Paintings For Sale - Price Range: $500 - $599

Page 8 of 69
Discover 2,001 original painting artworks for sale between $500 - $599. Contemporary emerging artists: Joseph Porus, Susan Cantor-uccelleti, Chris Gould, Rahmani Hacene, Dina Elsayed Imam, Alexandr Ivanov, George Grant, Alberto Ruggieri, Alkistis Wechsler, Julie Van Wyk, Claudette Losier, Judyta Bil, Boz Vakhshori, Mert Ulcay, Daniela Isache, Sylva Zalmanson, Manjiri Kanvinde are exhibiting their affordable original art. You can buy artwork online and browse 69 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Joseph Porus: 'Julia Medici Lystri', 2016 Oil Painting, Portrait. Oil on linenInspired from the orinial who was a student of Leonardo Da Vinci...
Portrait - Painting
16 x 12 inches (40.6 x 30.5 cm)
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Joseph Porus: 'Young Beauty', 2016 Oil Painting, Portrait.  Oil on linenInspired by W Bougereau! ! ...
Portrait - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Joseph Porus: 'Rembrandt Returns', 2016 Oil Painting, Portrait.  Oil on linen ! ...
Portrait - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Joseph Porus: 'Waiting', 2016 Oil Painting, Portrait. Oil on linen !...
, 2016
Portrait - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Susan Cantor-uccelleti: 'From Barren Brown Stems', 2015 Acrylic Painting, Abstract.     Acrylic on gallery wrapped stretched canvas, no frame required, finished on sides. Textured, movement.Signed and numbered on back. Original painting, no copies.    ...
Abstract - Painting
18 x 18 inches (45.7 x 45.7 cm)
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Chris Gould: 'Tannehill Ironworks', 2015 Oil Painting, undecided.
undecided - Painting
28 x 22 inches (71.1 x 55.9 cm)
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Rahmani Hacene: 'abstrait dela nature', 2015 Oil Painting, Abstract.     oil painting       ...
Abstract - Painting
120 x 60 cm (47.2 x 23.6 inches)
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Rahmani Hacene: 'ABSTRACT', 2015 Oil Painting, Abstract.     oil painting       ...
, 2015
Abstract - Painting
120 x 60 cm (47.2 x 23.6 inches)
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Rahmani Hacene: 'clandestine ', 2015 Oil Painting, Abstract.     oil painting       ...
Abstract - Painting
120 x 60 cm (47.2 x 23.6 inches)
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Dina Elsayed Imam: 'portrait', 2009 Oil Painting, undecided.
, 2009
undecided - Painting
24 x 35 cm (9.4 x 13.8 inches)
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Susan Cantor-uccelleti: 'Summer Snow', 2014 Acrylic Painting, Abstract.  Snow covered mountains in the summer, done in textures and layer with my palette knives and rulers. Original art, no copies. Wired for hanging, will look good in a floater frame, either black or neutral. Signed and dated on back. ...
Abstract - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Alexandr Ivanov: 'legend', 2014 Oil Painting, Fantasy.      fantastic landscape        ...
, 2014
Fantasy - Painting
70 x 50 cm (27.6 x 19.7 inches)
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Alexandr Ivanov: 'castle of Dreams', 2015 Oil Painting, Fantasy.      fantastic landscape        ...
Fantasy - Painting
55 x 40 cm (21.7 x 15.7 inches)
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George Grant: 'Woman playing with the ball', 2015 Oil Painting, Abstract Figurative.  woman playing with the ball, oil, canvas...
Abstract Figurative - Painting
50 x 40 cm (19.7 x 15.7 inches)
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George Grant: 'Abstract N 219', 2015 Oil Painting, Abstract.  oil on canvas, abstract ...
Abstract - Painting
70 x 60 cm (27.6 x 23.6 inches)
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Alberto Ruggieri: 'bucket', 2010 Acrylic Painting, Figurative.  square, psiche, material,  ...
, 2010
Figurative - Painting
30 x 30 cm (11.8 x 11.8 inches)
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Alkistis Wechsler: 'bad boys 2', 2015 Oil Painting, Fantasy.                                                    triptych 'bad boys' in 2015 Marais Fantasy a new series in progress                                                 ...
, 2015
Fantasy - Painting
70 x 50 cm (27.6 x 19.7 inches)
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Julie Van Wyk: 'The road home', 2015 Acrylic Painting, Landscape.  From a photo taken while walking home to the farm house where I stayed for a week during a painting workshop in Emmett france ...
Landscape - Painting
18 x 24 inches (45.7 x 61.0 cm)
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Julie Van Wyk: 'Point Lobos', 2015 Acrylic Painting, Seascape.  seascape Done with palette knife only no brush work...
Seascape - Painting
16 x 20 inches (40.6 x 50.8 cm)
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George Grant: 'Never less than your life', 2015 Oil Painting, Surrealism.  Oil, canvas.  Surrealism figurative painting. ...
Surrealism - Painting
61 x 46 cm (24.0 x 18.1 inches)
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Claudette Losier: 'Around the Bend', 2014 Acrylic Painting, Cityscape.         Working through images of different cities where I lived and worked to give a sense of place in the abstract form.           ...
Cityscape - Painting
24 x 18 inches (61.0 x 45.7 cm)
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Judyta Bil: 'Cape Hatteras lighthouse', 2015 Oil Painting, Landscape.      Painted over textured canvas. Sealed with varnish.Lighthouse     ...
Landscape - Painting
18 x 15 inches (45.7 x 38.1 cm)
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Rahmani Hacene: 'abstarct', 2015 Oil Painting, Abstract.    oil painting      ...
, 2015
Abstract - Painting
120 x 60 cm (47.2 x 23.6 inches)
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Rahmani Hacene: 'nowhere', 2015 Oil Painting, Abstract.   a unique peace of work painted with oil       ...
, 2015
Abstract - Painting
120 x 80 cm (47.2 x 31.5 inches)
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Boz Vakhshori: 'Black Fish', 2015 Oil Painting, Abstract.    Figure of fish. Oil on canvas.      ...
, 2015
Abstract - Painting
40 x 30 cm (15.7 x 11.8 inches)
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Mert Ulcay: 'Cigarette in the Hand', 2014 Oil Painting, Figurative.
Figurative - Painting
41 x 54 cm (16.1 x 21.3 inches)
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Daniela Isache: 'Book in Blossom', 2013 Oil Painting, Expressionism.  Art and literature are more real than reality.                              An expressionist image of the tight relationship between man and woman.                                             ...
Expressionism - Painting
50 x 92 cm (19.7 x 36.2 inches)
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Sylva Zalmanson: 'Winter flowers', 2015 Acrylic Painting, Floral.    still life with flowers in a purple vase     ...
Floral - Painting
12 x 16 inches (30.5 x 40.6 cm)
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Manjiri Kanvinde: 'Cats in the Wild II', 2012 Acrylic Painting, Animals.   Painting: Acrylic and WatercolorSize: 16 H x 20 W x 0. 1 inMedium: Acrylic on canvasSize: 20 x 16 inches ...
Animals - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Manjiri Kanvinde: 'Love in the Rain', 2012 Acrylic Painting, Love.  Painting: Acrylic on Canvas and Paper.Size: 16 H x 20 W x 0. 1 inLove is a moment that lasts forever. . .Romantic painting of a couple in the rain.Medium: Acrylic on canvasSize: 20 x 16 inches ...
Love - Painting
20 x 16 inches (50.8 x 40.6 cm)
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(Page 8 of 69) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Amy Wetterlin - Susan Cantor-Uccelleti - My Statement as an artist and what art means to me and effects my life aEURoeArt Heals Body and SoulaEUR Abstract Expressionism gives me the freedom to express my inner feelings and also how I see the world around me through color and movement. My paintings are my life on canvas which I hope to be able to share so others can see the beauty and the wonders around us. This gives me purpose to go on, to be able to create is to live. Painting has always been part of life, in my early years I painted what I was able to see, but now I paint my emotions. My life, as everyone, has had its ups and downs. Each of my paintings represent my moods and situations around me. When you first look at my art, you will see colors, but as you back up and study each painting, you will see something different. Each piece of my artwork has some part of me which I gratefully want to pass on to you. My work is all original, there are no copies or prints, each one of a kind. When I paint, I think colors, movement and balance, ...

    Chris Gould - Never the studious young boy, I spent most of my class time drawing sketches in the pages of my notebooks. Santa Anna, raising his sword in the battle for the Alamo buried deep within my notebook jumped out and attacked my father one evening while he help me with my homework. He counter attacked by hurling, "you will never be anything doing stuff like this", and I believed him. In school I loved art class, excelled and looked forward to it but never believed that I could be something there. When I went to college I focused on art and graduated near the top of my class with a BFA, and still believed that I would never be anything. After all, all I needed was a degree. With diploma in hand I entered the professional world with the ambition to climb the corporate ladder. Climb and climb to be something. Reaching to be something, I fall on art as therapy for the stress and anxiety that being something brings. Now I am something and nothing at the same time because I don't believe any more. And now I want to be something else. It is here in this ambition ...

    Dina Elsayed Imam - I've always found a great satisfaction in the action of watching and in turn in the process of recreating the experience. This continuous process of understanding through visual experience made my work lean towards a more personal and expressionistic style. But that kind of expressionism sprouts out of a genuine desire to transfer a much more realistic truths about what I depict in my paintings. I make no attempt to constrain my interest in a single subject matter. but till now My main concerns lay with the human body and its surrounding space & objects. ...

    Alexandr Ivanov - OVERCOMING OF LONELINESS Painting as well as any present{true} art is improbably sensitive to an essence of time, its{his} secrets, fears, hopes aEUR| the Rhythm of an epoch, its{his} power, always D1/2DuD3/4ND3/4D*D1/2DdegD1/2D1/2D3/4 are reflected in music, the literary statement, is freakish and D?D3/4N,DdegN'D1/2D1/2D3/4 leave traces on a canvas of the artist. Time silently addresses to the master inquiry. The end of a century of the past - the beginning present ascertained weariness of a postmodernism in which EVERYTHING has been admissible, and any Text became the World in which settled ND,D1/4NfD>>NDoNEURN<, allocated D,D1/2N,,DuNEURD1/2DdegD>>NOED1/2N>NOED1/2D3/4NN,NOE emphasized D,NN++DuNEURD?DdegD1/2D1/2D3/4NN,NOE searches of the modern language, new dialogue with itself and with eternity - all was, was, was. The existential loneliness of the person who has lost in time aEUR| became obvious Alexander Ivanov - very modern and duly artist. Its{his} painting is interesting to me for a long time. That not noticing, it{he} as it seems to me, has passed{has taken place} a complex{difficult} way of influences of a postmodern on its{his} handwriting. I ...

    George Grant - In my works I try to mold invisible ideas into visible forms. Merging of the invisible and visible in surreal themes and objects, or in coded geometrical shapes in my art is the way I establish the purpose of breaking through the conventional statuses of material life, into the dream world of human subconscious, where the infinite universes are hiding. So the objects and beings in my works are often appearing as symbols pointing to that which can hardly be talked about in words, allowing the viewer to get the hunch on deeper non-verbal level. Apart of surrealism, abstraction and abstract expressionism, my second fav is a realistic classic painting, where I endeavor to follow the principles and techniques of Renaissance artists. ...

    Alberto Ruggieri - Ruggieri works in two main areas: as an advertising and editorial illustrator and a painter. For the last ten years his illustrations have been published regularly in most important Italian newspapers and magazines. Ruggieri also illustrates children's books and produces bespoke book covers for several leading publishing houses. His painting are mainly acrylic on canvas, other time mixed media or acrylic on paper; in the last years he use the computer also. Ruggieri's work has been highly commended in industry sponsored awards from all around the world for several years. ...

    Alkistis Wechsler - Reality meets myths. Personal visual impressions of chosen English gardens ... lately also Mediterranean seaside, are coming together in imaginative collages and alchemic transformation. . Sensitive to the environment as well as to human interactions and expressions it all translates into visual myths . Not only travels between geographical points, but also a thirst for such trips in the mind through myths and readings of initiatic rituals of metamorphosis, infiltrated as well my art of painting. At the end, every archetype (for example Heliogabalus, Persephone and Artemis) and every movement reaches back to the source of rhythm and scales creating a personal mythology and so I understand my self and the world after each painting is done by a hypersensitive process and not a premeditated rational plan. The seasons or the elements and their rhythm are interwoven with my vision of human soul and the soul of the sea ...

    Julie Van Wyk - ARTIST STATEMENT I HAVE ALWAYS LOVED AND ADMIRED IMPRESIONIST PAINTERS OF THE PAST AND WANTED TO PAINT LIKE THEM. MY FAVORITE PAINTER IS CLAUDE MONET. I WORK IN WATERCOLOR,, ACRYLIC, OIL AND PASTEL. MY FAVORITE MEDIUM IS ACRYLIC. I LIKE TO PAINT QUICKLY SO THAT THE PAINTING RETAINS ITS FRESHNESS, AND ACRYLIC ALLOWS ME TO DO THIS ...

    Claudette Losier - Artistic Statement - Claudette Losier (LosiersArt) "Where Beauty Lies " "The artist knows that even though he has created something beautiful, it can be destroyed. His real and innermost satisfaction is not in the object, but in the subject; that thing within him that penetrates the mystic splendor of Beauty itself." (Ernest Holmes pg 39) One of my bodies of work explores the concept of Paradise as something sought after by modern society. My search centres on gardens--as near as our own backyard and as far away as other continents or the imaginary garden in our consciousness. It has been stated that each garden reflects our longing for spiritual peace--a tie with our primeordal beginnings. It is in the beauty of nature where I find this spiritual peace from a homemade garden to a formal garden, from a tree to the vastness of Grand Canyon, from a rocky coast line to the calmness of a man made pond. In Dr. Wayne Dyer's book "Power of Intention" he quotes from Emily Dickson and John Keats(pg 51): "Beauty is not caused. It is " As you awaken to your divine nature, you'll begin to appreciate beauty in everything you see, ...

    Mert Ulcay - Mert Ulcay was born in Istanbul, Turkey in 1974. After studying to obtain a Bachelor of Economics in Istanbul, he moved to Italy and successfully completed a Masters Degree in International Economics and Management in Milan. He started his painting studies in 1996 with Mehmet Guleryuz (one of Turkey's leading contemporary painters) at his Bilsak Atelier in Istanbul. He moved Sevinc Altan in 2000, who was a former assistant to Mehmet Guleryuz, opening two exhibitions with her atelier. His works were chosen by the Cagdas Sanat Committee in 2001, for an exhibition with other "up and coming artists" at the Contemporary Art Center in Istanbul. In 2003, he participated in the "International Art Action for Peace" exhibition, with several leading painters in Turkey and moved to Stuttgart, Germany, where he now lives and works, painting from his own atelier. Mert Ulcay's paintings can be described as being emotional, somewhat introvert and very figurative. Always being interested in different expressions of people and of hidden feelings shown from behind "the mask". MERT ULCAY- www.mertulcay.com ...

    Daniela Isache - Expressionism is my way to show the world as I see it. Since I was young, I looked at the world differently from my friends. I saw a strange world, wondering why the other people did not see it like me. The world I saw was unjust and made of unhappiness. Looking profoundly at the people's faces, I found them very expressive and I was stroked by their strange traits. I have never seen beautiful or ugly faces but only very expressive ones. Then, I began to paint these faces and I met my future love - Expressionism. At that time, I discovered and understood that the expressionist painting could express the life as I see it. I applied my Expressionism without making any concession to the beautiful or decorative painting. I applied it with force and sometimes with despair. However, when finishing a painting I felt released. I felt as if all my pain and troubles came out of my life. The dramatic motifs I found in everyday life created insurmountable interrogations and tensions. I became calm, but when I looked at my painting, I saw there fear, sorrow and I understood that my Expressionism saved me. Some people ...

    Sylva Zalmanson - Before I became a painter, before I even thought I could, I would look for long hours at the pictures painted by beloved artists and feel their deep pain. I felt that I was not the only one in this world that had a desperate need to make everyone cognizant of this sorrow. Can anything be more important than irresistible art luring and hypnotizing down through the generations with its mysterious riddle and its genius magic touch....