an idea that I knew could be better expressed as a painting. So in the mid-eighties I took up full-time a life-time passion: painting. My work is about inner energy; about, first of all, my own energy and internal balance, reinforced through the practice of yoga and tai chi. I sign the inner energy of the subject matter onto the canvas. I work with acrylics on canvas and sumi-e inks on rice paper. I also sculpt using wood, copper and leather. Along with focusing on the inner energy of my subject matter, I am constantly working with an awareness that humans have an ancient need to see form, be it in clouds or in chipped paint on a wall or in waving leaves. The ability to decipher forms is part of our oldest survival skills. Imagine the advantage of being able to quickly spot the approaching bear among the shifting shadows of trees. Imagine the advantage and the thrill. On many canvases, I create forms so the viewer "discovers" them in an uplifting act. Often, I give the paint its head in creating forms, like freeing a captured ...

    Michael Garr - I have been drawing and painting since Junior High. I enjoy quick art, impressionistic yet realistic, and minimal. There are interesting subjects all around us. My inspirations are architecture, people, light and shadow, the sea and boats, imagination... and the old masters. Get out and enjoy your surroundings. All my works are available as signed and numbered prints. I also do commission works, some examples of which are in the portfolio. I donate all proceeds to charity (I have a day job). My opportunities for artistic expression have included drawing on napkins during airplane rides and waiting during my sons' music lessons. In 2012 I took up oil painting for the first time, and my mentor is Lorena Pugh of North Kingstown. I've done both Plein air and studio work in her presence, and am benefitting from the association. We have an informal group who meet and paint in Lorena's studio on Monday nights throughout the indoor season. I will continue to pursue art on a daily basis, and post the finished works here and on facebook for any and all to peruse. In 2003, I legally changed my name back to my original name, Michael Garr, so ...

    Heather Hyatt - In my work as a fine artist, I use the mediums of graphite, coloured pencil and oil, in the styles realism, photo-realism, trompe l'oeil and portraiture, Ideas come from literature, metaphors, and the real world. Rather than the imitation of appearance, my concern is with the essence of the subject. In trompe l'oeil, it is the hardness and softness of guns and lingerie, which, when mounted in shadow boxes, become real. In the series,'Dante's Divine Comedy', executed in graphite, the object was to depict the universality of his ideas as they appear today. In all of my work, realism is my focus and goal. ...

    Suzanne Mcclelland - DESIGNER, ARTIST, INSTRUCTOR, AND MENTOR II am a professional artist and Designer in the Sacramento area. I have a love for being creative with my clients in their home and office projects. Art has always been a love of mine. Because I visit so many homes and office I decided to extend my professional ability to create wonderful spaces for my clients. I want to bring more knowledge to the public on how I create my artwork and how it brings life to their spaces. I love the color, texture and the flow of the Pastel medium that I can use to make the piece fit in that special place. I mostly blend the pastels and use vibrant hughes. I build layer on top of layer to get the effect I want. I use different papers to create different effects that I want and go from there. I am an abstract artist and love the journey it takes me. I also work in Acrylics which I am now working with some new ideas, and will be sharing that with all of you soon. I love the energy that I feel when I work with my paintings which I share with ...

    Margaret Stone - Here we are, physically cemented to the earth by gravity. But - our imaginations stretch and soar, taking us beyond our planet and connecting us with far places in the universe. Being part of this, do we indeed live and bloom in a cosmic garden? Ah, perhaps so. I am exploring this connection in my new artwork....

    John Gamache - If I come across something of interest that will be a focal point for me to build on, that excites my passion for elements of the pastaEUR"old, cast-off objects,aEUR"run down barns, old junk cars, and abandoned houses. These are the objects I collect and infuse with new life through my paintings. When I create such a piece, I wish to convey the emotions I feel for the scene or objects to the viewer. I want the viewer to be an active participant in my joy, melancholy, humor, nostalgia. Through my textures, layers, earth-tones, and choice of images, I strive to convey these feelings. To me, the process of creating a work is transcendental I am completely lost in the making, I am part of each piece. It does take time to finish each painting as I work on several at once. Each painting is a slow build up of many layers to reach the final detailing. My goal is to create and master my craft, not just in the painting but in the feelings Ive described previously to the viewer. To elicit emotion will make the piece and my goal complete as a work of art. ...

    Rickie Dickerson - I work from the core, I smear my guts on the canvas, all the pain and confusion...joy, lust and anger...right before your very eyes. I have to paint, I have no choice. My mentor, Luise "Mignon" Andersen, introduced me to acrylic paint and threw me deeper into the river of creativity. Everything I do is just to keep me from drowning... As for the photography, that's compulsive as well....