Photography For Sale - Price Range: $1000 - $1999

Artists Describing Their Art:

Tahir Un - If art is a language to express myself, then inspiration ought to be the very life in which I am. And societal issues troubling me every so often, and sometimes my own dilemmas Lies in the foundation of all a moral and humanitarian urge to question, shaped by one's own ideologies. Indubitably to me, starting off with strong concepts devoid of mass-market meretriciousness, putting them in a story line and choosing the right material to ensure a firm expression make up the indispensable principles. I maintain that an artist, and naturally his work, can not be deprived of a reflection of his ideology. In a sense, your ideology is a prime source of your stance in life. Of course, fine art can result even without these concerns, but to me, art requires a process where life is taken more seriously. In my opinion unbiased art, or artist, can not really exist....

Tahir Un - Marilyn Nosewicz - Photography, and Painting are like Magic, Joy , My Birthday, and Christmas all wrapped into one good feeling. I wait for my image to appear in my darkroom,the world stops for that time. I truely live in the moment. Finally I see my images appear before my eyes like magic. I work in Photography Silver Gelatin Black and White primarily and Color Photography. My Painting degree is from Syracuse University. My Silver Gelatin Black and White Photography work is hand printed in the darkroom. I also work in Color Photography, and now also Digital. All my materials are archival. All work is signed and dated. Please Sign my mailing list, or my Guest book, I would like to hear from you. Thank you for looking at my work. ...

Luigi Biagini - Main Publications La Gipsoteca dell1Accademia di Belle Arti di Carrara, ed. Lions Club Scultura a Carrara (Ottocento), ed. CRC (Carrara) Architectural Stone, ed. John Wiley & Sons (New York) La Pelle del Monte, ed. Aldus I Laboratori ritrovati, ed. Comune di Carrara Forme dal Bianco, ed. ARS Due scultori nel paese del marmo, ed. Mori La Toscana ad Assisi, ed. Regione Toscana Dalla materia al linguaggio, ed. Mori Yorkshire sculpture park (Igor Mitoraj, sculptures), ed. Clare Lilley (London) Francisco Guerau (Hopkinson Smith), ed. Astree Auvidis (Gentilly France) Gaspar Sanz (Hopkinson Smith), ed. Astree Auvidis (Gentilly France) International Skulptur i Europa, ed. Mori Profili e voci di donne a Carrara, ed. Comune di Carrara Bianco candido marmo, ed. ARS Storie di Genti, Costumi e di Vino della Lunigiana, ed. r.m.e. Tourist book citta di Carrara, ed. Comune di Carrara Torano, notte e giorno, ed. SGF L1Uomo di Marmo, ed. r.m.e. Verso il sogno di Afrodite, ed. SEA TerraViva (bimestrale), ed. r.m.e. Marmi Pietre e Mosaico, ed. Alinea Le vie bianche in Toscana, ed. Petrartedizioni La Storia di Carmo, ed. Ingrassedi, (Sevilla -Espana) - 2003 Il Lardo di Colonnata, ed. F. Motta (MI) - ...

Bernhard Luettmer - The project is to create the image with a short composition as I wanted at times I took in here. Timing and movements of the camera or the machinery are important resources. Photography is listen to the world as we hear a beloved piece of music. For example: I see a tree just in vegetation, the wind gentle caresses the new leaves, the light shines and you hear all this on the skin. Now take a picture with the knowledge that this concentration and on the negative is something of the feeling....

Sandra Maarhuis - For more information about Sandra Maarhuis and to see a online show of all her artworks visit the website: www.sandra-maarhuis.exto.org Info Paintings and Photocollages: Sandra Maarhuis was born in 1972, in Rotterdam. In 2001 she graduated from the Art Academy of Kampen. It was there that she mastered her painting skills. After graduating, the Dutch Art Institute offered her a place in their Master of Fine Arts course. During this two year course she was taught by Peter Struyken and Emo Verkerk, and she obtained her Master's Degree in 2003. Apart from commissioned works and the sale of her work, her main ambition is to further develop her free artwork. A recurring theme in her visual art is the beauty that is concealed in everyday life. In awe of detail, situation or people. And this admiration is the start of each of her paintings. By painting in a figurative-bordering on realistic-way, she is able to portray the subject as recognizable as possible. The final goal is to let the painting exceed the picture. To be captivated first before realising it's a "picture in a frame". Sandra has a new working space ( atelier) ...