Photography For Sale - Price Range: $1000 - $1999 (449)

Artists Describing Their Art:

Jon Glaser - There is something fulfilling about capturing a moment in time particularly as the sun makes its first or last appearance. My photographic work reflects an affinity for movement and sound; the latter reminiscent of a song, starting calmly, building strength, power and energy, until the shutter releases and the image is recorded as the ultimate crescendo. While I am most drawn to the grand landscape, my portfolio includes macro still life and abstract work as well, showcasing a relationship between color and light. NOTE: All of my photographs have been processed with Photoshop and Lightroom withlittle manipulation or adjustment. All colors are true of their location. In addition, I print all images using the latest technology, the highest-quality papers, and newest archival inks. All photographs include a 5mm white border to ensure proper handling that helps eliminate the potential for fingerprints. ...

Bruno Paolo Benedetti - Bruno Paolo Benedetti, born in the year 1954, began to take pictures, studying perspective and photo techniques, in the year 1968. Since the begin he was concerned with black and white photography, observing the contrast s of the nature, the lights and interpreting the reality around him. When he was 25 he began to work in the dark room, enhancing his technique using filters, high contrast films for making his first pictures of surreal and abstract photography. At the same time he began journeying around Europe and the world: India, Nepal, Bhutan, Southern America, South Africa, Egypt, Comoros islands are some of the most visited places. The study of the religions, the mysticism in all of them, inspired his artistic production, especially his surreal photography, where cultural and religious archetypes are depicted. The abstract non objective photography is the other branch of his work. It starts from the observation of the nature in all its manifestations: water, lights, colors, shores, flowers, ice All the colors are not elaborated and strictly natural, highlighting hidden particulars and changing the images into fluid shapes, where each watcher can see new images created by his emotions and fantasy. In both styles of pictures the ...

Nancy Bechtol - Artists explore and give the world a view of their personal heightened awareness. I visualize and think with keen beliefs and insights. Reflection of human and societal concerns which cross emotional boundaries-- communicating that which is unspoken. My traditional art foundations of drawing, painting and printmaking, evolved into video, digital photography and experimental media. I use digital photography and imaging to envision the concepts originating from the creative pulse.An individual artist explores and gives the world a view of their personal heightened awareness. Artists see and think with keen beliefs and insights.Reflection of human and societal concerns which cross emotional boundaries-- communicating that which is unspoken. My traditional art foundations of drawing, painting and printmaking, evolved into video, digital photography and experimental media. I use digital photography and imaging to envision the concepts originating from the creative pulse....

Markus Kruse - In Washington, Trump is mostly seen only when he chooses. At a lectern in the Rose Garden. Saluting as he boards Marine One. Behind the Resolute Desk of the Oval Office signing jumbo-sized executive orders, pushing his red button to summon a butler with Diet Coke or flashing a thumbs up from his high-backed cherry leather chair. But a nine-day, marathon foreign trip that concluded Saturday here in Sicily has offered the first extended aEUR" and often unfiltered, thanks to the steady stream of raw camera footage provided by his host countries aEUR" look at Trump on the world stage. In Washington, Trump is mostly seen only when he chooses. At a lectern in the Rose Garden. Saluting as he boards Marine One. Behind the Resolute Desk of the Oval Office signing jumbo-sized executive orders, pushing his red button to summon a butler with Diet Coke or flashing a thumbs up from his high-backed cherry leather chair. But a nine-day, marathon foreign trip that concluded Saturday here in Sicily has offered the first extended aEUR" and often unfiltered, thanks to the steady stream of raw camera footage provided by his host countries aEUR" look at Trump on the ...

Bob Bennett - All my work is done in a *very* simple, traditional darkroom - One enlarger, four trays, and a collection of hand tools made from things you can buy at any art supply, or hardware store. Though I work digitally (making web graphics), nothing in either the assignment or art portfolio has been made by a computer. I print only two or three'original' copies of an image, overwhelmingly on 16x20, in black and white. All color is by hand, a combination of watercolor, and Marshall oils. If you are an assignment client, that's your repro material. ( Everyone who has ever gotten it, has been'tickled pink'.) Art portfolio prints are made from 4x5 copy negatives of the'master/originals'. There are'second' master prints available, but not of every image. I've been doing this work since the early'80's, and I've written quite a few artists' statements about the art portfolio work. The more time goes by, the less aedequate words seem to be, and the less interested I am in trying to talk about the pictures at all. ( If words could'do it' ... I'd be a writer ... but you've noticed, I am not one....) ...

Peter C. Brandt - My body of work is an accumulation of my life-time experience of photography, architecture and real estate, (a photographer and proprietor), all accomplished side-by-side over a period of 45 years. I have several portfolios: painted architecture, mirrored image architectural studies, abstract views, multi-exposed images, sectional studies as sculptures, and more; see my website! www.PeterBrandt.com My photography career started in an industrial photo studio. I was assigned to shoot pavilions for the International Worlds Fair; Montreal's Expo 67. Four years into this genre, I discovered fashion and advertising photography, all the while shooting for my personal interest of abstract graphic designs, and abstract views of architecture. At this time I wasn't aware this was also a body of work. After thirty odd years, while living in Manhattan, I returned to architectural photography and its' art. For the last 10 years, while I 'paint' my architectural images, I shut down my analytical mind and allow my emotion and instinct to direct my 'computer mouse' brush. I paint not in a conventional way. I oddly feel guilty for having so much fun in my new art career. I have been influenced by working with 'fine ...