Artists Describing Their Art:
Youri Messen-Jaschin - From 1958 - 1962 his artistic studies lead him to the higher national school of fine arts student of Professor Arno Roberto Cami and to the Practical school of the Sorbonne, division of social sciences history of art, Professor Pierre Francastel in Paris. From 1962 until 1965, he went to the School of fine arts in Lausanne. He worked with the engraver and painter Ernest Pizzotti. A<
> in 1964 with his kinetic glass and acrylic sculptures. He worked two years at the aEURoeCenter of contemporary engravingaEUR in Geneva. Then, he worked in Zurich, where he broadened his pictorial perspective with the painter Friederich Kuhn thru experience of the circle in the face. From 1968 until 1971, he acted at the University of HAPgskolan fAPr design Konsthantwerk in GAPteborg, where he created researches of textile kinetic objects. In 1967, he met at an exhibition in GAPteborgs Konsthall JesAos - Rafael Soto, Carlos Cruz-Diez and Julio Le Parc. Speaking with these artists, he discovered to be fascinated by optical art. He decided to devote all his research to kinetic art. An extended stay in GAPteborg gave him the opportunity to constantly evolve in movement and ...
Bruno Paolo Benedetti - Bruno Paolo Benedetti, born in the year 1954, began to take pictures, studying perspective and photo techniques, in the year 1968. Since the begin he was concerned with black and white photography, observing the contrast s of the nature, the lights and interpreting the reality around him. When he was 25 he began to work in the dark room, enhancing his technique using filters, high contrast films for making his first pictures of surreal and abstract photography. At the same time he began journeying around Europe and the world: India, Nepal, Bhutan, Southern America, South Africa, Egypt, Comoros islands are some of the most visited places. The study of the religions, the mysticism in all of them, inspired his artistic production, especially his surreal photography, where cultural and religious archetypes are depicted. The abstract non objective photography is the other branch of his work. It starts from the observation of the nature in all its manifestations: water, lights, colors, shores, flowers, ice All the colors are not elaborated and strictly natural, highlighting hidden particulars and changing the images into fluid shapes, where each watcher can see new images created by his emotions and fantasy. In both styles of pictures the ...
Alessandro Zanazzo - Alessandro Zanazzo was born in Rome. He is Professor of Photography at Temple University and John Cabot University in Rome. He has been working at several Art projects concerning the interaction between different artistic languages photography, video, installations, performances, music. He spent many years abroad, living in in Bergen Norway and in Paris France and has participated to the French Biennial of Photography i?1/2Le Mois de la Photoi?1/2 where he showed his artworks inspired by two classic latin writers i?1/2The Metamorphosisi?1/2 by Ovidio and i?1/2The Rerum Naturai?1/2 by Lucrezio. His pictures habe been exhibited in European Art Galleries and Museums and in places like the deconsacrated church of S. Peter at Melle France or the S. Angel Castle in Rome. Beside his artistic researches, Alessandro Zanazzo is a professional free lance photographer available for assignments worldwide. In June 2007 he has been invited as Media Photographer by Zimbabwe Tourism Authority and the Embassy of Zimbabwe to take pictures in Africa. In April 2007 he has been the official photographer for the Embassy of Belgium during the visit of her Majesty the Queen Paola of Belgio,in Italy. His works incklude Advertising campaigns, Editorial Photography, PortraitPeople , Fashion , Architecture and Interiors, Landscape, ...
Jon Glaser - There is something fulfilling about capturing a moment in time particularly as the sun makes its first or last appearance. My photographic work reflects an affinity for movement and sound; the latter reminiscent of a song, starting calmly, building strength, power and energy, until the shutter releases and the image is recorded as the ultimate crescendo. While I am most drawn to the grand landscape, my portfolio includes macro still life and abstract work as well, showcasing a relationship between color and light. NOTE: All of my photographs have been processed with Photoshop and Lightroom withlittle manipulation or adjustment. All colors are true of their location. In addition, I print all images using the latest technology, the highest-quality papers, and newest archival inks. All photographs include a 5mm white border to ensure proper handling that helps eliminate the potential for fingerprints. ...
Tahir Un - If art is a language to express myself, then inspiration ought to be the very life in which I am. And societal issues troubling me every so often, and sometimes my own dilemmas Lies in the foundation of all a moral and humanitarian urge to question, shaped by one's own ideologies. Indubitably to me, starting off with strong concepts devoid of mass-market meretriciousness, putting them in a story line and choosing the right material to ensure a firm expression make up the indispensable principles. I maintain that an artist, and naturally his work, can not be deprived of a reflection of his ideology. In a sense, your ideology is a prime source of your stance in life. Of course, fine art can result even without these concerns, but to me, art requires a process where life is taken more seriously. In my opinion unbiased art, or artist, can not really exist....
Tahir Un -