Artists Describing Their Art:
Mario Cossu - I believe that another reality exists and that we can see it only with the eyes of the child who is inside of us. So I set free my mind and let the brush go on the canvas, translating my dreams, allucinations, mysterious presences, images of subconscious into oil paintings....
Branka Moser - Branka Moser, academic painter and sculptor Branka Moser's paintings, it is a strikingly surreal vision from the fluid brush and fertile imagination of an artist whose remarkable ability to translate subjective feelings into universal images, has won her considerable acclaim and numerous awards.
Erin Emily Robinson - Art is such a beautiful thing, it allows us to express ourselves and to enjoy life. It is such a great gift to see the world through an artistic perspective. I just express the beauty I see in everyday life. There is such amazing art I see everyday, so different but all of it so touching and inspiring. I just hope to discover more about myself through though my paintings. Anyways, I hope you all enjoy my paintings, feel free to drop me a line with any comments or questions. Thanks!...
Bruce Naigles - From a philosophical standpoint, all that we perceive in the world of form is an outer expression of an inner dynamic. Though my work is predominantly figurative, I find it to be the art of giving form to the formless; ideas, emotions, relationships, events. These are by their very nature intangible and essentially abstract, though they continually alter and effect our physical reality. We read them through our intuitive understanding of body language, much as snow blown about on a winter's day reveals the invisible movement and form of the wind. To 'clothe' these subliminal qualities in human figures and bring them forth in a sculpture, whether it be a simple figure inspired by a model's beauty or an allegory of our human condition, is the basic goal and driving force in my work. ...
Niels Ellmoos - Artist Statement I work in most two dimensional mediums (painting, drawing, computer art as well as three dimensional mediums (including video installation, and sculptural ceramics). In the two dimensional works I consider the work to be'spiritual' in nature as often the images manifest through a combination of meditation and sub-conscious energy. Often I begin the process of creativity not knowing what the image is going to end up looking like. The first lines and marks can resemble a child's drawing, generally loose in structure. As the work progresses and the energy builds in a stream of consciousness - an image which is recognisable emerges. To date , landscape and variations of landscapes are the resultant images although spiritual figures have appeared during the process. ...
Pim Van Der Wel - Pim van der Wel (1950) combines the art of making watercolours with his work as a business economist. After lessons in all the basic drawing techniques by two Dutch painters in the periods 1980/1987 and 1994/1996 he specialised himself in watercolours. Watercolour offers hardly any limitations, so he can show what he likes and that is light and shadow in dents, creases and gloss etc. His objects are sports (mainly football), cans, torsos, animals (cows, sheep, dogs and chicken). In the last 10 years his work has been shown at (group-)exhibitions in the Netherlands. Some galleries have his works permanently in stock. ...
Mary V. Williams - With a background in dance and graphic art, I want to capture and transform life with line, light, movement and expression. My favorite subjects are dancers, faces of all kinds, and figurative work. If "one picture is worth a thousand words" I want my paintings and drawings to illuminate, illustrate, and reflect the essence of the subject. I want to discover that nuance, that tiny highlight or line, that brings character and life into a face or form. ...
John Smyth - I was born and raised in Fort William, on the West Coast of Scotland. In 1996 I moved to Aberdeen to study painting at Grays School of Art. I now currently reside and paint in Arbroath on the east coast of scotland. I have found that the paintings I most admire are usually figurative which has influenced me to pursue that discipline with my own work. It is not my sole interest however. I use Abstract elements varying from simple sheets of colour to textured impasto and decorative pattern to complement the figure. These abstract elements may work simply as a background or may encrouch over the figure creating a more dynamic interplay between the abstract and the real. I feel that the contrast between the highly disciplined pursuit of naturalistic figurative painting and the freedom of working with abstraction provides balance in my work on both a visual and conceptual level. The works currently on display on my page are examples of recent paintings in which I have been experimenting with a mosaic tile effect....
Terry Matarelli - My life is all about process. It's the getting there that interests me. My art is similar in that I like the process of making something from nothing. I've spent years landscaping and building a cabin in the woods, as well as doing artwork, and I love taking a bare piece of nothingness and making it something, walk away and don't look back. I strive for a nice finished product, but it's the getting there that keeps me going. I'm not interested in pretty. Be real. Painting is paint on a surface. Any materials, for that matter, have their own essential being, and bring that spirit to the work. I look for that material to speak to me, say something to the viewer, and say whatever it wants. My work is mostly figure ground relationships. I've been drawn to the figure all my life. I'm interested in the drama of life and living, and the endless possibilities of the interaction or isolation we encounter. I'm not looking to represent surface reality, but rather emotional or spiritual reality. I want to get under the skin and see what's going on. I like...
Jessica Burke - Artist Statement Jessica Burke "I don't think art is propaganda; it should be something that liberates the soul, provokes the imagination and encourages people to go further. It celebrates humanity instead of manipulating it." -Keith Harring My paintings are a means of communication. I believe we are a visual culture and our identity is defined by the images we create. My work operates as a documentation of the experience of being human. These images function as the vehicle for the assertion of this cultural identity. I believe there is an inherent power within an image that allows people to relate to each other, themselves and their world through the sharing of a universal visual vocabulary. ...