Paintings For Sale - Price Range: $500 - $599

Page 5 of 67
Discover 1,939 original painting artworks for sale between $500 - $599. Contemporary emerging artists: Jerry Di Falco, Tary Socha, Storm Hammond, Paola Di Renzo, Ron Ogle, Lucille Coleman, Bessie Papazafiriou, Andree Lisette Herz, Franziska Turek, Emilio Merlina, Jennifer Bailey, Grace Auyeung, Aniko Hencz, Laurie Macmillan, Dominique Faivre, Ozzie Kajtezovic, Robert Jessamine, Randy Sprout, Mariana Oros, George Grant are exhibiting their affordable original art. You can buy artwork online and browse 67 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Tary Socha: 'Two Palms', 2005 Acrylic Painting, Botanical. A contemporary interpretation of palms....
, 2005
Botanical - Painting
36 x 18 inches (91.4 x 45.7 cm)
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Tary Socha: 'Alpine Snowfall', 2005 Acrylic Painting, Abstract. This four- plex set on canvas is my impression of mountain slopes during a misty snowfall. They were created with flexibilty in mind. Exhibit this eithr as shown here or in a line. The order of each panel is numbered on the back of each unit....
Abstract - Painting
9 x 12 inches (22.9 x 30.5 cm)
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Storm Hammond: 'Italian Light', 2005 Oil Painting, Inspirational.
Inspirational - Painting
16 x 12 inches (40.6 x 30.5 cm)
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Storm Hammond: 'Evening Sky', 2005 Oil Painting, Inspirational.
Inspirational - Painting
16 x 12 inches (40.6 x 30.5 cm)
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Paola Di Renzo: 'nel paese delle fate', 2005 Other Painting, Abstract.
Abstract - Painting
80 x 80 cm (31.5 x 31.5 inches)
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Ron Ogle: 'small abstract number thirtyone', 2002 Oil Painting, Abstract. Hiram Williams taught me to often turn my painting upside down, when painting abstractly....
Abstract - Painting
14 x 11 inches (35.6 x 27.9 cm)
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Lucille Coleman: 'Grapes Bananas Vase Still Life', 2003 Oil Painting, Undecided. Still Life of fruit in a vase with a sensuously cloth draped background in the artists signature painterly style.A(c) 2003 Lucille Coleman...
Undecided - Painting
12 x 17 inches (30.5 x 43.2 cm)
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Lucille Coleman: 'Side Dip', 2004 Oil Painting, Dance. Salsa Dance Series A dip to the side in bold, buttery brushstrokes.A(c) 2004 Lucille Coleman...
, 2004
Dance - Painting
11 x 17 inches (27.9 x 43.2 cm)
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Storm Hammond: 'Monarch Migration', 2018 Oil Painting, nature.
nature - Painting
12 x 16 inches (30.5 x 40.6 cm)
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Bessie Papazafiriou: 'Beach With Seagulls', 2000 Oil Painting, Seascape.      Beach With Seagulls depicts a location near Pylos, Greece.  I love the contrast in this picture and the energy created by the breaking wave.Comments:  Framed...
Seascape - Painting
18 x 12 inches (45.7 x 30.5 cm)
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Andree Lisette Herz: 'fly rod fantasy', 2003 Acrylic Painting, Sports. Fly fishin onthe upper Delaware river. The shore line is at a bend and very rocky...
Sports - Painting
30 x 40 inches (76.2 x 101.6 cm)
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Franziska Turek: 'summer demon', 2003 Other Painting, Abstract.
Abstract - Painting
29 x 29 cm (11.4 x 11.4 inches)
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Emilio Merlina: 'thinking to the summer', 1986 Oil Painting, Inspirational. oil on canvas...
Inspirational - Painting
60 x 70 cm (23.6 x 27.6 inches)
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Emilio Merlina: 'hell king', 2001 Oil Painting, Inspirational. oil on canvas...
, 2001
Inspirational - Painting
70 x 100 cm (27.6 x 39.4 inches)
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Jennifer Bailey: 'colors', 2002 Acrylic Painting, Abstract. backside of color study on piece of window glass ( supposed to be replacement for garage door window knocked out by baseball) The back of it was much nicer than the front...
, 2002
Abstract - Painting
18 x 18 inches (45.7 x 45.7 cm)
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Jennifer Bailey: 'landscape', 2002 Acrylic Painting, Landscape. The lonely property adjacent to my childhood home has a mysterious beauty. ...
, 2002
Landscape - Painting
30 x 24 inches (76.2 x 61.0 cm)
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Jennifer Bailey: 'cow', 2002 Acrylic Painting, Wildlife. The viewer' s description is better than mine on this particular piece.  ...
, 2002
Wildlife - Painting
30 x 48 inches (76.2 x 121.9 cm)
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Grace Auyeung: 'Ethereal', 2001 Other Painting, Landscape. This painting depicts a sense of timelessness versus the transience of human events. ...
, 2001
Landscape - Painting
26 x 26 inches (66.0 x 66.0 cm)
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Aniko Hencz: 'remembrance of water', 2021 Painting, Abstract. Original non- figurative abstract painting depicting the remembrance of water. It can take all kind of forms, is all over us in different shapes and reaches everywhere. We are part of it and we are in water s memory - water is life. The artwork is made with acrylic painting on ...
Abstract - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Aniko Hencz: 'the winding road', 2021 Painting, Abstract Landscape. Original semi- abstract landscape with houses along a winding road among the surrounding green hills. The houses are scattered on both sides of the road, emphasizing the aspects of the rural life. The artwork is made with oil painting on canvas. The painting is signed in front  +back  and accompanied ...
Abstract Landscape - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Laurie Macmillan: 'alone together', 2019 Oil Painting, Abstract Landscape. Alone Together is an abstract sunset, done in oil mixed with cold wax.  The artist used a palette knife, not a brush.  It is in a black wood floater frame with a narrow gold front edge. ...
Abstract Landscape - Painting
13 x 13 inches (33.0 x 33.0 cm)
Aniko Hencz: 'summer night fever', 2021 Painting, Abstract. Original semi- abstract painting with houses, trees and bushes. It is an imaginary landscape of a village on a hot summer night. The colorful artwork is made with oil on canvas, it is signed in front  +back  and accompanied with a certificate of authenticity signed by me.It is varnished ...
Abstract - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Dominique Faivre: 'columbia river', 2020 Oil Painting, Landscape. a fantastic fall scenery done with great oil colors...
Landscape - Painting
12 x 36 inches (30.5 x 91.4 cm)
Dominique Faivre: 'quoi ou', 2021 Acrylic Painting, Abstract. My new media that I am trying as an abstract and acrylic which is new for me.  Original painting...
, 2021
Abstract - Painting
28 x 22 inches (71.1 x 55.9 cm)
Ozzie Kajtezovic: 'sketch for horse trader', 2008 Oil Painting, Landscape. This was sketch painting for  Horse Trader  painting, ...
Landscape - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Robert Jessamine: 'galactica', 2021 Acrylic Painting, Abstract. Abstract image based on the shape of a spiral galaxy using a splatter painting technique...
, 2021
Abstract - Painting
21 x 21 inches (53.3 x 53.3 cm)
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Randy Sprout: 'ponderosa marsh deep winter', 2021 Painting, Landscape. 12X9 Acrylic Sketch on140 Strathmore Painted for SOCALPAPAother handchallenge, in my case the left hand.  It is the late afternoon as the bitter cold wind is shutting down the afternoon sun. ...
Landscape - Painting
9 x 12 inches (22.9 x 30.5 cm)
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Mariana  Oros: 'la portita lui gheorghita', 2021 Painting, Abstract. Original abstract painting , acrylic on canvas stretched on wooden chassis, does not require the frame, Hand- painted and signed by the artist, absolutely uniqueTitle: La Portita lui GheorghitaSize: 80x80cmYear of Work: 2021Medium: Acrylic on canvasReady to display. ...
Abstract - Painting
80 x 80 cm (31.5 x 31.5 inches)
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George Grant: 'n926 crazy year', 2021 Oil Painting, Abstract. Crazy and irrational year of 2020. ...
Abstract - Painting
60 x 50 cm (23.6 x 19.7 inches)
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Linda Paul: 'ocean dreams painting', 2020 Acrylic Painting, Sky. Ocean Dreams from American artist linda Paul .  One of a kind original work of art. Its perfect for beach house or coastal themed decor by American artist Linda PaulFabulous  colors of blue, gold, pink white,  and pale yellow.  You can decorate an entire room around these colorsSize 20  ...
Sky - Painting
20 x 20 inches (50.8 x 50.8 cm)
(Page 5 of 67) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Jerry Di Falco - Photography inspires my art and acts as a vital element in my etchings. The images I employ originate from my own photographs, as well as from the images I find from my research into the digital archives of universities, historical societies, libraries, and museums. Upon locating a documented scene I wish to etch, my first step involves the execution of two to five original drawings of the photograph. My collaboration between photography and printmaking allows me the independence to integrate my personal interpretations into the scene. Moreover, I create bridges between the physical and metaphysical visual realities in the same way that a camera intersects with human creativity . . . the nexus between the mechanical and the cerebral art tools. Art unveils everything that we mask behind our belief systems conversely, I strive in my creations to clarify those phenomena we overlook as a result of our egocentric assumptions. Ironically enough, I blame this failure to notice things, a process I label, the phenomenology of connectedness, on todayaEURtms very infatuation with and addiction to the new communicational technologies of social media. My artworks therefore become like windows through which to examine the mysteries of aEURoeeveryday consciousnessaEUR. In fact, my use of ...

    Tary Socha - I am an innovative contemporary artist, exploring unconventional images and techniques in mixed media, collage, acrylic painting, pastel and textile and surface design. I am committed to experimentation and a unique and dynamic expression of my own view of the natural environment, with unexpected color, texture and energy. Through my work, I intend to uplift and brighten the spirit of the viewer, and cause them to question their own perspective of nature and life. My paintings exhibit a fascination with the physical properties of life and science involved in transforming our environment, such as the power of electrical storms, oceans, volcanoes, oxidation, and the process of renewal and rebirth that arises from deterioration and regeneration. Reverence for life, its phenomena and the interconnectedness of all things are the foundation of my work. Primarily, my images are abstractions and impressions of earth, sky, sea and other mysterious phenomena. However, I also continue to work in pastels, drawing, printmaking, and textile design, and I explore all types of imagery, to expand my creative insight and skills. ...

    Storm Hammond - In many of the paintings, my intention was to give the viewer a glimpse into a peaceful moment in the Italian sense of capriccio. In others, particularly those which make use of funerary statuary, one is left questioning aspects of human solitude. It has been said that a landscape does not come alive until there is a figure in it. By using sculptures of human forms, I offer the viewer an identity within the painting. As they are stone, subtly a coldness permeates and a peculiar isolation sets in emotionally. This shifts the pastoral mood to a quiet thoughtful meloncholia. This gives some observers a surrealistic impression of my work. In the architectural alleys, the viewer stands alone on the path. There is always the unseen, something more, a mystery around the corner or through the gate. I use an indirect Old Master's method of oil painting. The process begins with the application of an abstract acrylic ground. Next, an oil grisaille is painted defining the light and dark areas. Then, multiple layers of oil glazes and varnishes finish the piece. The first drawing, painted as the ground utilizes the divine geometry of the Golden Section. The divine ratio, ...

    Paola Di Renzo - Born in Abruzzo, I live and work in Sardinia .Pure amateur artist,I used to work with paper,mainly magazine paper,sand,acrylic and tempera.Nowadays I look for the pleasure of playing with colours with which I try to express feelings and emotions. If I was able to express in words what I try to convey with colours.......I would be a writer!...

    Paola Di Renzo - Lucille Coleman - Although I'm able to produce other imagery, the figure has been my main subject. I believe that if an artist can capture and express the figure well, he can master any subject. I have explored the following themes to name a few: chic erotica, forms of dance such as latin and hip-hop, the family, conceptual themes pertaining to people in business, men and women in positive leadership roles and societal issues. I enjoy painting subjects and themes by using a loose, bold, direct and painterly brushstroke or flat graphite strokes over a solid drawing. Spontaneity and making visual statements by the "less is more" method is very gratifying for me. In addition, the chiaroscuro lighting of subjects fascinates me and I never tire of its effects of light and shadow. I am influenced by the works of Joaquin Sorolla, John Singer Sargeant, Caravaggio and other painters of his era, Wassily Kandinsky, Phillip Corey, Impressionism, and many great illustrators. ...

    Bessie Papazafiriou - Through my work I'm able to express reality in my own way. With a brush in hand suddenly horses can fly, the sky is ablaze, myths become reality and the world is transformed. To me, this is freedom. There is an unequaled sense of joy and satisfaction that comes from being able to express my vision and share it with others. I love it when a stranger views my work and feels a connection...suddenly we're no longer strangers. A new line of communication is open, one that transcends language....

    Franziska Turek - This painting is individual, without any compromise, it combinates the occurence with intuition. The pictures are intrinsic of a special magic, which is not intended or planned, its resulting out of the painting process. The organic impressioned spaces and worlds of this pictures lead to associations and they will contemplate the art of painting themselves, they open a fascinating spectrum of color, area, line, which combines to mythical compactness. ...

    Emilio Merlina - I was born in 1950 in the North East of Italy from a polish mother and a sicilian father. I toured the world until I was 35, then I returned to Italy and picked up again my old passion painting and sculpture. As for myself, I can only say thoughts and paintings, paintings and thoughts. Everything maybe useless, however everything is life. i?1/2The human being leaves its signs, graffiti, indian dreams and imagination. Now I only have left a few more possibilities to express the colors which are not. Only the sign, scratched, angry or brushed is the witness. The sign has passed from there and there it has lived.i?1/2 Emilio Merlina Some hear if a door opens Others hear a latch which opens or closes Others more they hear the Angel when he turns over a page of the Great Book From the novel Missa Sine Nomine By Ernst Wiechert I have words which relegate my hunger And the hunger which owns my body but which do not confine them I have words which are both my confined hunger and body By the Italian poetess Paola Lovisolo ...

    Grace Auyeung - Landscape painting is my artistic gravity, and I mainly use Chinese ink, colour and Xuan paper as media. I like to explore various techniques and styles, but I place strong emphasis on the use of lines to express my feelings and thoughts about the landscape I try to recreate. I see my art as a vision of my inner self and my spiritual self as well....

    Aniko Hencz - I have been drawing and painting ever since I could hold a pencil in my hand...Most of my works are inspired by nature, buildings and personal feelings which end in abstract or conceptual paintings and drawings - it all depends on my mood. My favorite technique is watercolor and ink, but I also like to paint with acrylic or oil. Another medium I create in, is digital art, where my works are the creations of my imagination. I like to experiment and learn new techniques, thus I ventured myself in creating jewelry. When Im not painting, I make one of a kind beaded and wire wrapped pendants. I sell my pieces worldwide, commission works are also welcome - contact me if you wish something special. ...

    Laurie Macmillan - Born in Greece, and having also lived in Israel and Nicaragua as a young child, I never felt as if I belonged in the Illinois of my childhood. I was irresistibly drawn to the West, where spaces were large and choices were expansive. To me, that landscape was exotic, and the geology was fascinating. I was also driven to explore the world. In 1973 I visited several third world nations and saw horribly overcrowded slums, realizing then that overpopulation was the world's worst problem. Travel was my focus for thirty years, along with hiking in the jagged, dramatic mountains of California's eastern Sierra. Now, painting has become my new travel, and an even more rewarding path to discovery. Although largely self-taught, I attended a weekly abstract painting workshop for several years, and have participated in numerous other workshops. Probably the artistic movement that has influenced me the most is abstract expressionism, and I love its depictions of pure energy. Tonalist paintings have always appealed to me; realism does not. I'm most interested in the play between color, texture and shape, and I paint with both ends of the brush, a palette knife, combs, sponges, seed pods ...

    Ozzie Kajtezovic - All my paintings are original and unique,I don't make copies I don't make prints when you purchase painting you can be sure that there is only one painting like that.Each painting is painted with profesional oil paints and protected to last forever.There is collections of 45 paintings painted in last 2 years on locations of New Mexico and Arizona. Thank you Ozzie...

    Ozzie Kajtezovic - Randy Sprout - I grew up in a small town in Northern Iowa, played football, coached the swimming team, and graduated from the University of Iowa with a BA in printmaking studying under Mauricio Lasansky. I then went into the Army and ended up pulling 13 months in Korea on the DMZ. Coming out of Korea I entered UCLA and earned a MA and MFA in printmaking while studying under Jan Stussy and Stanton Mac-Donald Wright. The next year after the funds dried up on my Fulbright Award to Portugal, because of the Angola War, I was lucky to get hired by USC where I taught printmaking as a junior faculty member. I also replaced professors at UCLA when they went on sabaticals, and taught one year at Pierce College. In 1977 I tried Real Estate, you know just for the summer, but by fall I had purchased Century 21 Hollywood Inc. and had a new vocation going. Now 31 years into real estate, I'm coming full circle and starting to paint little quick studies 9X12. I'm using just 1/2 inch brushes and 5 colors. I intentionally limit my time to 2 hours after which I stop and throw ...

    Mariana Oros - Lucrari in colectii particulare in ROMANIA, OLANDA , BELGIA, GERMANIA, MAREA BRITANIE, USA, CANADA, BOSNIA I HERTEGOVINA, FRANTA, TAIWAN, KOSOVO. PUBLICATII 2009- Aparitie pe coperta cartii FILOSIFIA SFLETULUI scrisa de Doriana Crisan, cu lucrarea SUFLET IN AMURG signed 2009. 2010-Aparitie pe coperta cartii aEURoeFILOSIFIA SFLETULUIaEUR by Doriana Crisan, cu lucrarea SUFLET IN AMURG semnat 2009. 2011-Aparitie in aEURoeInternational Dictionary of Artists Volume I by World Wide Art Book , United States, cu lucrarea ASCULTAND BEETHOVEN signed 2010. 2011-Aparitie in aEURoe Salloni Vjeshtor aEUR" Autumn SalonaEUR by Art Gallery Gjilan, Kosovo, cu lucrarea Ascultand Beethoven aEUR"semnat 2010. 2012 aEUR" Aparitie in aEURoe Art Revilution Taipei aEUR" My art, My showaEUR by Taipei World Trade Center , cu lucrarea Vioara aEUR" semnata 2011. 2013 aEUR" Aparitie in aEURoeWIP aEURoe by Wippublication , United States, cu lucrarile La tronul meduzelor -semnat 2013, Ceasornicarul de pe Champs Elyees aEUR" semnat 2013, Prin padurea muzicala aEUR" semnat 2011. 2013- Aparitie in POEME AZN LUMINA, AzI CULOARE - ,,PORTRET DE ARTIST editura Regal DaEURart, Romania 2013 aEUR"Aparitie in aEURoeRECURS LA INTELEPCIUNEaEUR .MANUAL PENTRU UMANIZAREA PUSTIULUIantologie de aforisme, maxime, cugetari, citate cA(c)lA"bre, editura Regal DaEURart, Romania. 2013 aEUR" Aparitie in aEURoeState of the Art - Artists bookaEUR by Art Vip Gallery and Galeria Aberta publishers, cu lucrarile...

    George Grant - In my works I try to mold invisible ideas into visible forms. Merging of the invisible and visible in surreal themes and objects, or in coded geometrical shapes in my art is the way I establish the purpose of breaking through the conventional statuses of material life, into the dream world of human subconscious, where the infinite universes are hiding. So the objects and beings in my works are often appearing as symbols pointing to that which can hardly be talked about in words, allowing the viewer to get the hunch on deeper non-verbal level. Apart of surrealism, abstraction and abstract expressionism, my second fav is a realistic classic painting, where I endeavor to follow the principles and techniques of Renaissance artists. ...