Contemporary Art For Sale Price Range: $600 - $699

Page 6 of 69
Over 1981 works of original contemporary art for sale in the price range $600 - $699. On this page you can find works by Lora Vannoord, Donna Gallant, Vincenzo Montella, Van De Ven, Tom Lund-lack, Micha Nussinov, Bonie Bolen, Jose Freitascruz, Martin Glick, Claudia Nierman, Robert Arnold, Luise Andersen, Stephen Mead, Heather Hyatt for the follwing mediums: 1. Links to more artwork and 69 pages for works in the price range $600 - $699 and links to further artists' works at the bottom of this page. To view a work by any of these visual artists simply click on the image or browse the artist's portfolio.


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Donna Gallant: 'Moving Spring Sky', 2011 Pastel, Landscape.    Influence by the prairie landscape, Donna continues to search and explore its vast spacial elements  ...
Landscape - Pastel
25 x 19 inches (63.5 x 48.3 cm)
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Donna Gallant: 'Moving rain', 2011 Pastel, Landscape.   Influence by the prairie landscape, Donna continues to search and explore its vast spacial elements ...
Landscape - Pastel
25 x 19 inches (63.5 x 48.3 cm)
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Vincenzo Montella: 'Let me fly', 2007 Color Photograph, Inspirational.
, 2007
Inspirational - Photograph
60 x 40 cm (23.6 x 15.7 inches)
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Van De  Ven: 'Composition in Red and Blue digital ', 2010 Digital Painting, Abstract. combination of raster and vector painting, explores contrasts between raster and vector.  numerically unique print on Xpozer, a thin, paper- polyester carrier with a minimalistic, frameless, floating appearance on the wall.  abstract, digital, vector, raster, blue, grey, red...
Abstract - Digital Painting
40 x 40 cm (15.7 x 15.7 inches)
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Tom Lund-lack: 'Energy 4', 2010 Oil Painting, Equine.    The fourth painting in a series exploring the ways in which horse racing can be rendered to capture power, energy and drama.  ...
, 2010
Equine - Painting
60 x 45 cm (23.6 x 17.7 inches)
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Micha Nussinov: 'games children play', 2009 Other Photography, Children.  Nussinov has drawn from his own stock library of hundreds of images. He has assembled them digitally, to create imaginary scenes of life within the urban and natural environment. Working with hand drawing techniques and computer digital technologies a composite artwork is created, that is both atmospheric and evocative, elusive...
Children - Photograph
80 x 60 cm (31.5 x 23.6 inches)
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Bonie Bolen: 'Flying', 2009 Oil Painting, Love.
, 2009
Love - Painting
54 x 46 inches (137.2 x 116.8 cm)
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Jose Freitascruz: 'entre parentheses orage', 2009 Acrylic Painting, Abstract Landscape.  { orage} . . .  special moment captured within brackets. . . ...
Abstract Landscape - Painting
50 x 50 cm (19.7 x 19.7 inches)
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Jose Freitascruz: 'entre parentheses 3', 2009 Acrylic Painting, Abstract Landscape.  { un noeud} . . .  special moment captured in brackets. . .  ...
Abstract Landscape - Painting
50 x 50 cm (19.7 x 19.7 inches)
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Jose Freitascruz: 'entre parentheses 2', 2009 Acrylic Painting, Abstract Landscape.  nuage. . .  special moment captured in brackets. . .  ...
Abstract Landscape - Painting
50 x 50 cm (19.7 x 19.7 inches)
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Martin Glick: 'Satyr and Nymphs', 2009 Other Ceramics, Mythology.   This is one of my large Floragoyles sculptures.  the head of a satyr surrounded by flower petals.  In the petals are several nymphs.    ...
Mythology - Ceramics
18 x 18 inches (45.7 x 45.7 cm)
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Claudia Nierman: 'Whispers on jute', 1995 Cibachrome Photograph, Fantasy.  Part of a Series on phantoms.This image is also available printed on canvas 57 x 80; and in cibachrom 32x 45. ...
Fantasy - Photograph
14 x 22 inches (35.6 x 55.9 cm)
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Vincenzo Montella: 'shepherd', 2009 Other Printmaking, People.  laser print ...
, 2009
People - Other Printmaking
40 x 60 cm (15.7 x 23.6 inches)
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Vincenzo Montella: 'Pasar Burung 7', 2009 Other Printmaking, People.  laser print ...
People - Other Printmaking
40 x 60 cm (15.7 x 23.6 inches)
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Vincenzo Montella: 'Pasar 1', 2009 Other Printmaking, People.  laser print ...
, 2009
People - Other Printmaking
40 x 60 cm (15.7 x 23.6 inches)
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Vincenzo Montella: 'Pasar ', 2009 Other Printmaking, People.  laser print ...
, 2009
People - Other Printmaking
40 x 60 cm (15.7 x 23.6 inches)
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Vincenzo Montella: 'Indonesian street life 1', 2009 Other Printmaking, People.  Laser print ...
People - Other Printmaking
40 x 60 cm (15.7 x 23.6 inches)
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Vincenzo Montella: 'Indonesian street life', 2009 Other Printmaking, People.  laser print ...
People - Other Printmaking
40 x 60 cm (15.7 x 23.6 inches)
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Robert Arnold: 'On Being an Artist in America in 2008 2', 2008 Monoprint, Conceptual.  Ink on paper. ...
Conceptual - Monoprint
8 x 11 inches (20.3 x 27.9 cm)
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Robert Arnold: 'On Being an Artist in America in 2008 1', 2008 Monoprint, Conceptual.  Ink on paper. ...
Conceptual - Monoprint
8 x 11 inches (20.3 x 27.9 cm)
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Luise Andersen: 'UNTITLED STILL prgrsupdt jan tweight', 2009 Oil Painting, Undecided.  . . went in again. . whites. . heavy . . irregular and strong expressing feel. . the cut of the expected. . or the unexpected. . nothing is always as is. . blink of an eye. . shattered. . reborn. . hurt. . loved. . my eyes now. . other tomorrow. . or my eyes now. . my eyes tomorrrow. . Nothing is granted. . wish. . within human hearts...
Undecided - Painting
0 x 0 inches (0.0 x 0.0 cm)
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Robert Arnold: 'Filippo ha verniciato una pittura di Lucrezia', 2006 Monoprint, Conceptual.  Ink on paper. ...
Conceptual - Monoprint
8 x 11 inches (20.3 x 27.9 cm)
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Robert Arnold: 'Il papa ha nuova pattini rossi di Prada', 2005 Monoprint, Conceptual.  Ink on paper. ...
Conceptual - Monoprint
8 x 10 inches (20.3 x 25.4 cm)
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Luise Andersen: 'UNTITLED STILL Beginning DecTHRTY', 2008 Oil Painting, Undecided.   pic taken in bright light. . touch glare, because oils are still wet and sun light in lessened the blues in appearance. . . will take in neutral afternoon, when hues are not influenced by brightness....
Undecided - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Luise Andersen: 'AND EARTH WEEPS FOR HER CHILDREN', 2008 Oil Pastel, Undecided.   Oil Pastel On acid free art paper.postage and handlg. included....
Undecided - Oil Pastel
14 x 17 inches (35.6 x 43.2 cm)
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Stephen Mead: 'Epona', 2003 Mixed Media, Mythology.  Part of the mixed media series From the Sea of Myths, available in Selected Works via Amazon or Lulu.  com.  ...
, 2003
Mythology - Mixed Media
18 x 24 inches (45.7 x 61.0 cm)
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Heather Hyatt: 'Black Bustier', 2008 Oil Painting, Still Life.  Painted in trompe l'oeil style, Black Bustier is mounted in a shadow box. ...
Still Life - Painting
17 x 47 inches (43.2 x 119.4 cm)
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Luise Andersen: 'TOGETHER', 2008 Oil Pastel, Trees.  . . was a great Sunday. . Leo Evans and I went out to create together. . As you know from prior descriptions, we had creative sessions several times before. . not for a long while. . so. .today was the day. . we both were close to nature. . peaceful. . weather beautiful.drew 4 hours straight. . We...
, 2008
Trees - Oil Pastel
0 x 0 inches (0.0 x 0.0 cm)
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Heather Hyatt: 'Fanny', 2006 Oil Painting, Portrait.
, 2006
Portrait - Painting
14 x 18 inches (35.6 x 45.7 cm)
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Ron Ogle: '30 Square Inch Landscape', 2008 Oil Painting, Abstract Landscape.  I take a sacred vow. : Never shall the sun of my love sink below the horizon of Thee. Never will I lower the vision of my lifted eyes to place it on aught but Thee. Never will I do anything that reminds me not of Thee. [ Paramahansa Yogananda ] ...
Abstract Landscape - Painting
6 x 4 inches (15.2 x 10.2 cm)
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(Page 6 of 69) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Lora Vannoord - I am a Florida Artist originally from a small town in Michigan, now painting in Florida. My works are original oil paintings inspired by Mother Nature. I want to communicate my love of nature to help others see and appreciate the natural environment around them. My goal is to give others a calming and imaginative experience in their homes when they contemplate my oil paintings. I enjoy the creative composing of my landscapes using my store of images and my imagination. I combine my sketchbook images and photos to form my imaginary landscape. I then feel excited and fulfilled when my work goes well. Even as a child my happiest times were when I was creating art or attending art activities and museums. I am a member of the Tarpon Springs Art Association and NOAPS. I have been chosen to show my original oil paintings in many of their juried exhibits. I have had solo exhibits in Grand Rapids MI, Dunedin FL, Oldsmar FL and Tarpon Springs FL. I have shown oil paintings in group exhibits in Clearwater FL, Crystal Beach FL, Tarpon Springs FL, Oldsmar FL, Dunedin FL, Sarasota FL, Safety Harbor FL, Tampa FL Art Museum, Miami FL...

    Donna Gallant - Art is a daily routine in my life. I see, hear, taste, feel and smell the life that surrounds me and I am inspired by the simplest aspects of this world. Whether it be the way the light hits an object or the way objects or forms move in space. I find it all so fascinating and alive. I try to portray these experiences and expressions through my art making....

    Vincenzo Montella - Vincenzo Montella was born in Benevento, Italy the 7/14/1952 and lives in Naples where works as psychiatrist. He is graduated in Medicine and Philosophy and specialist in psychiatry and family psychotherapy. He is artist, poet and photographer. He studied photography at the Toscana Photographic Workshops attending courses of William Allard, Michael Yamashita, Machiel Botman, Alex Webb, Jeff Jacobson, Arkady Llove, Sarah Moon, Carol Dragon. ...

    Van De Ven - Registration Netherlands Institute for Art History RKD 473520 Painter and graphic artist, fiction writer. Graduated at University of Amsterdam. Quit work as journalist at a national newspaper in 2000 to become fulltime painter and writer. Initially watercolor, linocut and monotype of etching ground on glass. Changed to digital raster painting in 2004. Proceeded through a combination of raster-vector to vector around 2013. Lorenzo Award for digital painting at the 2015 Florence Biennale, several other awards. Author of Digital painting explained and illustrated 2013-2022, an online source of information on digital painting at www.digitalpainting.be Author if Digital Painting Auteursdomein, Amsterdam 2021. Computer My love for the computer comes through my partner, a theoretical computer scientist at the Center for Mathematics and Computer Science in Amsterdam, one of the founding institutions of the Internet. At the end of the 1970s, we had a computer terminal at home and communicated via Arpanet, the predecessor of the Internet. In 1984 I bought a NEC TRS 80, one of the first notebook-style computers. It had an awesome 32KB memory, an eight-line display and a music cassette tape as external memory. Raster In 2000 I gave up my journalistic work ...

    Tom Lund-Lack - I am an experienced artist whose work uses the power of imagination to find find the essence of the subject.A It is grounded in the need to celebrate life, and to portray the subject through the transforming power of colour and light. Arrangements of shape, line, pattern and colour are brilliant at conjuringA up powerful expressions, sometimes these can be dreamlike and at peace sometimes exciting and dramatic. My work does not always represent an actual moment, place or object in time, but they areA the result of a process of reflection, recollection and reinvention, a distillation of experience. Art is a very small word having the widest possible meaning appreciation is a subjective judgement and no artist or workA can please everyone.A My aim is to please at least some of you and I am very confident that this aspiration is achievable ...

    Micha Nussinov - Nussinov's Statement Oct 2012 Drifting, being transient, in between various states of body/mind, like when we travel physically and with our imagination, as in a 'waking dream'. My work represents a world of ambiguity and illusion, of recognized and abstracted scenes embedded as a tapestry of matter, illustrating different relationships. Somewhere in the process of creating artworks these worlds are mixed in an harmonious and conflicting manner, representing the contradiction and collision between languages and landscapes. At all times the viewer is challenged to unfold the mystery, to explore and discover. The works of art are created not through a planned process but rather the starting point is an impulse, a visual or musical trigger. These signals lure the me into the unknown territories where my intuition and inner vision leads to spontaneous discoveries. As a teenager my box camera was an excuse to drift away from trouble, to capture in a photo something, that was at the same time ambiguous and exciting. As a cinematographer/ director of documentaries from1976 to1980 I was acknowledged as an acute observer of people and an highly experimental filmmaker. I have been working in various fields of the arts, consistently for the ...

    Jose Freitascruz - Borneo > 2003 The tropical rainforest and tales of maritime exploration continue to be reflected in my work. Indeed, travel and displacement condition my work - the many places I lived in throughout my childhood and those others my chronic wanderlust has led me to since then have always had an impact on the choices and directions I have taken. The knowledge that a new perspective can be acquired over things we believe to be "fixed" triggers curiosity and fosters a certain degree of unconformity. The need to find and learn new ways to depict whatever it is I wish to depict keeps me on my toes and doesn't allow me to settle with the tools or the style I am already familiar with - I am constantly "on the move" and my painting is meant to be a record of the path I move along. Perceived from a distance my approach tends to be cyclic, each cycle divided into series. Progression occurs from the outside in aEUR" from the surface to the core, from a certain degree of figuration to abstraction. Upon tackling each new theme I will be struck by the outward aspect of things and charged with a strong desire ...

    Martin Glick - As a realistic sculptor I have often been accused of running against the tide of the more modern and abstract movements, but if you take a good look at the work the design is abstract. The look of the work may be, at first glance academic or classical, but the composition is very much in today's idiom. There is a strong sense of movement. Even in the symmetrical sculptures you feel as if they are about to move, like a stop motion camera. They all invite invite you to walk around and see the other side. There is often a strong emotional element and or a narrative. In some sense I am a story teller. Even when viewing one of my portraits you see the subject. Their history and personality is in their face for you to see and to react to. I have been told that my sculptures have something that is unique. There is a twist to the norm, a twist of the form, an emotional element that is mine. It is my heart and my particular view of the world. No price quoted on a sculpture means that it is at a gallery. All i inquiries...

    Claudia Nierman - Some words about my work: The images I produce are deliberately enigmatic and multi-layered. They invite the viewer to engage in the process of storytelling whereby dreaming and living are woven together as a tapestry. I find the sources for my work in the urban environment: window displays, torn posters, graffiti, broken architecture. In short, the remains of man. These objects and situations are eventually transformed by rain, sun, reflections, and shadows, as well as additions made by the passerby. Shaped by the forces of chance, these ephemeral visions are captured on film (and now also in bits and bites) and used as raw material that merge one into another forming a new identity. The result? On one hand, a strange amalgam of my preoccupation with time and memory, and on the other, the way in which the deliberate manipulaton through photographic images can give us insight into our personal and collective struggles. Technical information: I usually work in three different formats: 25 cm x 30 cm and 32 cm x 45 cm printed on cibachrome paper; and a large format of 57 cm x 80 cm, digitilizing the final image and printing it on canvas. (Since this latter ...

    Robert Arnold - For a long time now, I have been interested in squares with five sides. Most people call these pentagons, but I don't because of the obvious political implications. Let's just say that a square with five sides is far more interesting than a square with four sides. My work is often about things involving five; five letters to Filippo Lippi, as well as a variation on the painting that Filippo might have painted after receiving those five letters, five new red Prada pope shoes. Some of those works are here. I am also interested in things that don't involve five, and some of those are also here. Ever since I was a child, I have been very interested in Italy. Although I am not Italian, I grew up in an Italian neighborhood in Buffalo, was heavily influenced by my Italian friends and their parents and worked for a number of years in a restaurant in Buffalo that was owned by an Italian gentleman and frequented by the mafia. I also like to travel to Italy, and very much like the way the Italian people live their lives. Someday I may live there. Although I don't understand ...

    Luise Andersen - Luise'Mignon' Andersen Luise'Mignon' Andersen has only recently begun to reveal her lifes work. Soon after her debut she exploded onto the mainstream art world. Her breathtaking pieces have captured international interest. The stories Luise'Mignon' is telling through her truly deep, layered works seem to decipher the past and foretell the future, perhaps sharing her window to other dimensions and a seventh sense. Her detailed acrylic'Mignon' series speaks to the beholder. They inspire raw emotion and ignite ones imagination. The indescribable nature of the "Duree De Ma Vie" in particular has a growing portion of the art community considering it the conception of an entirely new style. By Maxi c)2006 Guided Through Inner Mind- Intuition- Mental Imagery- I Create The Final Of What I Am Consciously Not Aware Of.. That I Want...... Need... With Each Completed Painting... Eye Of Core Gains a Glimpse Of My Tomorrow.... c) LA I crave.. painting...drawing... sculpting... writing... Like re-inventing my life... my purpose... myself.. .Gives me a direction.. the courage to look at myself ..and find'ME' there... At least for the duration of creating.. ....and once I collect these shards of my core within colors, shapes... form...

    Stephen Mead - In the early 1990's Stephen Mead's poems began appearing in such journals as Onionhead, Bellowing Ark, and Invert, but upon moving to Provincetown, Mass., Stephen decided to concentrate more on visual work. It was in the year 2000, after moving back to NY, that Stephen started seeking publication again for both his writing and his art combined. Since, then, thanks to the wonders of the World Wide Web, his work has appeared internationally both in cyberspace, hard copy, and physical Gallery Space. Often the writing has appeared along side his paintings, and at other times with the text superimposed. In 2004 Stephen began experimenting even more with these poetry/art hybrids creating a series of e books, including the award winning "We Are More Than Our Wounds". From there Stephen began experimenting with his art and poems as films, at first creating slideshows with captions, and then doing his own soundtracks and voice overdubs. These DVDs are available through Indieflix.com In 2006 Stephen put this technology to use releasing a CD of poems set to music "Safe & Other Love Poems" (CDBaby.com), as well as two print editions of his image/art hybrids, "Selected Works" and "Tree ...

    Heather Hyatt - In my work as a fine artist, I use the mediums of graphite, coloured pencil and oil, in the styles realism, photo-realism, trompe l'oeil and portraiture, Ideas come from literature, metaphors, and the real world. Rather than the imitation of appearance, my concern is with the essence of the subject. In trompe l'oeil, it is the hardness and softness of guns and lingerie, which, when mounted in shadow boxes, become real. In the series,'Dante's Divine Comedy', executed in graphite, the object was to depict the universality of his ideas as they appear today. In all of my work, realism is my focus and goal. ...