Artists Describing Their Art:
Julie Van Wyk - ARTIST STATEMENT I HAVE ALWAYS LOVED AND ADMIRED IMPRESIONIST PAINTERS OF THE PAST AND WANTED TO PAINT LIKE THEM. MY FAVORITE PAINTER IS CLAUDE MONET. I WORK IN WATERCOLOR,, ACRYLIC, OIL AND PASTEL. MY FAVORITE MEDIUM IS ACRYLIC. I LIKE TO PAINT QUICKLY SO THAT THE PAINTING RETAINS ITS FRESHNESS, AND ACRYLIC ALLOWS ME TO DO THIS ...
Elizabeth Bogard - My art is about life. I Paint Life When Life Is Art, expressing what I see around me AC/a,!aEUR people, places, moments in time - subjects I connect with on some level AC/a,!aEUR intellectual, spiritual, or emotional. I find it better to let the subject come to me rather than deliberately seeking it. I believe that an artist must experiment in order to grow. Lately I am creating stylish collages using torn and cut papers from vintage and antique sheet music. As Pablo Picasso said, I begin with an idea and then it becomes something else. When this happens to me, the results are exciting. E. K. Bogard ...
Mert Ulcay - Mert Ulcay was born in Istanbul, Turkey in 1974. After studying to obtain a Bachelor of Economics in Istanbul, he moved to Italy and successfully completed a Masters Degree in International Economics and Management in Milan. He started his painting studies in 1996 with Mehmet GA1/4leryA1/4z (one of TurkeyaEURtms leading contemporary painters) at his Bilsak Atelier in Istanbul. He moved Sevinc Altan in 2000, who was a former assistant to Mehmet GA1/4leryA1/4z, opening two exhibitions with her atelier. His works were chosen by the Cagdas Sanat Committee in 2001, for an exhibition with other aEURoeup and coming artistsaEUR at the Contemporary Art Center in Istanbul. In 2003, he participated in the "International Art Action for PeaceaEUR exhibition, with several leading painters in Turkey and moved to Stuttgart, Germany, where he now lives and works, painting from his own atelier. Mert UlcayaEURtms paintings can be described as being emotional, somewhat introvert and very figurative. Always being interested in different expressions of people and of hidden feelings shown from behind aEURoethe maskaEUR. MERT ULCAY- www.mertulcay.com ...
Sylva Zalmanson - Before I became a painter, before I even thought I could, I would look for long hours at the pictures painted by beloved artists and feel their deep pain. I felt that I was not the only one in this world that had a desperate need to make everyone cognizant of this sorrow. Can anything be more important than irresistible art luring and hypnotizing down through the generations with its mysterious riddle and its genius magic touch....
Colin Baxter - Colin's paintings do not try to compete with modern sophisticated images that aim to manipulate, they are meant to stimulate your imagination with a sense of mystery. His paintings encompass a wide range of subject matter and different approaches in both oil and water-colour. Their originality stems from combining many influences so that figurative work, landscapes and abstracts often overlap. Colin says of his work, "You need to dream and let things come from deep inside, then, over the years, you look for links. My paintings do not try to compete with modern sophisticated images that aim to manipulate, they are meant to stimulate your imagination with a sense of mystery." His artistic vision is continually evolving, influenced by art he has seen and studied, and inspired by a sense of life's wonder and mystery. The one constant in his work is respect for the painting process itself and the mysterious journey of life and painting. A quotation that Colin once read from an old American Indian, "To see the world you must look twice, once at the detail in front of you, then again at the very edge of visibility where dim visions pass in the ...
Niloufer Wadia - There are no deep, dark secrets here, only warm, quiet moments caught from life, aiming to inspire and make you happy. Drawing ever since I can remember, in school book margins, on newspaper corners and any blank or not-so-blank surface that will accept the marks of a pen or pencil, almost invariably the doodles turned into women. A refrain I always heard growing up was, "good, but draw something besides women!" Now I wonder, "Why?!" It's what I enjoy drawing most! Though I explore various media, pencil, digital and watercolour. in these few drawings my love for the vibrancy of Acrylic paints, the human form and most especially the celebration of beauty in the female sex is obvious. An art student and an advertising professional, I have only recently re-discovered the pleasures of creating art for art's sake. My recent art a little pop-art, melding a contemporary graphic style, shape and vibrancy, with Indian themes, settings and patterns. Shapes are large, bold and in your face, themes are warm and earthy. The paintings epitomize hope, laughter and sensuality; the eyes of my figures hypnotize, the lines and the curves draw you into this celebration...
Jean Yves Lemeur - First I was ingeneer student when came ill with schizophrenia and I had to change.I discovered painting in hospital and my mother liked.So years and years later I felt ok again and started really painting, now for two years. Now I really need to suprise me with new paintings, about two ones a week.Discovering other's work is great too, and I can say writing stories or poems takes a bigger place you imagine to go into paintings sooner or later. So my paintings strangely feed with research of past silent years lost. ...
Jean Yves Lemeur -
Colleen Balfour - Welcome to my world of Art from Africa. All my paintings are created in response to the mood of Africa, or at times, the need to escape that mood. I am a self taught artist and continue to learn each time I pick up the paint brush......
Goran Petmil - For as long as remember IaEURtmve been working on the art that makes up my world, a detailed rethinking of the stored hot inspiration within me. In 2005 I had partially withdrawn from the gallery exhibition spaces forming an opening only in his studio in Southampton. I work my art slowly, taking my time and leaving my pieces to take shape and breathe in the depths of my studio, working on my them for months I come back to them from time to time. I do not live by images, but I live for the art, I do a process of researching materials and textures, with each new layer of paint I'm opening up my own spiritual quest. Destruction, properties that disappear and matter are the primary goal and reason for my creativity, it launches my energy and ignites my spirit to star a feast of many layers, texture and color, it all comes to surface in the art. I find a rays of hope and truth in the landscapes that men ruthlessly destroys all more and more. Large formats are a great part of my excitement, many size paintings, from realistic, to abstract, and sculptures are a ...
Tatyana Leksikova - Painting is something I really love to do. Now it is the most important part of my life. I love colors, enjoy playing with them, mixing them, putting them together. I feel them like music. And the main thing I would like to express in my work is that the life is full of the beautiful moments. I hope people enjoy my paintings as much as I do creating them. ...
Martha Johnson - Photography spoke to me as an art form when I took a basic photography class while working toward a Bachelor of Fine Art in painting. I liked the endless possibilities of technique that are available when capturing light images. I changed my emphasis to photography and started to explore basic black and white images. I explored alternative processes such as posterization with internegs and color filter packs and liquid emulsion on handmade surfaces. For as long as I can remember I've loved looking at the sky - day and night. My location and my love for clouds led me to try my vision of sunset and storm images. The play of light and shadow from the clouds racing across the sky are a challenge to capture in a way no one's seen before....
Katalin Luczay - Painting to me is an expression, interpretation, and appreciation of the world around me. In my opinion any art should inspire and elevate the human spirit. These types of art works are immortal, such as the works of the old masters. In my paintings I strive to achieve these ideals. I would describe my works as related as representational realism. In my seascapes I bring many different colors together to illustrate the movement of water. In my landscapes and still life works I like to emphasize the play of light as it hits a focal point. I like to paint in oil because I can achieve this sense of light and motion by glazing over layers, as well as in oil I can achieve a richness that I find limiting in other mediums. Please see my website at
Michael Chatman - I create art as an expression of my interest in life in capturing the memorable scenes and ideas I have experienced. In creating an image or work, I first, picture the image or idea, then sketch on paper, measure the image to size and then transfer it on to a surface to start painting. Then I proceed to paint the areas of the image I have transformed, starting with the background and then the dominant features of the image, until I have a full painting. I mostly like to work in acrylic, although I can work in most mediums. I find that acrylics are easy to clean-up, dries quickly and is fairly forgiving, as long as one uses a lot of water. I also like working with digital art as I find it to be easy to work with, after learning the fundamentals, and can provide a precise and clear rendering of an image, as well as being able to enhance the image features. In creating Art, I want to leave a lasting impression on the viewer and make them feel as if they have been truly touched by what they've seen....
Margaret Stone - Here we are, physically cemented to the earth by gravity. But aEUR" our imaginations stretch and soar, taking us beyond our planet and connecting us with far places in the universe. Being part of this, do we indeed live and bloom in a cosmic garden? Ah, perhaps so. I am exploring this connection in my new artwork....
Kevin Wakefield - I love the drama of staged lighting to create extraordinary depth, contrast and exciting,bold,value and color changes. Revieling the third dimension with strong visual communication. Painting subject matter that may convey sensuality, to spark arousal, change tention to serenity, or envoke art appreciation,aesthetics,create a multisensory connection to viewers and expanded vision are goals l am to achieve....