Contemporary Art For Sale Price Range: $500 - $599

Page 8 of 156
Over 4505 works of original contemporary art for sale in the price range $500 - $599. On this page you can find works by Leo Evans, Michael Pickett, Jovica Vucinic, Andree Lisette Herz, Lorrie Williamson, Judith Fritchman, Rosalyn M. Gaier, Lynda Lehmann, Wayne Wilcox, Gordon Mcglothlin, Tamara Sorkin, Marsha Bowers, Eve Co, Richard Lazzara, Alice Murdoch, Rickie Dickerson, Philip Hallawell for the follwing mediums: 1. Links to more artwork and 156 pages for works in the price range $500 - $599 and links to further artists' works at the bottom of this page. To view a work by any of these visual artists simply click on the image or browse the artist's portfolio.


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Michael Pickett: 'Snow Angel', 2006 Acrylic Painting, Inspirational.   This painting Glows in the dark. There is a different image that glows, its an Angel thats holding up its hand catching a snow flake. Best under black light.  ...
, 2006
Inspirational - Painting
16 x 20 inches (40.6 x 50.8 cm)
Michael Pickett: 'Princepelity Angel', 2006 Acrylic Painting, Inspirational.   This painting glows in the dark.  ...
Inspirational - Painting
20 x 16 inches (50.8 x 40.6 cm)
Jovica Vucinic: 'Knezevo Blossom Bloom', 2007 Oil Painting, Landscape.
Landscape - Painting
11 x 9 inches (27.9 x 22.9 cm)
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Andree Lisette Herz: 'storm at sea', 2007 Acrylic Painting, Beach.  late day storm at sea , on gallert wrapped canvas all edges painted so no frame needed ...
Beach - Painting
40 x 30 inches (101.6 x 76.2 cm)
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Lorrie Williamson: 'Mixed Emotions', 2000 Oil Painting, Representational.  Emotional conflict and indecision.  I know them well. ...
Representational - Painting
18 x 24 inches (45.7 x 61.0 cm)
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Judith Fritchman: 'Winter at Lindsays Farm', 2007 Acrylic Painting, Landscape.  Snow blankets the farm at the end of the road. ...
Landscape - Painting
18 x 18 inches (45.7 x 45.7 cm)
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Judith Fritchman: 'Harvest Time', 2005 Oil Painting, Undecided.  Unloading the hay wagon in August. ...
Undecided - Painting
11 x 14 inches (27.9 x 35.6 cm)
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Rosalyn M. Gaier: 'Primordial Bisque', 1997 Other Printmaking, Food.  Primordial Bisque is a humorous abstract that brings a classic soup together with the soup of the cosmos.This collagraph print is the result of overlaying ink layers, which are transferred from collages of fabric, paper, etc. in successive passes through a press. ...
Food - Other Printmaking
19 x 33 inches (48.3 x 83.8 cm)
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Rosalyn M. Gaier: 'Primordial Gumbo', 1998 Other Printmaking, Food.  Primordial Gumbo brings to mind the flavor of a soup, as well as the cosmic mix of our universe. It is a humorous juxtaposition of size and origin.This original print was created from several compressed foamcore plates, printed over each other in succession.Oil- based inks were used on...
Food - Other Printmaking
19 x 33 inches (48.3 x 83.8 cm)
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Lynda Lehmann: 'Heat In the Afternoon', 1987 Other Painting, Americana. A row house in Pennsylvania, looking lurid with shades drawn against the glare of a hot summer afternoon.  When I saw it, with those shades and curtains drawn, I imagined something illicit going on inside. I painted this from a b& w photo I took, but the heat of the ...
Americana - Painting
15 x 11 inches (38.1 x 27.9 cm)
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Judith Fritchman: 'Magnolia Magic', 2007 Pastel, Floral.  Pink and white Magnolia blossoms in pastel and conte pencil on tan paper. ...
Floral - Pastel
19 x 25 inches (48.3 x 63.5 cm)
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Wayne Wilcox: 'Study in Yellow', 2007 Pastel, Abstract.
Abstract - Pastel
17 x 14 inches (43.2 x 35.6 cm)
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Jovica Vucinic: 'Still Life II', 2006 Oil Painting, Still Life.
Still Life - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Wayne Wilcox: 'Memphis Afternoon', 2006 Other Drawing, Cityscape.  Main Street Memphis.  Currently Exhibited at FedexForum, Executive Suite Level. ...
Cityscape - Drawing
17 x 13 inches (43.2 x 33.0 cm)
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Wayne Wilcox: 'Dyers Interior ', 2006 Other Drawing, Interior.  Inside Dyers Restaurant, Beale Street, Memphis. ...
Interior - Drawing
17 x 13 inches (43.2 x 33.0 cm)
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Wayne Wilcox: 'Cocktails', 2006 Other Drawing, Cityscape.
, 2006
Cityscape - Drawing
17 x 13 inches (43.2 x 33.0 cm)
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Gordon Mcglothlin: 'Sonoma Sunset', 1996 Giclee, Abstract. Sonoma Sunset by Gordon McGlothlin is available in limited editions of 25 on canvas and 150 on Somerset Watercolor paper measuring 18
Abstract - Giclee
27 x 18 inches (68.6 x 45.7 cm)
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Gordon Mcglothlin: 'Aurora II', 2001 Giclee, Abstract. Aurora II by Gordon McGlothlin is available in limited editions of 75 on canvas and Somerset Watercolor paper in two sizes, 14
, 2001
Abstract - Giclee
27 x 18 inches (68.6 x 45.7 cm)
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Gordon Mcglothlin: 'Cloud Collection II', 2005 Giclee, Geometric. Cloud Collection II, while part of a diptych, can be purchased as a separate print. It is available in limited editions of 50 on canvas and Somerset Watercolor paper in three sizes, 18x27, 24 x 36, and 28x42. Each piece is personally printed, signed, and numbered by the artist. For ...
Geometric - Giclee
18 x 27 inches (45.7 x 68.6 cm)
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Gordon Mcglothlin: 'Cloud Collection I', 2005 Giclee, Geometric. Cloud Collection I, while part of a diptych, can be purchased as a separate print. It is available in limited editions of 50 on canvas and Somerset Watercolor paper in three sizes, 18x27, 24 x 36, and 28x42. Each piece is personally printed, signed, and numbered by the artist. For ...
Geometric - Giclee
18 x 27 inches (45.7 x 68.6 cm)
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Tamara Sorkin: 'On relations between water and roots', 2003 Other Sculpture, nature. A symbolic description of the subject...
nature - Sculpture
35 x 20 cm (13.8 x 7.9 inches)
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Marsha Bowers: 'Kitchen Mural', 2006 Acrylic Painting, Landscape. Canvas Mural pasted to clients wall.Canvas murals may be painted in my studio and shipped anywhere in the United States.  It is suggested that a professional paper hanger paste the mural.  If interested please contact me.  ...
Landscape - Painting
8 x 6 feet (2.44 x 1.83 m)
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Eve Co: 'Doing Laundry', 1999 Pencil Drawing, Abstract. Doing Laundry# 2 Pencil through- outStrathmore PaperTedious Laundry Day - in a crowded laundro- mat.  Women snapping gum & folding clothes, children running amok, men staring listlessy into space & me with my cd player, paper and pencils.  My favorite memory of this drawing is secretly watching the children watch me ...
Abstract - Drawing
18 x 12 inches (45.7 x 30.5 cm)
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Richard Lazzara: 'framed art bolo or pin ornament', 1989 Mixed Media Sculpture, Fashion. framed art bolo or pin ornament from the folio LAZZARA ILLUMINATION DESIGN is available at
Fashion - Sculpture
3 x 4 inches (7.6 x 10.2 cm)
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Richard Lazzara: 'coral cross bolo or pin ornament', 1989 Mixed Media Sculpture, Fashion. coral cross bolo or pin ornament from the folio LAZZARA ILLUMINATION DESIGN is available at
Fashion - Sculpture
6 x 6 inches (15.2 x 15.2 cm)
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Richard Lazzara: 'turquoise walk pin ornament', 1989 Mixed Media Sculpture, Fashion. turquoise walk pin ornament from the folio LAZZARA ILLUMINATION DESIGN is available at
Fashion - Sculpture
3 x 4 inches (7.6 x 10.2 cm)
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Alice Murdoch: 'Dog Portrait', 2005 Oil Painting, Portrait. commission sample of a dog portrait...
Portrait - Painting
14 x 14 inches (35.6 x 35.6 cm)
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Rickie Dickerson: 'Spotlight', 2005 Computer Art, Abstract.
, 2005
Abstract - Computer Art
11 x 14 inches (27.9 x 35.6 cm)
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Philip Hallawell: 'Function ever preceeds form', 2005 Watercolor, Figurative. An artistic interpretation of Louis Sullivan' s maxim, applied to visagism. ...
Figurative - Watercolor
38 x 56 cm (15.0 x 22.0 inches)
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Tary Socha: 'Two Palms', 2005 Acrylic Painting, Botanical. A contemporary interpretation of palms....
, 2005
Botanical - Painting
36 x 18 inches (91.4 x 45.7 cm)
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(Page 8 of 156) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Michael Pickett - We all have wonderful talents to bring to the World of art as artist. Your unique style and ambitions are greatly respected. We are empowered by the inspiration of our souls, inspired by the beauty of the world around us, and, in our way, changing the world. My goal as an artist is to make a difference in the world of art. I am color-blind and I have dyslexia. Having overcome many obstacles in my life then sharing my findings to those I run across. I am painfully shy when it comes to promoting myself to different galleries and organizations and that's why I've created my own portfolio web site. (www.pickettonline.com) Competition in the world of art is so high that good artist will eventually give up, not knowing that in there own way, they really are making a difference, Maybe not in the world, but in the local community or their family and friends. ...

    Lorrie Williamson - As time passes and history is made, it is exciting to try and capture a special moment of life in a painting. It might be inspired by an earth-shaking event or just an ordinary daily experience. More often it comes as a result of looking for something meaningful to say about life as it is today by painting a picture of it. I have a passion for painting, and a ongoing desire to master the never-ending possibilities that are inherent in making art. I hope to express a mood or tell a story that will grab and hold your attention and make you want to see more....

    Judith Fritchman - I cannot remember a time when I did not want to draw or paint. From my earliest childhood days I have found great joy in depicting my surroundings. Compelling images call out to be examined and expressed: a lone oak tree starkly outlined against a curve of corn stubble, a Cezanne-like arrangement of objects on a table as I walk through a room. But of all God's infinitely varied creations, it is the human face and form which most fascinates and humbles me; the possibility of capturing a fleeting aspect of humanity unique to that individual is an endlessly exciting pursuit. After studying at Beaver College, Cedar Crest College, and Lehigh University, I have also studied classical drawing and design for many years with Myron Barnstone at his studios in Coplay, Pennsylvania. There I have learned to examine the work of great artists of the past as instruction and inspiration. Knowing they have pursued similar interests is a gratifying experience, offering the potential for learning something new, and using it to express my own personal images, values, and emotions. It is my hope that each of my works will reflect, in some small way, a facet of the ...

    Rosalyn M. Gaier - Beauty. Meditative thought. Nuance. These are subjects of my collagraphs. They take on important implications when examined in light of today's American instant gratification culture. While convenience, speed and availability have become hallmarks of our American way of life and our society's progress, there remains a need for something more meaningful. That something is beauty. From my frame of personal artistic reference, "beauty" involves the viewer by initiating the response of taking pause, suddenly, unawares. Arousing the response from deep within, beauty disarms and fulfills at one and the same time. This elusive beauty is vital nourishment for mind and soul. Does today's American art disarm and fulfill? How well are our minds and souls being nourished? Unfortunately, Americans' appreciation and awareness of beauty are partially numbed by their frenzy experience of instant gratification. Beauty falls prey to the mindset of fast food, "Shop till you drop" and instant access to just about everything. We sacrifice refined taste, uniqueness and rewarded perseverance for what often is ephemeral and not quite satisfying. What this means for artists is that their best pieces can be easily overlooked. Unless relevance and nuance of an artwork can be realized immediately, instant ...

    Lynda Lehmann - I have participated in numerous juried shows and had solo shows of my paintings. Ive sold my photography and digital art online, in galleries and other real-time venues, although I am currently marketing my work primarily online. My stock art sells well and Ive sold at least 2400 images in that venue. Life events had steered me away from painting but I am jumping back into that part of my process and hope to have new paintings online within the next few months. OTHER STUFF My painting Bibliophiles Dream has been featured on the cover of the Insights Journal of Austin Seminary. My paining Damariscotta Dream has been used for the cover of Chuck Sweetmans poetry chapbook published by Dream Horse Press. My image Enchanted Forest was used by the Sierra Club in their online feature Daily Ray of Hope. The Yellow Door has been published in Long Islands Canvas Magazine. I was a featured artist at Imagekind in July and have been featured from time to time on my other sites as well. February 1 - 28, 2009 - Metrimorphic III featuring new abstract paintings combining biomorphic and geometric elements, Harborfields Library, Greenlawn, NY. Due to time constraints I will ...

    Wayne Wilcox - ArtistaEURtms statements have always seemed redundant to me. The work generally speaks for itself. But here goes.. For me itaEURtms about shapes, color and lines interacting and relating to each other. Representational, abstract, non-objective theyaEURtmre all the same. Light against dark, color against color, line intersecting line. IaEUR~m as comfortable with super realism as I am with abstract expressionism. Then, of course, thereaEURtms the medium. I love the paint. I love the act of painting. I love how it flows and how it takes on a direction on itaEURtms own. ItaEURtms like magic. With one stroke something appears before your eyes that wasnaEURtmt there before. An image. An emotion. With each stroke or drip it changes. ItaEURtms an amazing experience. I highly recommend it. And then thereaEURtms image. I am a visual artist. IaEUR~m after strong images, images that evoke a feeling. Starkness, warmth, love, violence, emptiness, beauty, strength. I want the painting or drawing to stand on itaEURtms own. I am a painter. I cannot escape that fact. There have been times IaEUR~ve tried but I always return. ItaEURtms not what I do. ItaEURtm...

    Tamara Sorkin - I have always worked from organic subjects- plants, animals, or the human body, but usually I arrive at an abstract, "zoomorphic" description, that enables me a wider perspective. ...

    Marsha Bowers - Marsha Bowers was born and raised in the Central Valley of California. She is a classically trained fine artist, skilled in the old Masters techniques of Flemish/Bistre and Venetian method using a grisaille underpainting and glazing with many layers. Most of her fine art paintings are rendered in oil. She sometimes applies real gold leaf into the artworks. Marsha finds inspiration in the old masters of the past. She spends many hours visiting Museums studying their work. Gothic and Renaissance are her favorite periods along with the Pre-Raphaelites artists. The artist loves the blending of the classical painting techniques with a more contemporary approach to her paintings. Her recent fine art paintings are of women, both figurative and portraiture. The inspiration for her paintings comes from her observations of life itself and through her own experiences. Each painting shares a message, story or emotion. Its what the artist herself describes as a "flowing" of the spirit, a creative process through which the artist paints a story unto the canvas, realizing that each viewer of her work may have their own interpretation of what the art is conveying. Most recently Marsha was invited to be included into the International ...

    Eve Co - I began painting and drawing in 1987 and have not stopped. I have a wide range from, landscapes, still-lifes, Hubble art galaxies nebulas, abstracts, florals, architectural art and so much more. I draw every day and paint as much as I can afford. I paint more watercolors than acrylic and oil canvas art. I would prefer more canvas art, but I make do with what I have. I try to express myself in artwork as well as with words. I paint landscapes, the glorious colors of nature, water, the ever expressive sky and more, primarily with watercolors on paper. These paintings are usually thought out and planned because they represent nature as I see nature. I paint still-lifes of everyday objects. To teach me about one particular color, shading and or painting glass. I think of still-lifes as a learning process that literally has me pulling my hair out in frustration, but I still paint through how they make me feel... I am fascinated with Hubble Space Technology so, I paint galaxies and nebulas on canvas with acrylic paints. I have sold many of these paintings and I must admit they are some of my favorite subjects...

    Alice Murdoch - I have always wondered why statements are necessary from artists, unless their statements are not clear in their work. I think my paintings are strong enough to make their own, and that is my statement about my artists statement....

    Rickie Dickerson - I work from the core, I smear my guts on the canvas, all the pain and confusion...joy, lust and anger...right before your very eyes. I have to paint, I have no choice. My mentor, Luise "Mignon" Andersen, introduced me to acrylic paint and threw me deeper into the river of creativity. Everything I do is just to keep me from drowning... As for the photography, that's compulsive as well....

    Philip Hallawell - I work in various media: oil, watercolor, dry pastels, pen and ink and mixed media. My work is a result of a fragmented view of the world, which gives it a surreal quality. However, my process is not surreal, because I start with a definite theme that I wish to investigate. My main area of interest is people and the human form and I am constantly investigating the physical, intellectual, emotional and spiritual aspects of Man. Over the years I have developed various series, which I revisit periodocally, investigating different aspects. In purely visual terms, what fascinates me is light and form and how I can use diverse visual elements in a complementary way, opposing, for instance, line and form, or rough and smooth textures. The use of diferent materials to achieve diverse expressions, either alone or as mixed media, along with alternating between a graphic representation and a painterly one, or mixing the two, is a very important aspect of the way I materialize my thinking into images. Equally important is the transition from very realistic images to a totally abstract means of expression and alternating between control and expressiveness....