Paintings For Sale - Price Range: $700 - $799

Page 17 of 39
Discover 1,112 original painting artworks for sale between $700 - $799. Contemporary emerging artists: Scott Kinsman, Alaattin Bender, Ivonne Villafuerte, Roger Perkins, Ethel Bustamante, Ignacio Font, Maria Teresa Fernandes, Dana Zivanovits, Fred Paddock, Iana Sophia, Patrick Lynch, Linda Jakobsson, Tom Poole, Jan Skorb, Rosemary Golcher, Jerry Maloney, Patsy Mair, Richard Wynne, Dilek Degerli, Lindsey Larsen, Sue Jacobsen, Judy Dollosa, Sven Froekjaer Jensen are exhibiting their affordable original art. You can buy artwork online and browse 39 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Alaattin Bender: 'seaside', 2007 Oil Painting, Undecided.
, 2007
Undecided - Painting
80 x 60 cm (31.5 x 23.6 inches)
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Ivonne Villafuerte: 'passion ', 2005 Oil Painting, Abstract.  Red as an expresio of Passion ...
, 2005
Abstract - Painting
30 x 30 inches (76.2 x 76.2 cm)
Ivonne Villafuerte: 'Trasendencia ', 2006 Acrylic Painting, Abstract.
Abstract - Painting
54 x 18 inches (137.2 x 45.7 cm)
Roger Perkins: 'Four Messengers', 2007 Acrylic Painting, Space.
Space - Painting
35 x 35 inches (88.9 x 88.9 cm)
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Ethel Bustamante: 'Winter', 2006 Acrylic Painting, Abstract Figurative.
, 2006
Abstract Figurative - Painting
12 x 12 inches (30.5 x 30.5 cm)
Ignacio Font: 'She Said  He Said', 2006 Oil Painting, Abstract Figurative.
Abstract Figurative - Painting
24 x 30 inches (61.0 x 76.2 cm)
Maria Teresa Fernandes: 'Fading Pissarro houses', 1973 Oil Painting, Abstract Landscape.  stilt houses were engulfed by realtyspeculation ...
Abstract Landscape - Painting
18 x 15 inches (45.7 x 38.1 cm)
Dana Zivanovits: 'QUEEN ELIZABETH', 2000 Acrylic Painting, Famous People.  A portrait of the young queen Elizabeth- acrylic on streched canvas - a signed Zivanovits original. ...
Famous People - Painting
24 x 30 inches (61.0 x 76.2 cm)
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Fred Paddock: 'Eclipse', 2006 Acrylic Painting, Floral.  Vase of Sunflowers.   ...
, 2006
Floral - Painting
24 x 30 inches (61.0 x 76.2 cm)
Iana Sophia: 'In Prussian Blue', 2006 Oil Painting, Undecided. oil on a sheet of canvas in a glass frame...
Undecided - Painting
18 x 24 inches (45.7 x 61.0 cm)
Patrick Lynch: 'The First Night of Autumn', 2006 Acrylic Painting, Fantasy.  Mysterious ladies from the turn of the 20th Century stride towards a lake in the heart of night. ...
Fantasy - Painting
28 x 22 inches (71.1 x 55.9 cm)
Linda Jakobsson: 'Fishy', 2006 Oil Painting, Fantasy.
, 2006
Fantasy - Painting
50 x 60 cm (19.7 x 23.6 inches)
Tom Poole: 'Circle of Life', 2006 Acrylic Painting, Abstract. This large colorful painting represents the phases of life and the never ending circle of friendship of all the people who have impacted our lives. ...
Abstract - Painting
22 x 30 inches (55.9 x 76.2 cm)
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Tom Poole: 'Angel of the Morning', 2006 Acrylic Painting, Magical. This large colorful painting portrays the magic and mystery of an angel presiding over the morning flowers. ...
Magical - Painting
22 x 30 inches (55.9 x 76.2 cm)
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Maria Teresa Fernandes: 'Pitangueiras Corner', 1981 Oil Painting, Seascape. to capture everchanging waves is a patient job  ( canvas on a hardboard ) ...
Seascape - Painting
19 x 13 inches (48.3 x 33.0 cm)
Jan Skorb: 'Abstract B', 2006 Acrylic Painting, Abstract.
, 2006
Abstract - Painting
24 x 36 inches (61.0 x 91.4 cm)
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Rosemary Golcher: 'Hilando Textiles', 2006 Other Painting, Abstract. Mixed technique watercolour, collage ( fabric) and line with lead. Frame type wood and the artwork is under glass...
Abstract - Painting
62 x 83 cm (24.4 x 32.7 inches)
Jerry Maloney: 'Fish and Fire', 2010 Oil Painting, Seascape. The sun is setting over Howard Park beach creating firey reflections on the blue water. Two fishermen are trolling for sea trout as they watch mother nature' s spectacular display. Is it possible for the fish to be cooked as they catch them?...
Seascape - Painting
30 x 18 inches (76.2 x 45.7 cm)
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Jerry Maloney: 'Days End Blues', 2010 Oil Painting, Landscape. After a beautiful day of fishing the coastal waters of the Gulf of Mexico, a fisherman returns to the Bayport boat launch as the sun spreads it' s final light of the day over the land and water, creating a warm soothing glow to the scene. Florida sunsets are an ...
Landscape - Painting
26 x 16 inches (66.0 x 40.6 cm)
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Patsy Mair: 'View from the Bunker', 2005 Acrylic Painting, Landscape. A mountain scene of the hills and valleys as seen from high above the city of Kingston Jamaica in the early afternoon, from a private and personal viewpoint. ...
Landscape - Painting
25 x 18 inches (63.5 x 45.7 cm)
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Patsy Mair: 'Flair of the Croton', 2005 Acrylic Painting, Seascape. Exploding in a riot of colour the Croton displays its spiral coronets with tropical dash and daring in the blaze of sunlight. ...
Seascape - Painting
25 x 18 inches (63.5 x 45.7 cm)
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Richard Wynne: 'Pee Pee Island Seacape', 2006 Other Painting, Seascape. Pee Pee Island was one of the areas hit by the Tsunami. It was also used as a James Bond Movie location. The mediums used were oil, acyrlic, watercolor, roof patch, white glue, garment dye. How peaceful the scene how powerful Mother Nature. ...
Seascape - Painting
60 x 30 cm (23.6 x 11.8 inches)
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Dilek Degerli: 'cover of light', 2004 Oil Painting, Abstract.
Abstract - Painting
60 x 50 cm (23.6 x 19.7 inches)
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Dilek Degerli: 'houses in abstract', 2003 Oil Painting, Abstract Figurative.
Abstract Figurative - Painting
50 x 70 cm (19.7 x 27.6 inches)
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Lindsey Larsen: 'Evening Walk I', 2004 Oil Painting, Cityscape.
Cityscape - Painting
28 x 40 inches (71.1 x 101.6 cm)
Maria Teresa Fernandes: 'grapes in a square bowl', 1971 Oil Painting, Food. to work greens with delicacy and many hues ( a little stripe upper leftby contact with another painting, but may be covered by the frame ) ...
Food - Painting
19 x 22 inches (48.3 x 55.9 cm)
Sue Jacobsen: 'Flyway Rest Stop', 2002 Oil Painting, nature.
nature - Painting
36 x 27 inches (91.4 x 68.6 cm)
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Judy Dollosa: 'Gitara', 2005 Acrylic Painting, Inspirational. Original Acrylic painting on canvas...
, 2005
Inspirational - Painting
51 x 41 cm (20.1 x 16.1 inches)
Sven Froekjaer Jensen: 'The stone', 2004 Oil Painting, Visionary. The stone of truth is know in Rome and otherwhere. When in Rome do as the romans do. ...
, 2004
Visionary - Painting
100 x 80 cm (39.4 x 31.5 inches)
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Muriel Van Marion Kasmin: 'lady in red', 2005 Acrylic Painting, Figurative.
Figurative - Painting
50 x 70 cm (19.7 x 27.6 inches)
(Page 17 of 39) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Maria Teresa Fernandes - Admiring Teresa's paintings we are touched by her pictorial sensitivity. Difficult task in light colors (volume and transparencies on a clear basis). Few do it due to the required dedication with pallete knife(no brush).It's painting consacrated by the love to paint. Radha Abramo(Renowned art critique)comments at Solo Exhibition Catalog at SESC Paulista in June 84 -( sent at request and reproduced in one of the pages of this site). ...

    Dana Zivanovits - Dana Zivanovits was born in 1958 in Columbus, Ohio and received his art training from the Columbus College of Art and Design (1978 to 1982). After art school, he went abroad for a year and studied the art of the old masters in London, Paris, Madrid, Rome and Venice. Returning to his studio in Columbus to develop these influences into a new body of work, he then traveled to Mexico and studied the sculpture and painting of that country for an extended period. The unique and vivid colors of Palenque and Vera Cruz intensified his palette. After a period in Ohio, he then moved to Venice Beach, California where the brilliant light of the region reinforced his desire to capture effects of sunlight and atmosphere. Returning to Ohio in 1995, he has continued to paint themes deriving inspiration form sources such as world mythology, classic and B-grade cinema, literature and dreams. However his primary inspiration is direct observation from nature, versus an approach based in art theories or cultural critique. Dana has been widely represented by galleries and exhibition projects including Julie Rico and Mega Boom in Los Angeles, the Venice Art Detour, Around the Coyote Festival in Chicago ...

    Fred Paddock - Touchstones. In my mind, a touchstone is an event or experience that transcends time and place in which a person is touched personally by the Creator. These moments generate intense emotions and profound thought. I believe they are specific revelations from our Creator of His existence, personality and even, His intent. These touchstones have moved the prophets and poets from of old. The Artist is the touchstone in human form, or at least can be. Artists, like the Creator, communicate outside of linear and categorical order. They speak an organic, evolving, fluid language which is understood by the Spirit. In this way, the artist is essential to civilization. He or she brings the touchstone into a context that is available to all (though no single artist speaks to all people, yet collectively, artists speak to all of humanity). It is through art that the Spirit is awakened and the soul becomes aware of the Creator's presence in and around them. This awareness in turn fosters compassion and understanding as one learns to see the unity in diversity. (Uni-Vers or, as I like to say, "Infinite variety with absolute unity") True compassion and true understanding are the seed bed ...

    Iana Sophia - In my work I strive to create a fusion of traditional and experimental, figurative and abstract visions to arrive at a texture, an implication of a landscape, where the familiar dissolves into mostly impressionistic colour fields or configurations with physical, emotional or even cosmic ramifications. Iana Sophias art pulsates between the seen and envisioned, the figurative and abstract. Inspired by a mystical sensitivity and an appreciation of nature, these paintings draw the viewer into a place of contemplation, where the secrets of the work begin to unfold.A(c) DLS ...

    Patrick Lynch - Inspired by the English Pre-Raphaelites and the writings of late Victorian Kentucky poets Madison J. Cawein and Robert Burns Wilson, my paintings are of the eternal human quest for love set in a lost Gothic world inhabited primarily by women who are caught in the contradictions of their dreams and how they have found their world to actually be. Many of the inhabitants are haunted, but not by supernatural forces. When ghosts appear, they are not always the spirits of lost loved ones, more often, they are the ghosts of an idea or dream-for example, the idea that one can find a lifelong and true love or of that one person who simply cannot be forgotten. The women who spread their wings are not angels in the expected sense; their wings are a manifestation of the forces that shape their lives. Men are sometimes present in my images, often in an embrace of acceptance and partnership as they share the immutable longing for love. At other times, men are found at that pivotal moment of undesired separation or are reaching out to comfort those in pain. But not every moment is one of tragic endings. There are moments ...

    Tom Poole - Kentucky artist Tom Poole paints with watercolors, acrylic, pastels and mixed media,www.tompooleart.com. He has studied with some of the best artists in the world and considers Cheng-Khee Chee to be his mentor. Tom's work has been accepted in many regional and national exhibitions including the Southern Watercolor Society, the Kentucky Aqueous Show and the Louisiana International Exhibition. He is a signature member of the Louisiana Watercolor Society, a member of the Southern Watercolor Society, the Georgia Watercolor Society, the Mississippi Watercolor Society and a regional director of the Kentucky Watercolor Society. He is also a member of the International Society of Acrylic Painters. His art has a strong emphasis on design and bold color. His figural and portrait paintings are contemplative and invite the viewer to be quietly drawn into the painting and more recently has been including mystic and spiritual components. He is striving to make his art more personal. He says, "My art is intended to be sensual, poetic and in some way a small look into the soul." He believes that a painting should be a continuous exploration, a continuous revelation that never stops telling you it's secrets. His work is ...

    Jan Skorb - I think that it is an expression of soul searching and times of reflection.Sometimes leaving my thoughts and go where I've never been before.I'm fascinated by the world of the human heart and soul.Searching for gates that need to be opened,with a key,or without it.Sometimes one can open them easily,because they were opened,but one has to reach them first.That's why I'm always on my way....

    Rosemary Golcher - Rosemary Golcher graduated with honors from University of Costa Rica in 1995, majoring in Plastics Arts with painting emphasis. Besides this, she obtained a diploma in technical drawing in the same university. In 1996 she started working in "Museum S.A.", an art restauring company owned by Raul Aguilar. Since them she manages to combine art restauration works along with painting, digital photography, imprints and making glass works. She has taken vitral classes with professor Aldo Canales in University of Costa Rica, as well as art restauration in La Habana- Cuba, Firenze-Italy and in Costa Rica. In the year 2000 she enters artist Marcia Salas' workshop of engraving metal and wood until the year 2001. She has participated in several arts showcases of painting, engraving and drawing in Costa Rica, United States, Chile, Spain, Germany, Poland and Mexico. In 1996 she obtained mention of honor during the Vl Bienal Pfizer, tribute to costarican water painting. Actually she has her own workshop at home where she continues working on art restauration and making art. ...

    Jerry Maloney - Contemporary artist Jerry Maloney, uses a realistic style that falls somewhere between Impressionism and Photo-realism which creates soothing yet vibrant images that are reminiscent of the "Luminists" school of painting."I have always been inspired by the beauty of light in nature. Painters such as Bierstadt, Church, and Inness have always been major influences in my art along with many of the Impressionists" states the talented artist. These influences are readily apparent in the beautiful oil paintings of Florida Colorado and landscapes that fill the walls of his Spring Hill studio. Although landscapes and seascapes are the artist's preferred subjects, he is equally proficient in portraiture, still life, caricature, graphic design (digital or traditional) and cartooning. Oil paint on canvas is the most common choice of medium for the artist closely followed by acrylic paint, pastel chalk, colored pencil and water color. Drawing and painting since childhood, this emerging artist received his formal training from the University of Michigan's School of Art, Colorado University's Colorado Mountain College, St. Petersburg College, Florida State University (where he received a Bachelors Degree in Studio Art) and through numerous workshops conducted by many prominent artists. Since then he has continued ...

    Patsy Mair - PATSY MAIR I was born in Kingston, Jamaica, W.I., and studied Painting as an adult beginning seriously in the 1970s , tutored by Gorge Rodney, one of Jamaica's master artists. My early working background was in Education and Training. As a graduate teacher I taught History, Spanish at High School level and Communication Skills at College Level. Then later I specialised in Training and Development of staff at the workplace. During those years I used my week ends to develop my interest in Painting. While growing in the techniques of oil, acrylic and pastel paintings I exhibited in solo, joint and group shows in Jamaica and Trinidad and Tobago and won Bronze Medals in the Jamaica Cultural Development Commission National Fine Art Competitions among other awards. More recently I participate regularly in exhibitions and am a member of the Jamaica Guild of Artists. My inspiration for my work comes from experiences of what I know and feel. With wide interests and having worked for many years as a volunteer in the cause of abused women I focus on strengths and hopes, happiness and peace. I try to express the vitality of life as I see it, through the medium ...

    Richard Wynne - Richard is an acclaimed International Artist recently returned to the USA. Richard has lived in many Countries. "The last being Thailland. He started his art studies at a very young age at the John Herron Art Institute In Indianapolis, Indiana and then later at the Art Institute of Chicago Richard has lived in many countries, painting, and playing music. Mr Wynne has exhibited in Thailand, the United States, Spain, Argentina, Kuwait, Korea, Ihdia, and other Countries. Sometimes perhaps I say too much about my self but maybe it helps people understand what motivates my work. For your information I've lived in 8 different countries and have been around the world 5 times. I speak a few different languages, some very well; others not so well. By the way I am not a workaholic as I don't consider what I do work. I enjoy life too much. I forgot to say I am also a weight lifter as lifting weights is my Zen. When I am troubled the concentration it takes to lift makes me calm. I guess my page will probably be a little different from what people expect. Sorry I have not been uploading new work as ...

    Lindsey Larsen - All of life's experiences shape the person we become. The people we meet along with the situations and challenges we face are all relative to the way in which we perceive the world. My current paintings were created through the connections made with the depicted environments. Those connections revolve around family and personal relationships along with experiences of difficulties that form within such relationships. Such events have shaped the person I have become. They are reflected in the way that I view my surroundings and are characterized by paintings of isolated interior and exterior spaces. The environments are in various states of deterioration which acknowledge a continual presence of chaos while also attempting to grasp a sense of structure and stability. ...

    Sue Jacobsen - My "artist's eye" seeks both the extraordinary and the ordinarily-overlooked moments in nature, and presents them in a way that allows the viewer to see what I've seen--and loved enough to want to share it. My regional landscapes, painted in oil, capture the rural flavor of the Wood River Valley in Idaho where I've lived and worked for over 30 years. Previously, California coastal areas were my genre. My love of the ocean and its awesome infinity is equaled in the grandeur and peace of the nearby mountains --again, infinite subjects for my paintings. Just as my professional training in graphic design at Art Center School in Los Angeles served me well when I turned my creative skills to easel painting, this then enabled me to move with ease and enthusiasm when sculpture'found me', and I learned to see with new eyes--in 3 dimensions now! My sculptures are figurative, of people or animals, and I seem to have special ability to capture the likeness and personality of my subjects. While I consider myself to be primarily self-taught, I continue to seek out other professional painters and sculptors whose work I admire, with...

    Sven Froekjaer Jensen - To build a bridge between different worlds of expression, to span the abyss between the diversity of human minds, to reach out for the sublime, that is my challenge. Therefore I have to maneuver in a battlefield between old techniques and the new expressions of our time. That means to work in two directions all the time, one way from the old masters of the 19th century especially the drawing skills of the so called Copenhagen school with a very profound technical base, and the other way a freedom of expression, that is the only highway to the description of our time and the dreams and goals of present life. One could express it in another way saying, that I make modern myths in my fabulating paintings. But on the other hand the technical skills acquired from the drawing exercises are a necessity for getting the freedom that makes the fabulations possible. By creating the nonverbal myths on my canvasses I hope to reach the onlooker in a way that brings our minds together so we can walk the paths of understanding - dreaming the very old dreams of humanity. Therefore I work very intensely with drawings of the human and...